Laurel Hill Cemetery

Laurel Hill Cemetery is a historic garden or rural cemetery in the East Falls neighborhood of Philadelphia. Founded in 1836, it was the second major rural cemetery in the United States.

Laurel Hill Cemetery
Laurel Hill Cemetery Gatehouse
Location3822 Ridge Avenue, Philadelphia, Pennsylvania
Coordinates40°00′14″N 75°11′15″W
Built1836-1839[1]
ArchitectJohn Notman[1]
Architectural styleExotic Revival, Gothic, Classical Revival
NRHP reference No.77001185[2]
Significant dates
Added to NRHPOctober 28, 1977
Designated PHMCMay 20, 2000[3]

The cemetery is 74-acre (300,000 m2) in size and overlooks the Schuylkill River. It contains over 11,000 family lots and more than 33,000 graves including thousands of 19th- and 20th-century marble and granite funerary monuments such as obelisks, elaborately sculpted hillside tombs and mausoleums.[4]

In 1998, it was designated a National Historic Landmark.[5]

History

Aerial view showing Laurel Hill Cemetery on the left near the Schuylkill River and nearby Mount Vernon Cemetery to the right

The cemetery was founded in 1836 by John Jay Smith[6], a librarian and editor with interests in horticulture and real estate who was distressed at the way his deceased daughter was interred at the Arch Street Meeting House burial ground in Philadelphia. Smith wrote, "Philadelphia should have a rural cemetery on dry ground, where feelings should not be harrowed by viewing the bodies of beloved relatives plunged into mud and water."[7]

Smith joined forces with other prominent Philadelphia citizens including Benjamin Wood Richards, William Strickland and Nathan Dunn to form the Laurel Hill Cemetery Company and create a rural cemetery three miles above Philadelphia's northern border on the east bank of the Schuylkill River.[8] The group considered several locations but decided on the former estate of businessman Joseph Sims.[1] The location was viewed as a haven from urban expansion and a respite from the increasingly industrialized city center. The city later grew past Laurel Hill, but the cemetery retained its rural character.

The river terrace section

Designs for the cemetery were submitted by William Strickland and Thomas Ustick Walter[9] but the commission selected Scottish-American architect John Notman.[1] Notman's designs incorporated the topography of the location and included a string of terraces that descended to the river.[9] The cemetery was developed and completed between 1836 and 1839.[1] Notman designed the gatehouse which consists of a massive Roman arch surrounded by an imposing classical colonnade and topped with a large ornamental urn. A large Gothic Revival style chapel was built on the grounds but removed in the 1880s to make room for additional graves.[9]

The statuary group known as Old Mortality is based on a tale by Sir Walter Scott and is displayed directly in front of the main gatehouse

The cemetery purchased a group of statues from Scottish sculptor James Thom, known as Old Mortality. The statues were placed in a small enclosure in the central courtyard directly in front of the main gatehouse. The statues are based on a tale by Sir Walter Scott and depict Scott talking to Old Mortality, an elderly man who traveled through the Scottish Highlands re-carving weathered tombstones, along with his pony and a bust of James Thom.[10]

To increase its cachet, the cemetery's organizers had the remains of several famous Revolutionary War figures moved there, including Continental Congress secretary Charles Thomson; Declaration of Independence signer Thomas McKean; Philadelphia war veteran and shipbuilder Jehu Eyre; Hugh Mercer, hero of the Battle of Princeton; and David Rittenhouse, first director of the U.S. Mint.

Classical Revival, Gothic Revival, Egyptian Revival and other exotic styles are rendered in a wide palette of materials, including marble, granite, cast-iron and sandstone. Notable artists and architects, including Notman, Alexander Milne Calder and William Strickland contributed their designs.

From its inception, Laurel Hill was intended as a civic institution designed for public use. In an era before public parks, museums and arboretums, it was a multi-purpose cultural attraction[11] where the general public could experience the art and refinement previously known only to the wealthy.[12] By the 1840s, Laurel Hill was an immensely popular destination and required tickets for admission. Writer Andrew Jackson Downing reported "nearly 30,000 persons…entered the gates between April and December, 1848."

In 1844, due to increasing popularity, Laurel Hill purchased an estate half a mile south and named it South Laurel Hill. In 1863, the property between the two cemeteries was purchased and named Central Laurel Hill. With these two additions, the cemetery reached the current size of approximately 95 acres. A bridge was built over Hunting Park Avenue to connect Central and South Laurel Hill.[13]

In 1860, Laurel Hill Cemetery had an estimated 140,000 people visit annually.[14]

The cemetery was restrictive as to who could buy lots and the majority of burials were for white Protestants. The cemetery discouraged unmarried people from buying lots so that the cemetery would be a family destination.[15]

During and after the American Civil War, Laurel Hill became the final resting place of hundreds of military figures, including 40 Civil War-era generals. Laurel Hill also became the favored burial place for many of Philadelphia's most prominent political and business figures, including Matthias W. Baldwin, founder of the Baldwin Locomotive Works; Henry Disston, owner of the largest saw factory in the world (the Disston Saw Works); and financier Peter A. B. Widener.[7]

By the 1970s, Laurel Hill Cemetery had fallen out of favor as a burial site. Many bodies were re-interred at the more suburban West Laurel Hill Cemetery in nearby Lower Merion, Pennsylvania and the existing graves suffered neglect, vandalism and crime.[16]

The gravesite of Harry Kalas, Philadelphia Phillies radio broadcaster, includes a microphone shaped tombstone and two pairs of seats from Veterans Stadium

In 1978, the Friends of Laurel Hill Cemetery, a 501(c)(3) non-profit organization, was founded by descendents of John Jay Smith to support the cemetery.[7] The mission of the Friends is to assist the Laurel Hill Cemetery Company in preserving and promoting the historical character of Laurel Hill. The Friends raise funds and seek contributed services; prepare educational and research materials emphasizing the historical, architectural and cultural importance of Laurel Hill Cemetery; and provide tour guides to educate the public. The organization was instrumental in Laurel Hill Cemetery's placement on the National Register of Historic Places and designation as a National Historic Landmark.[7]

In the 21st century, two pairs of seats from Veterans Stadium were installed at the grave of Harry Kalas, the Frick Award-winning announcer for the Philadelphia Phillies, so they could be used by fans paying their respects.

Laurel Hill Cemetery Advertisement from 1904
Mausoleums along "Millionaire's Row"

Today, Laurel Hill Cemetery stands as a rich repository of both art and historical artifacts. Its monuments embody the rich design, craftsmanship and iconography of 19th and 20th century American funerary art, from simple obelisks to elaborate mausoleums.

Notable burials

Tombstone of Isaac Hull, Commodore in the U.S. Navy
  • Robert Adams, Jr. (1849–1906), U.S. Congressman from Pennsylvania[17]
  • Hilary Baker (1746–1798), mayor of Philadelphia[17]
Memorial for Louis Antoine Godey, editor and publisher of Godey's Lady's Book
Hillside vault and historical plaque of Elisha Kent Kane, polar explorer
The tomb of historian Henry Charles Lea is adorned with a bronze sculpture of Clio, the muse of history, by Alexander Stirling Calder
Tombstone of George Meade, Union Army General during the Civil War and victor of the Battle of Gettysburg
Memorial for Robert Patterson, Union General during the Civil War
  • The young adult book Tombstone Tea[20] by Joanne Dahme takes place in Laurel Hill Cemetery and some of the well-known people buried there appear as characters.
  • A headstone marks the grave of the fictional character Adrian Balboa from the Rocky movies. It was used as a prop in the 2006 motion picture Rocky Balboa which was filmed at the cemetery.[21]

See also

Notes

  1. "General View of Laurel Hill Cemetery". The Library Company of Philadelphia. World Digital Library. Retrieved 5 January 2014.
  2. "National Register Information System". National Register of Historic Places. National Park Service. January 23, 2007.
  3. "PHMC Historical Markers". Historical Marker Database. Pennsylvania Historical & Museum Commission. Archived from the original on December 7, 2013. Retrieved December 10, 2013.
  4. National Historic Landmark Nomination, Aaron V. Wunsch, National Park Service, 1998.
  5. Listing Archived 2011-06-06 at the Wayback Machine at the National Park Service
  6. Tatman, Sandra L. "Smith, John Jay (1798 - 1881)". Philadelphia Architects and Buildings. Retrieved 29 October 2019.
  7. Keels 2003, p. 21.
  8. Keels 2003, p. 22.
  9. Keels 2003, p. 23.
  10. Keels 2003, p. 24.
  11. Keels 2003, p. 27.
  12. Douglas, Ann, The Feminization of American Culture, 1977, New York, Alfred A. Knopf, pp. 208-213.
  13. Keels 2003, p. 30.
  14. Yalom, Marilyn (2008). The American Resting Place: Four Hundred Years of History Through Our Cemeteries and Burial Grounds. Houghton Mifflin Harcourt. p. 103. ISBN 978-0-618-62427-0.
  15. Keels 2003, p. 26.
  16. Keels 2003, p. 33.
  17. Laurel Hill Cemetery at Find-A-Grave
  18. "The Historic Buildings of the Community Arts Center in Wallingford, Pennsylvania" (PDF). Community ArtsCenter.org. Archived from the original (PDF) on 8 December 2015. Retrieved 30 November 2015.
  19. Warner, Ezra J. Generals in Blue: The Lives of the Union Commanders,. p. 569.
  20. Tombstone Tea Amazon listing Amazon.com. Retrieved 5 October 2009.
  21. Why does Rocky's wife get a tombstone at Laurel Hill?, by Dotun Akintoye, 18 July 2013, Philadelphia City Paper.
  22. Keels 2003, p. 31.
  23. Mullen Tomb December 26, 1881 article from the New York Times.
  24. Keels 2003, p. 32.

References

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