Music of Indiana

Jazz artists from Indiana include J. Russel Robinson, Eddie Condon, Monk Montgomery, Wes Montgomery, Buddy Montgomery, J. J. Johnson, Freddie Hubbard, Carl Perkins, Cal Collins, Royce Campbell, Noble Sissle, Claude Thornhill, Larry Ridley, Gary Burton, Jane Jarvis, Leroy Vinnegar, Pete Candoli, Conte Candoli, Jamey Aebersold, Andy Simpkins, and David Baker.

In Indianapolis, a vibrant 1970s punk rock and new wave scene existed, including Latex Novelties, Joint Chiefs of Staff, and Dow Jones and the Industrials (from West Lafayette). One of the most influential Indiana punk bands was The Gizmos, from Bloomington, who spawned a thriving local alternative scene that included the likes of Amoebas in Chaos and The Dancing Cigarettes. Later, a hardcore punk and alternative rock band from Indianapolis called the Zero Boys became the single most important punk band ever to arise from the state. The Zero Boys started trying to make a local hardcore scene after seeing the Dead Kennedys in Chicago. Paul Mahern of the Zero Boys led the effort, and founded Affirmation Records, releasing several compilations and recordings from Articles of Faith (from Chicago) and local band Killing Children before going out of business. Indianapolis/Bloomington is home to post-hardcore/emo band Split Lip/Chamberlain who helped influence other emo contemporaries in the midwest such as Braid and The Get Up Kids. The Ataris formed in Anderson in the mid-90s by Anderson native Kristopher Roe.

Bloomington has a large folk punk music scene. The town is home to Chris Clavin who runs the DIY punk rock record label Plan-It-X Records and is in the band Ghost Mice. Every other year Plan-It-X Records organizes Plan-it-X Fest, a large DIY punk music festival held in Bloomington. Bloomington is also home to the record labels Secretly Canadian, Jagjaguwar, and BlueSanct. From Kokomo , another folk punk group is Harley Poe fronted by Joe Whiteford.

Lafayette is the home of Mass Giorgini's (of Squirtgun, Screeching Weasel, and Common Rider fame) Sonic Iguana Studios. Several legendary national and international punk bands have recorded or mastered their releases at Sonic Iguana, including platinum-selling acts such as Rise Against. Lafayette / West Lafayette is home to punk rock record label Oi! the boat records whose roster includes bands from around the US and Europe. In the 1980s, the Lafayette music scene featured bands such as Rattail Grenadier (later Squirtgun), Stone Soup (featuring Carrie Newcomer), East of Eden (with Newcomer's husband and guitarist Rob Meitus on guitar), and Styff Kytten (featuring Shannon Hoon later of Blind Melon. Izzy Stradlin and Axl Rose, both of who went on to form Hollywood Rose and Guns N' Roses also emerged from the Lafayette music scene in the 1980s.

In Northern Indiana, South Bend is home of Plinko Productions, led by Garth Plinko who recorded many of South Bend's punk bands throughout the 1990s. Garth is also the founding member of the Urinal Mints, who have toured all over the US and Europe. The band released four CDs: Vulgar Display of Ass, Minty Fresh and In the Flesh (Live CD), Fourteen'll Getcha Twenty, and Own Your Soul. The Urinal Mints are the main reason the Northern Indiana punk scene prospered in the late 1990s and 2000s, by bringing in several national touring acts, hosting shows, and building a network with other Midwest bands. Plinko Productions is also responsible for the Shit Like a Champion series, the very first local punk rock compilations. Wrecked Hooligan Records came into being in 2012 and has since released compilations titled No Coast, No Problem which features many of the South Bend punk bands, as well as bands throughout the Midwest. South Bend was also home to The Aakata's. The Aakata's are widely credited with keeping the punk torch lit in northern Indiana. From their earliest days as a band, The Aakata's stood apart from their punk peers with their musicianship, as well as their lyrics. The Aakata's style often draws comparison with the Clash and Sex Pistols. The Aakata's emerged as a response to what was perceived to be the increasingly safe and bloated punk rock, heavy metal and manufactured alternative music of the mid-1990s. The band created various controversies during their career which captivated the Indiana punk scene, but often eclipsed their music. Their shows and tours repeatedly faced difficulties from authorities, and public appearances often ended in disaster and riot. The group went on hiatus in 2004.

The Hardcore music scene has been flourishing in Indiana cities such as Indianapolis, Bloomington, Muncie, Fort Wayne, and Richmond since the 1980s, and also in other parts of the state such as Northwest Indiana.

This is due to access at one time to small independent record stores such as Hegewisch Records in Merrillville, distros at shows, tape trading, word of mouth, flyering, the tenacity of die-hard music fans and musicians and more recently the internet.

Northwest Indiana in particular was a hotbed for Hardcore due to its already established metal scene and place in the urban decay of the rust belt. It really took off in the mid 1990s with the bands Right Arm Death Threat from Laporte and Take A Stand from Michigan City. Having members that had lived in New York and Chicago and being influenced first hand by the scenes in those cities as well as the well established, known and thriving scene in Chesterton, its large number of bands for a small town, (Failsafe, Aberration, The Chesterton Hardcore Conspiracy, The Dan Light Quartet, The Big Red Music Company, Suicide Note, and Until I Died just to name a few) its DIY ethic, and number of National and International acts playing mainly at the Westport Community Center on their way to or from Chicago.

Being in a cover band saturated market, members of these bands started networking across the region and started booking shows for their own bands as well as bringing acts from other cities and far away places. It soon took off and there were shows every other week and bands popping up every day. Strong connections to nearby already established scenes in Chicago, South Bend, Indianapolis and Detroit were made and growth continued producing even more bands such as After The Quarrel, Shut The Fuck Up, and most notably Blood In/ Blood Out. Apathy, commercialism and violence has marred the scene over the last decade and as with any punk genre and subcultures in general the fakes come and go, personal lives take precedence over participation, and Things change but, the majority of the stalwarts remain and the ball keeps rolling with shows in Hammond and Gary and new bands such as No Dice and All These Years and Nothing, plus strong ties to the Heavy Metal and Hip-hop communities, as well as international ties to the Punk and Hardcore scene from the years of hard work, perseverance and resistance to the powers that be.

Q-Swon and DJ Machete

In 1993, independent label Pump the Mix Productions released Firs' From tha Bend which is a 5-track EP consisting of tracks produced by DJ Machete and rapper Q-Swon, both natives of South Bend. Independent hip hop group The Mudkids hail from Indianapolis. Producer Elp-Mass and emcee Rusty Redenbacher made up the classic hip hop combo of emcee and dj/producer. Both artists are currently active in other musical endeavors. Indiana hip hop can be found mostly these days through Bringing Down The Band, a national and Indiana-based blog and brand founded in 2009. Notable Indiana-based independent hip hop artists include Freddie Gibbs, Mark Battles and Kid Quill.

• Bill Gaither & Gloria Gaither - Southern Gospel - Anderson
• Ernie Haase - Southern Gospel - Cynthiana
• Gwen Stacy - Hardcore - Indianapolis
• Haste The Day - Hardcore - Indianapolis
• Jeremy Camp - Pop - Lafayette
• Jody Davis - Rock - Petersburg
• John Michael Talbot - Contemporary Christian - Indianapolis
• John Schlitt - Rock - Evansville
• Plumb (singer) (Tiffany Arbuckle Lee) - Pop - Indianapolis
• Rich Mullins - Pop - Richmond
• Sidewalk Prophets - Alternative - Anderson
• Mark Stuart - Rock - Rockport
• Mason Proffit - Southern Rock - Indianapolis
• Tricia Brock - Rock - Dillsboro

• "Back Home Again in Indiana"

• Blush, Steven (2001). American Hardcore: A Tribal History. Los Angeles, CA: Feral House. ISBN 0-922915-71-7.
• Goshen, Larry, with Shaw, Mark (2002). Let the Good Times Roll: An Anthology of Indiana Music. Mentzer Printing. ISBN 0-9717596-2-6.
• Schiedt, Duncan P (1977). The Jazz State of Indiana. Indiana Historical Society. ISBN 0-9603528-0-5.
• Oi! the Boat Records website: www.oitheboat.com
• Rogers, Abbey. Abbey Rogers Midwest Showcase. Indy Hip Hop