Nigel Osborne

Nigel Osborne
Image: Ulysses Theatre Brijuni
Born 23 June 1948
Manchester, England
Occupation Composer
Website web.archive.org/web/20100327153308/http://www.music.ed.ac.uk/staff/profile/ProfileNigelOsborne.html

Emeritus Professor Nigel Osborne MBE (born 23 June 1948, Manchester, England) is a British composer, teacher and aid worker. He served as Reid Professor of Music[1] at the University of Edinburgh and has also taught at the Hochschule für Musik, Theater und Medien Hannover. He is known for his extensive charity work supporting war traumatised children using Music Therapy techniques, especially in the Balkans during the disastrous Bosnian War,[2][3][4] and in the current Syrian conflict.[5][6] He is fluent in eight languages.[7]

Osborne was born in Manchester, England, to a Scottish family. He studied composition with Kenneth Leighton, Egon Wellesz, and Witold Rudziński. His compositions include the opera The Electrification of the Soviet Union,[8] Concerto for Flute and Chamber Orchestra[9] commissioned by the City of London Sinfonia, I am Goya,[10] Remembering Esenin,[11] and Birth of the Beatles Symphony.[12]

Professor Osborne retired from his Edinburgh University position in 2012, and is now working internationally as freelance composer, arranger and aid worker.

Career

Nigel Osborne studied composition with Egon Wellesz, the first pupil of Arnold Schoenberg (1968-9), also with Kenneth Leighton (his predecessor as Reid Professor of Music at the University of Edinburgh) at Oxford University (1969-70), and later in Warsaw with Witold Rudzinski (1970-71) where he also he worked in the Polish Radio Experimental Studio.[13] From 1983-1985 while at the IRCAM in Paris, he co-founded Contemporary Music Review[14] with Tod Machover. He held a lectureship and Special Professorship at the [University of Nottingham]] from 1978 to 1987, the Reid Chair and Dean of the Faculty of Music at Edinburgh University from 1989 to 2012, a Senior Professorship (C4) at the University of Hannover from 1996-98 and Head of Faculty for the Vienna-Prague-Budapest Summer Academy (ISA) from 2007-2014. He is currently Professor Emeritus at Edinburgh University, visiting Professor in the Drama Faculty of Rijeka University and Consultant to the Chinese Music Institute, Peking University.[15] He has worked as visiting lecturer and examiner also at Harvard, UCLA, CalArts, Gedai and Toho Gakuen School of Music, Oxford, the Sorbonne and Bologna.

Osborne's works have been performed around the world by major orchestras and opera houses, including the Vienna Symphony Orchestra, Moscow Symphony Orchestra, Leningrad Philharmonic, the Philharmonia of London, Los Angeles Philharmonic, Berlin Symphony, Glyndebourne, Opera Circus, Opera Factory, Scottish Opera and the Royal Opera House.[16] He has received, among numerous awards, a Netherlands Gaudeamus prize, the Opera Prize of the Radio Sussie Romande and Ville de Geneve, and the Koussevitzky Award of the Library of Congress Washington. He also composes for theatre and film and has a “secret history” of work in popular music and rock ’n roll - he plays in a heavy metal band (The Godfather) with his son Ruaraidh.

In the 1980s, Osborne composed a series of "classic works" for choreographer Richard Alston and Ballet Rambert.[17] He has been Master of Music at the Shakespeare's Globe (1999-2000),[18] and is currently “house composer” for Ulysses Theatre, Istria (2000-). He has collaborated with notable directors Lenka Udovicki, Peter Sellars, David Pountney, Michael McCarthy and David Freeman, with notable writers Samuel Beckett, Craig Raine, Eve Ensler, Jo Shapcott, Howard Barker, Ariel Dorfman, Tena Stivicic and Goran Simić, with notable actors Vanessa Redgrave, Annette Bening, Lynn Redgrave, Amanda Plummer, Rade Serbedzija, Simon Callow, Ian McDiarmid and Janet Henfrey, and with notable artists and designers John Hoyland, Dick Smith, George Tsypin, David Roger, Bjanka Adzic Ursulov and Peter Mumford. Singers and soloists include pioneers of contemporary music, such as Jane Manning, Linda Hirst, Liz Lawrence and Omar Ebrahim, and long-standing collaborations with artists Florian Kitt, Ernst Kovacic and the Hebrides Ensemble. His film documentary credits[19] include BAFTA-winning and -nominated collaborations with Director Samir Mehanović, an EMMY-winning collaboration with the BBC, and multi-award- winning films with Helen Doyle and InformAction, Montreal. He is currently working with Ken Bowser, producer and director for Saturday Night Live on a documentary film. He has a special interest in Arabic, Indian and Chinese music.[20]

Working with child soldiers, Kitgum, North Uganda Ayoma, 2007
Nigel Osborne and Brian Eno leading music workshops, Pavarotti centre, Bosnia 1995.[21] Image: Keith Brame
At Mostar 1996
At Srebrenica, 2014
Nigel Osborne conducting workshops with child war survivors

Osborne has pioneered methods of using music and the creative arts to support children who are victims of conflict.[22] This approach was developed during the war in Bosnia-Herzegovina (1992-95), and since then this work has been implemented widely in the Balkan region,[23] the Caucasus',[24] the Middle East,[25] East Africa, South East Asia and India.[26] He was also awarded the Freedom Prize of the Peace Institute, Sarajevo, for his work for Bosnian children during the siege of the city.[27][28] He has worked actively in many human rights initiatives, including the Workers' Defence Committee in Poland (1970-89), Citizens’ Forum and the Jazz Section with Václav Havel in former Czechoslovakia (1987-l989), for Syrian refugee support organisations and directly for the Government of Bosnia-Herzegovina during the genocide.[29] In 2012-14, Osborne served as co-Chair of the Global Agenda Committee for Arts in Society for the World Economic Forum.[30]

Osborne has been active in supporting the development of new music technologies, for example the Skoog, (skoogmusic.com), and is co-inventor with Paul Robertson of X-System,[31] an informatic modelling of the musical brain capable of predicting emotional response to music of any culture, designed for both medical and leisure applications. He is currently a field worker for SAWA for Development and Aid in Lebanon. In December 2017 he received the British Academy of Songwriters, Composers, and Authors' (BASCA) Award for Inspiration. He continues to work in special education development in Scotland, Sweden, Croatia and India. He was awarded both the Queen’s Prize and Music Industry Prize for innovation in education, and was recently made Honorary Fellow of the Educational Institute of Scotland. He is a Director of the Scottish educational development company, Tapestry Partnership.[32]

Osborne holds open the programme at his bio.
Composers Mimi Serbedzija (L), Nigel Osborne (C), Derek Williams (R) at Echo Arena for Osborne's Sgt Pepper concert.
Bootleg Beatles with Royal Liverpool Philharmonic Orchestra at Echo Arena stadium, Liverpool.
Bootleg Beatles with Royal Liverpool Philharmonic Orchestra performing Osborne's arrangements of Sgt. Pepper's Lonely Hearts Club Band for ‘It Was Fifty Years Ago Today’ concert, Echo Arena Liverpool, 13 January 2018.

In 2017, Osborne was commissioned by the Royal Liverpool Philharmonic Orchestra to arrange Sgt. Pepper's Lonely Hearts Club Band for the ‘It Was Fifty Years Ago Today’ concerts with the Bootleg Beatles performed to capacity crowds at the Royal Albert Hall[33] and Echo Arena Liverpool.[34][35]

In recent months, Osborne has been working on an opera/film with Ulysses Theatre and Paradiso Films on the Cambridge Spies, a musical/ecological work for Khazanah, Kuala Lumpur, a cantata based on the experiences of refugees for CoMA (Contemporary Music for Amateurs). He is currently working on a joint composition with Peter Nelson and Owen Underhill for the Cambridge Music Festival, Fringe Percussion and choreographer Henry Daniel in Vancouver, and helping prepare a CD of his works to be recorded as a celebration of his 70th birthday by the Hebrides Ensemble for Delphian Records. In August 2018, Osborne will be the Keynote Speaker at the Princess Galyani Vadhana Institute of Music.[36] He is also assisting citizens of Matera in Basilicata, Italy, in the creation of a community opera to be performed in its year as European City of Culture (2019).

Publications

Recent scientific and scholarly publications

  • Osborne, Nigel. (23 February 2017). Handbook of Musical Identities - 'The Identities of Sevda: from Graeco-Arabic medicine to music therapy'. Editors: MacDonald, Hargreaves and Miell. ISBN 9780199679485. Oxford University Press. (Oxford, UK and New York, USA).
  • Osborne, Nigel. (21 February 2017) Love, Rhythm and Chronobiology in Rhythms of Relating in Children’s Therapies - 'Connecting Creatively with Vulnerable Children'. Editors: Daniel and Trevarthen. ISBN 9781784502843. Jessica Kingsley Publishers. (London, UK and Philadelphia, USA).
  • Osborne, Nigel. (2014). 'The Plenum Brain in Unbribable Bosnia and Herzegovina'. Page 174. Editor: D. Arsenijević South East European integration perspectives. ISBN print: ISBN 978-3-8487-1634-0, ISBN online: ISBN 978-3-8452-5674-0. Nomos Verlag. (Baden-Baden, Germany).
  • Trevarthen, Colwyn; Gratier, Maya; Osborne, Nigel (2014). "The human nature of culture and education". Wiley Interdisciplinary Reviews: Cognitive Science. 5 (2): 173–192. doi:10.1002/wcs.1276. ISSN 1939-5078. (Hoboken, New Jersey, USA).
  • Osborne, Nigel. (July 2013). 'Resilience and recovery - violence, disasters and the arts, presentation, Global Alliance for Arts and Health'. APPG on Agriculture and Food for Development. Library of Congress. (Washington DC, USA).
  • Osborne, Nigel. (23 April 2012). 'Neuroscience and real world practice: music as a therapeutic resource for children in zones of conflict'. New York Academy of Sciences. Neurosciences and Music. (New York, USA).
  • Osborne, Nigel. 2009. 'Music for children in zones of conflict and postconflict: a psychobiological approach. In Communicative Musicality'. Editors: S. Malloch & C. Trevarthen. ISSN 0077-8923. Oxford University Press and New York Academy of Sciences. (Oxford, UK and New York, USA).
  • Klempe, Hroar (2009). "How to Understand Communicative Musicality?". Integrative Psychological and Behavioral Science. 43 (3): 260–266. doi:10.1007/s12124-009-9096-9. ISSN 1932-4502.

Recent unpublished works

  • 2018
Preludio y canción for Cl, Vn, Vla, Vc, Pno
  • 2017
Birth of the Beatles Symphony | 23 4 3 4 3 - 6 4 4 1 - Perc(2) - Hrp - Str(16 12 10 8 6)
I am Swimming for SATB - keyboard - perc. open score - film
  • 2016
The Akasha Chronicles for 2 Pno
Music4Nature for ob - perc - narrator
  • 2015
Bar Elias Suite for V’c - Pno
  • 2014
Ecological Studies for Pno
Unfinished Memoires for Pno
  • 2013
Naciketa for Fl - Cl- Hrn S MS T Bar S (Druphad) guitar, Indian violin, tablas, perc. Vl - Vla -V’c - B
Pianomakam for Pno

Selected publications

University of York Music Press

Nigel Osborne House composer[37]

  • 2013
The Painters in my Garden for three flutes
A Prayer and Two Blessings for SATB choir
  • 2011
Botanical Studies for oboe and percussion
  • 2010
Concertino for Violin and Orchestra for solo violin and orchestra
Differences in Demolition (A Sevdah Opera)
I am not here for voice and piano (only available in Songs for the Twenty-First Century)
Journey to the End of the Night for oboe, percussion and electronics
SMTBarBar for soli, clarinet, percussion, violin, viola, cello, accordion and machine sounds Stargazing string quartet
  • 2009
The Birth of Naciketas guitar concertante for guitar, Indian violin, tabla, string quartet,double bass and percussion
  • 2009
Afro-Scottish for children's choir, SATB choir and jazz orchestra
Angel-Nebulae for TTTB soli
East for symphony orchestra
La Belle Hélène for three flutes (doubling alto flute and piccolo) and cello
Naturtöne / Abschied SATTBarB choir
Queens of Govan for chamber opera for mezzo soprano, recorded voices and 15 instruments
Rock Music for 12 instruments and electronic materials
7 Words, 7 Icons, 7 Cities for SATB choir (with divisi) and string orchestra
Stone Garden for 2 cellos and accordion
Tiree string quartet
Transformations for 2 solo oboe d'amore 2009 Dialogue oboe and harp
  • 2008
Concerto for Viola and Orchestra
Roma Diary for cello and piano
  • 2007
Balkan Dances and Laments for oboe, piano, violin, viola and cello
Sarajevo for clarinet, piano and cello
Transformations for 1 two violas 2007 Taw-Raw solo violin
  • 2006
The Piano Tuner for piano trio
Pulsus for CtTTBar soli and monochord
  • 2004
String Quartet No. 1 'Medicinal Songs and Dances'
  • 1999
Concerto for Oboe and Chamber Orchestra

Universal Edition

Catalogue of works > Komponisten und Werke > Nigel_Osborne > Werkliste[38]

Osborne performing Balkan dances and
Paul McCartney’s Yesterday, along with
his Adagio,[39] with Vedran Smailović,
'The Cellist of Sarajevo’, on the
front line, in the ruins of Skenderija,
during the Siege of Sarajevo, 1993.
  • Various
Adagio für Vedran Smailović[39] für Violoncello
After Night | 1977: für Gitarre | 8
Figure/Ground für Klavier solo
For a Moment für Frauenchor, Violoncello und Kandyan Drum (ad lib.) | 15
Remembering esenin für Violoncello und Klavier
  • 2013
Espionage | 2013: 3 miniature sonatas, studies in Poussin and happenstance | für Violine solo | 8
  • 1993
The Art of Fugue | 1993: für Violoncello und Instrumente | 20 2 2 2 2 - 2 2 0 0 - Schl - Str
Hommage à Panufnik | 1993: für Streichorchester | 8
  • 1992
  • Terrible Mouth | 1992 Musiktheater | 120
  • 1991
Albanian Nights | 1991: für Ensemble | 12 2 2 2 2 -2 0 0 0
Graffiti after Cy Twombly | 1991: on the musical letters of Alfred Schlee | für Streichquartett
Schleedoyer II | 1991: für Streichquartett | 1 30
The Sun of Venice | 1991: für Orchester | 25 - 30' 3 3 3 3 - 3 3 2 1 - Schl(3) - 2 Hf, Cel, Klav - Str - 2 konzertante Gruppen
  • 1990
Canzona – Procession of Boats with Distant, Smoke, Venice | 1990: für Horn, 4 Trompeten, 4 Posaunen und Tuba | 12
Eulogy | 1990: für Kammerensemble | 8 1 1 1 1 - 1 1 1 0 - Schl, Klav, StrQuint
Tracks | 1990: für 2 gemischte Chöre, Orchester und Blasorchester | 30 4 4 5 5 - 6 4 4 1 - Pk, Schl(4), Hf, Klav, Str; 3 4 6 5 - 6 4 6 1 - Schl(6), 6 Kor, 4 Euph
Violin Concerto | 1990: für Violine und Orchester | 22 2 2 2 2 - 3 2 2 0 - Schl(3) - Hf, Klav - Str
  • 1988
Esquisse 2 | 1988: für 11 Solostreicher | 10 Vl(6), Va(2), Vc(2), Kb(1)
Stone Garden | 1988: für Kammerensemble | 15 Fl, Ob, Kl, Fg, Hr, Trp, Pos - Schl - Hf - StreichQuint
  • 1987
The Electrification of the Soviet Union | 1987: Oper in 2 Akten | 120
Esquisse 1 | 1987: für 11 Solostreicher | 7 Vl(6), Va(2), Vc(2), Kb(1)
  • 1985
Hell's Angels | 1985: Kammeroper in 2 Akten | 120 Kaufausgabe
Pornography | 1985 für Mezzosopran und Kammerensemble | 13
Zansa | 1985: für Kammerensemble | 20 1 1 1 1 - 1 1 1 0 - Schl, Klav, "Zansa" - 2 Vl, Va, Vc, Kb
  • 1984
Alba | 1984: für Mezzosopran, Kammerorchester und Tonband | 17 1 1 1 0 - 1 1 1 0 - Schl - Hf - 2 Vl, Va, Vc, Kb
Wildlife | 1984: für Kammerensemble | 20 Fl, Kl - Hr, Trp - Schl - Hf - Vl, Va, Vc, elektrischer Kb - Elektronik
  • 1983
Fantasia | 1983: für Kammerensemble | 12 1 1 1 1 - 1 0 0 0 - Klav, Vl(1), Va(1), Vc(1), Kb(1)
2. Sinfonia | 1983: für Orchester | 19 4 4 4 5 - 4 4 4 1 - Schl, Vib, Hf, Cel, Klav, T-T, Str Kaufausgabe
  • 1982
Cantata piccola | 1982 für Sopran und Streichquartett | 10
1. Sinfonia | 1982: für Orchester | 23 4 3 4 3 - 6 4 4 1 - Schl(2) - Hf - Str(16 12 10 8 6)
  • 1981
The Cage | 1981: für Tenor und Kammerensemble | 14 Afl(G), Ob, Kl, Fg, Hr, Trp - Vl, Vl, Vc
Choralis 1-2-3 | 1981-1982: für Sopran, 2 Mezzosoprane, Tenor, Bariton und Bass
Piano Sonata | 1981: für Klavier | 25
  • 1980
Concerto | 1980: für Flöte und Kammerorchester | 16 Ob(2), Hr(2), Str: Vl.I(6), Vl.II(4), Va(3), Vc(2), Kb(1)
Mythologies | 1980: für Kammerensemble | 15 Kaufausgabe
Poem without a Hero | 1980: für Sopran, Mezzosopran, Tenor, Bass und Live-Elektronik | 20
  • 1979
In Camera | 1979: für Kammerensemble | 19
Madeleine de la Ste. Baume | 1979: für Sopran und Kontrabass
Songs From a Bare Mountain | 1979: für Frauenchor | 6
Under the Eyes | 1979: für Stimme, Schlagzeug, Klavier, Oboe (auch EH) und Flöte (auch Altfl.) | 9
  • 1977
Cello Concerto | 1977: für Violoncello und Orchester | 17
I am Goya | 1977: für Bassbariton, Flöte, Oboe, Violine und Violoncello | 12
Orlando Furioso | 1977: für gemischten Chor und Bläserensemble | 35
Vienna – Zurich – Constance | 1977: für Sopran, Violine, Violoncello, 2 Klarinetten und Schlagzeug | 10
  • 1976
Passers By | 1976: für Bassblockflöte, Stimme, Violoncello, Elektronik und Bilder
  • 1975
Chansonnier | 1975: für gemischten Chor und Kammerensemble | 16
Prelude and Fugue | 1975: für Kammerensemble | 17
The Sickle | 1975: für Sopran und Orchester | 11 2 2 2 2 - 2 2 0 0 - Schl - Hf, Git - Str(6 6 4 4 2)
  • 1974
Kinderkreuzzug | 1974: für Kinderchor (Vokalisen) und Instrumentalensemble | 22
  • 1971
7 Words | 1971: Kantate | für 2 Tenöre, Bass, gemischten Chor und Orchester | 24 4 3 4 2 - 3 3 3 0 - Schl, Ondes Martenot, Hf, Sax(3), Str(4 4 4 4 2)

Reviews

Reviews by Nigel Osborne:

  • Stockhausen on Music by Robin Maconie; Stockhausen: Eine Biographieby Michael Kurtz; Stockhausen: Samstag aus Licht by Stockhausen: Klavierstücke XII, XIII, XIV by Bernhard Wambach
Tempo, New Series, No. 171, 50th Anniversary 1939-1989 (Dec., 1989), pp. 37-39
Published by: Cambridge University Press
Stable URL: https://www.jstor.org/stable/945245
Accessed: 14-04-2018 22:31 UTC
  • 'East-West Encounters' McPhee: Balinese Ceremonial Music; Young:Trajet/Inter/Lignes; Messiaen: Cantéyodjaya; Crumb: Vox Balaenae by Dreamtiger, Messiaen, Douglas Young, Crumb and Colin McPhee
Source: Tempo, New Series, No. 146 (Sep., 1983), pp. 45-47
Published by: Cambridge University Press
Stable URL: https://www.jstor.org/stable/944975
Accessed: 14-04-2018 22:32 UTC
  • Douglas Young: The Hunting of the Snark by Peter Easton,Leicestershire Chorale, Leicestershire Schools Symphony Orchestra, Peter Fletcher and Douglas Young
Source: Tempo, New Series, No. 145 (Jun., 1983), pp. 38-39
Published by: Cambridge University Press
Stable URL: https://www.jstor.org/stable/945042
Accessed: 14-04-2018 22:32 UTC
  • Michael Nyman. Bird Anthem; In Re Don Giovanni; InitialTreat/Secondary Treat; Waltz; Bird List Song: M-Work by The Michael Nyman Band and Michael Nyman
Source: Tempo, New Series, No. 144 (Mar., 1983), pp. 40-41
Published by: Cambridge University Press
Stable URL: https://www.jstor.org/stable/945899
Accessed: 14-04-2018 22:34 UTC
  • Louis Andriessen: De Tijd (Time) by Ensemble of the RoyalConservatory of The Hague, Reinbert de Leeuw and Louis Andriessen; Diderik Wagenaar:Tam Tam. Cornelis de Bondt: Bint by Louis Andriessen, Diderik Wagenaar and Cornelis deBondt
Source: Tempo, New Series, No. 144 (Mar., 1983), pp. 38-40
Published by: Cambridge University Press
Stable URL: https://www.jstor.org/stable/945898
Accessed: 14-04-2018 22:33 UTC
  • Recent Polish Music
Source: Music & Letters, Vol. 60, No. 1 (Jan., 1979), pp. 117-120
Published by: Oxford University Press
Stable URL: https://www.jstor.org/stable/733569
Accessed: 14-04-2018 22:33 UTC

Filmography

  • 2018
Through Our Eyes[40] - composer
A Story of Three Islands - composer
I am Swimming - composer
  • 2015
The Fog of Srebrenica[41] - composer
  • 2014
Dans un océan d'images[42] - composer
  • 2006
The Way We Played[43] - composer
  • 2003
Les messagers[44] - composer
  • 1990
View from the Bridge - composer
  • 1988
The Electrification of the Soviet Union - composer
  • 1987
Wildlife - composer
  • 1984
The Sea of Faith (6-part documentary series) - composer

Theatre, Music Theatre and Dance

The Bacchae (2018)

Shakespeare - variations on a Midsummer Night’s Dream (2016)

Antigone, 2000 years later (2015)

Shakespeare in the Kremlin (2014)

Naciketa (Tamil Nadu village tour) (2013)

The Return (2012)

Arturo Ui (2011)

The Tempest (Ulysses Theatre) (2010)

Romeo and Juliet 1968 (2008)

Drunken Night 1918 (2007)

Differences in Demolition (2007)

Hamlet (2005)

Core Sample (2004)

The Piano Tuner (2004)

The Good Body (2003)

Marat Sade (2003)

Medea (2002)

King Lear (2001)

The Tempest (Shakespeare Globe) (2000)

Evropa (1995)

Sarajevo (1994)

Terrible Mouth (1992)

Morte d’Arthur (1989)

Stone Garden (1989)

Faust parts I and II (1988)

The Electrification of the Soviet Union (1987)

Zansa (1986)

Hell’s Angels (1985)

Mythologies (1985)

Wildlife (1984)

Apollo Distraught (1982)

7 Words (1972)

The Backroom Boys (with Michael Coveney) (1971)

An Exhibition of Ourselves (1970)

Cinderella (1969)

Happy Haven (1968)

Education

BA, BMus(Oxon), DLitt, FRCM, FEIS, FRSE

Awards

Sources

Citations and references

  1. ↑ Arts & Ents. (21 June 2012). 'The professor who rocked the establishment'. Herald Scotland. (United Kingdom)
  2. ↑ Carmack, Elizabeth. (January 2005). "Balkans’ Summer Music Camp 2004". Cambridge Music Conference. (Puntižela/Pula, Croatia)
  3. ↑ Osborne, Nigel. (24 July 2013). 'Nigel Osborne - Music and Trauma'. The Musical Brain 2013 Conference. YouTube.
  4. ↑ Morris, Christian. (30 January 2018). 'Nigel Osborne Interview'. Composition Today.
  5. ↑ Bradley, Jane. (8 December 2015). 'Composer brings music to children in refugee camps'. The Scotsman. (Scotland, UK).
  6. ↑ (8 December 2015). 'Nigel Osborne'. Cambridge Music Conference. (United Kingdom).
  7. ↑ Bunting, Madeleine. (1 October 2008). 'The riddle of the rocks '. World music. The Guardian. (United Kingdom).
  8. ↑ O'Mahony, John. (9 July 2002). 'Notes from the underground '. The Guardian. (United Kingdom).
  9. ↑ Osborne, Nigel. (1980). 'Nigel Osborne: Concerto'. Universal Edition. City of London Sinfonia. (United Kingdom).
  10. ↑ Osborne, Nigel. (1977). I am Goya / 'Nigel Osborne (text by Andrei Voznesensky ; English translation by Nigel Osborne)'. National Library of Australia.
  11. ↑ Osborne, Nigel. 'Nigel Osborne: Remembering esenin'. Universal Edition.
  12. ↑ Jones, Catherine. (14 January 2018). [https://www.artscityliverpool.com/single-post/2018/01/14/Review-Celebrating-Sgt-Pepper-Live-at-Echo-Arena- 'Review: Celebrating Sgt Pepper Live at Echo Arena'. Royal Liverpool Philharmonic Orchestra. Echo Arena. (Liverpool, England).
  13. ↑ Błaszczyk, Bolesław. (11 February 2014). ‘Polish Radio Experimental Studio: A Galaxy of Writings, Prints, and Sound’. (Poland)
  14. ↑ (1985). 'A Poetry of Reality Composing with Recorded Sound'. Contemporary Music Review]. (Paris, France)
  15. ↑ (19 December 2012). 'The Sound of Peking University Resounding through Scotland'. 北京大学中国音乐学社. Douban. (Scotland and China).
  16. ↑ Seckerson, Edward. (13 October 2004). 'The Piano Tuner, Linbury Studio, Royal Opera House, London'. The Independent. (United Kingdom).
  17. ↑ 'Richard Alston Choreochronicle'. Richard Alston.
  18. ↑ ‘THE TEMPEST (2000)’. Shakespeare's Globe. (London, UK).
  19. ↑ 'Nigel Osborne, Composer'. IMDb
  20. ↑ Colwyn Trevarthen, Maya Gratier, Nigel Osborne. 'The human nature of culture and education'. Wiley Online Library.
  21. ↑ Nickalls, Susan. (23 July 1995). 'Music, the food of love'. The Independent. (United Kingdom).
  22. ↑ 'LOLA WAR CHILD powerpoint'. SlideShare.
  23. ↑ 'An Interview with Nigel Osborne'. Voices (a world forum for Music Therapy)]
  24. ↑ 'History'. War Child Holland.
  25. ↑ 'Composer brings music to children in refugee camps'. The Scotsman. (Scotland)
  26. ↑ 'Indian classical music is powerful in therapeutic processes'. The Times of India
  27. ↑ 'Scots composer to be honoured for peace work'. Sunday Herald. (Scotland)
  28. ↑ (28 February 2016). 'Nigel Osborne sutra u sarajevskom "Zvonu"'. Bosnian National Network.
  29. ↑ 'Nigel Osborne Interview'. Composition Today.
  30. ↑ 'Nigel Osborne'. World Economic Forum.
  31. ↑ 'X-System: The Affect of Music'.
  32. ↑ Tapestry Partnership. (Scotland).
  33. ↑ (1 June 2017). " ‘It Was Fifty Years Ago Today’ A Concert celebrating Sgt Pepper and the Summer of Love". Bootleg Beatles. Royal Albert Hall. (London, UK)
  34. ↑ Osborne, Nigel. "Sgt. Pepper's Lonely Hearts Club Band 'It Was 50 Years Ago Today'". Royal Liverpool Philharmonic Orchestra. YouTube. (England, UK).
  35. ↑ Jones, Catherine. (1 June 2017). Review: It Was 50 Years Ago Today ****. Arts City Liverpool. (United Kingdom).
  36. ↑ 'Professor Nigel Osborne, MBE'. Princess Galyani Vadhana Institute of Music. (Bangkok, Thailand).
  37. ↑ Osborne, Nigel. 'Nigel Osborne House composer'. University of York Music Press
  38. ↑ Osborne, Nigel. 'Nigel Osborne biography'. Universal Edition
  39. 1 2 Osborne, Nigel & Clein, Natalie. 'Adagio for Vedran Smailovic'. BBC Music. (United Kingdom).
  40. ↑ Osborne, Nigel. Through Our Eyes. IMDb
  41. ↑ Osborne, Nigel. The Fog of Srebrenica. IMDb
  42. ↑ Osborne, Nigel. Dans un océan d'images. IMDb
  43. ↑ Osborne, Nigel. The Way We Played. IMDb
  44. ↑ Osborne, Nigel. Les messagers'. IMDb
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