Shivaranjani

Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one each in Hindustani music and Carnatic music. The Hindustani rāga is a pentatonic scale, while the Carnatic scale is an Audava - Audava] scale - 5 notes in the Arohanam and 5 in the Avarohanam.

Shivaranjani
ThaatKafi
ArohanaS R g P D 
Avarohana D P g R S
Synonymfor example from which melakarta raga it is

Hindustani scale

The Hindustani rāga Shivaranjani belongs to the Kaafi thaat in terms of classification of the scale.[1] Its structure is as follows.

The komal(soft) gandhar(g) in place of shuddh gandhar (G) is the difference between this rāga and the global musical scale of Bhoop.

Borrowed into Carnatic music

Shivaranjani scale with shadjam at C

This Hindustani scale is also the currently popular scale in Carnatic music. This scale is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes). It is a symmetric rāgam that does not contain madhyamam or nishadam. It is an audava-audava rāgam[2] in Carnatic music classification (audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) using swaras in Carnatic music notation is as follows.

(the variant notes used in this scale are chathusruthi rishabham, sadharana gandharam, chathusruthi dhaivatham other than the invariants shadjam and panchamam)

In this form, Shivaranjani is considered a janya rāgam of Kharaharapriya, the 22nd Melakarta rāgam, though it can be derived from 3 other melakarta rāgams, Gourimanohari, Hemavati or Dharmavati, by dropping both madhyamam and nishadam.

Shivaranjani rāgam brings out karuna rasa (pathos) and lends itself for elaboration and exploration. It has many compositions in classical music and in film songs.

The popular Hindi film song Jaane kahan gaye woh din ("Where have those days gone") is based on this scale. Shivaranjani was a favourite of the legendary composers Shankar-Jaikishan (in fact, to be more precise, that of both Shankar and Jaikishan), in addition to the aforementioned song from Mera Naam Joker they also used it for O basanti pavan paagal ("O bewitching spring breeze") in Jis Desh Men Ganga Behti Hai and O mere sanam ("O my love") in Sangam Mere nainaa saawan-bhaado.n. Kannum Kannum from the movie Thiruda Thiruda ("Thief Thief") is regarded as the most different song done in this raga.

In Carnatic music, two ragamalikas (songs which have different stanzas in different ragas) start with a refrain in Shivaranjani. M S Subbulakshmi made Kurai onrum illai very popular which begins with this scale. Kurai onrun illai literally means "there is no defect" or "there is nothing left wanting", alluding to "we are satisfied and thankful" in prayer to "Kannan" (Lord Krishna). Another composition Muiyakka muiyakka, by Purandaradasa, also begins with this scale. Another famous composition in this raaga is 'Jagat janani' rendered in Tamil language.

Film Songs

Language:Tamil

Song Movie Composer Singer
Kalaimagal Kai Porule Vasantha Maligai K. V. Mahadevan P. Susheela
Idayaveenai Thongum Pothu Iruvar Ullam
Nalandhana (Nilamani Ragam close to Sivaranjani) Thillana Mohanambal
Thaayir Chirandha Agathiyar Kunnakudi Vaidyanathan T. K. Kala
Aandavane Un Oli Vilakku M. S. Viswanathan P. Susheela
Enna Vegam Nillu Kuzhandaiyum Deivamum T. M. Soundararajan, A. L. Raghavan
Poovannam Azhiyatha Kolangal Salil Chowdhury P. Jayachandran, P. Susheela
Vaa Vaa Anbe Anbe Agni Natchathiram Ilaiyaraaja K.J. Yesudas, K.S. Chitra
Ponmane Kovam Yeno Oru Kaidhiyin Diary Unni Menon, Uma Ramanan
Oh Priya Priya! Idhayathai Thirudathe Mano, K.S. Chitra
Kuyil Paattu En Rasavin Manasile Swarnalatha, Ilaiyaraaja
Vaigai Karai Katre Uyirullavarai Usha Vijaya T. Rajendar K. J. Yesudas
Padi Azhaithen Rasigan Oru Rasigai Raveendran
Marikolunthu Mulla Uruthuma En Aasai Rasathi Dr.Chandilyan
Pattu Onnu Paadattuma Pudhu Vasantham S. A. Rajkumar
Enna Idhuvo Aanandham Hariharan
Kannum Kannum Thiruda Thiruda A.R. Rahman Mano
Usalampatti Penkutti Gentleman Shahul Hameed, Swarnalatha
Thaneerai Kaadhalikum Mr. Romeo Sangeetha,Sajith
Anjathe Jeeva Jodi Sirkazhi G. Sivachidambaram, Swarnalatha
Moongililai Kaadugale Penmani Aval Kanmani Sankar Ganesh S. P. Balasubrahmanyam, Vani Jairam
Maamarathu Poo Oomai Vizhigal Manoj Gyan S. N. Surendar,Sasirekha
Oru Jeevanthan Naan Adimai Illai Vijay Anand S. P. Balasubrahmanyam, S. Janaki
Koovurakuyilu Solaiyamma Deva
Sollavaa Sollavaa Mahaprabhu S. P. Balasubrahmanyam,Sunandha
Vannanilavae Vannanilavae Ninaithen Vandhai Hariharan
Pennkiliye Pennkiliye Sandhitha Velai P. Unnikrishnan, Sujatha Mohan
Avaravar Vazhkaiyil Pandavar Bhoomi Bharadwaj Bharadwaj
Yedi Kallachi Thenmerku Paruvakaatru N. R. Raghunanthan Vijay Prakash, Shreya Ghoshal

This section covers the theoretical and scientific aspect of this rāgam.

Graha bhedam

Shivaranjani's notes when shifted using Graha bhedam, yields 2 other pentatonic rāgams, namely, Sunadavinodini and Revati. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. See Graha bhedam on Shivaranjani for more details and an illustration.

Scale similarities

  • Mohanam is a popular rāgam which has the antara gandharam in place of sadharana gandharam. Its ārohaṇa-avarohaṇa structure is S R2 G3 P D2 S : S D2 P G3 R2 S
  • Abhogi is a popular rāgam which has the shuddha madhyamam in place of panchamam. Its ārohaṇa-avarohaṇa structure is S R2 G2 M1 D2 S : S D2 M1 G2 R2 S

Carnatic scale

The Carnatic scale Shivaranjani is a janya rāgam (derived scale) associated with the 64th parent scale Vachaspati (melakarta). It has vakra prayoga (zig-zag notes in its scale and note phrases) and its scale is as follows.[2]

Compositions

The compositions in this scale are:[2]

See also

Notes

  1. Alternate notations:
    • Carnatic: S R₂ D₂ 
    • Western: C D A C
  2. Alternate notations:
    • Carnatic:  D₂ P S
    • Western: C A G C
  3. Alternate notations:
    • Hindustani: S R  P D 
    • Western: C D E G A C
  4. Alternate notations:
    • Hindustani:  D P  R S
    • Western: C A G E D C
  5. Alternate notations:
    • Hindustani: S R G  D P  
    • Western: C D E F A G B C
  6. Alternate notations:
    • Hindustani:   D P D  G R S
    • Western: C B A G A F E D C

References

  1. Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
  2. Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.