Revati (raga)

Revati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes).

For other terms or people, see Revati (disambiguation).
Revati
ArohanamS R₁ M₁ P N₂ Ṡ
AvarohanamṠ N₂ P M₁ R₁ S

Carnatic music
Tanjavur-style Tambura
Concepts
Compositions
Instruments
Melody
Sarasvati Vīṇa
Veṇu
Nāgasvaraṃ
Gottuvadhyam (Citra Vīṇa)
Violin
Percussion
Mr̥daṅgaṃ
Ghatam
Morsing
Kanjira
Thavil
Drone
Tambura
Shruti box

In Hindustani music a raga that closely resembles Revati is Bairagi Bhairav.[1] It is said to evoke Karuṇa rasa (pathos).[1] This scale has also been used in chanting Vedas.

Structure and Lakshana
Revati scale with shadjam at C

Revati is a symmetric rāgam that does not contain gāndhāram or dhaivatam. It is a pentatonic scale (audava-audava ragam[1][2] in Carnatic music classification – audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

(notes used in this scale are shuddha rishabham, shuddha madhyamam, panchamam, kaisiki nishadham)

Revati is considered a janya rāgam of Ratnangi, the 2nd Melakarta rāgam, though it can be derived from other melakarta rāgams, Vanaspati, Hanumatodi, Natakapriya, Vakulabharanam or Chakravakam, by dropping both gāndhāram and dhaivatam.

Revati rāgam lends itself for elaboration and exploration and has many compositions. Here are some popular kritis composed in Revati.

Lalgudi Jayaraman has also composed a melodious Thillana in this rāgam.

Film Songs

Language:Tamil
Song Movie Composer Singer
Illam Sangeetham Athil Avan Aval Adhu M. S. Viswanathan S. P. Balasubrahmanyam, Vani Jairam
Mandhira Punnagai Manal Kayiru S. P. Balasubrahmanyam,B. S. Sasireka
Ninaithaal Unaithan Unnidathil Naan (1986) Thayanban K.J. Yesudas, Vani Jairam
Kanavu Ondru Oru Odai Nadhiyagirathu Illayaraja S. Janaki
Sangeetha Jathimullai Kaadhal Oviyam S. P. Balasubrahmanyam
Vizhigal Meydaiyam Imaigal Kilinjalgal Vijaya T. Rajendar Kalyan, S. Janaki
Kaakha Kaakha Naan Avanillai Vijay Antony Vijay Antony, Charulatha Mani,Megha,Vinaya,Maya

This section covers the theoretical and scientific aspect of this rāgam.

In Japanese/Western music Revati corresponds to Insen scale

Graha bhedam

Revati's notes when shifted using Graha bhedam, yields 2 other pentatonic rāgams, namely, Shivaranjani and Sunadavinodini. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. See Graha bhedam on Shivaranjani for more details and an illustration.

Scale similarities
  • Madhyamāvati is a rāgam which has the chathusruthi rishabham in place of the shuddha rishabham. Its ārohaṇa-avarohaṇa structure is S R2 M1 P N2 S : S N2 P M1 R2 S

Notes
  1. Alternate notations:
    • Hindustani: S Ṟ M P Ṉ Ṡ
    • Western: C D♭ F G B♭ C
  2. Alternate notations:
    • Hindustani: Ṡ Ṉ P M Ṟ S
    • Western: C B♭ G F D♭ C

References
  1. Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
  2. Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
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