List of Pre-Raphaelite paintings

James Collinson – The Sisters

• The Renunciation of St. Elizabeth of Hungary (1850)
• Answering the Emigrant's Letter (1850)
• A Son of the Soil (1856)
• To Let also known as The Landlady (1856)
• For Sale also known as At the Bazaar (1857)
• Home Again (1856)
• The Holy Family (1878)

William Holman Hunt – The Scapegoat, 1854–1856

• Self-portrait at the Age of 14, (1841), Ashmolean Museum, Oxford.
• Love at First Sight (1846)
• F. G. Stephens (1847), Tate Britain, London.
• Christ and the Two Marys aka The Risen Christ with the Two Marys in the Garden of Joseph of Aramathea (1847 and 1897), Art Gallery of South Australia, Adelaide.[1]
• The Escape of Madeline and Porphyro during the drunkenness attending the revelry (The Eve of St. Agnes) (1848), Guildhall Art Gallery, London
• Rienzi vowing to obtain justice for the death of his young brother, slain in a skirmish between the Colonna and the Orsini factions (1848–49), collection Mrs. E. M. Clarke.
• The Haunted Manor (1849), Tate Britain, London.
• Cornfield at Ewell (1849), Tate Britain, London.
• A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids (1849–50), Ashmolean Museum, Oxford.
• Claudio and Isabella (1850–1853), Tate Britain, London.
• The Hireling Shepherd (1851), Manchester Art Gallery.
• The Awakening Conscience (1851–1853), Tate Britain, London.
• Our English Coasts (1852), Tate Britain, London.
• Dante Gabriel Rossetti (1853), Birmingham Museum and Art Gallery
• The Light of the World (1853–54), Keble College, Oxford.
• The Great Pyramid (1854)
• The Finding of the Saviour in the Temple (1854–1860), Birmingham Museum & Art Gallery.
• The Afterglow in Egypt (1854–63), Ashmolean Museum, Oxford.
• The Scapegoat (1854–1856), Lady Lever Art Gallery, Port Sunlight.
• The School-girl's Hymn (1858–59), Ashmolean Museum, Oxford.
• London Bridge on the Night of the Marriage of the Prince and Princess of Wales (1863–64), Ashmolean Museum, Oxford.
• The Festival of St. Swithin (The Dovecot) (1865–66), Ashmolean Museum, Oxford.
• Il Dolce Far Niente (1866), Forbes Magazine Collection.
• Isabella and the Pot of Basil (1868), Laing Art Gallery, Newcastle upon Tyne
• The Shadow of Death (1870–1873), Manchester Art Gallery.
• The Ship (1875)
• The Plain of Esdralon from the Heights above Nazareth (1877), Ashmolean Museum, Oxford.
• Sunset at Chimalditi
• The Triumph of the Innocents (1883–84), Tate Britain, London.
• The Bride of Bethlehem (1884–85)
• The Lady of Shalott (with Edward Robert Hughes) (1886–1905), Ella Gallup Sumner and Mary Catlin Sumner Collection, Wadsworth Atheneum, Connecticut
• May Morning on Magdalen Tower (1888–1891), Lady Lever Art Gallery, Port Sunlight.
• The Nile Postman (1892).
• The School of Nature (1893), Ponce Museum of Art, Puerto Rico.
• Christ the Pilot (ca. 1894).
• The Importunate Neighbour (1895).
• The Miracle of the Holy Fire (1892–1899), Fogg Art Museum, Harvard University
• The Beloved (1898).
• The Light of the World (with Edward Robert Hughes) (1900–1904), St.Paul's Cathedral, London.
• John Hunt, Tate Britain, London.
• John Key , Tate Britain, London.
• Amaryllis
• Bianca
• Master Hilary – The Tracer
• The King of Hearts
• The Tuscan Straw Plaiter
• The Apple Harvest – Valley of the Rhone
• Athens
• Nazareth
• H. B. Martineau
• Henry Wentworth Monk
• Thomas Fairbairn
• Sir Richard Owen
• Harold Rathbone
• Mrs. George Waugh
• Emily Waugh Hunt
• Fanny Waugh Hunt
• William Holman Hunt
• Christ amongst the Doctors
• Isabella

John Everett Millais, Leisure Hours, 1864, Detroit Institute of Arts

• Cymon and Iphigenia (1847–48), Lady Lever Art Gallery, Liverpool.
• The Death of Romeo and Juliet (c.1848), Manchester Art Gallery.
• Isabella (1848–49), Walker Art Gallery, Liverpool.[2]
• Ferdinand Lured by Ariel (1850), Sudley House, Liverpool.[3]
• Christ In The House Of His Parents (1850), Tate Britain, London.[4]
• The Return of the Dove to the Ark (1851), Ashmolean Museum, Oxford.[5]
• A Huguenot (1852), Makins Collection (private).[6]
• Ophelia (1852), Tate Britain, London.[7]
• The Proscribed Royalist, 1651 (1853), Andrew Lloyd Webber Collection.[8]
• The Order of Release (1853), Tate Britain, London.[9]
• Portrait of Annie Miller (1854) Private Collection.
• The Violet's Message (1854), Private Collection.
• Wandering Thoughts (1855), Manchester Art Gallery.[10]
• The Rescue (1855), National Gallery of Victoria, Melbourne.[11]
• Peace Concluded (1856), Minneapolis Institute of Arts.[12]
• Autumn Leaves (1856), Manchester Art Gallery.[13]
• The Blind Girl (1856), Birmingham Museum and Art Gallery.[14]
• L'Enfant du Regiment (1856), Yale Center for British Art, Connecticut.[15]
• A Dream of the Past: Sir Isumbras at the Ford (1857).
• The Escape of a Heretic (1857), Museo de Arte de Ponce, Puerto Rico.
• Only a Lock of Hair (1857–58), Manchester Art Gallery.[16]
• Spring (Apple Blossoms) (1859), Lady Lever Art Gallery, Liverpool.[17]
• The Vale of Rest (1859), Tate Britain, London.[18]
• The Black Brunswicker (1860), Lady Lever Art Gallery, Liverpool.[19]
• The Ransom (1862), Getty Museum.
• The Eve of St. Agnes (1863), Royal Collection at Clarence House, London.[20]
• Esther (1865), private collection.
• Vanessa (1868), Sudley House, Liverpool.[21]
• Stella (1868), Manchester City Art Gallery.[22]
• The Boyhood of Raleigh (1870), Tate Gallery, London.[23]
• A Flood (1870), Manchester City Art Gallery.[24]
• Martyr of Solway (1871), Walker Art Gallery, Liverpool.[25]
• The Somnambulist (1871), Bolton Museum and Archive Services, Bolton, Greater Manchester.[26]
• Victory O Lord! (1871), Manchester City Art Gallery.[27]
• Winter Fuel (1873), Manchester City Art Gallery.[28]
• The North-West Passage (1874), Tate Gallery, London.[29]
• Mrs Leopold Reiss (1876), Manchester City Art Gallery.[30]
• The Two Princes Edward and Richard in the Tower (1876), Royal Holloway Collection, University of London, Egham.
• Chill October (1879), The Artchive[31]
• James Fraser (1880), Manchester City Art Gallery.[32]
• An Idyll of 1745 (1884), Lady Lever Art Gallery, Liverpool.[33]
• Bubbles (1886), owned by Unilever, on display at Lady Lever Art Gallery, Liverpool.[34]
• The Nest (1887), Lady Lever Art Gallery, Liverpool.[35]
• Dew-Drenched Furze (1890), Private Collection.[36]
• Lingering Autumn (1890), Lady Lever Art Gallery, Liverpool.[37]
• Glen Birnam (1891), Manchester City Art Gallery.[38]

Dante Gabriel Rossetti – Paolo and Francesca da Rimini, 1867

• Ecce Ancilla Domini or The Annunciation (1850), Tate Britain, London.
• Found (1854), Delaware Art Museum, Wilmington
• Paolo and Francesca da Rimini (1855), Tate Britain, London.
• Dante's Dream at the Time of the Death of Beatrice (1856), Tate Britain, London.
• Bocca Baciata (1860), Museum of Fine Arts, Boston.
• Beata Beatrix (1864), Tate Britain, London.
• Venus Verticordia (1864–1868), Russell-Cotes Art Gallery & Museum, Bournemouth
• The Beloved or The Bride or The King's Daughter (1865–66, 1873), Tate Britain, London.
• Monna Vanna or Belcolore (1866), Tate Britain, London.
• Sibylla Palmifera or Venus Palmifera (1866–1870), Lady Lever Art Gallery, Port Sunlight.
• Lady Lilith (1867), Metropolitan Museum of Art, New York.[39]
• Lady Lilith (1868), Delaware Art Museum, Wilmington
• Pia de' Tolomei (c.1868), Spencer Museum of Art, Kansas.
• Silence (1870), Brooklyn Museum of Art, New York.
• Dante's Dream at the Time of the Death of Beatrice, (1869–1871), Walker Art Gallery, Liverpool
• Water Willow (1871), Delaware Art Museum, Wilmington
• The Bower Meadow (1872), Manchester Art Gallery.
• Veronica Veronese (1872), Delaware Art Museum, Wilmington
• La Ghirlandata (1873), Guildhall Art Gallery, London.
• Proserpine (1874), Tate Britain, London.
• Damsel of the Sanct Grael (1874), collection of Andrew Lloyd Webber.
• Roman Widow or Dîs Manibus (1874), Museo de Arte de Ponce, Puerto Rico.
• La Bella Mano (1875), Delaware Art Museum, Wilmington
• Astarte Syriaca or Venus Astarte (1876–77), Manchester Art Gallery.
• Mnemosyne or Lamp of Memory or Ricordanza (1876–1881), Delaware Art Museum, Wilmington
• A Sea–Spell (1877), Fogg Museum of Art, Harvard University.
• A Vision of Fiammetta (1878), Collection of Lord Lloyd-Webber.
• The Day Dream or Monna Primavera (1880), Victoria and Albert Museum, London.
• The Blessed Damozel (1875–1881), Lady Lever Art Gallery, Port Sunlight.
• Proserpine (1882), Birmingham Museums & Art Gallery, Birmingham.

• Manfred on the Jungfrau (1840–1861), Manchester Art Gallery.
• Take your Son, Sir! (1851–1892, unfinished), Tate Britain, London.
• Work (1852–1865), finished painting (1865) Manchester Art Gallery. and full study (1863) in Birmingham Museum & Art Gallery
• The Last of England (1855), Birmingham Museum & Art Gallery.. A further oil version (1860) is in the Fitzwilliam Museum, Cambridge and a watercolour (1864–65) in Tate Britain, London.
• Stages of Cruelty (1856–1890), Manchester Art Gallery. 1856 watercolour sketch is in Tate Britain, London.
• Cromwell on his Farm (1873–74), Lady Lever Art Gallery, Liverpool.
• Cromwell, Protector of the Vaudois (1877), Manchester Art Gallery.

Edward Burne-Jones, The Princess Tied to the Tree 1866

• The Merciful Knight (1863), Birmingham Museum & Art Gallery, Birmingham.
• The Beguiling of Merlin (1872–1877), Lady Lever Art Gallery, Port Sunlight.
• The Golden Stairs (1880), Tate Britain, London.
• The Last Sleep of Arthur in Avalon (1881), Museo de Arte de Ponce, Puerto Rico.
• The Mill (1882), Victoria and Albert Museum, London.
• Georgiana Burne-Jones (1883), private collection (?).[40]
• King Cophetua and the Beggar Maid (painting) (1884), Tate Britain, London.
• The Garden of Pan (c.1886), National Gallery of Victoria, Melbourne.
• The Star of Bethlehem (1887–1891), Birmingham Museum & Art Gallery, Birmingham.
• The Nativity (1888), Carnegie Museum of Art, Pittsburgh.
• Sponsa de Libano or The Bride of Lebanon (1891), Walker Art Gallery, Liverpool
• Hope (1896), Museum of Fine Arts, Boston.

Arthur Hughes – Ophelia, 1863–64

• Ophelia (1851–1853)
• April Love (1855–56), Tate Britain, London
• Home From the Sea (1856–57)
• The Long Engagement (1859), Birmingham Museum and Art Gallery
• Mariana at the window (c.1860s)
• Knight of the Sun (circa 1861)
• Home from Sea (1862), Ashmolean Museum, Oxford
• La Belle Dame Sans Merci (1861–1863)
• Ophelia and He Will Not Come Again (1863–64)
• The Lady of Shalott (c.1863)
• Beauty and the Beast (1863–1865)
• A Music Party (1864)
• In the Grass (c.1864–65), Sheffield Galleries and Museums Trust
• Good Night (1865–66)
• Sir Galahad, (1870) Walker Art Gallery, Liverpool
• Endymion (1868–1870)
• The Enchantress (circa 1870–1874)
• The Lady of Shalott (c.1872–73)
• The Convent Boat (1874)
• A Christmas Carol at Bracken Dene (1878–79)
• The Property Room (1879)
• The Heavenly Stair (circa 1887–88)
• Sir Galahad (circa 1894)
• The Rescue (1907–08)
• Overthrowing of the Rusty Knight (circa 1908)
• Wonderland (1912)
• Picking up seaweed
• Returning Home
• The King's Orchard
• Will o' the Wisp

George Price Boyce – A Portrait of Annie Miller, 1854

• Crypt of St. Nicolas Giornico, Canton Ticino Switzerland (1856)
• Outside the church of San Nicolo da Mira, Giornico (1856)
• On the East Lynn, Middleham, North Devon (1858)
• Streatley Mill at Sunset (1859)
• From the Garden of Sherford Cottage, Bromyard (c.1860)
• Autumn in the Welsh Hills (1860), Berger Collection Educational Trust, Denver Art Museum.
• Pyramids and Sphinx of Ghizeh (1861)
• The Nile at Gizeh (1861)
• At Binsey, near Oxford (1862), Cecil Higgins Art Gallery, Bedford.
• Newcastle from the Rabbit Banks, Gateshead on Tyne (1864)
• Sandpit near Abinger, Surrey, (1866–67), Walker Art Gallery, London.
• Abinger Mill-Pond, Surrey - Morning in Late Autumn (1866–67)
• Study of Ellen Smith, head & shoulders (c.1868)
• Pensosa d'Altrui (1869)
• The Royal Oak, Bettws-y-Coed
• Beeches
• Timber Yard, Chiddingstone
• East-end of Edward Confessor's Chapel, Westminster

• The Glacier of Rosenlaui (1856), Tate Britain, London.
• The Stonebreaker (1857–58), Walker Art Gallery, Liverpool.
• Val d'Aosta (1858)
• Florence from Bellosguardo (1863), Tate Britain, London.
• Lady with a Dove: Madame Loeser (1864), Tate Britain, London.
• The British Channel Seen from the Dorsetshire Cliffs (1871), Tate Britain, London.
• Rocks: Scilly (1873), Walker Art Gallery, Liverpool.
• Britannia's Realm (1880), Tate Britain, London.
• From the Balcony, Cliff Cottage, Lee (1896)
• Trevose Head (1897), Walker Art Gallery, Liverpool.

James Campbell – The Dragon’s Den, 1854

• The Lollipop (1855), Tate Britain, London.
• Girl with Jug of Ale and Pipes (1856), Walker Art Gallery, Liverpool.
• The Dragon's Den (1854), Walker Art Gallery, Liverpool.
• Waiting for Legal Advice (1857), Walker Art Gallery, Liverpool.
• The Wife's Remonstrance (1857–58), Birmingham Museum & Art Gallery.
• Our Village Clockmaker Solving a Problem (1859)
• News from My Lad (1859), Walker Art Gallery, Liverpool.
• Twilight - Trudging Homewards
• Home and Rest

John Collier – Lady Godiva (c. 1898), Herbert Art Gallery & Museum

• The Artist's Wife (1880)
• Last Voyage of Henry Hudson (1881), Tate Britain, London.[41]
• Clytemnestra after the Murder (1882), Guildhall Art Gallery, London.
• The Pharaoh's Handmaidens (1883), Private Collection
• The Priestess of Bacchus (1885–1889)
• Lilith (1887) Atkinson Art Gallery and Library, Southport.[42]
• The Water Baby (1890)
• Horace and Lydia (1890)
• Priestess of Delphi (1891) Art Gallery of South Australia, Adelaide, Australia.[43]
• In the Forest of Arden (1892)
• Lady Hallé (1895)
• The Laboratory (1895), Private Collection.
• The Death of Albine (1895)
• Pope Urban VI (1896)
• Lady Godiva (c. 1898), Herbert Art Gallery & Museum, Coventry.
• Queen Guinevre's Maying (1900), Cartwright Hall, Bradford
• In the Venusberg (1901), version on canvas at the Atkinson Art Gallery and Library, Southport.[44] Version on board in a private collection.[45]
• The Plague (1902)
• The Prodigal Daughter (1903)
• The Sinner (1904), Victoria Art Gallery, Bath
• Sentence of Death (1908)
• The Land Baby (1909)
• The White Devil (1909)
• Angela McInnes (1914), National Gallery of Victoria, Melbourne, Australia
• The Grand Lady (1920)
• The Water Nymph (1923)
• Mrs Huxley (1927–28), Tate Britain, London.[46]
• Portrait of the Artist's Daughter (1929)
• Shopping for Silks
• Sleeping Beauty
• Spring
• Ellen Terry
• Hetty Sorrell
• The Death of Cleopatra, Gallery Oldham
• The Brotherhood of Man, Potteries Museum & Art Gallery, Stoke-on-Trent
• Reclining Woman, Private Collection

• Berengaria's Alarm (1850)
• Convent Thoughts (1851)
• May, in the Regent's Park (1851)
• The Devout Childhood of St Elizabeth of Hungary

• Rapunzel (1900)
• Hamlet - The churchyard scene (1902)
• Francis of Assisi and the Heavenly Melody (1904)
• St Agnes in Prison Receiving from Heaven the Shining White Garment (1905)
• La Belle Dame Sans Merci (1905)
• Molly, Duchess of Nona (1905)
• Mariana in the South (1906)
• Vanity (1907)
• How the Devil, Disguised (1907)
• Erasmus and Thomas More Visit the Children of Henry VII at Greenwich (1908)
• Lucretia Borgia Reigns in the Vatican in the Absence of Pope Alexander VI (1908–14)
• Venetian Ladies Listening to the Serenade (1909)
• The Love Letter (1911)
• The Hon. Mrs. Hanbury-Tracy (1914)
• Our Lady of the Fruits of the Earth (1917)
• The Blue Bird (1918)
• The Cathedral Scene from 'Faust': Margaret tormented by the Evil Spirit (1919)
• Vanity (1919)
• Fair Rosamund and Eleanor (1920)
• The Damsel of the Lake (1924)
• La Belle Dame Sans Merci (1926)
• Titania Sleeps (1928)
• Sir Havilland De Sausmarez (1930)
• Mrs. Albert S. Kerry (1930)
• Pamela, Daughter of Lieut. Col. M. F. Halford (1930)
• La Belle Dame Sans Merci (1946)
• The Ugly Duckling (1950)
• The Legend of Sir Perceval (1952–53)
• The Four Queens Find Lancelot Sleeping (1954)
• Elizabeth, Daughter of Major General F V B Willis (1955)
• The Golden Bowl (1956)
• Self-Portrait (1957)
• The Patient Griselda
• Portrait of Professor Rey
• Lancelot Slays the Caitiff Knight Sir Tarquin
• Eve

• Bidston Marsh at Wallasey (1853)
• Shotwick Church, Cheshire (1855)
• Early Spring Evening, Cheshire (1855)
• A Dark Roan Bull (1859)
• Hale, Lancashire (c.1860), Walker Art Gallery, Liverpool.
• View from Bidston Hill (c.1865), Walker Art Gallery, Liverpool.
• A Day's Sport at Bidston Hill (c.1865), Tate Britain, London.
• Carving His Name
• A Field of Corn
• Wallasey Mill, Cheshire

• A Pet (1853)
• The Grey Parrot (1852–53)
• The Mock Marriage of Orlando and Rosalind (1853)
• Twelfth Night, Act II, Scene IV (1850)

Frank Bernard Dicksee – Chivalry, 1885

• Elopement (1872)
• Harmony (1877)
• Miranda (1878)
• The Symbol (1881)
• The Foolish Virgins (1883)
• Spring Maiden (1884)
• Romeo and Juliet (1884)
• Chivalry (1885)
• Hesperia (1887)
• Portrait of a Woman (1887)
• Beatrice (1888)
• The Crisis (1891)
• Startled (1892)
• Leila (1892)
• Passion (1892)
• Funeral of a Viking (1893)
• Paolo and Francesca (1894)
• The Magic Crystal (1894)
• The Mirror (1896)
• The Confession (1896)
• Dawn (1897)
• An Offering (1898)
• Portrait of a Lady (c.1900)
• The Two Crowns (1900)
• Yseult (1901)
• La Belle Dame Sans Merci (1903)
• The Mother (1907)
• Flowers of June (1909)
• The Shadowed Face (1909)
• Portrait of Maude Moore (1913)
• Camille, Daughter of Sutton Palmer, Esq (1914)
• Dorothy (1917)
• Portrait of Agnes Mallam (Mrs Edward Foster) (1921)
• The End of the Quest (1921)
• Mrs. Norman Holbrook (1924)
• Portrait of Elsa (1927)
• Sylvia
• Portrait of Dora
• Resurgam
• Reverie
• The Duet
• The Emblem
• The Reverie
• Cleopatra

• Entry of Christ into Jerusalem

• Going to Market (1860), Walker Art Gallery, Liverpool.
• Sweethearts and Wives (1860), Walker Art Gallery, Liverpool.

Sir Joseph Noel Paton – The Quarrel of Oberon and Titania, 1849

• The Quarrel of Oberon and Titania (1849)
• The Reconciliation of Oberon and Titania (1847)
• The Pursuit of Pleasure (1855)
• The Bluidie Tryst (1855)
• Hesperus (1857)
• In Memoriam (1858)
• Oskold and the Ell-maids (1874)
• In Die Malo (1882)
• How an Angel rowed Sir Galahad across the Dern Mere (1888)
• Oberon and the Mermaid (1888)
• Warriors
• Sir Galahad
• Lux in Tenebris (1879)

(Anthony Frederick Augustus Sandys)

Frederick Sandys – Queen Eleanor, 1858

• Mrs Sandys, the artist's mother (late 1840s), Fitzwilliam Museum, Cambridge.
• Self-Portrait in a broad-brimmed Hat (1848), Private Collection.[47]
• Study of Miss Sandys (1849), Private Collection.[45]
• Portrait of a Young Man (before 1850), Fitzwilliam Museum, Cambridge.[48]
• Emma Sandys, the artist's sister (1853–1855), Fitzwilliam Museum, Cambridge.[49]
• Queen Eleanor (1858), National Museum of Wales.[50]
• Mary Magdalene (1858–1860), Delaware Art Museum, Wilmington. Listed at Bridgeman Art Library.[45]
• Portrait of Adelaide Mary, Mrs Philip Bedingfeld (1859), Norwich Castle Museum and Art Gallery.[51]
• Portrait of Mrs Clabburn (1860), Norwich Castle Museum and Art Gallery.[52]
• Autumn (1860–1862) Norwich Castle Museum and Art Gallery.[53]
• Oriana (1861), Tate Britain, London.[54]
• King Pelles' Daughter bearing the Sancgraal (1861), Private Collection.[55]
• Mary Magdalene (1862), Norwich Castle Museum and Art Gallery.[56]
• La Belle Isolde (1862), Private Collection.[45]
• Mrs. Susanna Rose (1862), Cleveland Museum of Art.[57]
• Viven (1863), Manchester Art Gallery.[58]
• Morgan le Fay (1864), Birmingham Museum & Art Gallery.[59]
• Portrait of Jane Lewis, born 19 January 1793 (1864), Private Collection.[45]
• Gentle Spring (1865), Ashmolean Museum, Oxford.[60]
• Perdita (1866), Private Collection.[45]
• Grace Rose (1866), Yale Center for British Art.[45]
• Helen of Troy (1867), Walker Art Gallery, Liverpool.
• Love's Shadow (1867), Private Collection.[55]
• Medea (1868), Birmingham Museum & Art Gallery.[61]
• Miranda (1868), Private Collection.[45]
• Valkyrie (1868–1873)
• The Coral Necklace (1871), Cleveland Museum of Art.[62]
• Cassandra, Private Collection.[45]
• Portrait of a woman with red hair, Private Collection.[45]
• Darby, a Yorkshire Terrier, Private Collection.[45]
• Berenice, Queen of Egypt, Leighton House Museum, London.[45]
• Portrait of Philip Bedingfeld LL.D, JP (undated), Norwich Castle Museum and Art Gallery.[63]

• In the Desert (1854), private collection.[64]
• The Mountains of Moab (1854), Tate Britain, London.[65]
• Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel (1854–55), Tate Britain, London.[66]
• View on the Nile (1855), Tate Britain, London.[67]
• Pyramids at Gizeh (1855), private collection.[68]
• Mount Zion, private collection.
• The Citadel of Cairo, private collection.

Simeon Solomon – Autumn

• I am starving (1857), National Gallery of Art, Washington D.C., USA
• Self Portrait (1859)
• Love in Autumn (1860)
• Moses (1860)
• The Painter's Pleasaunce (1861)
• Meschach and Abednego preserved from the Burning Fiery Furnace (1863)
• Priestess offering Poppies (1864)
• In the Temple of Venus (1863)
• Damon and Aglae (1866)
• Love in Autumn (1866)
• Bacchus (1867)
• Carrying the Scrolls of the Law (1867)
• Bacchus (1868)
• Pastoral Lovers (1869)
• The Toilet of a Roman Lady (1869), Delaware Art Museum, Wilmington, USA
• The Sleepers, and the One that Watcheth (1870)
• Love Dreaming by the Sea (1871)
• King Solomon (c.1873), National Gallery of Art, Washington D.C., USA
• The Head of Medusa (1884)
• Erinna of Lesbos (1886)
• The Virgin Knight (1887)
• Night (1890)
• Night and Her Child Asleep (1892)
• Angel Boy (1895)
• The Angel of Death (1895)
• Hypnos, the god of sleep
• The meeting of Dante and Beatrice
• Mercury
• One Watching in the Night
• Potens
• A Prelude by Bach
• Rabbi Carrying the Torah
• Sleep
• Twilight, Pity and Death
• Young Man holding Lord's Prayer
• Youth Reciting Tales to Ladies

• Penelope (1849)
• Sir Gawaine and the Damsels at the Fountain (1857)
• Thoughts of the Past (1859)
• Robin of Modern Times (1860)
• Juliet and Her Nurse (1863)
• The Wine Press (1864)
• Our Lady of the Water Gate (1870)
• Procris and Cephalus
• Love and the Maiden (1877)
• Night (1878)
• The Waters of Lethe by the Plains of Elysium (1879–80)
• The Shulamite (c.1882)
• Charon and Psyche (c. 1883)
• Why Seek Ye the Living Among the Dead? (c. 1886; also known as Resurrection)
• Eve Tempted (1887)
• The Pine Woods of Viareggio (1888)
• Flora (1889)
• Holy Trinity Main Altar Polyptych (1892–1894)
• Holy Trinity Memorial Chapel Polyptych (1892–1894)
• The Escape (c. 1900)

Other works (dates unavailable):

• Andromeda
• Autumn
• Charcoal Thieves
• Cupid and Psyche
• In Memoriam
• Love Betrayed (The Russell Cotes Gallery, Bournemouth)
• The Millpond (watercolor with bodycolor)
• Patience on a Monument Smiling at Grief
• The Vision of Ezekiel: The Valley of Dry Bones
• The Washing Place
• The White Rabbit

John William Waterhouse – The Lady of Shalott, 1888

• The Unwelcome Companion: A Street Scene in Cairo (1873), Towneley Hall Art Gallery, Burnley.
• Sleep and his Half-brother Death (1874), private collection.
• The Favourites of the Emperor Honorius (1883), Art Gallery of South Australia, Adelaide.
• Consulting the Oracle (1884), Tate, London.
• Saint Eulalia (1885), Tate, London.
• Esther Kenworthy Waterhouse (c. 1885), Sheffield City Art Galleries, Sheffield.
• The Magic Circle (1886), Tate, London.
• The Lady of Shalott (1888), Tate, London.
• Circe Offering the Cup to Ulysses (1891), Gallery Oldham, Oldham.
• Circe Invidiosa (1892), Art Gallery of South Australia, Adelaide.
• Hylas and the Nymphs (1896)
• The Siren (c. 1900), private collection.
• The Crystal Ball (1902), private collection.
• Boreas (1903), private collection.
• Echo and Narcissus (1903), Walker Art Gallery, Liverpool.
• Danaïdes (1904), private collection.
• Jason and Medea (1907), private collection.
• Gather Ye Rosebuds While Ye May (1908), private collection.
• Gather Ye Rosebuds While Ye May (1909), Odon Wagner Gallery, Toronto.
• Circe (The Sorceress) (1911), private collection.
• I am Half-Sick of Shadows, said the Lady of Shalott (1916), Art Gallery of Ontario, Toronto.
• Dante and Beatrice (c.1915), Dahesh Museum, New York.

• Cows Going Home (1859)
• Spring (1859)
• Morecambe Bay from Warton Crag (1862), Walker Art Gallery, Liverpool.
• Coniston Old Man from Warton Crag (1863), Walker Art Gallery, Liverpool.
• The Coot's Haunt, Broughton in Furness (1863–64)
• A Grey Day (1865), Walker Art Gallery, Liverpool.

• The Black Boy (c.1844), Walker Art Gallery, Liverpool.
• Too Late (1858), Tate Britain, London.
• Study of a Dead Child, the Artist's Son (1860), Tate Britain, London.
• The Flight of Henry VI from Towton (c. 1860–1870), Tate Britain, London.
• The Outlaw (1861), Manchester Art Gallery.
• The Second Duchess (before 1866), Tate Britain, London.
• Mrs Teed, the Artist's Daughter (c.1880), Tate Britain, London.
• Samuel Teed (date unknown), Manchester Art Gallery.
• Burd Helen
• The Stray Lamb