The Golden Girls

Pilot

The first episode featured a gay houseboy named Coco (played by Charles Levin), but the role was dropped before the second episode. The writers observed that in many of the proposed scripts, the main interaction between the women occurred in the kitchen while preparing and eating food, and decided that a separate cook would distract from their friendship. In addition, the character of Sophia had originally been planned as an occasional guest star, but Getty had tested so strongly with preview audiences that the producers decided to make her a regular character.^[9]

Finale

After six consecutive seasons in the top 10, and the seventh season at number 30, The Golden Girls came to an end when Bea Arthur chose to leave the series. In the hour-long series finale, which aired in May 1992, Dorothy meets and marries Blanche's uncle Lucas (Leslie Nielsen), and moves to Hollingsworth Manor in Atlanta, Georgia. Sophia was to join her, but in the end, stays behind with the other women in Miami, leading into the spin-off series, The Golden Palace. The series finale was watched by 27.2 million viewers. As of 2016, it was the 17th-most watched television finale.^[10]

Main

Main characters in the final scene from the season two episode "Big Daddy's Little Lady" (from left): Estelle Getty as Sophia, Rue McClanahan as Blanche, Betty White as Rose, and Beatrice Arthur as Dorothy

• Beatrice Arthur as Dorothy Zbornak (née Petrillo, later Hollingsworth), a substitute teacher. Born in Brooklyn, New York City, to Sicilian immigrants Sophia and Salvadore Petrillo, Dorothy became pregnant while still in high school, resulting in a marriage to Stanley Zbornak (Herb Edelman) to legitimize the baby. Stan and Dorothy eventually moved to Miami, but divorced after 38 years when Stan left her for a young flight attendant. The marriage produced two children, Kate, in her early 20s, and Michael, who was inconsistently aged between his mid-20s and late 30s (Michael was purportedly the cause of the shotgun wedding). In the series' final episode, Dorothy marries Blanche's uncle, Lucas Hollingsworth, and relocates to Atlanta. Arthur also played Dorothy's grandmother, Sophia's mother, in a flashback episode to when they lived in Brooklyn.
• Betty White as Rose Nylund (née Lindström), a Norwegian American from the small farming town of St. Olaf, Minnesota. Often slightly naive and known for her humorously peculiar stories of life growing up in her hometown, Rose was happily married to Charlie Nylund, with whom she had five children; three daughters: Kiersten, Bridgette, and Janella; and two sons: Adam and Charlie, Jr. Upon Charlie's death, she moved to Miami. She eventually finds work at a grief counselling center, but later switches careers and becomes assistant to consumer reporter Enrique Mas at a local TV station. In later seasons, Rose became romantically involved with college professor Miles Webber. During season six, Webber was placed into the Witness Protection Program, but returned later in the season. Their relationship continued throughout the series and shortly into the sequel series, The Golden Palace. In season one, Rose is stated to be 55.
• Rue McClanahan as Blanche Elizabeth (Marie) Devereaux (née Hollingsworth), a Southern belle employed at an art museum. Born into a wealthy family, Blanche grew up as the apple of her father's eye on a plantation outside of Atlanta, Georgia, prior to her relocation to Miami, where she lived with her husband, George, until his death. Their marriage produced six children; two daughters: Janet and Rebecca; and four sons: Doug, Biff, Skippy, and Matthew. A widow, Blanche was portrayed as man-hungry and clearly had the most male admirers and stories detailing various sexual encounters over the course of the series.
• Estelle Getty as Sophia Petrillo, Dorothy's mother. Born in Sicily, Sophia moved to New York after fleeing an arranged marriage to Guido Spirelli. She married Salvadore "Sal" Petrillo, with whom she had three children: Dorothy, Gloria, and Phil, a cross-dresser who later dies of a heart attack (episode "Ebbtide's Revenge"). Initially a resident of the Shady Pines retirement home after having a stroke prior to the start of the series, she moved in with Blanche, Rose, and Dorothy following a fire at the institution. During the series' run, Sophia married Max Weinstock, but they soon separated. Throughout the series, she held a few part-time jobs, mostly involving food, including as a fast-food worker and an entrepreneur of spaghetti sauce and homemade sandwiches.

Recurring

• Herb Edelman (26 episodes) as Stanley Zbornak, Dorothy's cheating, freeloading ex-husband who left her for a young flight attendant. Stanley worked as an unsuccessful novelty salesman until he became a successful entrepreneur by inventing a baked potato opener that made him wealthy.
• Harold Gould (14 episodes) as Miles Webber (or Nicholas Carbone/Samuel Plankmaker) is Rose's professor boyfriend from season 5 onwards. Miles is later placed in the witness protection programme. Gould also guest-starred once in the first season as Arnie Peterson, Rose's first serious boyfriend after her husband Charlie's death.
• Sid Melton (8 episodes) as Salvadore Petrillo, Sophia's late husband, who is usually seen in dreams or flashback sequences. He also appears as Don the Fool, a waiter at a medieval restaurant in season six.
• Shawn Schepps (1 episode) and Debra Engle (3 episodes), as Blanche's daughter, Rebecca Devereaux. Initially an overweight former model in an emotionally abusive relationship, she later slimmed down and had a baby girl named Aurora by artificial insemination.
• Monte Markham (2 episodes) and Sheree North (2 episodes) as Blanche's siblings Clayton Hollingsworth and Virginia Hollingsworth.
• Bill Dana and Nancy Walker as Sophia's siblings Angelo and Angela. Dana appears in seven episodes (seasons 3-7), while he also played Sophia's father in a season-four episode. Walker starred in two episodes in season 2.
• Doris Belack (1 episode) and Dena Dietrich (2 episodes) as Gloria Petrillo, Dorothy's younger sister who is married to a wealthy man in California. She later loses all of her money and becomes romantically involved with Dorothy's ex-husband, Stan.
• Scott Jacoby (3 episodes) as Dorothy's aimless musician son Michael Zbornak.
• Lynnie Greene (credited as Lynn Greene, 4 episodes) as a younger Dorothy in flashbacks.

Creation

Ideas for a comedy series about older women emerged during the filming of a television special at NBC's Warner Bros. Studios in Burbank, California, in August 1984.^[12] Produced to introduce the network's 1984–85 season schedule, two actresses appearing on NBC shows, Selma Diamond of Night Court and Doris Roberts of Remington Steele, appeared in a skit promoting the upcoming show Miami Vice as Miami Nice, a parody about old people living in Miami.^[13] NBC senior vice president Warren Littlefield was among the executive producers in the audience who were amused by their performance, and he envisioned a series based on the geriatric humor the two were portraying.^[12]

Shortly afterward, he met with producers Paul Junger Witt and Tony Thomas, who were pitching a show about a female lawyer. Though Littlefield nixed their idea, he asked if they would be interested in delivering a pilot script for Miami Nice instead. Their regular writer declined, so Witt asked his wife, Susan Harris,^[12] who had been planning to retire after the conclusion of their ABC series Soap.^[14] She found the concept interesting, as "it was a demographic that had never been addressed," and she soon began work on it.^[12] Though her vision of a sitcom about women in their 60s differed from NBC's request for a comedy about women around 40 years old,^[15] Littlefield was impressed when he received her pilot script and subsequently approved production of it.^[12] The Cosby Show director Jay Sandrich, who had previously worked with Harris, Witt, and Thomas on Soap, agreed to direct.^[16]

The pilot included a gay houseboy, Coco (Charles Levin), who lived with the girls. Levin had been suggested by then-NBC president Brandon Tartikoff based on Levin's groundbreaking portrayal of a recurring gay character, Eddie Gregg, on NBC's Emmy-winning drama Hill Street Blues. After the pilot, the character of Coco was eliminated from the series.^[17][18]

Casting

Rue McClanahan in 2007

The part of Sophia Petrillo was the first of the four roles to be cast. Estelle Getty auditioned and won the role of the feisty mother of character Dorothy Zbornak. This was due, in part, to the rave reviews she garnered in her Off-Broadway role reprisal for the 1984 Los Angeles run of Torch Song Trilogy. Afterwards, Getty had returned to New York but gained permission from her manager to return to California in early 1985. Getty figured it would be her last chance to find television or film work. She would return home to New York if she was unsuccessful.

Casting director Judith Weiner had seen Torch Song Trilogy and thought Getty was terrific in it. She was also impressed by Getty's audition for the role of the mother of Stephen Keaton (played by actor Michael Gross) for a guest episode of Family Ties. Although Getty was impressive, the show's producers went with another actress. Getty came to Weiner's mind soon after when it became time to begin casting of The Golden Girls.^[19]

Getty, who went through a three-hour transformation to become Sophia, wore heavy make-up, thick glasses, and a white wig to look the part.^[20] The character of Sophia was thought by the creators to enhance the idea that three retirement-aged women could be young. Disney's Michael Eisner explains, "Estelle Getty made our three women into girls. And that was, to me, what made it seem like it could be a contemporary, young show."^[21] As surprising as it may sound, Estelle Getty continuously battled her stage fright. During an interview in 1988, Getty commented on her phobia and expressed how working with major stars, such as Arthur and White, made her even more nervous. At times, she even froze on camera while filming.^[22]

Hired to film the pilot, director Jay Sandrich also became instrumental in helping to cast the roles of Blanche Devereaux and Rose Nylund. Both Rue McClanahan and Betty White came into consideration as the series Mama's Family, in which the two co-starred, had been canceled by NBC. Originally, producers wanted to cast McClanahan as Rose and White as Blanche. The thinking for this was based on roles they previously played; White portrayed man-hungry Sue Ann Nivens on The Mary Tyler Moore Show, while McClanahan co-starred as sweet but scatter-brained Vivian Harmon in Maude. Eager not to be typecast, they took the suggestion of Sandrich and switched roles last-minute.^[12][18]

In the pilot script, Blanche was described as "more Southern than Blanche DuBois", so McClanahan was perplexed when she was asked by director Sandrich during the filming of the pilot not to use the strong southern accent she had developed, but to use her natural Oklahoma accent instead.^[23] Once the show was picked up for a first season, the new director Paul Bogart insisted that she speak in a southern accent, much to McClanahan's relief. McClanahan used a deliberately exaggerated accent, stating "I played Blanche the way I felt Blanche. She thought an accentuated Southern accent...would be sexy and strong and attractive to men. She wanted to be a southern heroine, like Vivien Leigh. In fact, that's who I think she thought she was."^[24]

Though Harris had created the character of Dorothy with a "Bea Arthur type" in mind, Littlefield and the producers initially envisioned actress Elaine Stritch for the part.^[18] Stritch's audition flopped, however, and under the impression that Arthur did not want to participate, Harris asked McClanahan if she could persuade Arthur, with whom she worked previously on the CBS sitcom Maude, to take the role. Arthur flipped upon reading the script, but felt hesitant about McClanahan's approach, as she did not "want to play (their Maude characters) Maude and Vivian meet Sue Ann Nivens." She reconsidered, however, after hearing that McClanahan and White had switched roles.

Bea Arthur and Betty White worked well together in shared mutual respect but they did not pursue a personal friendship with one another outside of The Golden Girls set. However, both were close to Rue McClanahan off camera. Arthur and White were consummate professionals and thoroughly enjoyed their experiences on the show despite having only a work relationship with one another. Betty White has always expressed nothing but love and admiration for Bea Arthur. Only after Arthur's death in 2009 did she reveal the fundamental personality clash between Arthur and herself. White's positive, perky demeanor would sometimes irritate Arthur.^[25]

Writing and taping

The show was the second television series to be produced by the Walt Disney Company under the Touchstone Television label, and was subsequently distributed by Buena Vista International, Inc. (which holds as the ownership stake in Disney Channel Southeast Asia, now Disney–ABC Television Group).^[26]

Creator Susan Harris went on to contribute another four episodes to the first season, but became less involved with the sitcom throughout its run; she continued reading all scripts, though, and remained familiar with most of the storylines. Kathy Speer and Terry Grossman were the first head writers of the series and wrote for the show's first four seasons. As head writers, Speer and Grossman, along with Mort Nathan and Barry Fanaro, who won an Emmy Award for Outstanding Writing the first season, gave general ideas to lower staff writers, and personally wrote a handful of scripts each season.^[27]

In 1989, Marc Sotkin, previously a writer on Laverne & Shirley and a producer on fellow Witt/Thomas series It's a Living, assumed head-writing responsibilities, and guided the show (to varying degrees) during what were its final three seasons. Richard Vaczy and Tracy Gamble, previously writers on 227 and My Two Dads, also assumed the roles of producers and head writers. Beginning in 1990, Marc Cherry served as writer and producer, years before creating Desperate Housewives, which ran on ABC from 2004 to 2012.^[27] Mitchell Hurwitz also served as writer for the show in its last two seasons. Hurwitz later created Arrested Development for Fox and later for Netflix.

Cherry commented on read-throughs of the scripts that "generally, if the joke was a good one, the women found a way to make it work the very first time they read it. You have a lot of table reads where the actors will mess it up because they don't understand what the characters are doing, or they misinterpret. But the women were so uniformly brilliant at nailing it the first time...we basically knew that if the women didn't get it right the first time, the joke needed to be replaced."^[28]

Estelle Getty's stage fright, which affected her from the beginning of the show, grew worse as the show went on, to the point that she would forget her lines more and more. Beginning in Season 5, she would have to read her lines off cue cards held off-camera or from props.^[29] Rue McClanahan, who shared a dressing room with Getty, described the severity of Getty's stage fright: "She'd panic. She would start getting under a dark cloud the day before tape day...You could see a big difference in her that day. She'd be walking around like Pig-Pen under a black cloud. By tape day, she was unreachable. She was just as uptight as a human being could get. When your brain is frozen like that, you can't remember lines."^[30]

During season six, there was some uncertainty over whether Bea Arthur would sign on for additional seasons because her contract was due to expire and she had expressed a wish to do other projects.^[31][32] Debbie Reynolds was brought on as a guest star in the season 6 episode "There Goes the Bride: Part 2" to test her chemistry with the other actresses as a possible replacement for Arthur, but it was decided that nobody could replicate the chemistry of the four original actresses. In any event, Arthur chose to commit to a seventh and final season.^[31]

Exterior and interior sets

The house's address was mentioned as being 6151 Richmond Street, Miami.^[33] The outside model used in the shots of the house beginning in the third season and lasting through the end of the series was part of the backstage studio tour ride at Disney's Hollywood Studios. This façade—along with the Empty Nest house—was among those destroyed in mid-2003, as Disney bulldozed the houses of "Residential Street" to make room for its "Lights, Motors, Action!" attraction. A hurricane that damaged the sets earlier also contributed to this decision. The façade was based on a real house at 245 N. Saltair Avenue in Brentwood, California. This residence was used for outside shots during the first two seasons.^[34]

The kitchen set seen on The Golden Girls was originally used on an earlier Witt/Thomas/Harris series, It Takes Two, which aired on ABC from 1982 to 1983. However, the exterior backdrop seen through the kitchen window changed from the view of Chicago high-rises to palm trees and bushes for the Miami setting.

Format

The Golden Girls was shot on videotape in front of a live studio audience.^[35] Many episodes of the series followed a similar format or theme. For example, one or more of the women would become involved in some sort of problem, often involving other family members, men, or an ethical dilemma. At some point, they would gather around the kitchen table and discuss the problem, sometimes late at night and often while eating cheesecake or some other dessert.^[36] One of the other girls then told a story from her own life, which somehow related to the problem (though Rose occasionally regaled a nonsense story that had nothing to do with the situation, and Sophia told outrageous made-up stories). Some episodes featured flashbacks to previous episodes, flashbacks to events not shown in previous episodes, or to events that occurred before the series began.^[37] Though the writing was mostly comical, dramatic moments and sentimental endings were included in several episodes. One of the actresses on the show, Bea Arthur, actually hated cheesecake.^[38]

Critical reception

During the NBC upfronts, the preview screening of the show got a standing ovation. The show immediately received a full order of 12 episodes.^[39]

An immediate runaway hit, The Golden Girls became an NBC staple on Saturday nights.^[40] The show was the anchor of NBC's Saturday line-up, and almost always won its time slot, as ABC and CBS struggled to find shows to compete against it, the most notable being ABC's Lucille Ball sitcom Life With Lucy in the beginning of the 1986–87 season. The Golden Girls was part of a series of Brandon Tartikoff shows that put an end to NBC's ratings slump, along with The Cosby Show, 227, Night Court, Miami Vice, and L.A. Law.

The show dealt with many controversial issues, such as coming out and same-sex marriage,^[41] elder care and homelessness, HIV/AIDS and discrimination against people with HIV/AIDS, US immigration policy, death and assisted suicide.^[42]

Writer and producer Linda Bloodworth-Thomason created a sitcom with this kind of image as a "four women" show, which became Designing Women on CBS. Designing Women began competing against The Golden Girls in the same time slot, however The Golden Girls always got the higher rating, resulting in CBS pushing Designing Women to Mondays.

Awards and nominations

The Golden Girls Disney Legends plaque at Walt Disney Studios

During its original run, The Golden Girls received 68 Emmy nominations, 11 Emmy awards, four Golden Globe Awards, and two Viewers for Quality Television awards. All the lead actresses won Emmy Awards for their performances on the show. The Golden Girls is one of three shows, along with All in the Family and Will and Grace where all the principal actors have won at least one Emmy Award.

As a tribute to the success of The Golden Girls, all four actresses were later named Disney Legends.^[43]

Syndication

Beginning July 3, 1989, NBC added daytime reruns of the show, replacing long-running Wheel of Fortune (it moved to CBS) on the NBC schedule at 11:00 a.m.(EST). It ran for a little over a year until September 1990. At this time, syndicated reruns began airing, distributed by Buena Vista Television (now Disney–ABC Domestic Television), the syndication arm of Disney, whose Touchstone Television division produced the series.

In March 1997, the Lifetime cable network acquired the exclusive rights to repeat the episodes of The Golden Girls in the US for over a decade, until March 1, 2009. Many episodes were edited to allow more commercials and for content.

Both the Hallmark Channel and WE tv picked up the reruns in March 2009. As of February 2013, We TV's rights expired and Viacom networks' TV Land, home to Betty White's last series Hot in Cleveland, purchased them,^[44] as did Logo TV.^[45]

In Australia, the show airs every day on Fox Classics.

In Canada, Corus Entertainment's digital specialty channel, DejaView, airs reruns of The Golden Girls.

In Southeast Asia, Rewind Networks began airing reruns of The Golden Girls on its HD channel, HITS, in 2013.

In New Zealand, the series was shown on TVNZ and is replayed on public holidays and it is shown on Jones!.

Every episode of The Golden Girls was made available to stream on Hulu on February 13, 2017.^[46]

The Golden Palace

After the original series ended, White, McClanahan, and Getty reprised their characters in the CBS series The Golden Palace, which ran from September 1992 to May 1993, and also starred Cheech Marin and Don Cheadle (Bea Arthur guest-starred in a double episode, reprising her role as Dorothy).^[50] The show never approached the popularity or acclaim of the original, and ranked 57th in the annual ratings. Reportedly, a second season was approved before being canceled the day before the network announced its 1993-94 schedule.

Lifetime, which held the rights to The Golden Girls at the time, aired reruns of The Golden Palace in the summer of 2005, and again in December of that year. This was the first time since 1993 that The Golden Palace was seen on American television. Until April 2006, Lifetime played the series as a virtual season eight, airing the series in between the conclusion of the final season and the syndicated roll-over to season one.

Empty Nest

Estelle Getty at the 41st annual Primetime Emmy Awards in 1989

Capitalizing on the popularity of The Golden Girls, creator Susan Harris decided to develop a spin-off, centering on the empty nest syndrome. The initial pilot was aired as the 1987 Golden Girls episode "Empty Nests" and starred Paul Dooley and Rita Moreno as George and Renee Corliss, a married couple living next to the Golden Girls characters, who face empty nest syndrome after their teenage daughter moves out.^[51] When that idea was not well received, Harris retooled the series as a vehicle for Richard Mulligan, and the following year Empty Nest debuted, starring Mulligan as pediatrician Harry Weston, a widower whose two adult daughters moved back home. Characters from both shows made occasional crossover guest appearances on the other show, with the four girls guesting on Empty Nest and Mulligan, Dinah Manoff, Kristy McNichol, David Leisure, and Park Overall appearing on The Golden Girls in their Empty Nest roles.^[52] After the end of The Golden Palace, Getty joined the cast of Empty Nest, making frequent appearances as Sophia in the show's final two seasons.

Mulligan and Manoff were alumni from one of Susan Harris' earlier shows, Soap.

Nurses

Empty Nest launched its own spin-off in 1991 set in Miami in the same hospital where Dr. Weston worked. The series starred Stephanie Hodge and a set of other young female and male nurses. As one of the few times in television history that three shows from the same producer, set in the same city, aired back-to-back-to-back on a single network in the same night, the three shows occasionally took advantage of their unique circumstances to create storylines that carried through all three series, such as "Hurricane Saturday". Starring actress Hodge left the show after two seasons. David Rasche joined the cast at the start of the second season and Loni Anderson was added as the new hospital administrator for the third season.

Stage

The Golden Girls: Live! was an off-Broadway show that opened in the summer of 2003 in New York City at Rose's Turn theater in the West Village, and ran until November of that year.^[53] The production ended because the producers failed to secure the rights and received a cease and desist order by the creators of the original television show. Featuring an all-male cast in drag, The Golden Girls: Live! consisted of two back-to-back episodes of the sitcom: "Break-In" (season one, episode eight) and "Isn't It Romantic?" (season two, episode five).

Foreign versions

• Chile: Los años dorados: In 2015 a Chilean remake called Los Años Dorados (The Golden Years) was produced by UCVTV in agreement with Disney, starring famous Chilean actresses Gloria Münchmeyer, Carmen Barros, Ana Reeves, and Consuelo Holzapfel, who live their retirement in the city of Viña del Mar. It was a success for the channel, so there are plans to do the second season in 2016.
• Greece: Chrysa Koritsia: In 2008, Greek broadcaster ET1 premiered a Greek remake entitled Chrysa Koritsia (Greek: Xρυσά κορίτσια, Gold[en] Girls), which features the four women in Greece.^[54] Each of the characters has been hellenized to suit the culture and modern setting. Names were only slightly changed, but more for cultural reasons, as Sophia (whose first name was unchanged, as it is Greek), Bela (Blanche), Dora (Dorothy), Fifi (Rose), and Panos (Stan). The series began airing in mid-January, and features many similar plots to the original. ET1 aired a rerun of the show in the summer of 2008 and managed to take a place in the top-10 ratings chart, presented by AGB Nielsen Media Research. The Greek edition features Mirka Papakonstantinou as Dora, Dina Konsta as Sofia, Eleni Gerasimidou as Fifi, and Ivonni Maltezou as Bela.
• Netherlands: Golden Girls: A Dutch remake for the RTL 4 network stars Loes Luca as Barbara (Blanche), Beppie Melissen as Els (Dorothy), Cecile Heuer as Milly (Rose), and Pleuni Touw as Toos (Sophia). The show premiered in fall 2012, using essentially the same plots as the U.S. version, along with a Dutch-language version of the original theme song, "Thank You for Being a Friend".^[55]
• Philippines: 50 Carats, O Di Ba? A Philippine version of The Golden Girls (spin-off) aired during the early '90's by IBC 13 starred Nida Blanca, Charito Solis, and Gloria Romero.^[56]
• Russia: Bolshie Devochki: A Russian remake was broadcast in 2006, entitled Bolshie Devochki (Russian: Большие Девочки), which in English can literally be translated to: Big Girls. The series featured renowned Russian actresses Galina Petrova as Irina (Dorothy), Olga Ostroumova as Nadejda (Blanche), Valentina Telechkina as Margarita (Rose), and Elena Millioti as Sofya (Sophia). However, the concept never caught on with the Russian viewers and the show was canceled after only 32 episodes.^[57]
• Spain: Juntas, pero no revueltas/Las chicas de oro: In 1996, TVE launched a Spanish remake entitled Juntas pero no revueltas (Together, but not mixed) with Mercedes Sampietro as Julia (Dorothy), Mónica Randall as Nuri (Blanche), Kiti Manver as Rosa (Rose), and Amparo Baró as Benigna (Sophia). Low ratings made it disappear after one season.^[58] In 2010, another remake with the title Las chicas de oro (The Golden Girls) was announced, again on TVE, this time produced by José Luis Moreno and with Concha Velasco as Doroti (Dorothy), Carmen Maura as Rosa (Rose), Lola Herrera as Blanca (Blanche), and Alicia Hermida as Sofía (Sophia).^[59] The series premiered on September 13, 2010 with success.^[60] However, after only 26 episodes, the series was eventually discontinued after the end of the first season after receiving generally bad reviews and following dropping ratings.^[61]
• Portugal: Queridas e Maduras: In July 1995, RTP premiered Queridas e Maduras (in english, Dear Mature Girls) a portuguese version of the american sitcom. The show featured renowned Portuguese actresses Catarina Avelar as Edite (Dorothy), Amélia Videira as Inês (Rose), Lia Gama as Salomé (Blanche) and the veteran actress Luísa Barbosa as Aparecida (Sophia). The Portuguese version got two seasons, the first in 1995 and the second in 1996, adapting episode plots from the first two seasons of the original series.
• Turkey: Altin Kizlar. In 2009, broadcaster ATV Actual Television premiered Altin Kizlar (literally translated to English as "Girls of Gold"). It was produced by Play Prodüksiyon. Rather than residing in Miami, the women shared a condo in residential part of Beyoğlu.^[62] As in other foreign adaptations, it featured well-known local actresses. The key roles were filled by Fatma Girik as Safıye (the 'Sophia' character), Hülya Koçyiğit as İsmet ('Dorothy'), Nevra Serezli as Gönül ('Blanche') and Türkan Şoray as Inci ('Rose').^[63] The show lasted only one episode, consisting of story lines from two of the original American series: "The Engagement" (Season 1, Episode 1) and "The Triangle" (Season 1, Episode 5).
• United Kingdom: Brighton Belles: In 1993, ITV premiered Brighton Belles, a British version of the American sitcom.^[64] The show, starring Sheila Hancock, Wendy Craig, Sheila Gish, and Jean Boht was nearly identical to Girls except for character name changes and actor portrayals. The 10-episode series was canceled after six weeks due to low ratings, with the final four episodes airing more than a year later.