List of highest-grossing films in the United Kingdom
This list charts the most successful films at cinemas in the United Kingdom by box office sales, in pounds sterling and admissions. An overview of the top-earning films and record-holders is provided, as well as the highest-grossing British productions, the most successful non-English language films and the sound films that have generated the most admissions. A summary of the most popular films over the course of the last century is also included.
American productions dominate, with all films earning over £50 million at the box office either completely or partly produced by Hollywood studios. British film is well represented, with about half the films on the list qualifying as British productions; however, due to the globalization of the film industry most successful British productions since the start of the twenty-first century have been co-produced with other countries. While there is no universally accepted definition of a film's nationality, a legal definition for the Britishness of a film has existed in English law since 2007, and this is the criteria used here. For films made prior to 2007, the nationalities listed by the sources supplying the data are used where they are given.
The 2015 Star Wars film, The Force Awakens, is the highest-grossing film in terms of nominal box-office sales. The effects of inflation are a significant contributing factor to recent films surpassing the box-office records of older films, so when considering the number of admissions Gone with the Wind (1940) is the most successful film, although this was achieved over several release cycles prior to the home video era.
Highest-grossing films by box-office revenue
Top earning films
The highest earners at the box-office are mostly American films and UK-US co-productions. Film series dominate—accounting for twenty-eight of the thirty-three films that have earned in excess of £50 million—including six films in the Harry Potter franchise, Peter Jackson's first four Tolkien adaptations, the four Daniel Craig James Bond films and four Star Wars instalments. Twenty entries are British co-productions and a further four are based on stories and characters created by British writers. This table only charts films released since 1989, but due to inflation it is unlikely anything released prior to then will surpass the films on the list in nominal terms.[1]
Record-holders
Since 1975, twelve films may have set the record as the "highest-grossing" film. Regular tracking of box-office performance only started in 1975, so it is only possible to chart the transition of the record with any serious degree of accuracy within this period. Prior to then, The Sound of Music is accepted to be the record-holder, assuming the record from another musical, South Pacific, in 1966 and going on to treble the earnings of that film.[9][10] It is possible that some of the earlier films in the chart did not surpass the box office of The Sound of Music, and it may have retained the record until the release of E.T. the Extra-Terrestrial.[nb 1]
Skyfall, the twenty-third James Bond film in the long-running Eon series, became the first film to gross over £100 million in setting a new record at the box-office.[14] All the record-holders since tracking began have been either partially or fully produced by Americans, although The Full Monty, Mamma Mia!, Skyfall and Star Wars: The Force Awakens were UK-US collaborations. Only the grosses that set records are included in the timeline; earnings from subsequent re-releases after the film conceded the record are omitted.
| Year of record# |
Title | Record setting gross (£ million) | |
|---|---|---|---|
| 1975 | Jaws | 11.8 | |
| 1977 | Star Wars | 14.4 | |
| 1978 | Grease | 14.7 | |
| 1982 | E.T. the Extra-Terrestrial | 21.7 | |
| 1990 | Ghost | 23.3 | |
| 1993 | Jurassic Park | 47.9 | |
1998  |
The Full Monty | 52.2 | |
| 1998 | Titanic | 69.0 | |
| 2008 |
Mamma Mia![nb 2] | 68.6/69.2 | |
| 2010 | Avatar | 94.0 | |
| 2012 |
Skyfall | 103.2[15] | |
| 2016 |
Star Wars: The Force Awakens[15] | 123.2[1] | |
Films marked as  # Year of release is used between 1975 and 1990 because it is not known in which year the film set a new record. | |||
British productions
Since 2007, under English law, films can qualify as British via a cultural test, through an official bilateral co-production agreement or under the European Convention on Cinematographic Co-production. The cultural test utilises a points based system which takes account of cultural content, creative elements and heritage, the nationality of the cast and crew and where the bulk of the production takes place.[16] The application of this process can draw to counter-intuitive conclusions; films not classified as British under this system may have British elements, such as being based on books by British authors and featuring British actors—as was the case with The Hobbit trilogy—while films that are regarded as quintessentially American—such as Star Wars: The Force Awakens or The Dark Knight—can result in being classified as British.
The most successful British productions in the modern marketplace generally have American investment, with The King's Speech and The Inbetweeners Movie the only fully British films to have earned in excess of £40 million. Film series still dominate, accounting for twenty-seven of the top thirty-four films. The remaining films mostly are adaptations of popular novels, stage musicals and television series and biographical films based on historical events. The King's Speech replaces Star Wars: The Force Awakens as the most successful British production if the criteria is restricted to solely British-produced films.
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Non-English language films
Chinese and Spanish films have achieved the most success at the box-office in the twenty-first century, with three entries apiece among the top ten non-English language performers. The Passion of the Christ, directed by Mel Gibson, is the top performer and Gibson also has another entry in fourth place with Apocalypto; both films feature dead languages. Only the top two films were competitive with the top British films.
| Rank | Title | Language | Gross (£ million) |
Year |
|---|---|---|---|---|
| 1 | The Passion of the Christ | Aramaic/Latin/Hebrew | 11.08 | 2004 |
| 2 | Crouching Tiger, Hidden Dragon | Mandarin | 9.37 | 2001 |
| 3 | Amélie | French/Russian | 5.01 | 2001 |
| 4 | Apocalypto | Mayan | 4.11 | 2007 |
| 5 | Hero | Mandarin | 3.82 | 2004 |
| 6 | House of Flying Daggers | Mandarin | 3.78 | 2004 |
| 7 | Volver | Spanish | 2.88 | 2006 |
| 8 | The Motorcycle Diaries | Spanish | 2.75 | 2004 |
| 9 | Pan's Labyrinth | Spanish | 2.72 | 2006 |
| 10 | Dhoom 3 | Hindi | 2.71 | 2013 |
Highest-grossing films by box-office admissions
Up to and including 2003, the British Film Institute (BFI) estimate fifty-two sound films have generated over 10 million admissions. The European Audiovisual Observatory (LUMIERE) have been tracking UK admissions since 1996, and they estimate that twenty-two films have generated over 10 million admissions in that period. Due to conflicting estimates, both sets of figures are presented together here in chronological order. While the two datasets are generally consistent with each other, the estimates from LUMIERE are on average slightly lower than those from the BFI, leading to Bridget Jones's Diary being included in the BFI dataset but excluded from the LUMIERE one. The largest discrepancy is in the estimates for Harry Potter and the Philosopher's Stone; there is a difference of 5 million admissions, but LUMIERE do not include any UK data for 2002 while they do for other countries, which may explain the shortfall.
Re-releases also exacerbate the differences in some cases: both Star Wars Episode I and Titanic were successfully re-released in 2012, and while the LUMIERE dataset includes admissions from the reissues the BFI chart does not. While The Lion King did not generate 10 million admissions during its original release, it may have accumulated 10 million admissions due to a re-release: according to the BFI it had generated over 8 million admissions during its first run in 1994, and LUMIERE estimate it generated another 2 million with its 2011 reissue. If Bridget Jones and The Lion King are included, sixty-five sound films in total have generated over 10 million admissions at UK cinemas.
Most popular films
- Film – Star Wars: The Force Awakens
- British co-production – The Force Awakens
- British film – The King's Speech
- Non-British – Avatar
- Non-English language – The Passion of the Christ
- Animated – Toy Story 3
Admissions
- Film – Gone with the Wind
- British silent film – The Battle of the Somme
- British sound film – Spring in Park Lane
- Animated – Snow White and the Seven Dwarfs
Overview of the twentieth century
In 2004, the British Film Institute published a list charting sound films that generated the most admissions at cinemas in the United Kingdom.[22] The list is reproduced here ranking the top fifty films released in the UK throughout the twentieth century, defined as covering the period from 1 January 1901 until 31 December 2000. The later films that appear on the BFI list—2001 onwards—are omitted from this chart for the purpose of providing an overview of the century. The second table ranks British sound productions from the twentieth century, five of which are co-productions with other countries.
Market conditions, industry practices, demographic and cultural shifts have all impacted on cinema attendance throughout the century. Cinemagoing steadily rose during the 1930s with the arrival of sound and peaked in the 1940s, with 1946 setting a record of over 1,635 million annual admissions; roughly equivalent to thirty visits to the cinema per capita. Attendance dropped off after the Second World War, mainly due to the rising popularity of television. The decline of the cinema was compounded by the rise of home video in the 1980s and reached an all-time low of 54 million admissions in 1984.[23] With declining attendance came the closure of many cinemas; a trend that was not reversed until the birth of the multiplex in the late 1980s, with annual cinema admissions climbing back up to around 176 million in 2002.[23][24] As expected, the 1940s—when cinema attendance was at an all-time high—is the most represented decade on the chart accounting for nearly a third of all entries, while the 1980s—when attendance was at its lowest—is the least represented post-war decade.[22] However, the disparity between the two extremes is not as great as the overall attendance figures suggest due to the fact that vastly more titles were distributed in the 1940s.[24]
When comparing the films in the chart, several trends emerge. British films account for half the entries during the 1940s—as opposed to just one entry in the last twenty years of the century—due in part to the British government imposing quota caps on foreign features, as well as the inherent difficulties in importing films during the Second World War.[22] With so many men away on National service, films that performed well were also heavily skewed toward female audiences, exemplified by no fewer than four films headlined by Anna Neagle during this period.[23][24] Prior to the 1980s when home video became popular, there was also a lot more repeat viewing, with some films during the 1950s and 60s enjoying extended runs—sometimes lasting up to several years—as roadshows.[22][24] A film's content can also have a prohibitive effect on its success: most films in the chart are either family or children's films, with only two films (The Godfather and A Clockwork Orange) carrying an X rating or its replacement, the 18 classification, denying entry to minors.[25]
Overall, Gone with the Wind has generated the most admissions at the UK box office with 35 million and Spring in Park Lane is the most successful British sound film with 20 million, while 1938's Snow White and the Seven Dwarfs is the oldest film in the chart with 28 million admissions. While the chart does not take into account silent films, 1916's The Battle of the Somme is generally regarded to be the most successful film of the silent era, with over 20 million admissions.[25]
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Overview of the twenty-first century
Film series and adaptations have been the highest earners in the twenty-first century, with only one film—Avatar in 2009—that is not adapted from a pre-existing property or a sequel emerging as the highest-grossing film of the year. Since the British Film Institute does not regularly track admissions, the only complete metric available for assessing a film's success is the box office revenue, and over a period of time inflation of the currency becomes a key factor when comparing the relative success of films.[1] Ticket prices rose rapidly at the beginning of the twenty-first century, with the average cost increasing by over 50 per cent since 2000.[27] To this end it is useful to adjust the box office gross for inflation, so a chart ranking films by the real value of their earnings is provided alongside a chart of the years' biggest films. After recalculating the grosses using the HM Treasury UK GDP deflator, Star Wars: The Force Awakens remains the most successful film of the twenty-first century.
The Harry Potter series is particularly well represented, topping the year on five occasions with two films in the adjusted top ten. The James Bond films and The Lord of the Rings trilogy also have a strong presence, with two films apiece among the top ten, adjusted for inflation. The top ten British productions adjusted for inflation are all international co-productions, and—with the exception of Mamma Mia—are all Star Wars, James Bond and Harry Potter films. Per the nominal record, The King's Speech replaces Star Wars: The Force Awakens as the most successful British production if the criteria is restricted to solely British-produced films.[1]
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| Year | Title | Gross (£ million) | |
|---|---|---|---|
| 2001 |
Harry Potter and the Philosopher’s Stone | 66.1 | |
| 2002 |
Harry Potter and the Chamber of Secrets[nb 6] | 54.8 | |
| 2003 | The Lord of the Rings: The Return of the King | 61.1 | |
| 2004 | Shrek 2 | 48.2 | |
| 2005 |
Harry Potter and the Goblet of Fire | 49.2 | |
| 2006 |
Casino Royale | 55.6 | |
| 2007 |
Harry Potter and the Order of the Phoenix | 49.9 | |
| 2008 |
Mamma Mia! | 68.6 | |
| 2009 | Avatar | 94.0 | |
| 2010 | Toy Story 3 | 74.0 | |
| 2011 |
Harry Potter and the Deathly Hallows – Part 2 | 73.1 | |
| 2012 |
Skyfall | 103.2 | |
| 2013 | Despicable Me 2 | 47.5 | |
| 2014 | The Hobbit: The Battle of the Five Armies | 41.2 | |
| 2015 |
Star Wars: The Force Awakens | 123.2 | |
| 2016 |
Rogue One: A Star Wars Story |
66.0[6] | |
| Films marked as | |||
Notes
- ↑ It is not known exactly how much The Sound of Music grossed at the box office, since accurate records were not maintained at the time. Hall and Neale (2010) states that the "foreign" rentals (the distributor's share of the box office outside of the US market after deducting the exhibitor's cut) were as high as $50 million, with approximately half coming from Britain alone.[10] The film was the top money-maker of the year for four consecutive years between 1965 and 1968,[9] during which time the US dollar to pound sterling exchange rate was approximately $2.68 to £1 averaged over the four years,[11] meaning $25 million would translate to roughly £9.3 million. This estimate is consistent with Roger Manvell's (the first director of the British Film Academy), who estimated its earnings as of 1968 at over £7 million.[12] 20th Century Fox collected roughly two-thirds of the gross,[13] so rentals of £7–10 million would equate to an exhibition gross of £10–15 million.
- ↑ According to earlier BFI Yearbooks Mamma Mia! earned £69.2 million, beating the £69.0 million earned by Titanic, but more recently the British Film Institute has revised the gross to £68.6 million.[1] If the revised estimate is correct and the original gross for Titanic is not subject to any revision then Mamma Mia! would not have assumed the record.
- ↑ The British Film Institute and European Audiovisual Observatory disagree over the national classification of The Full Monty. The BFI considers it a British-American co-production while the Observatory regards it as a solo British effort.
- 1 2 The British Film Institute and European Audiovisual Observatory disagree over the national classifications of Avatar and Star Wars: The Force Awakens. Since 2007, a legal definition exists for whether a film is British, with The Force Awakens meeting the criteria and Avatar not. The Observatory uses its own methodology and reverses this categorization, classifying Avatar as a British-American co-production and The Force Awakens as a solo American effort.
- ↑ The twentieth century is defined to be the period from 1 January 1901 up to 31 December 2000. However, the common perception is that the century ended on 31 December 1999—coinciding with the millennium celebrations—and if Toy Story 2 is discounted on this basis, then One Flew Over the Cuckoo's Nest (1976) would occupy the fiftieth place in the chart with 9.65 million admissions.
- ↑ The British Film Institute have possibly made an error in listing Harry Potter and the Chamber of Secrets as the highest-grossing 2002 release. Its UK earnings of £54.8 million were second to those of Lord of the Rings: The Two Towers which was released in the same year and grossed £57.6 million.
References
- Sources
- 1 2 3 4 5 6 7 8 9 10 11 "Top Films of All Time at the UK Box Office" (PDF). British Film Institute. June 2017. Retrieved 23 July 2017.
- ↑
Films that have grossed over £50 million
- Top films as of 2011: BFI Statistical Yearbook. British Film Institute. 2012. p. 27.
- Top films in 2012: BFI Statistical Yearbook. British Film Institute. 2013. p. 24.
- Top films in 2013: BFI Statistical Yearbook. British Film Institute. 2014. p. 22.
- "Top films in 2014" (PDF). British Film Institute. 2015. p. 3.
- "Top films in 2015" (PDF). British Film Institute. 2016. p. 3.
- "Top films in 2016" (PDF). British Film Institute. 2017. p. 4.
- 1 2 3 4 5 "Weekend box office report" (XLS). British Film Institute. 4–6 May 2018. Retrieved 22 May 2018.
- 1 2 "UK weekend box office report" (XLS). British Film Institute. 6–8 October 2017. Retrieved 19 October 2017.
- 1 2 "Weekend box office report" (XLS). British Film Institute. 24–26 August 2018. Retrieved 9 September 2018.
- 1 2 3 4 5 "UK weekend box office report" (XLS). British Film Institute. 7–9 April 2017. Retrieved 22 April 2017.
- 1 2 3 4 5 "Weekend box office figures". British Film Institute. Retrieved 7 October 2018.
- 1 2 "Weekend box office report" (XLS). British Film Institute. 30 March – 1 April 2018. Retrieved 11 April 2018.
- 1 2 Hall, Sheldon (2006). "The Sound of Music". In Williams, Linda Ruth; Hammond, Michael. Contemporary American Cinema. McGraw-Hill. pp. 26–28. ISBN 9780335218318.
In Britain it opened in March 1965 and remained in continuous circulation until 1969. By December 1965, when it had been shown in only seventeen pre-release engagements in London and key cities, it had grossed £1,925,869 from 6,926,825 admissions [Kine. Weekly, 16 December 1965: 151]. A year later it had broken South Pacific's record of £2,300,000, which had been amassed over seven years of release, for the highest gross received by any film shown in Britain, with an estimated 21 million admissions to date ... As a result, it was named by Kine. Weekly top UK money-maker for four years in succession, from 1965 to 1968.
- 1 2 Hall, Sheldon; Neale, Stephen (2010). Epics, spectacles, and blockbusters: a Hollywood history. Wayne State University Press. pp. 184–185. ISBN 978-0-8143-3008-1.
Estimates of worldwide rentals by the time of its withdrawal in 1969 ranged from $115 million to $125 million, either way making it the highest-grossing film to date. As much as $50 million of the total came from the foreign market, around half of it from Britain alone, where the film more than tripled the take of the previous all-time record-holder, South Pacific.
- ↑ Officer, Lawrence H. "Dollar-Pound Exchange Rate From 1791: 1965–1968". MeasuringWorth. Retrieved 5 December 2013.
- ↑ Manvell, Roger (1968). New cinema in the U.S.A.: the feature film since 1946. Picturebacks Series. Studio Vista. p. 28.
The Sound of Music was seen by some 23 million people in Britain, and grossed more than £7 million in that country alone.
- ↑ Barthel, Joan (20 November 1966). "'The Sound of Music': Biggest Money-Making Movie of All Time — How Come?". The New York Times. Retrieved 17 March 2015.
- 1 2 BFI Statistical Yearbook (PDF) (2012 ed.). London: British Film Institute. 2013. pp. 22 & 32.
- 1 2 Sandwell, Ian (11 January 2016). "'Star Wars: The Force Awakens' retains top spot at UK box office with $8.7m". ScreenDaily.com. Retrieved 14 January 2016.
- ↑ "The cultural test for film". British Film Institute. Retrieved 19 December 2017.
- ↑
British productions that have grossed over £40 million
- Top films as of 2014: "Top Films of All Time at the UK Box Office" (PDF). British Film Institute. June 2015. p. 7. Retrieved 13 August 2015.
- "Top films in 2015" (PDF). British Film Institute. 2016. p. 4.
- "Top films in 2016" (PDF). British Film Institute. 2017. p. 5.
- ↑
British films that have grossed over £10 million
- Top films as of 2013: BFI Statistical Yearbook. British Film Institute. 2014. p. 33.
- "Top films in 2014" (PDF). British Film Institute. 2015. p. 5.
- "Top films in 2015" (PDF). British Film Institute. 2016. p. 5.
- "Top films in 2016" (PDF). British Film Institute. 2017. p. 6.
- ↑ "UK weekend box office report" (XLS). British Film Institute. 29–31 December 2017. Retrieved 28 January 2018.
- ↑ BFI Statistical Yearbook (2013 ed.). London: British Film Institute. 2014. p. 56.
- ↑ "Specialised Films" (PDF). British Film Institute. November 2015. p. 9. Retrieved 10 June 2016.
- 1 2 3 4 "The Ultimate Film: Researching the Chart". British Film Institute. November 2004. Retrieved 25 November 2013.
- 1 2 3 "The Ultimate Film: Cinemagoing in Britain". British Film Institute. November 2004. Retrieved 25 November 2013.
- 1 2 3 4 James, Nick (November 2004). "Everything you knew about cinema is probably wrong". British Film Institute. Retrieved 25 November 2013.
- 1 2 "The Ultimate Film: Interesting Facts". British Film Institute. November 2004. Retrieved 25 November 2013.
- 1 2 "The Ultimate Chart: 1–100". British Film Institute. 28 November 2004. Retrieved 14 November 2013.
- ↑ "UK cinema industry economics and turnover: Average ticket price – 2000 onwards". Cinema Exhibitors' Association. Retrieved 29 July 2015.
- Admissions data
- ↑ "Snow White and the Seven Dwarfs". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Gone with the Wind". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Mrs. Miniver". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Random Harvest". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Fanny by Gaslight". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Wicked lady". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Seventh Veil". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "I Live in Grosvenor Square". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Bells of St. Mary's". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Piccadilly Incident". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Best Years of Our Lives". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Courtneys of Curzon Street". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Jolson Story". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Spring in Park Lane". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Third Man". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Blue Lamp". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Great Caruso". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Greatest Show on Earth". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Doctor in the House". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Ten Commandments". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Bridge on the River Kwai". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "South Pacific". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Ben Hur". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Carry On Nurse". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Guns of Navarone". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Mary Poppins". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Goldfinger". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Sound of Music". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Thunderball". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Doctor Zhivago". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Jungle Book". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Godfather". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Sting". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Jaws". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Towering Inferno". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Spy Who Loved Me". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Star Wars". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Grease". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Superman". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "E.T. the Extra-Terrestrial". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Jurassic Park". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Lion King". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Lion King". LUMIERE. European Audiovisual Observatory. Retrieved 24 November 2013.
- ↑ "Independence Day". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Independence Day". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "The Full Monty". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Full Monty". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Titanic". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Titanic". LUMIERE. European Audiovisual Observatory. Retrieved 23 July 2017.
- ↑ "Star Wars Episode I: The Phantom Menace". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Star Wars: Episode I - The Phantom Menace". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Toy Story 2". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Toy Story 2". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Harry Potter and the Philosopher's Stone". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Harry Potter and the Philosopher's". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "The Lord of the Rings: The Fellowship of the Ring". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Lord of the Rings: The Fellowship of the Ring". LUMIERE. European Audiovisual Observatory. Retrieved 23 July 2017.
- ↑ "Bridget Jones's Diary". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Bridget Jones's Diary". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "The Lord of the Rings: The Two Towers". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Lord of the Rings: The Two Towers". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Harry Potter and the Chamber of Secrets". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "Harry Potter and the Chamber of Secrets". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "The Lord of the Rings: The Return of the King". British Film Institute. 28 November 2004. Retrieved 24 November 2013.
- ↑ "The Lord of the Rings: The Return of the King". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Shrek 2". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Harry Potter and the Prisoner of Azkaban". LUMIERE. European Audiovisual Observatory. Retrieved 23 July 2017.
- ↑ "Harry Potter and the Goblet of Fire". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Pirates of the Caribbean: Dead Man's Chest". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Casino Royale". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Mamma Mia!". LUMIERE. European Audiovisual Observatory. Retrieved 23 July 2017.
- ↑ "Avatar". LUMIERE. European Audiovisual Observatory. Retrieved 14 November 2013.
- ↑ "Toy Story 3". LUMIERE. European Audiovisual Observatory. Retrieved 7 January 2015.
- ↑ "Harry Potter and the Deathly Hallows: Part 2". LUMIERE. European Audiovisual Observatory. Retrieved 23 July 2017.
- ↑ "Skyfall". LUMIERE. European Audiovisual Observatory. Retrieved 7 January 2015.
- ↑ "Spectre". LUMIERE. European Audiovisual Observatory. Retrieved 23 July 2017.
- ↑ "Star Wars: Episode VII – The Force Awakens". LUMIERE. European Audiovisual Observatory. Retrieved 23 July 2017.