List of accolades and awards received by Ingmar Bergman

List of accolades and awards for Ingmar Bergman
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Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. He is recognized as one of the most accomplished and influential filmmakers of all time,[1][2][3][4] and is well-known for films such as The Seventh Seal (1957), Wild Strawberries (1957), Persona (1966), Cries and Whispers (1972), and Fanny and Alexander (1982).

Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity.

Philip French referred to Bergman as among the greatest artists of the 20th century.[5] Mick LaSalle compared Bergman's significance in film to that of Virginia Woolf and James Joyce in literature.[6]

List of Accolades

Bust of Ingmar Bergman in Celebrity Alley in Kielce, Poland

Terrence Rafferty of The New York Times wrote that throughout the 1960s, when Bergman "was considered pretty much the last word in cinematic profundity, his every tic was scrupulously pored over, analyzed, elaborated in ingenious arguments about identity, the nature of film, the fate of the artist in the modern world and so on."[7] Many filmmakers have praised Bergman and some have also cited his work as an influence on their own:

  • Andrei Tarkovsky[8] held Bergman in very high regard, noting him and Robert Bresson as his two favourite filmmakers, stating: "I am only interested in the views of two people: one is called Bresson and one called Bergman." Such was Bergman’s influence, Tarkovsky’s last film was made in Sweden with Sven Nykvist, Bergman’s longtime cinematographer, and several of Bergman’s favoured actors including Erland Josephson. Bergman likewise had great respect for Tarkovsky, stating: "Tarkovsky for me is the greatest director."[9]
  • Pedro Almodóvar[10]
  • Jean-Luc Godard[11]
  • Robert Altman[12]
  • Olivier Assayas[13]
  • Francis Ford Coppola[14] stated: "My all-time favorite because he embodies passion, emotion and has warmth."
  • Guillermo del Toro said: "Bergman as a fabulist — my favorite — is absolutely mesmerizing."[15]
  • Asghar Farhadi[16]
  • Todd Field[17] stated: "He was our tunnel man building the aqueducts of our cinematic collective unconscious."
  • Woody Allen[18] has referred to Bergman as "probably the greatest film artist, all things considered, since the invention of the motion picture camera".[19] He said, "For me it was Wild Strawberries. Then The Seventh Seal and The Magician. That whole group of films that came out then told us that Bergman was a magical filmmaker. There had never been anything like it, this combination of intellectual artist and film technician. His technique was sensational." Allen has credited Bergman with inventing "a film vocabulary that suited what he wanted to say, that had never really been done before. He'd put the camera on one person's face close and leave it there, and just leave it there and leave it there. It was the opposite of what you learned to do in film school, but it was enormously effective and entertaining."[18]
  • Krzysztof Kieślowski[20] stated: "This man is one of the few film directors — perhaps the only one in the world — to have said as much about human nature as Dostoyevsky or Camus."
  • Stanley Kubrick[21] stated: "I believe Ingmar Bergman, Vittorio De Sica and Federico Fellini are the only three filmmakers in the world who are not just artistic opportunists. By this I mean they don’t just sit and wait for a good story to come along and then make it. They have a point of view which is expressed over and over and over again in their films, and they themselves write or have original material written for them."
  • Ang Lee stated: "For me the filmmaker Bergman is the greatest actor of all..."[22]
  • François Ozon[13]
  • Park Chan-wook[13]
  • Éric Rohmer stated: "The Seventh Seal is the most beautiful film ever."[13]
  • Marjane Satrapi[13]
  • Mamoru Oshii[23]
  • Paul Schrader stated: "I would not have made any of my films or written scripts such as Taxi Driver had it not been for Ingmar Bergman. What he has left is a legacy greater than any other director. I think the extraordinary thing that Bergman will be remembered for, other than his body of work, was that he probably did more than anyone to make cinema a medium of personal and introspective value."[24]
  • Martin Scorsese said: "I guess I’d put it like this: if you were alive in the ’50s and the ’60s and of a certain age, a teenager on your way to becoming an adult, and you wanted to make films, I don’t see how you couldn’t be influenced by Bergman. You would have had to make a conscious effort, and even then, the influence would have snuck through."[25]
  • Steven Spielberg stated: "His love for the cinema almost gives me a guilty conscience."[26]
  • Satyajit Ray[27] stated: "It’s Bergman whom I continue to be fascinated by. I think he’s remarkable. I envy his stock company, because given actors like that one could do extraordinary things."
  • André Téchiné[13]
  • Liv Ullmann[28]
  • Lars von Trier, in reference to having once sent Bergman a letter, jokingly said, "I have seen all his movies, he is a great source of inspiration to me. He was like a father to me. But he treated me in the same way he treated all his children. No interest whatsoever!"[29]

A Bergman-themed parody spoofs the allegory of cheating death (Bergman’s The Seventh Seal) in the sketch comedy show Saturday Night Live season 1 (ep. 23, 24 July 1976). The sketch, titled “Swedish Movie”, is somberly narrated in the third-person by a Swedish-speaking Death (Tom Schiller) with English subtitles scrolling. The baleful voice-over dialogue, revealed to be emanating from the apparition of Death personified, imposes upon dreamily preoccupied lovers Sven (Chevy Chase) and Inger (Louise Lasser) who send a not-so-silently jeering Death out for pizza.

Monty Python’s The Meaning of Life includes a sketch based on The Seventh Seal in which middle-class weekenders at an isolated farmhouse are visited by The Grim Reaper.

A television spoof of Persona appeared in an episode of the Canadian comedy series SCTV in the late 1970s.[30] SCTV later aired another Bergman parody, this time of Scenes From A Marriage that featured actor Martin Short portraying comedian Jerry Lewis as the star of a fictional Bergman film called Scenes From An Idiot's Marriage.[31]

Bill & Ted's Bogus Journey includes a further spoof on the theme of playing games with Death from Bergman’s The Seventh Seal. Bill and Ted are set to play a game with Death. Rather than chess, they play checkers. When Bill and Ted win, Death challenges them to a best of three match, wherein they play Battleship and other games from popular culture.

The Muppets franchise had a spoof of Bergman’s style in a segment entitled "Silent Strawberries" from the TV special, The Muppets Go to the Movies.[32]

In Season 2 Episode 2 of Welcome to Sweden, Jason Priestley asks to meet Ingmar Bergman.

Awards

Academy Awards

In 1971, Bergman received the Irving G. Thalberg Memorial Award at the Academy Awards ceremony. Three of his films won the Academy Award for Best Foreign Language Film. The list of his nominations and awards follows:

  • Won: Best Foreign Film The Virgin Spring (Jungfrukällan), 1960[33]
  • Won: Best Foreign Film Through a Glass Darkly (Såsom i en spegel) (1961)[34]
  • Won: Best Foreign Film Fanny and Alexander (Fanny och Alexander) (1983)[35]
  • Nominated: Best Original Screenplay, Wild Strawberries (Smultronstället), 1957
  • Nominated: Best Original Screenplay Through a Glass Darkly (Såsom i en spegel), 1961[34]
  • Nominated: Best Original Screenplay, Cries and Whispers (Viskningar och rop), 1974
  • Nominated: Best Picture, Cries and Whispers (Viskningar och rop), 1974
  • Nominated: Best Director, Cries and Whispers (Viskningar och rop), 1974
  • Nominated: Best Director, Face to Face (Ansikte mot ansikte), 1977
  • Nominated: Best Original Screenplay, Autumn Sonata (Höstsonaten), 1979
  • Nominated: Best Original Screenplay, Fanny and Alexander (Fanny och Alexander), 1983
  • Nominated: Best Director, Fanny and Alexander (Fanny och Alexander), 1983

BAFTA Awards

Berlin Film Festival

Cesar Awards

Cannes Film Festival

  • Won: Best Poetic Humour, Smiles of a Summer Night (Sommarnattens leende), 1955
  • Nominated: Golden Palm Smiles of a Summer Night (Sommarnattens leende), 1955
  • Won: Jury Special prize, The Seventh Seal (Det Sjunde inseglet), 1957
  • Nominated: Golden Palm, The Seventh Seal (Det Sjunde inseglet), 1957
  • Won: Best Director, Brink of Life (Nära livet), 1958
  • Nominated: Golden Palm, Brink of Life (Nära livet), 1958
  • Won: Special Mention, The Virgin Spring (Jungfrukällan), 1960
  • Nominated: Golden Palm, The Virgin Spring (Jungfrukällan), 1960
  • Won: Technical Grand Prize, Cries and Whispers (Viskningar och rop), 1972
  • Won: Palm of Palms, 1997
  • Won: Prize of the Ecumenical Jury (special award for his whole works), 1998

Golden Globe Awards

Guldbagge Awards

Other awards and honours

Exhibitions

Filmography

See also

References

  1. Rothstein, Mervyn (30 July 2007). "Ingmar Bergman, Famed Director, Dies at 89". New York Times. Retrieved 31 July 2007. Ingmar Bergman, the ‘poet with the camera’ who is considered one of the greatest directors in motion picture history, died today on the small island of Faro where he lived on the Baltic coast of Sweden, Astrid Soderbergh Widding, president of The Ingmar Bergman Foundation, said. Bergman was 89.
  2. Rothstein, Mervyn (2007-07-30). "Ingmar Bergman, Master Filmmaker, Dies at 89". The New York Times. ISSN 0362-4331. Retrieved 2016-02-04.
  3. Tuohy, Andy (2015-09-03). A-Z Great Film Directors. Octopus. ISBN 9781844038558.
  4. Gallagher, John (1989-01-01). Film Directors on Directing. ABC-CLIO. ISBN 9780275932725.
  5. French, Philip (August 5, 2007). "Twin visionaries of a darker art". The Observer. Retrieved May 15, 2017.
  6. LaSalle, Mick (July 30, 2007). "Ingmar Bergman, director who captured life's emotion, dead at 89". San Francisco Chronicle. Retrieved May 15, 2017.
  7. Rafferty, Terrence (February 8, 2004). "FILM; On the Essential Strangeness of Bergman". The New York Times. Retrieved February 19, 2017.
  8. Le Cain, Maximillian. "Andrei Tarkovsky". Archived from the original on 23 March 2010.
  9. Title quote of 2003 Tarkovsky Festival Program, Pacific Film Archive.
  10. "Young and Learning:An Interview with Pedro Almodóvar". Reverse Shot.
  11. "Ingmar Bergman by Jean-Luc Godard". Archived from the original on 10 March 2014.
  12. "Robert Altman biography". Retrieved 10 January 2008.
  13. 1 2 3 4 5 6 "Ingmar Bergman". Archived from the original on 11 January 2009. Retrieved 10 January 2008.
  14. Biography for Francis Ford Coppola on IMDb
  15. "Guillermo del Toro's Top Ten". The Criterion Collection. Retrieved 24 July 2011.
  16. Farhadi, Asghar. Interview. 19 December 2011. "DP/30: A Separation, Writer/director Asghar Farhadi." YouTube.
  17. "With words or pictures, Ingmar Bergman got you thinking". Los Angeles Times. 1 August 2007. Archived from the original on 11 January 2009. Retrieved 1 August 2007.
  18. 1 2 Corliss, Richard (1 August 2007). "Woody Allen on Ingmar Bergman". Time. Archived from the original on 20 November 2011. Retrieved 23 July 2008.
  19. "Ingmar Bergman, Master Filmmaker, 1918–2007". BLAST. 1 August 2007. Archived from the original on 6 October 2008. Retrieved 1 August 2007.
  20. "In Memoriam: Ingmar Bergman, Michelangelo Antonioni — India News Blog". Archived from the original on 12 January 2008. Retrieved 10 January 2008.
  21. "Personal Quotes;- Internet Movie Database".
  22. "Ang Lee praises Bergman". Archived from the original on 19 May 2008. Retrieved 22 July 2008.
  23. "There is no Aphrodisiac like Innocence". Retrieved 10 August 2008.
  24. "Ingmar Bergman". Archived from the original on 11 January 2009.
  25. Archived 6 November 2011 at the Wayback Machine.
  26. "Bergman helps preserve legacy". BBC News. 11 June 2002.
  27. Satyajit Ray: Interviews – Satyajit Ray – Google Books. Books.google.co.in. Retrieved on 2014-05-22.
  28. Ebert, Roger. "Roger Ebert Review of Faithless (2000)". Chicago Sun-Times.
  29. https://www.youtube.com/watch?v=6halL2A3Bc8
  30. Steene 2005, p. 270.
  31. "Scenes From An Idiot's Marriage". Funny Or Die. 14 April 2008.
  32. Bennun, David (7 August 2007). "How the Muppets made us all Bergman experts". The Guardian. London.
  33. "The 33rd Academy Awards (1961) Nominees and Winners". oscars.org. Retrieved 29 October 2011.
  34. 1 2 "The 34th Academy Awards (1962) Nominees and Winners". oscars.org. Retrieved 29 October 2011.
  35. "The 56th Academy Awards (1984) Nominees and Winners". oscars.org. Retrieved 27 October 2013.
  36. "Berlinale: Prize Winners". berlinale.de. Retrieved 3 January 2010.
  37. "Tystnaden (1963)". Swedish Film Institute. 24 February 2014. Archived from the original on 11 March 2014.
  38. "Persona". Swedish Film Institute. 1 March 2014. Archived from the original on 11 March 2014.
  39. "Viskningar och rop (1973)". Swedish Film Institute. 2 March 2014. Archived from the original on 19 January 2015.
  40. 1 2 "Fanny och Alexander (1982)". Swedish Film Institute. 9 March 2014. Archived from the original on 11 March 2014.
  41. "Den goda viljan (1992)". Swedish Film Institute. 22 March 2014.
  42. "Book of Members, 1780–2010: Chapter B" (PDF). American Academy of Arts and Sciences. Retrieved 16 June 2011.
  43. Archived 15 March 2012 at the Wayback Machine.
  44. "Sweden's new banknotes and coins". Swedish National Bank. 6 April 2011. Archived from the original on 27 September 2011. Retrieved 6 October 2015.
  45. "Ingmar Bergman.The Image Maker". Multimedia Art Museum, Moscow.
  46. "Ingmar Bergman: The Man Who Asked Hard Questions". Multimedia Art Museum, Moscow.

Bibliography

  • Bergman on Bergman: Interviews with Ingmar Bergman. By Stig Björkman, Torsten Manns, and Jonas Sima; translated by Paul Britten Austin. Simon & Schuster, New York. Swedish edition copyright 1970; English translation 1973.
  • Filmmakers on filmmaking: the American Film Institute seminars on motion pictures and television (edited by Joseph McBride). Boston, Houghton Mifflin Co., 1983.
  • Images: my life in film, Ingmar Bergman. Translated by Marianne Ruuth. New York, Arcade Pub., 1994, ISBN 1-55970-186-2
  • Steene, Birgitta (2005-01-01). Ingmar Bergman: A Reference Guide. Amsterdam University Press. ISBN 9789053564066.
  • The Magic Lantern, Ingmar Bergman. Translated by Joan Tate New York, Viking Press, 1988, ISBN 0-670-81911-5
  • The Demons of Modernity: Ingmar Bergman and European Cinema, John Orr, Berghahn Books, 2014.
  • Gado, Frank (1986). The Passion of Ingmar Bergman. Duke University Press. ISBN 0822305860.
Bibliographies
Awards and achievements
Preceded by
Henri-Georges Clouzot
for The Mystery of Picasso
Prix du Jury
1957
for The Seventh Seal
Succeeded by
Jacques Tati
for Mon Oncle
Preceded by
Robert Bresson
for A Man Escaped
Prix de la mise en scène
1958
for Brink of Life
Succeeded by
François Truffaut
for The 400 Blows
Preceded by
Sidney Lumet
for 12 Angry Men
Golden Bear
1958
for Wild Strawberries
Succeeded by
Claude Chabrol
for Les Cousins
Preceded by
Alfred Hitchcock
Irving G. Thalberg Memorial Award
1971
Succeeded by
Lawrence Weingarten
Preceded by
Orson Welles
Career Golden Lion
1971
Succeeded by
Charles Chaplin, Anatali Golovnia, Billy Wilder
Preceded by
Stanley Kubrick
for A Clockwork Orange
New York Film Critics Circle Award for Best Director
1972
for Cries and Whispers
Succeeded by
François Truffaut
for Day for Night
Preceded by
Peter Bogdanovitch
for The Last Picture Show
New York Film Critics Circle Award for Best Screenplay
1972
for Cries and Whispers
Succeeded by
George Lucas, Gloria Katz, Willard Huyck
for American Graffiti
Preceded by
George Lucas, Gloria Katz, Willard Huyck
for American Graffiti
New York Film Critics Circle Award for Best Screenplay
1974
for Scenes from a Marriage
Succeeded by
François Truffaut, Suzanne Schiffman, Jean Gruault
for The Story of Adele H.
Preceded by
Sydney Pollack
for Tootsie
New York Film Critics Circle Award for Best Director
1983
for Fanny and Alexander
Succeeded by
David Lean
for A Passage to India
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