Godspell

Act I

The show opens with God's voice, as spoken by Jesus, declaring his supremacy: "My name is Known: God and King. I am most in majesty, in whom no beginning may be and no end." ("Opening (Monologue)"). The cast then enters and takes the roles of various philosophers who sing their philosophies, first alone, then in cacophonous counterpoint ("Prologue: Tower of Babble").

In response, John the Baptist enters blowing a shofar to call the community to order. He then beckons them to "Prepare Ye, The Way of the Lord!" and baptizes the cast ("Prepare Ye"). John gives a short sermon, as Jesus watches quietly. Jesus then announces his presence and says that he also wishes to be baptized. John instead asks to be baptized by Jesus. Jesus explains that "We do well now to conform with all that God requires" and is baptized by John. The cast enters and sings with Jesus ("Save the People").

In his first parable, Jesus explains that he has come "not to abolish the law and the prophets, but to complete". Jesus explains to the cast that those who adhere to the law of God will earn the highest place in the Kingdom of Heaven. He tells them the parable of the Widow and the Judge, demonstrating that God is a just jurist who will support those who cry out to him.

The cast begins to understand Jesus' teachings and take it upon themselves to tell the story of the Pharisees and the tax gatherer praying in the temple: "Every man who humbles himself shall be exalted!"

As Jesus teaches the law of the offering gifts at the altar, the cast makes offerings of themselves. They are taught that to approach God's altar, they must be pure of heart and soul. They then act out the story of a master and a servant who owes him a debt. The servant asks his master for pity in repaying the debt, and the master absolves it. The servant then turns to a fellow servant who "owed him a few dollars" and demands that it be paid in full. The master, hearing this, then condemns the servant to prison. Jesus explains the moral: "Forgive your brothers from your heart." The character telling the parable sings "Day by Day", and the cast joins in. After the song, Jesus teaches that if one part of you offends God, it is better to lose it than to have the whole of the body thrown into hell.

The cast then plays charades to finish several statements posed by Jesus, including "If a man sues you for your shirt..." and "If a man asks you to go one mile with him...." The cast then performs the Parable of the Good Samaritan as a play-within-a-play. Jesus explains the need to "love your enemies" and "not make a show of religion before men". He says: "God will reward a good deed done in secret" ("Shhh! It's a secret!").

The cast then performs the parable of Lazarus and the rich man. On earth, the rich man feasts, and Lazarus begs and is ignored. Upon dying, Lazarus is rewarded with Heaven, while the rich man is in Hell. The audience is told to "Learn Your Lessons Well" or be faced with eternal damnation. When the rich man asks Abraham if he would send Lazarus back from the dead to warn his brothers of their impending doom, Abraham tells him no: "If they do not listen to Moses and the Prophets, they will not be convinced even if someone should rise from the dead."

Jesus teaches that no man can serve two masters (God and money). A member of the cast tells a story of a man who spent a lifetime acquiring the good things in life, then dies before he has the time to enjoy them. This character sings "Bless the Lord," then Jesus tells the cast not to worry about tomorrow: "Tomorrow will take care of itself. Today has problems of its own."

In an antiphonic chorus, the cast recites the Beatitudes. Judas directs the final beatitude regarding persecution at Jesus, and Jesus quickly changes the subject ("Did I ever tell you that I used to read feet?"). However, Jesus then persuades the cast that it is "All for the Best" and heaven contains the ultimate reward as Jesus and Judas do a soft shoe together.

This is followed by the parable of the Sower of the Seeds, which Jesus tells them represent the Word of God ("All Good Gifts").

By this point in the musical, the group has transformed from a rag-tag cast, into a community of love and caring and now march as soldiers in the military, signifying their ability to think as one. With Jesus as the drill sergeant, they perform the Parable of the Prodigal Son. The cast sings "Light of the World" about Christ's Light and how it shines in each person.

Intermission

Jesus thanks the audience for coming and announces a 10-minute intermission.

There is audience interaction during intermission. In the original production, the cast joined the audience for wine and bread. In the 2011 Broadway revival, the audience was offered wine on the stage.

The second act then opens with one or more cast members singing "Learn Your Lessons Well", calling the audience back to their seats.

Act II

After the reprise of "Learn Your Lessons Well", a member of the cast sings "Turn Back, O Man", imploring mankind to give up its temporal pursuits and turn to God. Jesus then says: "This is the beginning."

Several members of the cast then begin to question Jesus's authority, and he responds with yet another parable. He is asked, "What is the greatest commandment?" and responds, "You shall love the Lord your God with all your heart and all your soul... And the second is like it: 'You shall love your neighbor as yourself.'" The Pharisees continue to question him, and he laments "Alas for You" and calls them hypocrites. Members of the cast gather, join in Jesus' song, and throw garbage at the Pharisees.

Jesus predicts that he will not be seen for quite a while, while standing at the "Wailing Wall", and predicts great wars and famines. He reminds the cast and audience of the time of Noah and teaches that faith can calm the storm. The cast is told: "Keep awake, then. For the Son of Man will come at a time when you least expect it."

One woman in the cast is shunned as an adulteress. Jesus says: "Let the one of you who is faultless cast the first stone." Her accusers then bow their heads and walk away. Jesus walks over to her and asks: "Woman... where are they now? Has no one condemned you?" The woman answers: "No one, sir." He tells her: "Then nor shall I. You may go, but do not sin again." As she watches Jesus walk from her, she entreats him to remain "By My Side". During this song, Judas foretells his upcoming betrayal of Jesus.

In one of the lighter moments in the second act, Jesus tells how he will separate men as a shepherd separates his flock into sheep and goats. The sheep will enter heaven while the goats must suffer eternal damnation. "We Beseech Thee" cry the goats, begging for mercy.

After the song, the cast reminds each other to take things "Day By Day", as they remove their clown makeup, face paint, or object. They assemble for the Last Supper and Jesus tells them that one of them will betray him. Each member of the cast asks, "Is it I?" ending with Judas: "Rabbi... can you mean me?" Jesus tells him to do quickly what he must do and Judas runs off. Jesus breaks the bread, shares the wine, and tells his followers that they will dine together in the Kingdom of Heaven. The band sings "On the Willows", which is about what has been sacrificed. In the song, Jesus says goodbye to the cast. He asks that they wait for him as he goes into the Garden of Gethsemane to pray.

In the garden, Jesus implores God to let the burden be lifted from his shoulders if there is another way. Jesus returns to his followers to find them all asleep. He begs them to stay awake, but they all fall asleep again and Jesus warns them they will all betray him three times (a reference to the apostle Peter). Jesus then prays to God that if his death cannot pass him by, then His will must be done. He is then tempted by Satan (usually played by the apostles), but orders him away.

Judas returns to betray Jesus, but has a moment where he cannot bring himself to do it. Judas finds himself boxed in by invisible walls, except for one path which leads to Jesus. Jesus encourages Judas to do what he has come to do, and Judas grabs Jesus to bring him to be crucified. The community starts to attack Judas, while Jesus tells them to stop, as all who live by the sword will one day die by it. Judas (usually alone, as a representation of the others arresting Jesus) ties Jesus upon an electric fence (representative of the cross) as Jesus berates him for arresting him at night, but then says that it had to happen to fulfill the prophets' writings.

The "Finale" begins, loud and in B-minor, with Jesus wailing, "Oh, God, I'm bleeding," and the community answers: "Oh, God, You're bleeding." Jesus dies and the music ends. The women of the cast sing "Long Live God", and the men join in with "Prepare Ye the Way of the Lord" in counterpoint. The cast removes Jesus from the fence and carries him out, either offstage or through the aisles. The cast then finishes with a reprise of "Prepare Ye the Way of the Lord," ending the show full of love and faith.

Ending interpretation

There is controversy over there being no obvious Resurrection of Jesus in the show. It can be interpreted that either the singing of "Prepare Ye" in the finale or the curtain call, where all including Jesus return to the stage, represents the resurrection. Some productions have placed the song "Beautiful City" after the finale to represent the Resurrection. The Music Theatre International script states that while either representation is valid, both miss the point, and that the show is about love, not whether or not Jesus is resurrected.

Off-Broadway production

2011 Broadway revival

Tower of Babble

"Tower of Babble," the show's opening number, is often omitted by many productions. The song consists of the eight disciples (or soloists) acting out as philosophers, each singing about their various philosophies. They grow increasingly more irritated with each other, sing in contradiction, and eventually run out of words. "Prepare Ye" follows this prologue.

In the original productions, the philosophers were Socrates, Thomas Aquinas, Martin Luther, Leonardo da Vinci, Edward Gibbon, Jean-Paul Sartre, Friedrich Nietzsche, and Buckminster Fuller. In the 2001 revival, Luther, Gibbon, Nietzsche, and Fuller were replaced by Galileo Galilei, Jonathan Edwards, L. Ron Hubbard, and Marianne Williamson, respectively. The 2011 revival retains Galilei, Hubbard, and Williamson, but restores Gibbon and replaces da Vinci with Georg Hegel.

On many early cast recordings, including the original off-Broadway recording and the original London recording, the prologue was omitted in order to produce an album that could sell as a pop album. This omission was for marketing purposes and was not meant to diminish the importance of the number, as Stephen Schwartz has repeatedly stated. As a consequence, some audiences have gotten the impression that this number was added into the score later.

Beautiful City

"Beautiful City" was written in 1972 as part of the film and re-written in 1993 after the Rodney King riots in Los Angeles. In the film, it follows "Alas for You" and "By My Side", omitting the parable typically found in between these two numbers.

In the decades following the film's release, many directors have chosen to use the lyrics from the original film version, sometimes to replace the "Day by Day" reprise, "Tower of Babble", as the prologue, or adding it the end of the musical as a additional scene depicting the Resurrection.

The 2011 Broadway revival places "Beautiful City" after "We Beseech Thee" and just before the Last Supper, sung by Jesus as a slow ballad. This production used the revised 1993 lyrics and is included on the cast recording, along with a cover by John Ondrasik as a

Some productions use both the original upbeat film version as a prologue as well as the ballad version, either in it's original place just before the Last Supper whereupon the Day By Day reprise is used as the Resurrection, or as an epilogue depicting the resurrection itself.

Music Theater International's Broadway Junior series, which edits popular musicals to one act appropriate for a middle school cast, "Beautiful City" is included in the show. Godspell Junior contains most the first act and almost none of the second act. "By My Side" is omitted entirely. "Beautiful City" is placed at the beginning of the second act and is immediately followed by the Last Supper, the Betrayal, and the Crucifixion.

1970: Carnegie Mellon University

John-Michael Tebelak wrote the first version of Godspell as his master's thesis at Carnegie Mellon University. The Carnegie Mellon cast included (listed in speaking order): Andrew Rohrer, Mary Mazziotti, Martha Jacobs, Robin Lamont, Robert Miller, Sonia Manzano, Stanley King, Randy Danson, James Stevens, and David Haskell.^[10]

1971: La MaMa and off-Broadway

The show was first produced at La Mama as a play, rather than a musical. Schwartz then added his score.^[11] The show opened as a musical at the Cherry Lane Theatre on May 17, 1971. It transferred to the Promenade Theatre three months later, and closed on June 13, 1976, after 2,124 performances at the Promenade.^[12] This production was directed by Tebelak, and the original cast included Lamar Alford, Peggy Gordon, David Haskell, Joanne Jonas, Robin Lamont, Sonia Manzano, Gilmer McCormick, Jeffrey Mylett, Stephen Nathan, and Herb Simon.^[13] The band included Jesse Cutler on guitar and bass, Richard La Bonte on bass, Stephen Reinhardt on keyboards, and Ricky Shutter on drums and percussion. In late 1971, La Bonte was replaced by bassist Steve Manes.^[13]

1971: Melbourne, Australia

The first production after the off-Broadway show opened at the Playbox Theatre in Melbourne, Australia on November 15, 1971. The cast included Colleen Hewett, Collette Mann, Christopher Pate, and George Spartels. The producers, Aztec Services and Williamson Edgley Theatres, opened a second production in Sydney on April 10, 1972. Peta Toppano, John Waters, and Marty Rhone were in the Sydney production. Melbourne played 504 performances and Sydney played 507 before the two companies went on tour, performing another 700 shows.^[14]

1971: London, England

Godspell opened at the Roundhouse Theatre in Chalk Farm, London on November 17, 1971. This London production featured Johanna Cassidy, Julie Covington, David Essex, Neil Fitzwilliam, Jeremy Irons, Verity-Anne Meldrum, Deryk Parkin, Tom Saffery, Gay Soper, and Marti Webb. After a successful run at the Roundhouse Theatre, the production transferred to the Wyndham's Theatre, also in London, on January 26, 1972.^[15]

1972: Washington, D.C.

The Washington, D.C. production of Godspell, at Ford's Theater, ran from 1972 into 1973.^[16]

1972: Toronto

The 1972-1973 Toronto production opened at the Royal Alexandra Theatre and was intended to be a run of a few dozen performances for a subscription audience. The cast was drawn entirely from local performers, instead of a touring cast. After an enthusiastic response from the audience, the scheduled run at the Royal Alexandra ended and the show moved uptown to the Bayview Playhouse in Leaside. The Bayview Playhouse production ran until August 1973, with a then-record run of 488 performances.^[17]

The Toronto production launched the careers of many actors, including Victor Garber, Eugene Levy, Andrea Martin, Gilda Radner, Dave Thomas, and Martin Short, as well as the show's musical director, Paul Shaffer.^[17] Howard Shore played saxophone for this production.

1973: Maseru (Lesotho, Southern Africa)

Godspell opened in Maseru, Lesotho in 1973 and ran for five months. When Des and Dawn Lindberg brought the show to the University of the Witwatersrand (Johannesburg), it was immediately banned on the grounds of blasphemy. The ban was widely recognized as a political response to the depiction of racial mixing, which presented a direct challenge to apartheid in South Africa.

The Lindbergs challenged the ban in the Supreme Court and won their case. As a result, Godspell toured South Africa for two years and opened doors to all races on both sides of the footlights. This production was both a theatrical triumph and a political and legal breakthrough.^[18]

1976: Broadway

The first Broadway production opened on June 22, 1976 at the Broadhurst Theatre. It was directed by John Michael Tebelak, with Steve Reinhardt as musical director, costumes by Susan Tsu, lighting by Spencer Mosse, and sound by Robert Minor. The opening cast featured Lamar Alford, Laurie Faso, Lois Foraker, Robin Lamont, Elizabeth Lathram, Bobby Lee, Tom Rolfing, Don Scardino, Marley Sims, and Valerie Williams. Kerin Blair, Bob Garrett, Michael Hoit, and Kitty Ray were understudies. The band consisted of Paul Shaffer (keyboards, conductor), Mark Zeray (guitar), Chris Warwin (bass), and Michael Redding (percussion).^[19]

The show transferred to the Plymouth Theatre, then to the Ambassador Theatre, where it closed on September 4, 1977 after 5 previews and 527 performances.

1981: La MaMa revival

Ten years after the original production of Godspell and twenty years after the theater's founding, the musical was revived at La MaMa Experimental Theatre Club in Manhattan. Tebelak directed the 1981 production, with Robert Stecko as musical directed. The cast included Lamar Alford, Kerin Blair, R. Bruce Connelly, Michael Hoit, Paul Kreppel, Sonia Manzano, Melanie Mayron, Marilyn Pasekoff, Leslie Ann Ray, and Jeremy Sage, with Danny Rutigliano as understudy.^[20]

1988: Off-Broadway

The Lamb's Theatre revival ran from June 12 through December 31, 1988. It was directed by Don Scardino, with Steven M. Alper as musical director and Doug Besterman as assistant musical director, and with new musical arrangements by Steven M. Alper and Doug Besterman. Costumes were by David C. Woolard, lighting was by Phil Monat, and sound was by T. Richard Fitzgerald. The cast included Trini Alvarado, Anne Bobby (credited as Anne Marie Bobby), Bill Damaschke, Laura Dean, Angel Jemmott, Eddie Korbich, Mia Korf, Robert McNeill, Harold Perrineau, (credited as Harold Perrineau, Jr.), and Jeffrey Steefel.

2000: Off-Broadway

Godspell was revived off-Broadway at the York Theatre from August 2 to October 7, 2000.^[21] Cast members included Shoshana Bean, Will Erat, Barrett Foa, Capathia Jenkins, Chad Kimball, Mia Korf, Robert McNeill, Lucia Giannetta, Leslie Kritzer and Jeffrey Steefel.

2011: Broadway revival

Corbin Bleu took over in the starring role, as Jesus.

The first Broadway revival opened for previews on October 13, 2011 at the Circle in the Square Theatre, and officially opened on November 7, 2011 to mixed reviews. Theatre review aggregator Curtain Critic gave the production a score of 63/100, based on the opinions of eighteen critics.^[22] The production featured Hunter Parrish, Wallace Smith, Anna Maria Perez de Tagle, Celisse Henderson, Telly Leung, George Salazar, Morgan James, Uzo Aduba, Nick Blaemire, and Lindsay Mendez, and was directed by Daniel Goldstein, choreographed by Christopher Gattelli, and produced by Ken Davenport. On April 17, 2012, Corbin Bleu took over the role of Jesus.^[23] The 2011 cast recording was released digitally on December 20, 2011, and in stores on January 31, 2012.^[24] The production closed on June 24, 2012.^[25]

Original Broadway production