A Jewish boy surrenders in Warsaw

A Jewish boy surrenders in Warsaw[lower-alpha 1]
Artist	Unknown
Year	Between 19 April 1943 and 16 May 1943
Catalogue	Stroop Report
Medium	Photograph
Subject	Warsaw Ghetto uprising

The best-known photograph taken during the Warsaw Ghetto uprising depicts a Jewish boy with his hands over his head, while SS-Rottenführer Josef Blösche points a submachine gun at him. Like many of the remaining inhabitants of the Warsaw Ghetto, the boy and his family tried to hide in a bunker during the final liquidation of the ghetto, but they were caught and forced out by German troops. After the photograph was taken, all of the Jews in the photograph were marched to the Umschlagplatz and deported to Majdanek extermination camp or Treblinka. Neither the exact location nor the photographer is known for certain, and Blösche is the only person in the photograph that can be identified with certainty. The image is one of the most iconic photographs of the Holocaust,^{[lower-alpha 2]} and the boy came to represent children in the Holocaust as well as all Jewish victims.^{[lower-alpha 3]}

Background

During the summer of 1942, most of the Jews in the Warsaw Ghetto were deported to Treblinka extermination camp. In January 1943, when the Germans resumed deportations, the Jewish Combat Organization staged armed resistance. Jews began to dig bunkers and smuggle weapons into the ghetto. On 19 April 1943, about 2,000 soldiers under the command of SS and Police Leader Jürgen Stroop entered the ghetto with tanks in order to liquidate the ghetto. They expected to quickly defeat the poorly armed Jewish insurgents, but instead the Warsaw Ghetto uprising, the largest act of Jewish resistance against the Holocaust, dragged out for four weeks. The Germans had to set the ghetto on fire, pump poison gas into bunkers, and blast the Jews out of their positions in order to march them to the Umschlagplatz and deport them to Majdanek and Treblinka. The hopeless act of defiance became "one of the most significant occurrences in the history of the Jewish people", according to the United States Holocaust Memorial Museum.^[5]

Photograph 14 of the Warsaw copy (left),
photograph 17 of the NARA copy (right)

During the suppression of the uprising, Stroop sent daily communiqués to Higher SS and Police Leader Friedrich-Wilhelm Krüger in Kraków; Propaganda Company 689 and Franz Konrad took photographs to document the events.^[6][7] Selected photographs and communiqués were compiled, along with a summary of German actions, as the Stroop Report, a personal souvenir for Heinrich Himmler.^[8] The report was intended to promote Stroop's efficiency as a commander and excuse his failure to clear the ghetto quickly.^[9] The report memorialized the supposed heroism of the SS men who participated in the suppression of the uprising, especially the sixteen who were killed by Jewish fighters.^[3][10] For comparison, more than 7,000 Jews were shot during the uprising, the vast majority noncombatants.^[9]

The original title of the report was The Jewish Quarter of Warsaw is No More! (German: Es gibt keinen jüdischen Wohnbezirk in Warschau mehr!).^[8] Reflecting Nazi propaganda, the report dehumanized the Jews, describing them as "bandits", "lice", or "rats" and their deportation and murder as a "cleansing action".^[9][11] Instead of being killed or murdered, Jews were "destroyed".^[3] Three copies of the report were made, for Himmler, Krüger, and Stroop.^[8][9] One copy of the Stroop Report is held by the Institute of National Remembrance (IPN) in Warsaw. Another copy was entered into evidence at the Nuremberg Trials, although the photograph was not ultimately shown to the court. That copy is held by the United States National Archives and Records Administration (NARA).^[10][12]

Photograph

"Jewish Rabbis" at Nowolipie 32; Blösche is second from right.

Jews marched down Nowolipie Street to the Umschlagplatz

The photograph was taken during the Warsaw Ghetto uprising (between 19 April and 16 May)^[13] in the Warsaw Ghetto. Participants on an Internet forum dedicated to the memory of Warsaw cautiously identified the location as Nowolipie 34 from similarities in the architectural details, especially the downspout. These claims are discussed in a 2018 Polish-language book, Teraz \'43 ("Now \'43"), by Magdalena Kicińska and Marcin Dziedzic.^[11] The photographer was either Franz Konrad or a member of Propaganda Company 689.^[6][7] Albert Cusian, Erhard Josef Knoblach and Arthur Grimm served as photographers in Propaganda Company 689; Cusian may have claimed to have taken the photograph.^[7] On trial in Poland, Konrad claimed to have taken photographs during the uprising only so that he could complain about Stroop's brutality to Adolf Hitler. The court did not accept this excuse. Convicted of personally murdering seven Jews and deporting a thousand others to death camps, Konrad was sentenced to death and executed in 1952.^[3][14]

The photograph depicts a group of Jewish women and children who have been forced out of a bunker by armed German soldiers; the original caption was "Forcibly pulled out of bunkers".^{[11][lower-alpha 4]} Most of the Jews are wearing ragged clothing and have few personal possessions. After being removed from the bunker, they will be marched to the Umschlagplatz for deportation to an extermination camp. In the center of the photograph is a small boy wearing a newsboy cap who appears six or seven years old. He holds his hands up in surrender as SS-Rottenführer Josef Blösche aims a submachine gun at him.^[11][13][3] The photograph contains many opposites; as Richard Raskin put it: "SS vs. Jews, perpetrators vs. victims, military vs. civilians, power vs. helplessness, threatening hands on weapons vs. empty hands raised in surrender, steel helmets vs bare-headedness or soft caps, smugness vs. fear, security vs. doom, men vs. women and children".^[2] According to Frédéric Rousseau, Stroop probably chose to include the photograph in the report because it showed his ability to overcome Judeo-Christian morality and attack innocent women and children.^[15]

Identification

The boy

There are several individuals who have been claimed to be the boy in the photo.^[7][14][4] He was probably younger than ten, because he was not wearing a Star of David armband.^[14] Dr. Lucjan Dobroszycki, a historian employed by the Yivo Institute for Jewish Research who has studied the photograph, stated that "This photograph of the most dramatic event of the Holocaust requires a greater level of responsibility from historians than almost any other... [i]t is too holy to let people do with it what they want."^[16][17]

Artur Dąb Siemiątek, born in Łowicz in 1935, was first proposed as the subject of the photo in 1950. Siemiątek was from a well-off family and his father was a member of the Judenrat in the Łowicz Ghetto; in 1941, the ghetto was liquidated and its residents sent to Warsaw. Jadwiga Piesecka, a cousin of Siemiątek and resident of Warsaw, and her husband fled to the Soviet Union in September 1939. They survived the Holocaust and signed affadits that Siemiątek was the boy in the photo in the 1970s. In 1999, a 95-year-old man named Avrahim Zelinwarger told the Ghetto Fighters House in Israel that the boy in the photo was his son, Levi Zeilinwarger, born in 1932. Avrahim escaped to the Soviet Union in 1940, but his wife Chana (who would be the woman in the photograph), son, and daughter are all believed to have been murdered during the Holocaust. Richard Raskin personally doubted the Zelinwarger claim because of the lack of resemblance between Levi and the boy in the photograph.^[7][11] An anonymous Holocaust survivor told the Jewish Chronicle in 1978 that he was the boy in the photograph, but since he said that the photograph had been taken in 1941 and other details do not match, this claim has not been taken seriously.^[7]

Nussbaum's 1945 passport photograph

Tsvi Chaim Nussbaum (de, fr) (1936–2012)^[18] was born in Tel Aviv but his family returned to Poland before the war. He lived in hiding on the "Aryan" side of Warsaw. Since he and his family had valid Palestinian visas, they fell into the Hotel Polski trap in which the Germans promised safe passage out of occupied Europe. Liberated by American troops at Bergen-Belsen concentration camp in 1945, Nussbaum stated in 1982 that he had been arrested in front of the Hotel Polski on 13 July 1943 and forced to raise his arms as depicted. Although some Jewish organizations uncritically accepted this claim at the time it was made, it is not possible that Nussbaum was the boy in the photo.^[16][17][11] Nussbaum himself never claimed to be certain about the identification, saying "I think it’s me, but I can’t honestly swear to it. A million and a half Jewish children were told to raise their hands".^[7][16]

Dobroszycki pointed out the discrepancies between Nussbaum's claim and what is known about the photograph. All images in the Stroop Report are believed to have been taken inside the Warsaw Ghetto, while the Hotel Polski is not in the ghetto. The Hotel Polski roundups occurred in a courtyard, while the photograph depicts a street. Most of the Jews in the photograph are wearing heavy clothing, which suggests that the photograph was not taken in July; they are wearing armbands that they would not have worn while in hiding on the "Aryan" side of the city. The Germans are wearing combat uniforms which they would not have needed at the Hotel Polski roundups. Furthermore, Nussbaum was arrested more than a month after the Stroop Report was delivered to Himmler.^[16][17][19] A comparison with Nussbaum's 1945 photograph by forensic anthropologist K. R. Burns of the University of Georgia revealed thet Nussbaum had detached earlobes, unlike the boy in the photograph.^[7]

Other individuals

The woman emerging from the building directly behind the boy was Gołda Stawarowska, according to Stawarowska's granddaughter Golda Shulkes. The boy with the white bag over his shoulder was identified as Ahron Leizer (Leo) Kartuziński (or Kartuzinsky)^[20][21] from Gdańsk by his sister, Hana Ichengrin. The same person was also identified as Harry-Haim Nieschawer^[20]. Polish-American Holocaust survivor Esther Grosband-Lamet said that the small girl on the extreme left foreground was her niece, Channa (Hanka) Lamet^[21][20] (or Hannah Lemet) (1937–1943), who was murdered at Majdanek. The woman wearing the scarf would then be Hanka's mother, Matylda Goldfinger-Lamet^[21] or Mathylda Lamet Goldfinger^[20], married to Mosze Lamet; the family was from Warsaw.^[7][11][4]

Blösche in the photograph

The only identification that is certain is that of the SS man, SS-Rottenführer Josef Blösche, aiming the submachine gun at the boy.^[7][2][11] Born in the Sudetenland in 1912, Blösche served in the Einsatzgruppen^[7] and was a German policeman employed at the Warsaw Ghetto during the uprising. Marek Edelman testified that Blösche murdered Jews as part of his "daily routine" and he was known to have committed violence against children and pregnant women.^[2][11] Due to his performance during the suppression of the Warsaw Ghetto uprising, Blösche was awarded the War Merit Cross 2nd Class with Swords.^[7] Blösche appears in several of the photographs in the Stroop Report, which were used as circumstantial evidence in the prosecution against him; tried in East Germany, he was convicted of the murder of 2,000 people and executed in 1969.^[11] Of the photograph, Blösche stated that

The picture shows me, as a member of the Gestapo office in the Warsaw Ghetto, together with a group of SS members, driving a large number of Jewish citizens out from a house. The group of Jewish citizens is comprised predominantly of children, women and old people, driven out of a house through a gateway, with their arms raised.

The Jewish citizens were then led to the so-called Umschlagplatz, from which they were transported to the extermination camp Treblinka.^[7]

Legacy

Recolored version of the photograph

The photograph was not well-known until the 1970s,^[13] perhaps because most countries preferred to celebrate resistance to Nazism rather than the anonymous victims. In 1969, the image appeared on the cover of the English edition of L'étoile jaune ("The Yellow Star").^[10] In 2016, Time Magazine listed the image as one of the 100 most influential photographs of all time, stating that the image had an "evidentiary impact" exceeding that of the many other "searing images" produced during the Holocaust; the child "has come to represent the face of the 6 million defenseless Jews killed by the Nazis".^[1] Three books have been written about the photograph: A Child at Gunpoint: A Case Study in the Life of a Photo by Richard Raskin, The Boy: A Holocaust Story by Dan Porat, and L'Enfant juif de Varsovie. Histoire d'une photographie (English: The Jewish child of Warsaw: History of a photograph) by Frédéric Rousseau.^[2][13] The photograph is perceived quite differently by the SS man who took it and viewed it initially and other observers; in Raskin's words, "one set of men saw in that photograph heroic soldiers combating humanity's dregs while the vast majority of mankind sees here the gross inhumanity of man".^[2][13]

Although the image is in the public domain because its author is anonymous, in 1993 Corbis Corporation acquired the photograph from NARA and licenced three versions of it, charging commercial rates for its usage.^[12]

The Holocaust survivor and artist Samuel Bak has created a series of more than a hundred paintings inspired by the photograph, as well as by his own experiences and the memory of a lost childhood friend. In these works, the boy's extended arms are often depicted with a crucifixion theme or with the boy seen as a part of an imagined monument.^[22][23]

References

Notes

Citations

Further reading

• Kicinska, Magdalena; Dziedzic, Marcin (2018). Teraz \'43 [Now \'43] (in Polish). Wielka Litera. ISBN 9788380322448.
• Porat, Dan (2011). The Boy: A Holocaust Story. Farrar, Straus and Giroux. ISBN 9780809030729.
• Raskin, Richard (2004). A Child at Gunpoint: A Case Study in the Life of a Photo. Aarhus University Press. ISBN 9788779340992.
• Rousseau, Frédéric (2014). L'Enfant juif de Varsovie. Histoire d'une photographie [The Jewish child of Warsaw: History of a photograph] (in French). Le Seuil. ISBN 9782021212334.

Coordinates: 52°14′46″N 20°59′45″E / 52.24611°N 20.99583°E / 52.24611; 20.99583