Telugu language

Prakrit Inscriptions with some Telugu words dating back to between 400 BCE and 100 BCE have been discovered in Bhattiprolu in the Guntur district of Andhra Pradesh.[36] The English translation of an inscription reads, "gift of the slab by venerable Midikilayakha".[37][38][39]

The coin legends of the Satavahanas, in all areas and all periods, used a Prakrit dialect without exception. Some reverse coin legends are in Tamil,[40] and Telugu languages.[41][42]

Certain exploration and excavation missions conducted by the Archaeological Department in and around the Keesaragutta temple have brought to light, a number of brick temples, cells and other structures encompassed by brick prakaram along with coins, beads, stucco figures, garbhapatra, pottery, and Brahmi label inscriptions datable to 4th and 5th centuries CE. On top of one of the rock-cut caves, an early Telugu label inscription reading as ‘Thulachuvanru’ can be noticed. On the basis of palaeography, the inscription is dated around the 4th to 5th centuries CE.[43]

One of the first words in the Telugu language, "Nagabu", was found in a Sanskrit inscription of the 1st century B.C at Amaravathi (not to be confused with the newly planned city of Amaravati).[44][45] Telugu words were also found in the Dharmasila inscription of Emperor Ashoka. A number of Telugu words were found in the Sanskrit and Prakrit inscriptions of the Satavahanas, Vishnukundinas, and Ikshwakas.

According to Telugu lore, its grammar has a prehistoric past. Sage kanva was said to be the language's first grammarian. A Rajeswara Sarma discussed the historicity and content of Kanva's grammar. He cited twenty grammatical aphorisms ascribed to Kanva, and concluded that Kanva wrote an ancient Telugu Grammar which was lost.[46]

Telugu Thalli Bomma (statue of Mother Telugu), the personification of Telugu language in Andhra Pradesh.

"The Bhattiprolu stone Buddhist casket in proto Telugu belongs to BCE 300,[39]^:232 the Erragudi Asokan Rock Edict in Proto Telugu belongs to 257 BCE (DC Sarkar’s Ashokan Studies, Calcutta 1979 pages 7–8), the Ghantasala Brahmin inscription[47] and the pillar inscription of Vijaya Satakarni, Vijayapuri, Nagarjunakonda etc., belongs to First Century CE. Further, Tummalagudem inscription of Vishnukundinas belongs to 5th Century CE. (Epigraphia Andhrika, Vol.ii pages 9 to 14)".[48][49][50][51]

The period from 575 CE to 1022 CE corresponds to the second phase of Telugu history, after the Andhra Ikshvaku period. This is evidenced by the first inscription that is entirely in Telugu, dated 575 CE, which was found in the Rayalaseema region and is attributed to the Renati Cholas, who broke with the prevailing custom of using Sanskrit and began writing royal proclamations in the local language. During the next fifty years, Telugu inscriptions appeared in Anantapuram and other neighbouring regions.[52] The Madras Museum plates of Balliya-Choda dated to the mid ninth century AD are the earliest copper plate grants in the Telugu language.[53]

Telugu was more influenced by Sanskrit and Prakrit during this period, which corresponded to the advent of Telugu literature. Telugu literature was initially found in inscriptions and poetry in the courts of the rulers, and later in written works such as Nannayya's Mahabharatam (1022 AD).[54] During the time of Nannayya, the literary language diverged from the popular language. It was also a period of phonetic changes in the spoken language.

The third phase is marked by further stylization and sophistication of the literary languages. During this period the split of the Telugu from Kannada alphabets took place.[55] Tikkana wrote his works in this script.

The Vijayanagara Empire gained dominance from 1336 to the late 17th century, reaching its peak during the rule of Krishnadevaraya in the 16th century, when Telugu literature experienced what is considered its Golden Age.[54]

Telugu script on Copper plates, Eastern Chalukya, 10th century CE.

A distinct dialect developed in present-day Telangana region, due to Persian/Arabic influence: the Delhi Sultanate of the Tughlaq dynasty was established earlier in the northern Deccan Plateau during the 14th century. In the latter half of the 17th century, the Mughal Empire extended further south, culminating in the establishment of the Hyderabad State by the dynasty of the Nizam of Hyderabad in 1724. This heralded an era of Persian influence on the Telugu language, especially Hyderabad State. The effect is also evident in the prose of the early 19th century, as in the Kaifiyats.[54]

In the princely Hyderabad State, the Andhra Mahasabha was started in 1921 with the main intention of promoting Telugu language, literature, its books and historical research led by Madapati Hanumantha Rao (the founder of the Andhra Mahasabha), Komarraju Venkata Lakshmana Rao (Founder of Library Movement in Hyderabad State), Suravaram Pratapareddy and others.

The 16th-century Venetian explorer Niccolò de' Conti, who visited the Vijayanagara Empire, found that the words in the Telugu language end with vowels, just like those in Italian, and hence referred it as "The Italian of the East";[56] a saying that has been widely repeated.[57]

In the late 19th and the early 20th centuries, the influence of the English language was seen, and modern communication/printing press arose as an effect of the British rule, especially in the areas that were part of the Madras Presidency. Literature from this time had a mix of classical and modern traditions and included works by such scholars as Gidugu Venkata Ramamoorty, Kandukuri Veeresalingam, Gurazada Apparao, Gidugu Sitapati and Panuganti Lakshminarasimha Rao.[54]

Since the 1930s, what was considered an elite literary form of the Telugu language, has now spread to the common people with the introduction of mass media like movies, television, radio and newspapers. This form of the language is also taught in schools and colleges as a standard.

• Telugu is one of the 22 languages with official status in India
• The Andhra Pradesh Official Language Act, 1966, declares Telugu the official language of the state that is currently divided into Andhra Pradesh and Telangana[58][59]
• Telugu also has official language status in the Yanam district of the union territory of Puducherry
• The fourth World Telugu Conference was organised in Tirupati in the last week of December 2012 and deliberated at length on issues related to Telugu language policy
• Telugu is the 3rd most spoken Indian language in India after Hindi and Bengali
• The American Community Survey has said that data for 2016 which were released in September 2017 say Telugu is the third most widely spoken Indian language in the US. Hindi tops the list followed by Gujarati, as of 2010 census[60]

Geographic distribution of Telugu immigrants in light blue, Telugu is native to dark blue.

Telugu is natively spoken in the states of Andhra Pradesh and Telangana and Yanam district of Puducherry. Telugu speaking migrants are also found in the neighboring states of Tamil Nadu, Karnataka, Maharashtra, Odisha, Chhattisgarh, some parts of Jharkhand and the Kharagpur region of West Bengal in India. At 7.2% of the population, Telugu is the third-most-spoken language in the Indian subcontinent after Hindi and Bengali. In Karnataka, 7.0% of the population speak Telugu, and 5.6% in Tamil Nadu.[80]

The Telugu diaspora numbers more than 1,000,000 in the United States, with the highest concentration in Central New Jersey (Little Andhra[81]). As of 2018, Telugu is the fastest-growing language in the United States, with the number of Telugu speakers in the United States increasing by 86% between 2010 and 2017.[82] Telugu speakers are also found in Australia, New Zealand, Bahrain, Canada (Toronto), Fiji, Malaysia, Singapore, Mauritius, Myanmar, Europe (Italy, Netherlands, Belgium, France, Germany, Ireland and the United Kingdom), South Africa, Trinidad and Tobago, and the United Arab Emirates.

The table below lists the consonantal phonemes of Telugu,[84][85] along with the symbols used in the transliteration of the Telugu script used here.

*The aspirated and breathy-voiced consonants occur mostly in loan words, as do the fricatives apart from native /s/.

Most consonants contrast in length in word-medial position, meaning that there are long (geminated) and short phonetic renderings of the sounds. A few examples of words that contrast by length of word-medial consonants:[85]

• /ɡɐdi/ gadi ‘room’ – /ɡɐdːi/ gaddi ‘throne’
• /ɐʈu/ aṭu ‘that side’ – /ɐʈːu/ aṭṭu ‘pancake’
• /moɡɐ/ moga ‘male’ – /moɡːɐ/ mogga ‘bud’
• /nɐmɐkɐmu/ namakamu ‘a vedic hymn’ – /nɐmːɐkɐmu/ nammakamu ‘belief’
• /kɐnu/ kanu ‘to give birth to’ – /kɐnːu/ kannu ‘eye’
• /kɐlɐ/ kala ‘dream’ – /kɐlːɐ/ kalla ‘falsehood’
• /mɐɾi/ mari ‘again’ – /mɐɾːi/ marri ‘banyan tree’

All retroflex consonants occur in intervocalic position and when adjacent to a retroflex consonant, for instance. /ʋɐːɳiː/ vāṇī ‘tippet’, /kɐʈɳɐm/ kaṭṇam ‘dowry’, /pɐɳɖu/ paṇḍu ‘fruit’; /kɐɭɐ/ kaḷa ‘art’, /bɐːɭʈi/ bāḷṭi ‘bucket’ (from Portuguese balde ‘bucket’). With the exception of /ɳ/ and /ɭ/, all occur word-initial in a few words, such as /ʈɐkːu/ ṭakku ‘pretence’, /ʈ^hiːʋi/ ṭhīvi ‘grandeur’, /ɖipːɐ/ ḍippā ‘half of a spherical object’, /ɖ^ɦoːkɐː/ ḍhōkā ‘danger’, and /ʂoːku/ ṣōku ‘fashionable appearance’.[85]

The approximant /j/ occurs in word-initial position only in borrowed words, such as. /jɐnɡu/ yangu, from English ‘young’, /jɐʃɐsːu/ yaśassu from Sanskrit yaśas /jɑʃɑs/ ‘fame’.

Vowels in Telugu contrast in length; there are short and long versions of all vowels except for /æ/, which only occurs as long. Long vowels can occur in any position within the word, but native Telugu words do not end in a long vowel. Short vowels occur in all positions of a word, with the exception of /o/, which does not occur word-finally.[85] The vowels of Telugu are illustrated below, along with the Telugu script and romanization.

In most dialects, the vowel /æː/ only occurs in loan words. In the Guntur dialect, [æː] is a frequent allophone of /aː/ in certain verbs in the past tense.

Telugu has two diphthongs: /ai/ ఐ ai and /au/ ఔ au .

Telugu features a form of vowel harmony wherein the second vowel in disyllabic noun and adjective roots alters according to whether the first vowel is tense or lax.[86] Also, if the second vowel is open (i.e., /aː/ or /a/), then the first vowel is more open and centralized (e.g., [mɛːka] 'goat', as opposed to [meːku] 'nail'). Telugu words also have vowels in inflectional suffixes that are harmonized with the vowels of the preceding syllable.[87]

Relations between participants in an event are coded in Telugu words through suffixation; there are no prefixes or infixes in the language.[84] There are six word classes in Telugu: nominals (proper nouns, pronouns), verbs (actions or events), modifiers (adjectives, quantifiers, numerals), adverbs (modify the way in which actions or events unfold), and clitics.

Telugu nouns are inflected for number (singular, plural), noun class (three classes traditionally termed masculine, feminine, and neuter) and case (nominative, accusative, genitive, dative, vocative, instrumental, and locative).[88]

The basic word order in Telugu is subject-object-verb (SOV).

The example above can also be interpreted as 'Rama will go to school', depending on the context, but it does not affect the SOV order.

As with other Dravidian languages, gender in Telugu follows a semantic system,[89] in the sense that it is mostly the meaning of the word which defines the noun class to which it belongs. There are three noun classes: masculine (human males, he-gender), feminine (human females, she-gender), and neuter (all non-humans, it-gender). The gender of most nouns is encoded through agreement/indexation in pronominal suffixes rather than overtly on the noun.[84]

In terms of the verbal agreement system, genders in marking on the Telugu verb only occurs in the third person.[84]

The Telugu gender system is different from Dravidian languages like Tamil given that the Telugu feminine shares indexation morphemes with the masculine plural (-ru) and with the neuter singular (-di). What characterizes the three-gender system is then the individual behavior of the singular-plural pairs of suffixes.[89]

Telugu pronouns include personal pronouns (the persons speaking, the persons spoken to, or the persons or things spoken about); indefinite pronouns; relative pronouns (connecting parts of sentences); and reciprocal or reflexive pronouns (in which the object of a verb is acted on by the verb's subject).

In informal Telugu, personal pronouns distinguish masculine from non-masculine.[90][91]

There is a wide variety of demonstrative pronouns in Telugu, whose forms depend on both proximity to the speaker and the level of formality. The formal demonstratives may also be used as formal personal pronoun, that is, the polite forms for this woman or this man and that woman or that man can also simply mean she and he in more formal contexts.

In the singular, there are four levels of formality when speaking about males and females, although the most formal/polite form is the same for both human genders. In both singular and plural, Telugu distinguishes two levels of distance from speaker (like in English), basically this and that, and these and those.

In the plural, there are no distinctions between formality levels, but once again masculine and feminine forms are the same, while the neuter demonstratives are different.

The nominative case (karta), the object of a verb (karma), and the verb are somewhat in a sequence in Telugu sentence construction. "Vibhakti" (case of a noun) and "pratyāyamulu" (an affix to roots and words forming derivatives and inflections) depict the ancient nature and progression of the language. The "Vibhaktis" of Telugu language " డు [ɖu], ము [mu], వు [vu], లు [lu]", etc., are different from those in Sanskrit and have been in use for a long time.

These are some examples of combining a consonant with different vowels.
క కా కి కీ కు కూ కృ కౄ కె కే కై కొ కో కౌ క్ కం కః
ఖ ఖా ఖి ఖీ ఖు ఖూ ఖృ ఖౄ ఖె ఖే ఖై ఖొ ఖో ఖౌ ఖ్ ఖం ఖః

Telugu has ten digits employed with the Hindu–Arabic numeral system. However, in modern usage, the Arabic numerals have replaced them.

Telugu is assigned Unicode codepoints: 0C00-0C7F (3072–3199).[95]

In the earliest period Telugu literature existed in the form of inscriptions, precisely from 575 CE onward.

Prabandha Ratnavali (1918) & Pre-Nannayya Chandassu (Raja Raja Narendra Pattabhisekha Sanchika) by Veturi Prabhakara Sastry talk about the existence of Jain Telugu literature during 850-1000 CE. A verse from Telugu Jinendra Puranam by Pampa, a couple of verses from Telugu Adi Puranam by Sarvadeva and Kavijanasrayam by Malliya Rechana were all authored by Jain poet's and are the examples for Jain contribution to Telugu Literature.

Historically, Vemulawada was a Jain knowledge hub and played a significant role in patronizing Jain literature and poets. Excavations in the 1980s around Vemulawada revealed and affirmed the existence of Telugu Jain literature.

Malliya Rechana is considered to be the first Telugu Author. P.V.Parabrahma Sastry, Nidadavolu Venkata Rao, P.V.P Sastry also pointed out that many Jain works could have been destroyed. Historical rivalry among Hinduism, Jainism and Buddhism is well known.

This is the period of Kavi Trayam or Trinity of Poets. Nannayya, Tikkana and Yerrapragada (or Errana) are known as the Kavi Trayam.

Nannaya Bhattarakudu's (Telugu: నన్నయ) Andhra mahabharatam, who lived around the 11th century, is commonly referred to as the first Telugu literary composition (aadi kaavyam). Although there is evidence of Telugu literature before Nannaya, he is given the epithet Aadi Kavi ("the first poet"). Nannaya was the first to establish a formal grammar of written Telugu. This grammar followed the patterns which existed in grammatical treatises like Aṣṭādhyāyī and Vālmīkivyākaranam but unlike Pāṇini, Nannayya divided his work into five chapters, covering samjnā, sandhi, ajanta, halanta and kriya.[14] Nannaya completed the first two chapters and a part of the third chapter of the Mahabharata epic, which is rendered in the Champu style.

Tikkana Somayaji (1205–1288 CE): Nannaya's Andhra Mahabharatam was almost completed by Tikanna Somayaji (Telugu: తిక్కన సోమయాజి) (1205–1288) who wrote chapters 4 to 18.

Yerrapragada : (Telugu: ఎర్రాప్రగడ) who lived in the 14th century, finished the epic by completing the third chapter. He mimics Nannaya's style in the beginning, slowly changes tempo and finishes the chapter in the writing style of Tikkana. These three writers – Nannaya, Tikanna and Yerrapragada – are known as the Kavitraya ("three great poets") of Telugu. Other such translations like Marana's Markandeya Puranam, Ketana's Dasakumara Charita, Yerrapragada's Harivamsam followed. Many scientific[relevant? ] works, like Ganitasarasangrahamu by Pavuluri Mallana and Prakirnaganitamu by Eluganti Peddana, were written in the 12th century.

Sumati Shatakam, which is a neeti ("moral"), is one of the most famous Telugu Shatakams. Shatakam is composed of more than a 100 padyalu (poems). According to many literary critics[who?] Sumati Shatakam was composed by Baddena Bhupaludu (Telugu: బద్దెన భూపాల) (CE 1220–1280). He was also known as Bhadra Bhupala. He was a Chola prince and a vassal under the Kakatiya empress Rani Rudrama Devi, and a pupil of Tikkana. If we assume that the Sumati Shatakam was indeed written by Baddena, it would rank as one of the earliest Shatakams in Telugu along with the Vrushadhipa Satakam of Palkuriki Somanatha and the Sarveswara Satakam of Yathavakkula Annamayya. The Sumatee Shatakam is also one of the earliest Telugu works to be translated into a European language, as C. P. Brown rendered it in English in the 1840s.

Palkuriki Somanatha: Important among his Telugu language writings are the Basava Purana, Panditaradhya charitra, Malamadevipuranamu and Somanatha Stava–in dwipada metre ("couplets"); Anubhavasara, Chennamallu Sisamalu, Vrishadhipa Shataka and Cheturvedasara–in verses; Basavodharana in verses and ragale metre (rhymed couplets in blank verse); and the Basavaragada.

Gona Budda Reddy: His Ranganatha Ramayanam was a pioneering work in the Telugu language on the theme of the Ramayana epic. Most scholars believe he wrote it between 1300 and 1310 A.D., possibly with help from his family. The work has become part of cultural life in Andhra Pradesh and is used in puppet shows.

In the Telugu literature Tikkana was given agraasana (top position) by many famous critics.

Paravastu Chinnayya Soori (1807–1861) is a well-known Telugu writer who dedicated his entire life to the progress and promotion of Telugu language and literature. Sri Chinnayasoori wrote the Bala Vyakaranam in a new style after doing extensive research on Telugu grammar. Other well-known writings by Chinnayasoori are Neethichandrika, Sootandhra Vyaakaranamu, Andhra Dhatumoola, and Neeti Sangrahamu.

Kandukuri Veeresalingam (1848–1919) is generally considered the father of modern Telugu literature.[96] His novel Rajasekhara Charitamu was inspired by the Vicar of Wakefield. His work marked the beginning of a dynamic of socially conscious Telugu literature and its transition to the modern period, which is also part of the wider literary renaissance that took place in Indian culture during this period. Other prominent literary figures from this period are Gurajada Appa Rao, Viswanatha Satyanarayana, Gurram Jashuva, Rayaprolu Subba Rao, Devulapalli Krishnasastri and Srirangam Srinivasa Rao, popularly known as Mahakavi Sri Sri. Sri Sri was instrumental in popularising free verse in spoken Telugu (vaaduka bhasha), as opposed to the pure form of written Telugu used by several poets in his time. Devulapalli Krishnasastri is often referred to as the Shelley of Telugu literature because of his pioneering works in Telugu Romantic poetry.

Viswanatha Satyanarayana won India's national literary honour, the Jnanpith Award for his magnum opus Ramayana Kalpavrukshamu.[97] C. Narayana Reddy won the Jnanpith Award in 1988 for his poetic work, Viswambara. Ravuri Bharadhwaja won the 3rd Jnanpith Award for Telugu literature in 2013 for Paakudu Raallu, a graphic account of life behind the screen in film industry.[98] Kanyasulkam, the first social play in Telugu by Gurajada Appa Rao, was followed by the progressive movement, the free verse movement and the Digambara style of Telugu verse. Other modern Telugu novelists include Unnava Lakshminarayana (Maalapalli), Bulusu Venkateswarulu (Bharatiya Tatva Sastram), Kodavatiganti Kutumba Rao and Buchi Babu.