Pete's Dragon (1977 film)

In December 1957, Walt Disney Productions optioned the film rights to the short story "Pete's Dragon and the U.S.A. (Forever After)" that was written by Seton I. Miller and S.S. Field, in which Miller was hired to write the script.[4][5] Impressed with his performance in Old Yeller, Walt Disney had child actor Kevin Corcoran in mind to star in the project as a feature-length film.[6][7] However, Disney considered the project to be more appropriate for his Disneyland anthology program,[7] by which it was slated to be filmed as a two-part episode in the following year.[4] In February 1958, Variety reported that filming was scheduled to begin in October. By the following spring, veteran screenwriter Noel Langley had completed his draft of the script. However, Disney was still unsure of how to approach the project, and the project was placed in turnaround.[7]

In 1968, writers Bill Raynor and Myles Wilder were hired to write the script, and completed their outline in October. They submitted their outline to the studio for review, but the project continued to languish in development.[4] In 1975, producer Jerome Courtland re-discovered the project and hired writer Malcolm Marmorstein to write the script.[4] For his script, Marmorstein revised the story from being in contemporary time into a period setting, and had the dragon changed from being wholly imaginary into a real one. In earlier drafts, Elliott was mostly invisible aside from one animated sequence, in which Dr. Terminus would chop up the dragon for his get-rich scheme. However, veteran Disney artist Ken Anderson felt the audience would "lose patience" with the idea and lobbied for Elliott to be seen more in his visible form during the film.[8] In retrospect, Marmorstein conceded that "We tried a completely invisible dragon, but it was no fun. It was lacking. It's a visual medium, and you're making a film for kids." He also named the dragon "Elliott" after actor Elliott Gould (who was a friend from his theater days), and named the town "Passamaquoddy" after the real Native American tribe in Maine.[9]

In October 1975, the songwriting duo of Al Kasha and Joel Hirschhorn were assigned to compose the musical score.[10] The production was directed by British filmmaker Don Chaffey, who had made two smaller films for Disney in the early 1960s between directing larger fantasy adventures (Jason and the Argonauts, One Million Years B.C.) for others.

The lighthouse for the film was built on Point Buchon Trail located south of Los Osos, California,[5] substituting for Maine. It was equipped with such a large beacon that Disney had to get special permission from the Coast Guard to operate it, since doing so during filming would have confused passing ships. Pacific Gas and Electric opened the Point Buchon Trail and allows hikers access to where filming took place (35°14′49.08″N 120°53′50.63″W).

The film's animators opted to make Elliott look more like an oriental, rather than occidental, dragon because oriental dragons are usually associated with good. The film is the first involving animation in which none of the Nine Old Men--Disney's original team of animators--were involved. One technique used in the movie involved compositing with a yellowscreen that was originally used in Mary Poppins and similar to today's greenscreen compositing, whereby up to three scenes might be overlaid together – for example, a live foreground, a live background, and an animated middle ground containing Elliott. Ken Anderson, who created Elliott, explained that he thought it would be appropriate to make him "a little paunchy" and not always particularly graceful at flying.[11][12] Don Hahn, who was an assistant director to Don Bluth on Pete's Dragon, gained some experience working with a combination of live-action and animation before later going on to work on Who Framed Roger Rabbit.[13]

The film was released on VHS in early 1980. It was re-released on VHS on October 28, 1994 as a part of Masterpiece Collection. It was originally slated to be released in the Walt Disney Gold Classic Collection line-up on December 5, 2000,[16] but it was pushed back to January 16, 2001. The DVD includes bonus features such as two animated shorts Lighthouse Keeping and Man, Monsters and Mysteries, two vintage excerpts from the Disney Family Album episode on Ken Anderson and "The Plausible Impossible" from Disneyland, and both theatrical trailers for the film.

The film was re-released in a "High-Flying Edition" DVD on August 18, 2009. The DVD includes a half-hour documentary feature, a deleted storyboard sequence, original demo recordings of the songs, and several bonus features transferred from the Gold Classic Collection release.[17] It was released on the 35th-anniversary edition Blu-ray on October 16, 2012.

Janet Maslin of The New York Times praised the film declaring it "the most energetic and enjoyable Disney movie in a long while." She was also complimentary of Helen Reddy's performance noting "Sean Marshall doesn't sing well, but Helen Reddy does, so she often accompanies his vocals. Miss Reddy is serviceable but undistinguished as an actress—she has a tendency to behave as if she were a very bright light bulb in a very small lamp—but she so often finds herself in the company of Messrs. Rooney, Dale or Buttons that her scenes work well." However, she was critical of the film's length and the excessive alcohol consumption.[18]

Kathleen Carroll of the New York Daily News gave the film three stars out of four, criticizing the score and the live-action footage, but praising the animation of the dragon and the performances, writing "Sean Marshall, as Pete, looks and acts natural on camera which makes him a refreshing change from those sweet little cherubs usually cast in Disney movies. Miss Reddy plays her role with crisp efficiency and fortunately receives strong support for the rest of the cast, particularly Dale, so slick and funny as the conniving medicine man he nearly upstages the cuddly dragon."[19]

Variety wrote the film was "an enchanting and humane fable which introduces a most lovable animal star (albeit an animated one)." They praised the combination of live-action and animation as "never before more effectively realized" and commented that the film suffered "whenever Elliott is off screen."[20]

John Skow of Time wrote the film was "likeable fantasy", but dismissed the musical numbers as "a good opportunity to line up for more popcorn."[21]

Charles Champlin of the Los Angeles Times wrote, "At 2 hours 7 minutes it is a trying span for small sitters. The animated excitements keep stopping for songs by Al Kasha and Joel Hirschhorn, but they are not showstoppers in the grand sense. Bland, perfunctory and too numerous is more like it."[22]

Gene Siskel of the Chicago Tribune gave the film two stars out of four and wrote that "we get the same tired Disney formula: a gooey-faced kid in a phony sound-stage world populated by old actors required to perform ancient vaudeville routines ... Compared to the great Disney animation classics, 'Pete's Dragon' is just TV fare on the wide screen."[23]

Gary Arnold of The Washington Post wrote that the film "was apparently meant to be a big, rousing musical comedy-fantasy, but it's staged and photographed without musical-comedy energy, flair or coordination ... Perhaps children can be counted on to enjoy Elliott's mugging and the slapstick interludes that occasionally interrupt the tedium, but parents will see this one more as a chore."[24]

Critic Leonard Maltin observed that Disney made several attempts to recreate the appeal and success of Mary Poppins (1964), and that Pete's Dragon did not come close on that score. However, he added that it might please children, and that "the animated title character is so endearing that it almost compensates for the live actors' tiresome mugging."[25]

Thomas J. Harris, in his book Children’s Live-Action Musical Films: A Critical Survey and Filmography, heavily criticized the story as well as the compositing of the animated Elliott; he also found the "Mary Poppinsish ending" to be "thoroughly unmotivated", because Pete's life before meeting Elliott is never fleshed out.[26]

In 2006, Elliott was ranked fifth on a top 10 list of movie dragons by Karl Heitmueller for MTV Movie News.[27]

On the review aggregator website Rotten Tomatoes, the film has an approval rating of 54% based on 26 reviews, with an average rating of 4.8/10. The site's consensus states: "Boring and slow, this is a lesser Disney work, though the animation isn't without its charms."[28]Metacritic gave film a score of 46 based on 5 reviews, indicating "mixed or average reviews".[29]

During its initial release, the film grossed $18 million in domestic grosses,[30] which was ranked at seventeen on Variety's hit list.[31] However, the returns were considered disappointing for Disney who were hoping for a Mary Poppins-sized blockbuster.[32][33] The film has a lifetime domestic gross ranging from $36[1] to 39.6 million.[2]

The film was nominated for two Academy Awards:[34]

• Academy Award for Best Original Song – Al Kasha and Joel Hirschhorn for "Candle on the Water"
• Academy Award for Original Song Score – Al Kasha, Joel Hirschhorn and Irwin Kostal

The film was nominated for four Saturn Awards:[34]

• Saturn Award for Best Fantasy Film
• Saturn Award for Best Supporting Actor – Red Buttons
• Saturn Award for Best Costume
• Saturn Award for Best Special Effects

The Hollywood Foreign Press Association nominated the film for one Golden Globe Award:[34]

• Golden Globe Award for Best Original Score – Al Kasha and Joel Hirschhorn