Wolfgang Reitherman

Reitherman was hired at Walt Disney Productions on May 21, 1933,[1][2] and his first project was working as an animator on the Silly Symphonies cartoon, Funny Little Bunnies. Reitherman continued to work on a number of Disney shorts, including The Band Concert, Music Land, and Elmer Elephant. He animated the Slave in the Magic Mirror in Snow White and the Seven Dwarfs (1937). His next assignments was animating Monstro in Pinocchio (1940), the climactic dinosaur fight in Igor Stravinsky's The Rite of Spring in Fantasia (1940), and several scenes of Timothy Q. Mouse in Dumbo (1941).[3] Starting in 1942, Reitherman had left Disney to serve in World War II for the United States Air Force, earning the Distinguished Flying Cross after serving in Africa, China, India, and the South Pacific. He was discharged in February 1946 having earned the rank of Major.[4] Reitherman rejoined Disney in April 1947,[5] where he animated the Headless Horseman chase in "The Legend of Sleepy Hollow" section in The Adventures of Ichabod and Mr. Toad (1949). Around this same time, he had claimed he was instrumental in helping Walt Disney commit to producing Cinderella (1950). Reitherman recalled, "I just went in his office which I rarely did, and I said, 'Gee, that looks great. We ought to do it.' It might have been a little nudge to say, 'Hey, let's get going again and let's do a feature'." On Cinderella, he was the directing animator of the sequence in which Jaq and Gus laboriously push and pull the key up the stairs to Cinderella. On Alice in Wonderland (1951), he animated the scene in which the White Rabbit's home is destroyed by an enlarged Alice. On Peter Pan (1953), he animated the scene of Captain Hook attempting to escape the crocodile.[6] For Lady and the Tramp (1955), Reitherman animated the alley dog fight sequence and Tramp's fight with the rat in the nursery room.

Reitherman served as the sequence director of Prince Phillip's climatic fight against Maleficent as a dragon in Sleeping Beauty (1959), and directed the "Twilight Bark" sequence for One Hundred and One Dalmatians (1961).[7] Beginning with The Sword in the Stone (1963), he became the first sole director of a Disney animated feature,[8] which was in direct contrast to having several directors over an animated feature. Animator Ward Kimball had claimed it was because Reitherman's work compatibility and willingness to accept any project "with a smile" while animator Bob Carlson noted that Disney had trusted Reitherman's decision-making before he would embark on a film project.[8][9] He would continue to direct The Jungle Book (1967), The Aristocats (1970), Robin Hood (1973), and The Rescuers (1977).[2] Additionally, he would direct several animated shorts such as Goliath II (1960) and the first two Winnie the Pooh shorts, Winnie the Pooh and the Honey Tree (1966) and Winnie the Pooh and the Blustery Day (1968), which had won the Academy Award for Best Animated Short Film.

While directing The Jungle Book, Reitherman followed the procedure to keep production costs low recalling Walt advising him to "keep the costs down because [feature cartoons are] going to price themselves out of business. So with that piece of advice, and with the way he pointed to Jungle Book into entertainment and character development rather than complicated stories that needed a lot of production qualities, he set the course for ten years after his death."[10] During his tenure, he frequently used "recycled" or limited animation from prior works, presumably because it was a safer method for a quality product, though it was in fact more labor-intensive,[11] not because it was supposedly cheaper.[12][13] Reitherman's use of recycling animation proved to be controversial within the studio as animator Milt Kahl lamented its use stating "I detest the use of—it just breaks my heart to see animation from Snow White used in The Rescuers. It kills me, and it just embarrasses me to tears."[14] Note this is similar to, but not the same as, rotoscoping.

Following The Rescuers, he was initially slated to direct The Fox and the Hound (1981),[15] but following creative conflicts with co-director Art Stevens, he was taken off the project. Reitherman later moved on to several undeveloped animation projects such as Catfish Bend based on the book series by Ben Lucien Burman and Musiciana, a follow-up project to Fantasia in which he co-developed with artist Mel Shaw. In 1980, he developed an adaptation of the children's novel The Little Broomstick by Mary Stewart, but work was discontinued due to the studio's desire for ambitious films such as The Black Cauldron (1985).[16] In the following year, he retired.[17]

Born in Munich, German Empire, Reitherman's family moved to America when he was a child. After attending Pasadena Junior College and briefly working as a draftsman for Douglas Aircraft, Reitherman returned to school at the Chouinard Art Institute, graduating in 1933. Following his discharge from the Air Force, he married Janie Marie McMillan in November 1946.[18] All three of Reitherman's sons—Bruce, Richard and Robert—provided voices for Disney characters, including Mowgli in The Jungle Book, Christopher Robin in Winnie the Pooh and the Honey Tree, and Wart in The Sword in the Stone.

On May 22, 1985, Reitherman died in a single-car accident near his Burbank, California home, aged 75. Reitherman was posthumously named a Disney Legend in 1989.[19][20]

• Barrier, Michael (1999). Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. ISBN 978-0-19-802079-0.CS1 maint: ref=harv (link)
• Barrier, Michael (2008). The Animated Man: A Life of Walt Disney. University of California Press. ISBN 978-0520256194.</ref>
• Canemaker, John (2001). Walt Disney's Nine Old Men and the Art of Animation. Disney Editions. ISBN 978-0786864966.CS1 maint: ref=harv (link)

• Wolfgang Reitherman on IMDb