Culture of South Korea

Pansori is a traditional musical art form within Korea that dates back to the Joseon Dynasty (1392–1897),[14][15] "pan" meaning an open space where individuals come to gather and "sori" meaning sound.[16][15][14] Pansori performances consist of a singer and a drummer, the singer telling the story using special techniques that require years of training, and the drummer producing beats for the story to flow and also morally supporting the singer.[14][16] Members of the audience are also encouraged to take part in the performance and support the singer.

The purpose of Pansori was to tell tales and stories to individuals who would take the time to listen since most stories range from three hours to eight or nine hours from start to finish. There are five traditional stories that are performed for audiences, but since pansori is orally transmitted, there have been many stories lost throughout history. Each story contains a theme, whether it be about filial piety, love, or the sorrows of individuals releasing their "han". "Han" is an emotion within a person that is negative and usually is tied with grieving, regret, or resentment.[17]

Samsung Galaxy Tab

An estimated 98% of South Koreans own mobile phones and use them not only for calling and messaging but also for watching live TV, viewing websites and keeping track of their online gaming statuses. South Korean corporations Samsung and LG are one of the largest cell phone companies in the world. New phones are expensive in South Korea, but this does not stop South Korean consumers changing their phones on average every 11 months.

Many South Korean phones feature TV broadcasting through Digital Multimedia Broadcasting (DMB), which now carries seven TV channels. Over one million DMB phones have been sold, and providers like KT and SK Telecom have provided coverage throughout many parts of major cities.

Nokia, one of the world's largest cellphone companies, has dropped selling its phones in South Korea because of its decreasing sales. Motorola holds a 4% shares of cellphone sales in South Korea.

South Korea won the LG Mobile World Cup, a texting competition run by LG Electronics.[18]

Korea is known as an e-sports powerhouse. Korea is also famous for producing the best athletes in e-sports. As the perceptions of games have changed, the Korean game market has grown in size and popularized. Korean companies are expected to spur M sports industry, calling mobile E-sports a M-sport.

Video games in South Korea have been growing in popularity since the mid-1980s, however it was not until the early 2000s that their popularity skyrocketed. Their sudden growth was due to immensely popular games, such as “Ragnarok Online”, “Maple Story”, and “Lineage II”. Since then, the Gaming industry in South Korea has been steadily growing every year. Its projected market revenue for 2018 is US$10.5 billion.[19]

The introduction of those games in the early 2000s, as well as the introduction of several new international tournaments, like The World Cyber Games, Electronic Sports World Cup, and Major League Gaming, have allowed the video game industry to grow at a much faster rate. In these tournaments, competitive games would be played for large prizes, some being as much as US$1 million. The tournaments are very popular in South Korea, and attract a large viewership. Researchers have estimated that the eSports industry will reach US$1 billion in revenue by 2019.[20]

Video games are very popular in South Korea, but not everyone is able to afford the gaming PCs necessary to play popular games. These high upfront costs have led to the growth of the PC bang industry. Translated as "PC room", PC bangs are public cafés that let customers play popular PC games on powerful, high-end computers at a low cost per hour. There are currently around 25,000 PC bangs in South Korea alone, with hourly rates that ranged from $0.44 to $1.30 per hour in 2007.[21] The success of this low-cost model has led to the rise of PC bangs as a popular hangout spot among students, and they generally serve as a place to meet people with similar gaming interests.[22]

As video gaming is becoming much more popular in South Korea, it also bring up worries of the welfare of the nation's youth. Video Game Addiction has been a concerning issue with in the South Korean government. Considerable amounts of funds have been invested into programs and campaigns to reduce this issue. One action that the government imposed was the “Cinderella Law”, also known as the Shutdown law. This law prevents anyone aged under 16 from playing online from times 10pm until 6am.[23]

StarCraft, the PC real-time strategy game, was the most popular televised game in Korea. Games are often broadcast on TV stations such as MBCGame and Ongamenet. These tournaments are usually broadcast live and have sizable crowds while they are recorded at shopping malls like COEX, in southeast Seoul. Professional StarCraft players can command considerable salaries in Korea, and are usually noted celebrities, such as Lim "BoxeR" Yo-Hwan. In recent years, professional video gaming in South Korea has branched out away from just Starcraft into a variety of different titles, including Dota 2, League of Legends, Starcraft 2, Battle Ground, and Overwatch

In the drinking culture of South Korea often with a group of individuals, drinking games are played. A variety of games can be played within the group and can change with every coming round. The type of alcohol can vary, but more than likely soju, a common Korean liquor, is used when the games are being played. Sometimes people mix soju and beer and call it "So-Mack," so for soju, and Mack for beer, since beer is called "Maek-joo" in Korean.

Many Korean pop stars and groups are spreading throughout East Asia and Southeast Asia. K-pop often features young performers. In the 1970s and 1980s, many musicians appeared, such as Cho Yong Pil, a renowned musician from that period. He used many sources such as the synthesizer. Among his influence, he is well known for popularizing rock music. The popularization of Korean pop music has come from many sources including, YouTube and other video streaming sources. With the growth of social media, it has helped with the expansion of K-pop globally.[24] The dominant explanation of the global K-pop phenomenon is the "hybridity" view that advances a liberal argument about Chinese, Japanese, and Indian cultures as a grand Asian Culture (AC) that may countervail the dominant West Culture (WC) as a whole (Chua, 2004). K-pop became one of Korea's top exporting industries with its rapid and wide spread popularity around the world particularly in the East. Korean popular culture has a timely commercial combination of: (1) the global liberalization of music markets in Asia and the rest of the world; and (2) the rapid advancement of digital technologies like YouTube which prefers to select and feature perfectly photogenic performers from all over the world, including Korean girl and boy bands (Oh, 391).

The emergence of the group Seo Taiji and Boys in 1992 marked a turning point for Korean popular music by incorporating elements of American popular musical genres of the 1990s. To illustrate, their popularity was based on innovative hybridization of music as they creatively mixed the genres like rap, soul, rock and roll, techno, punk, hardcore and even ppongjjak, and invented a unique musical form which 'employs rap only during the verses, singing choruses in a pop style' with dynamic dance movements. They showed how Korean rap would sound. Consequently, Seo Taiji and Boys expanded the scope of K-pop.[25]

In 2002, BoA became the first Korean pop star to break through in Japan following the fall of barriers that had restricted the import and export of entertainment between the countries since the end of World War II. For that reason, she was awarded the title of Goodwill Ambassador, and has since contributed to restoring the good relations between Japan and South Korea. .

In addition, there is also traditional Korean pop music, or trot. Appealing to older Koreans, there are many popular singers, including Tae Jin Ah, Na Hoon-a and Song Dae Kwan, mainly in their 50s and 60s, if not older. However, trot has recently experienced a resurgence due to the popularity of Jang Yoon Jeong, a young semi-trot star, who had a breakout hit with "Omona."

Karaoke is most commonly called "Noraebang" (노래방, literally, "song room") in Korea, but various Korean alternatives like Norae yeonseupjang (노래연습장), or Norae yeonseupshil (노래연습실) are also sometimes used. Noraebang is even conducted in transport vehicles such as tourist buses. Noraebang is the equivalent to the Karaoke-Box in Japan, whereas singing before an audience of a karaoke bar is called Karaoke (가라오케) in Korea. Recently, a coin karaoke, which is a form of payment different from the existing karaoke, appeared.

There are approximately 70,000 Korean students in American colleges every year. Furthermore, increased immigration has reached to booming heights of over a million in 2010 alone. With these migrations have come the spread and expansion of Korean Popular culture. Known as the "Korean Wave", Hallyu in the United States and alike has led to Korean movies, art, fashion, and music reaching popularity like never before. For example, the popular South Korean film titled "Shiri (쉬리)" sold more than 5.78 million movie tickets in the United States alone.[26]

One of the reasons for the success of the Korean Wave comes from the influence that the Korean government has in the production and distribution of popular culture. Recent years have led to changes in access to both enjoying and creating new songs, movies, and other types of popular culture. Furthermore, reconfiguring Korean elements into more Westernized ideas has helped increase popularity. One example comes from recent collaboration with the Korean Government and others to help achieve glocalization, making hallyu approachable and enjoyable for people from many different cultures and backgrounds.[27]

Sinchon movie theatre

The popularity of Korean films has risen since the success of Shiri in 1999. South Korea is one of the few countries where Hollywood productions do not enjoy a dominant share of the domestic market. This is partly due to screen quotas requiring cinemas to show Korean films at least 73 days a year.

Shiri was a film about a North Korean spy preparing a coup in Seoul. The film was the first in Korean history to sell more than two million tickets in Seoul alone. Shiri alone earned $14 million at the Japanese box office. This helped Shiri to surpass box office hits such as The Matrix and Star Wars. The success of Shiri motivated other Korean films with larger budgets. With the release of the Korean film Shiri, it attracted 5.8 million theatre-goers. These numbers outscored the local theater attendance for the American made film from Hollywood, Titanic. The venture capital firm, KDB Capital was the main firm that invested money into the production of Shiri. KDB Capital invested around $333,000 in the movie and would end up earning more than 300 percent in returns (Shim, 33). This is what helped spark the Korean government's interest in the possible profits that can be awarded through the entertainment industry.

In 2000 Joint Security Area achieved huge success, surpassing the benchmark set by Shiri. The following saw Friend manage the same. In South Korea, the romantic comedy My Sassy Girl outsold The Lord of the Rings and Harry Potter which ran at the same time. Park Chan-wook, the director of Joint Security Area, has gone on to direct many popular films in Korea and abroad, and is best known for Oldboy. Kim Ki-Duk is another well-respected filmmaker, noted for using minimal dialogue to create an emotional response from the audience. He is known especially for 3-Iron and Spring, Summer, Fall, Winter... and Spring. As of 2004, new films continue to break records, with many Korean productions achieving greater popularity than US films.[28] Both Silmido and Taegukgi (The Brotherhood) were watched by over 10 million people, which is almost a quarter of the Korean population.[29] Silmido is based on a true story about a secret special force. The other is a blockbuster about the Korean War directed by the director of Shiri. The social satire and monster movie The Host (2006) broke Korean box office records and grossed $1.8 million in the United States.[30]

This success attracted the attention of Hollywood. Films such as Shiri are now distributed in the United States. In 2001, Miramax bought the rights to an Americanized remake of the successful Korean action comedy movie, My Wife is a Gangster.

Many Korean films also reflect the unique circumstances of the division and reunification of Korea.

While The Simpsons is the best known back-room product of South Korea, many other popular English-language animation series (Futurama, King of the Hill, Avatar: The Last Airbender, Family Guy) have had the basic animation, in-betweening, and coloring done in South Korea; there has also been some South Korean collaborations and minor contributions on anime from Japan. This work is professional, but not necessarily Korean in tone or manner.

Recently, the animation Pororo the Little Penguin became one of the most popular cultural exports of South Korea, being exported to 120 countries worldwide.[32] This little blue penguin has 1,500 spin-off products and a section in a theme park. Pororo is so powerful that Koreans call him Potongryong ("President Pororo"). According to the Seoul Business Agency, Pororo will generate global sales of 38 billion won (approximately US$36 million) this year, and the brand is worth 389.3 billion won for Iconix (the firm that created it) and others.[33]