Kapilar

Topics in Sangam literature
Sangam literature
AkattiyamTholkāppiyam
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Eṭṭuthokai
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ParipāṭalPatiṟṟuppattu
Pattuppattu
TirumurukāṟṟuppaṭaiKuṟiñcippāṭṭu
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Iṉṉā NāṟpatuIṉiyavai Nāṟpatu
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TirukkuṛaḷTirikaṭukam
ĀcārakkōvaiPaḻamoḻi Nāṉūṟu
CiṟupañcamūlamMutumoḻikkānci
ElātiKainnilai
Related topics
SangamSangam landscape
Tamil history from Sangam literatureAncient Tamil music

Kapilar or Kabilar (Tamil: கபிலர்) (c. 50–125 CE)[1] was a Tamil poet of Sangam period. He was a contemporary of Karikala Chola, Irunkōvēl and Vēl Pāri. He was the close friend, confidant and alleged favorite of Vēl Pāri, one of the Vēlir kings.[2] He is the author of Inna Narpatu, a didactic work of the Sangam literature. Verse 5 of the Tiruvalluva Maalai is also attributed to him.[3]

Early life

Kapilar was born in Thiruvadhavur in the Pandyan Kingdom in 50 CE.[1] Initially a poet at the Pandyan court, he left Madurai at an early age to travel across various kingdoms. Kapilar heard about the generosity and virtue of Vēl Pāri, a powerful Vēlir King who ruled over Parambu nādu and paid him a visit. He became a friend and confidant of Pāri and stayed with him until the latter's death.

Siege of Parambu

The three crowned Tamil kings Cheras, Cholas and Pandyas expanded their kingdoms ruthlessly and turned their attention towards independent Vēlir Kings thus turning them into subordinates or eliminating them and assimilated their kingdoms. They laid siege to the heavily fortified country of Parambu, but Vēl Pāri refused to give in and the war dragged for years. Kabilar approached the kings and asked them to turn back describing his patron Pari as an unconquerable warrior (excerpt from Purananuru: song 109):

After a long war, Vēl Pāri was killed by treachery.[5] Purananuru, song (112) of Pāri's daughters on his death:

Aftermath and death

Kapilar become the guardian of Pāri's two daughters, Angavai and Sangavai after Pari's death and the three of them left Parambu country. Kapilar unsuccessfully approached different Vēlir kings to find grooms. He would be let down each time as the other Vēlir kings would fear retribution from the three crowned kingdoms. The most notable of these encounters is when he sings to Irunkōvēl and the latter would insult Kabilar. He would finally leave the two princesses in the care of Jain monks who were called "Andhanar". Later, poet Avvaiyar takes care of them and marries them off successfully into the family of another Vēlir king Malaiyamaan Kaari.

The death of his friend Pāri affected Kabilar and he later took his own life by vadakirrutal, one of the Tamil ways of committing suicide. He sat facing north and starved himself to death in Kabilar Kundru.[7]

Works and contribution

Kabilar made huge contributions to Tamil literature of Sangam era. Kurincippattu is a poetic work in the Pattuppattu series of Pathinenmaelkanakku anthology in Tamil literature containing 261 lines of poems in the Achiriyappa meter written by Kabilar. An ancient note states that Kapilar wrote this to explain the beauty of Tamil poetry to a north Indian king names Brhadatta. Kurincippattu describes the kurinchi landscape of the mountainous terrain and mentions almost 100 different plant names. Kabilar also contributed to Puṟanāṉūṟu in the Eṭṭuttokai series of sangam literature.

See also

References

  1. 1 2 Kowmareeshwari (Ed.), S. (August 2012). Pathinen Keezhkanakku Noolgal. Sanga Ilakkiyam (in Tamil). 5 (1 ed.). Chennai: Saradha Pathippagam. pp. viii.
  2. Studies in Tamil Literature and History by Ramachandra Dikshitar, pages 55-59
  3. Vedanayagam, Rama (2017). Tiruvalluva Maalai: Moolamum Eliya Urai Vilakkamum (in Tamil) (1 ed.). Chennai: Manimekalai Prasuram. pp. 44–45.
  4. Poets of the Tamil Anthologies: Ancient Poems of Love and War, page 164
  5. Great women of India, page 309
  6. Poems of love and war: from the eight anthologies and the ten long poems of classical Tamil, page 145
  7. The Four Hundred Songs of War and Wisdom: An Anthology of Poems from Classical Tamil, the Purananuru, Translations from the Asian classics By George L. Hart, Hank Heifetz
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