Lee Marvin

Marvin left school at 18 to enlist in the United States Marine Corps Reserve on August 12, 1942. He served with the 4th Marine Division in the Pacific Theater during World War II.[8] While serving as a member of "I" Company, 3rd Battalion, 24th Marines, 4th Marine Division, he was wounded in action on June 18, 1944, during the assault on Mount Tapochau in the Battle of Saipan, during which most of his company were casualties.[9] He was hit by machine gun fire, which severed his sciatic nerve,[10] and then was hit again in the foot by a sniper.[11] After over a year of medical treatment in naval hospitals, Marvin was given a medical discharge with the rank of private first class. He had previously held the rank of corporal, but had been demoted for troublemaking.[11]

Marvin's military awards include the Purple Heart Medal, the Presidential Unit Citation, the American Campaign Medal, the Asiatic-Pacific Campaign Medal, the World War II Victory Medal, and the Combat Action Ribbon.[12]

After the war, while working as a plumber's assistant at a local community theatre in upstate New York, Marvin was asked to replace an actor who had fallen ill during rehearsals. He caught the acting bug and got a job with the company at $7 a week. He moved to Greenwich Village and used the GI Bill to study at the American Theatre Wing.[13][14]

He appeared on stage in a production of Uniform of Flesh, an adaptation of Billy Budd (1949).[15] It was done at the Experimental Theatre, where a few months later Marvin also appeared in The Nineteenth Hole of Europe (1949).[16]

Marvin began appearing on television shows like Escape, The Big Story, and Treasury Men in Action.[17]

He made it to Broadway with a small role in a production of Uniform of Flesh, now called Billy Budd in February 1951.[18]

Marvin's film debut was in You're in the Navy Now (1951), directed by Henry Hathaway, a film which also marked the debuts of Charles Bronson and Jack Warden. This required some filming in Hollywood. Marvin decided to stay there.[13]

He had a similar small part in Teresa (1951) directed by Fred Zinnemann. As a decorated combat veteran, Marvin was a natural in war dramas, where he frequently assisted the director and other actors in realistically portraying infantry movement, arranging costumes, and the use of firearms.

He guest starred on episodes of Fireside Theatre, Suspense and Rebound. Hathaway used him again on Diplomatic Courier (1952) and he could be seen in Down Among the Sheltering Palms (1952), directed by Edmund Goulding, We're Not Married! (1952), also for Goulding, The Duel at Silver Creek (1952) directed by Don Siegel, and Hangman's Knot (1952), directed by Roy Huggins.

He guest starred on Biff Baker, U.S.A. and Dragnet, and had a decent role in a feature with Eight Iron Men (1952), a war film produced by Stanley Kramer (Marvin's role had been played on Broadway by Burt Lancaster).[19]

He was a sergeant in Seminole (1953), a Western directed by Budd Boetticher, and was a corporal in The Glory Brigade (1953), a Korean War film.[20]

Marvin guest starred in The Doctor, The Revlon Mirror Theater , Suspense again and The Motorola Television Hour.

He was now in much demand for Westerns: The Stranger Wore a Gun (1953) with Randolph Scott, and Gun Fury (1953) with Rock Hudson.

Marvin received much acclaim for his portrayal as villains in two films: The Big Heat (1953) where he played Gloria Grahame's vicious boyfriend, directed by Fritz Lang; and The Wild One (1953) opposite Marlon Brando (Marvin's gang in the film was called "The Beetles"), produced by Kramer.[21]

He continued in TV shows such as The Plymouth Playhouse and The Pepsi-Cola Playhouse. He had support roles in Gorilla at Large (1954) and had a notable small role as smart-aleck sailor Meatball in The Caine Mutiny (1954), produced by Kramer.[13]

Marvin was in The Raid (1954), Center Stage, Medic and TV Reader's Digest.[22]

He had an excellent part as Hector, the small-town hood in Bad Day at Black Rock (1955) with Spencer Tracy.[23] Also in 1955, he played a conflicted, brutal bank-robber in Violent Saturday. A latter-day critic wrote of the character, "Marvin brings a multi-faceted complexity to the role and gives a great example of the early promise that launched his long and successful career."[24]

Marvin played Robert Mitchum's friend in Not as a Stranger (1955), a medical drama produced by Kramer. He had good support roles in A Life in the Balance (1955) (he was third billed), and Pete Kelly's Blues (1955) and appeared on TV in Jane Wyman Presents The Fireside Theatre and Studio One in Hollywood.

Marvin was in I Died a Thousand Times (1955) with Jack Palance, Shack Out on 101 (1955), Kraft Theatre, and Front Row Center.

Marvin in Attack

Marvin was the villain in 7 Men from Now (1956) with Randolph Scott directed by Boetticher. He was second billed to Palance in Attack (1956) directed by Robert Aldrich.

Marvin had good roles in Pillars of the Sky (1956) with Jeff Chandler, The Rack (1956) with Paul Newman, Raintree County (1956) and The Missouri Traveler (1958). He also guest starred on Climax! (several times), Studio 57, The United States Steel Hour and Schlitz Playhouse.

Marvin in 1959 from the set of M Squad

Marvin finally got to be a leading man in 100 episodes as Chicago cop Frank Ballinger in the successful 1957–1960 television series M Squad. One critic described the show as "a hyped-up, violent Dragnet ... with a hard-as-nails Marvin" playing a tough police lieutenant. Marvin received the role after guest-starring in a memorable Dragnet episode as a serial killer.[25]

When the series ended Marvin appeared on Westinghouse Desilu Playhouse, Sunday Showcase, The Barbara Stanwyck Show, The Americans, Wagon Train, Checkmate, General Electric Theater, Alcoa Premiere, The Investigators, Route 66 (he was injured during a fight scene[26]), Ben Casey, Bonanza, The Untouchables (several times), The Virginian, The Twilight Zone ("The Grave", "Steel") and The Dick Powell Theatre.[27]

Marvin returned to features with a prominent role in The Comancheros (1961) starring John Wayne. He played in two more films with Wayne, both directed by John Ford: The Man Who Shot Liberty Valance (1962), and Donovan's Reef (1963). As the vicious Liberty Valance, Marvin played his first title role and held his own with two of the screen's biggest stars (Wayne and James Stewart).[28]

In 1962 Marvin appeared as Martin Kalig on the TV western The Virginian in the episode titled "It Tolls for Thee." He continued to guest star on shows like Combat!, Dr. Kildare and The Great Adventure. He did The Case Against Paul Ryker for Kraft Suspense Theatre.

For director Don Siegel, Marvin appeared in The Killers (1964) playing an efficient professional assassin alongside Clu Gulager. The Killers was also the first film in which Marvin received top billing.[29]

He guest starred on Bob Hope Presents the Chrysler Theatre.

Marvin finally became a star for his comic role in the offbeat Western Cat Ballou starring Jane Fonda. This was a surprise hit and Marvin won the 1965 Academy Award for Best Actor. He also won the 1965 Silver Bear for Best Actor at the 15th Berlin International Film Festival.[30]

Playing alongside Vivien Leigh and Simone Signoret, Marvin won the 1966 National Board of Review Award for male actors for his role in Ship of Fools (1965) directed by Kramer.[N 1][34]

Marvin next performed in the hit Western The Professionals (1966), in which he played the leader of a small band of skilled mercenaries (Burt Lancaster, Robert Ryan, and Woody Strode) rescuing a kidnap victim (Claudia Cardinale) shortly after the Mexican Revolution.[35][36]

He followed that film with the hugely successful World War II epic The Dirty Dozen (1967) in which top-billed Marvin again portrayed an intrepid commander of a colorful group (future stars John Cassavetes, Charles Bronson, Telly Savalas, Jim Brown, and Donald Sutherland) performing an almost impossible mission. Robert Aldrich directed.[37]

In the wake of these two films and after having received an Oscar, Marvin was a huge star, given enormous control over his next film Point Blank. In Point Blank, an influential film for director John Boorman, he portrayed a hard-nosed criminal bent on revenge. Marvin, who had selected Boorman himself for the director's slot, had a central role in the film's development, plot line, and staging.[27]

In 1968, Marvin also appeared in another Boorman film, the critically acclaimed but commercially unsuccessful World War II character study Hell in the Pacific, also starring famed Japanese actor Toshiro Mifune. John Boorman recounted his work with Lee Marvin on these two films and Marvin's influence on his career in the 1998 documentary Lee Marvin: A Personal Portrait by John Boorman. Paul Ryker, which Marvin shot for TV in 1963 was released theatrically as Sergeant Ryker.[38]

Marvin was originally cast as Pike Bishop (later played by William Holden) in The Wild Bunch (1969), but fell out with director Sam Peckinpah and pulled out to star in the Western musical Paint Your Wagon (1969), in which he was top-billed over a singing Clint Eastwood. Despite his limited singing ability, he had a hit song with "Wand'rin' Star". By this time, he was getting paid a million dollars per film, $200,000 less than top star Paul Newman was making at the time, yet he was ambivalent about the film business, even with its financial rewards:[5]

You spend the first forty years of your life trying to get in this business, and the next forty years trying to get out. And then when you're making the bread, who needs it?

Marvin had a much greater variety of roles in the 1970s, with fewer 'bad-guy' roles than in earlier years. His 1970s films included Monte Walsh (1970), a Western with Palance and Jeanne Moreau; the violent Prime Cut (1972) with Gene Hackman; Pocket Money (1972) with Paul Newman, for Stuart Rosenberg; Emperor of the North (1973) opposite Ernest Borgnine for Aldrich; as Hickey in The Iceman Cometh (1973) with Fredric March and Robert Ryan, for John Frankenheimer; The Spikes Gang (1974) with Noah Beery Jr. for Richard Fleischer; The Klansman (1974) with Richard Burton; Shout at the Devil (1976), a World War One adventure with Roger Moore, directed by Peter Hunt; The Great Scout and Cathouse Thursday (1976), a comic Western with Oliver Reed; and Avalanche Express (1978), a Cold War thriller with Robert Shaw who died during production. None of these films were big box office hits.[39][40]

Marvin was offered the role of Quint in Jaws (1975) but declined, stating "What would I tell my fishing friends who'd see me come off a hero against a dummy shark?".[41]

Marvin's last big role was in Samuel Fuller's The Big Red One (1980), a war film based on Fuller's own war experiences.[42]

His remaining films were Death Hunt (1981), a Canadian action film with Charles Bronson, directed by Hunt; Gorky Park (1983) with William Hurt; and Dog Day (1984), shot in France.[27]

For TV he did The Dirty Dozen: Next Mission (1985; a sequel with Marvin, Ernest Borgnine, and Richard Jaeckel picking up where they had left off despite being 18 years older).

His final appearance was in The Delta Force (1986) with Chuck Norris, playing a role turned down by Charles Bronson.[43][44]

Marvin married Betty Ebeling in February 1951 and together they had four children, son Christopher Lamont (1952–2013),[45] and three daughters: Courtenay Lee (b. 1954), Cynthia Louise (b. 1956), and Claudia Leslie (1958–2012).[46][47] Married 16 years, they divorced in 1967.[48]

Marvin reunited with his high school sweetheart, Pamela Feeley, following his divorce. They married in October 1970. She had four children with three previous marriages, they had no children together and remained married until his death in 1987.[49]

See also Marvin v. Marvin

In 1971, Marvin was sued by Michelle Triola, his live-in girlfriend from 1965 to 1970, who legally changed her surname to "Marvin".[5] Although the couple never married, she sought financial compensation similar to that available to spouses under California's alimony and community property laws. Triola claimed Marvin made her pregnant three times and paid for two abortions, while one pregnancy ended in miscarriage.[50] She claimed the second abortion left her unable to bear children.[50] The result was the landmark "palimony" case, Marvin v. Marvin, 18 Cal. 3d 660 (1976).[51]

In 1979, Marvin was ordered to pay $104,000 to Triola for "rehabilitation purposes", but the court denied her community property claim for one-half of the $3.6 million which Marvin had earned during their six years of cohabitation – distinguishing nonmarital relationship contracts from marriage, with community property rights only attaching to the latter by operation of law. Rights equivalent to community property only apply in nonmarital relationship contracts when the parties expressly, whether orally or in writing, contract for such rights to operate between them. In August 1981, the California Court of Appeal found that no such contract existed between them and nullified the award she had received.[52][53] Michelle Triola died of lung cancer on October 30, 2009, having been with actor Dick Van Dyke since 1976.[54]

Later there was controversy after Marvin characterized the trial as a "circus", saying "everyone was lying, even I lied". There were official comments about possibly charging Marvin with perjury, but no charges were filed.[55]

This case was used as fodder for a mock debate skit on Saturday Night Live called "Point Counterpoint",[56] and on The Tonight Show Starring Johnny Carson as a skit with Carson as Adam, and Betty White as Eve.[57]