The Mission (1986 film)

In the 1750s, Spanish Jesuit priest Father Gabriel enters the northeastern Argentina and eastern Paraguayan jungle to build a mission station and convert a Guaraní community to Christianity. The Guaraní are not initially receptive to Christianity or outsiders in general, and tie a priest to a wooden cross and send him over the Iguazu Falls. Father Gabriel travels to the falls, climbs to the top, and plays his oboe. The Guaraní warriors, captivated by the music, allow him to live.

Mercenary and slaver Rodrigo Mendoza makes his living kidnapping natives such as the Guarani community and selling them to nearby plantations, including the plantation of the Spanish Governor Don Cabeza. After returning from another kidnapping trip, Mendoza is told by his assumed fiancée, Carlotta, that she loves his younger half-brother Felipe. Mendoza later finds them in bed together and in a fit of rage kills Felipe in a duel. Although he is acquitted of the killing of Felipe, Mendoza spirals into depression. Father Gabriel visits and challenges Mendoza to undertake a suitable penance. Mendoza accompanies the Jesuits on their return journey, dragging a heavy bundle containing his armour and sword. After initially tense moments upon reaching the outskirts of the natives' territory, though they recognise him, the natives embrace a tearful Mendoza and cut away his heavy bundle.

Father Gabriel's mission is depicted as a place of sanctuary and education for the Guaraní. Moved by the Guaraní's acceptance, Mendoza wishes to help at the mission and Father Gabriel gives him a Bible. In time, Mendoza takes vows and becomes a Jesuit under Father Gabriel and his colleague Father Fielding.

The Jesuit missions were safe, because they were protected under Spanish law. The Treaty of Madrid (1750) reapportioned South American land on which the Jesuit missions were located, transferring the area to the Portuguese, who allowed slavery. The Portuguese colonials seek to enslave the natives, and as the independent Jesuit missions might impede this, Papal emissary Cardinal Altamirano, a former Jesuit priest, is sent from the Vatican to survey the missions and decide which, if any, should be allowed to remain.

Under pressure from both Cabeza and Portuguese representative Hontar, Cardinal Altamirano is forced to choose between two evils. If he rules in favour of the colonists, the indigenous peoples will become enslaved; if he rules in favour of the missions, the entire Jesuit Order may be condemned by the Portuguese and the European Catholic Church could fracture. Altamirano visits the missions and is amazed at their industry and success, both in converting the Indians and, in some cases, economically. At Father Gabriel's mission of San Carlos, he tries to explain the reasons behind closing the mission and instructs the Guaraní that they must leave, because it is God's will. The Guaraní question the validity of his claim, and argue God's will was to settle and develop the mission. Father Gabriel and Mendoza, under threat of excommunication, state their intention to defend the mission alongside the Guaraní if the plantation owners and colonists attack. They are, however, divided on how to do this, and they debate how to respond to the impending military attack. Father Gabriel believes that violence is a direct crime against God. Mendoza, however, decides to break his vows by militarily defending the Mission. Against Father Gabriel's wishes, he teaches the natives the European art of war and once more takes up his sword.

When a joint Portuguese and Spanish force attacks, the mission is initially defended by Mendoza, Fielding and the Guaraní. They are no match for the military force and Mendoza is shot and fatally wounded after the soldiers destroy a trap, allowing them to enter the village. Fielding sacrifices himself by killing the Portuguese commander before he is killed. Upon seeing the church at the mission village the soldiers become reluctant to fire. When the soldiers enter the mission village, they encounter the singing of Father Gabriel and the Guaraní women and children who march in the procession. Father Gabriel leads, carrying a monstrance with the Blessed Sacrament. Ignoring this, the Spanish commander orders the attack; Father Gabriel, the rest of the priests and most of the Guaraní, including women and children, are gunned down. After Father Gabriel is shot, a child picks up the Blessed Sacrament and leads the procession. Only a handful escape into the jungle.

In a final exchange between Cardinal Altamirano and Hontar, Hontar laments that what happened was unfortunate but inevitable, because "we must work in the world; the world is thus." Altamirano replies, "No, thus have we made the world. Thus have I made it." Days later, a canoe of young children return to the scene of the Mission massacre and salvage a few belongings. They set off up the river, going deeper into the jungle, with the thought that the events will remain in their memories. A final title declares that many priests continue to fight for the rights of indigenous people. The text of John 1:5 is displayed: "The light shineth in the darkness, and the darkness hath not overcome it."

• Robert De Niro as Captain Rodrigo Mendoza
• Jeremy Irons as Father Gabriel
• Ray McAnally as Cardinal Altamirano
• Aidan Quinn as Felipe Mendoza
• Cherie Lunghi as Carlotta
• Ronald Pickup as Hontar
• Chuck Low as Don Cabeza
  • Fred Melamed provides Don Cabeza's voice (uncredited)[7]
• Liam Neeson as Father John Fielding
• Bercelio Moya as Indian Boy
• Sigifredo Ismare as Witch Doctor
• Asuncion Ontiveros as Indian Chief
• Alejandrino Moya as Chief's Lieutenant
• Daniel Berrigan as Sebastian
• Rolf Gray as Father Ralph
• Álvaro Guerrero as Jesuit

The Mission is based on events surrounding the Treaty of Madrid in 1750, in which Spain ceded part of Jesuit Paraguay to Portugal. A significant subtext is the impending suppression of the Jesuits, of which Father Gabriel is warned by the film's narrator, Cardinal Altamirano, who was once himself a Jesuit. Altamirano, speaking in hindsight in 1758, corresponds to the actual Andalusian Jesuit Father Luis Altamirano, who was sent by Jesuit Superior General Ignacio Visconti to Paraguay in 1752 to transfer territory from Spain to Portugal. He oversaw the transfer of seven missions south and east of the Río Uruguay, that had been settled by Guaraní and Jesuits in the 17th century. As compensation, Spain promised each mission 4,000 pesos, or fewer than 1 peso for each of the approximately 30,000 Guaraní of the seven missions, while the cultivated lands, livestock, and buildings were estimated to be worth 7–16 million pesos. The film's climax is the Guaraní War of 1754–1756, during which historical Guaraní defended their homes against Spanish-Portuguese forces implementing the Treaty of Madrid. For the film, a re-creation was made of one of the seven missions, São Miguel das Missões.[8]

Father Gabriel's character is loosely based on the life of Paraguayan saint and Jesuit Roque González de Santa Cruz. The story is taken from the book The Lost Cities of Paraguay by Father C. J. McNaspy, S.J., who was also a consultant on the film.[9]

The waterfall setting of the film suggests the combination of these events with the story of older missions, founded between 1610–1630 on the Paranapanema River above the Guaíra Falls, from which Paulista slave raids forced Guaraní and Jesuits to flee in 1631. The battle at the end of the film evokes the eight-day Battle of Mbororé in 1641, a battle fought on land as well as in boats on rivers, in which the Jesuit-organised, firearm-equipped Guaraní forces stopped the Paulista raiders.[8]

The film was mostly filmed in Colombia, Argentina, Brazil and Paraguay. The tunnels of Fort Amherst in Kent were used as part of the monastery where Mendoza (Robert De Niro) was held.[11]

The Mission soundtrack was written by Ennio Morricone. Beginning with a liturgical piece ("On Earth as It Is in Heaven") which becomes the "Spanish" theme, it moves quickly to the "Guaraní" theme, which is written in a heavily native style and uses several indigenous instruments. Later, Morricone defines the "Mission" theme as a duet between the "Spanish" and "Guaraní" themes.

Other themes throughout the movie include the "Penance", "Conquest" and "Ave Maria Guaraní" themes. In the latter, a large choir of indigenous people sing a rendition of the "Ave Maria".

Academy Awards[14]

• Best Picture – Fernando Ghia and David Puttnam (nominated)
• Best Director – Roland Joffé (nominated)
• Best Art Direction – Stuart Craig and Jack Stephens (nominated)
• Best Cinematography – Chris Menges (won)
• Best Costume Design – Enrico Sabbatini (nominated)
• Best Film Editing – Jim Clark (nominated)
• Best Original Score – Ennio Morricone (nominated)

BAFTA Film Awards[15]

• Best Film – Fernando Ghia, David Puttnam and Roland Joffé (nominated)
• Best Director – Roland Joffé (nominated)
• Best Actor in a Supporting Role – Ray McAnally (won)
• Best Original Screenplay – Robert Bolt (nominated)
• Best Cinematography – Chris Menges (nominated)
• Best Costume Design – Enrico Sabbatini (nominated)
• Best Film Editing – Jim Clark (won)
• Best Film Music – Ennio Morricone (won)
• Best Production Design – Stuart Craig (nominated)
• Best Sound – Ian Fuller, Bill Rowe and Clive Winter (nominated)
• Best Special Visual Effects – Peter Hutchinson (nominated)

Cannes Film Festival

• Palme d'Or – Roland Joffé (won)[16]
• Technical Grand Prize – Roland Joffé (won)[16]

Golden Globe Awards[17]

• Best Motion Picture – Drama (nominated)
• Best Director – Roland Joffé (nominated)
• Best Actor in a Motion Picture – Drama – Jeremy Irons (nominated)
• Best Screenplay – Robert Bolt (won)
• Best Original Score – Ennio Morricone (won)

• Iguazu Falls

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• The Mission at the Arts & Faith Top100 Spiritually Significant Films list