The Longest Day (film)

French producer Raoul Lévy signed a deal with Simon & Schuster to purchase the filming rights to Cornelius Ryan's book The Longest Day: June 6, 1944 D-Day on March 23, 1960. After finishing The Truth, Lévy set up a deal with the Associated British Picture Corporation and got director Michael Anderson attached. Ryan would receive $100,000, plus $35,000 to write the adaptation's screenplay. Lévy intended to start production in March 1961, filming at Elstree Studios and the English and French coasts. But the project went into a halt once ABPC could not get the $6 million budget Lévy expected. Eventually, former 20th Century Fox mogul Darryl F. Zanuck learned about the book while producing The Big Gamble, and in December purchased Lévy's option for $175,000.[12] Zanuck's editor friend Elmo Williams wrote a film treatment, which piqued the producer's interest and made him attach Williams to The Longest Day as associate producer and coordinator of battle episodes. Ryan was brought in to write the script, but had conflicts with Zanuck as soon as the two met. Williams was forced to act as a mediator; he would deliver Ryan's script pages to Zanuck, then return them with the latter's annotations.[13] While Ryan developed the script, Zanuck also brought in other writers for cleanups, including James Jones and Romain Gary. As their contributions to the finished screenplay were relatively minor, Ryan managed to get the screenplay credit after an appeal to the Writers Guild arbitration,[14] but the four other writers are credited for "additional scenes" in the closing credits.

During pre-production, producer Frank McCarthy, who had worked for the United States Department of War during World War II, arranged for military collaboration with the governments of France, Germany, the United Kingdom and the United States. Zanuck also realized that with eight battle scenes, shooting would be accomplished more expediently if multiple directors and units worked simultaneously, so he hired German directors Gerd Oswald and Bernhard Wicki, British director Ken Annakin, and Hungarian-American director Andrew Marton.[15] Zanuck's son Richard D. Zanuck was reluctant about the project, particularly the high budget.[16]

• The film was shot at several French locations including the Île de Ré, Saleccia beach in Saint-Florent, Haute-Corse, Port-en-Bessin-Huppain filling in for Ouistreham, Les Studios de Boulogne in Boulogne-Billancourt, and the actual locations of Pegasus Bridge near Bénouville, Calvados, Sainte-Mère-Église, and Pointe du Hoc.[17]
• During the filming of the landings at Omaha Beach, the extras appearing as American soldiers did not want to jump off the landing craft into the water because they thought that it would be too cold. Robert Mitchum as Gen. Norman Cota became disgusted with their trepidation. He jumped in first, at which point they followed his example.
• The Rupert paradummies used in the film were far more elaborate and lifelike than those actually used in the decoy parachute drop (Operation Titanic), which were simply canvas or burlap sacks filled with sand. The dummies dressed in American jumpsuits were used in filming the Sainte-Mère-Église sequence.[17] In the real operation, six Special Air Service soldiers jumped with the dummies and played recordings of loud battle noises to distract the Germans.
• With a budget of $10 million ($82 million in 2019 dollars), this was the most expensive black-and-white film made until 1993, when Schindler's List was released.[4]
• In the scenes where the paratroopers land, the background noise of frogs croaking was incorrect for northern French frog species and showed that the film probably used an American recording of background night noises.
• Colin Maud lent Kenneth More the actual shillelagh that he carried ashore in the invasion. (More had served as an officer in the Royal Navy during World War II, albeit not as a Beachmaster.) Similarly, Richard Todd wears the beret that he actually wore on D-Day, although he changed the cap-badge to that of Maj. John Howard's regiment, the Oxfordshire and Buckinghamshire Light Infantry.
• In the film, three Free French Special Air Service paratroopers jump into France before British and American airborne landings. This is accurate. Thirty-six Free French SAS (4 sticks) jumped into Brittany (Plumelec and Duault) on June 5 at 23:30 (operation Dingson). The first Allied soldiers killed in action were Lt. Den Brotheridge of the 2nd Ox & Bucks Light Infantry as he crossed Pegasus Bridge at 00:22 on June 6, and Corporal Emile Bouétard of the 4th Free French SAS battalion at the same time in Plumelec, Brittany.
• The United States Sixth Fleet extensively supported the filming and made available many amphibious landing ships and craft for scenes filmed in Corsica, though many of the ships were of newer vintage. The Springfield and Little Rock were World War II light cruisers extensively reconfigured into guided missile cruisers, and both were used in the shore bombardment scenes.
• Gerd Oswald was the uncredited director of the parachute drop scenes into Sainte-Mère-Église. Darryl F. Zanuck said that he himself directed some uncredited pick-ups with American and British interiors.[18]
• Elmo Williams was credited as associate producer and coordinator of battle episodes. He later produced the historical World War II film Tora! Tora! Tora! (1970) for Zanuck. It depicted the Japanese surprise attack on Pearl Harbor in 1941, also using the docudrama style.

John Wayne in The Longest Day

• Charlton Heston actively sought the role of Lt. Col. Benjamin H. Vandervoort, but the last-minute decision of John Wayne to take the role prevented Heston's participation. At 55, Wayne was 28 years older than Vandervoort at the time of action (and 10 years older in real life). All the other major actors accepted $25,000 as payment, but Wayne insisted on $250,000 to punish Zanuck for referring to him as "poor John Wayne" regarding Wayne's problems with his lavish film The Alamo.[19]
• Zanuck hired more than 2,000 serving soldiers for the film as extras.
• Sgt. Kaffeekanne's (Gert Fröbe) name is German for "coffee pot", which he always carries.
• Several pop stars such as Paul Anka, Tommy Sands and Fabian appear as Rangers together.[20]
• Bill Millin was the piper who accompanied Lord Lovat to Normandy with his bagpipes, and it is a common misconception that he played himself in the film. He was actually portrayed by Pipe Major Leslie de Laspee, the official piper to the Queen Mother in 1961.[21][22]
• In Sainte-Mère-Église, Pvt. John Steele from the 82nd Airborne (played by Red Buttons) has been memorialized by the local population with a dummy hanging from a parachute from the church tower on which he accidentally landed.
• Richard Todd played Maj. John Howard, leader of the British airborne assault on the Pegasus Bridge, and Todd himself took part in the real bridge assault on D-Day. He was offered the chance to play himself but took the part of Maj. Howard instead.
• Former President Dwight D. Eisenhower was considered for the role of himself in the film, and he indicated his willingness. However, it was decided that makeup artists couldn't make him appear young enough to play his World War II self. The role of Gen. Eisenhower went to Henry Grace, a set decorator with no acting experience but who had been in the film industry since the mid-1930s. He was a dead ringer for the younger Eisenhower, though his voice differed.
• The film marked the last film appearance of Sean Connery before he was cast in the role of James Bond. Gert Fröbe (Sgt. Kaffeekanne) and Curd Jürgens (Gen. Günther Blumentritt) later played Bond villains Auric Goldfinger (Goldfinger (1964)) and Karl Stromberg (The Spy Who Loved Me) respectively. Connery played Maj. Gen. Roy Urquhart in the 1977 film A Bridge Too Far, which was also based on a book by Cornelius Ryan. Likewise, Wolfgang Preiss played Maj. Gen. Max Pemsel in The Longest Day and Field Marshal Gerd von Rundstedt in A Bridge Too Far.
• Mel Ferrer was originally signed to play the role of Gen. James M. Gavin but withdrew due to a scheduling conflict.[17]
• According to the 2001 documentary Cleopatra: The Film That Changed Hollywood, Richard Burton and Roddy McDowall were so bored having not been used for several weeks while filming in Rome that they phoned Zanuck begging to do "anything" on his film. They flew themselves to the location and each did a day's filming for their cameos for free.
• One of the stuntmen was Robert Weinstein (Dec 7, 1936 - Sept 22, 2019), a French Jew who narrowly avoided the death camps. In his seventies, he wrote his memoirs with the help of Stéphanie Krug. "Vent printanier" was published by L'Harmattan, and was subsequently renamed "L'orphelin du Vel' D'Hiv" for its second edition. In it he recounts the details of his life, including his work on this film.
• Henry Fonda and John Wayne would team up again three years later to make In Harms Way, a movie set after Pearl Harbor.

The Longest Day was released on LaserDisc in 1989, its first wide-screen and stereo surround home video presentation. It was subsequently released on DVD on November 6, 2001.[26]

• Gussow, Mel (1971). Darryl F. Zanuck: Don't Say Yes Until I Finish Talking. Da Capo Press. ISBN 978-0306801327.CS1 maint: ref=harv (link)
• Lev, Peter (2013). Twentieth Century-Fox: The Zanuck-Skouras Years, 1935–1965. University of Texas Press. ISBN 978-0292744479.CS1 maint: ref=harv (link)
• Rubin, Steven Jay (2011). Combat Films: American Realism, 1945–2010 (2nd ed.). McFarland. ISBN 978-0786486137.CS1 maint: ref=harv (link)
• Williams, Elmo (2006). Elmo Williams: A Hollywood Memoir. McFarland. ISBN 978-0786426218.CS1 maint: ref=harv (link)