Svalbard in fiction

Novelists, screenwriters and filmmakers have set their works in Svalbard, an archipelago in the Arctic, the northernmost part of Norway yet closer to Greenland. Such works often make use of its Arctic climate, polar bears, isolation and the natural beauty of its dominant glaciers, mountains and fjords.

Novels

  • North of Danger, by Dale Hollerbach Fife, is a World War II story about a 12-year-old boy living in Svalbard who has to hide in a coal mine to avoid being captured by the Nazi invaders. The Commonwealth Club of California declared North of Danger as best juvenile book of 1978.[1]
  • Operation Fritham by crime writer and glaciologist Monica Kristensen tells the story of a small group of elderly World War II veterans who meet in Svalbard to commemorate Operation Fritham, a 1942 Free Norwegian forces operation to station forces there, killing, expelling or capturing the Nazi German meteorologists as the Nazis planned to operate the rich, easy-access coal mines. Unbeknown to them, one of their number is an impostor, a civilian murderer. The main character, who must unearth the imposter, is the head of the Svalbard police force.[3]
  • Dark Matter, by Michelle Paver, is a ghost story set in 1937 in an isolated bay on the north-east coast Svalbard.[4] A trio of scientists land in locally taboo Gruhaken and get set to overwinter at the site of an abandoned miners' hut on the shore which they tear down. However, the journal writer finds someone — or something — else out is there as the nights draw in and he is left alone as one requires an operation.[5]
  • Neige Noire ("Black Snow")[6] is a 1974 novel by Canadian author Hubert Aquin about a newly married Montreal couple who journey to Svalbard but a troubled husband whose quest to the north ties with his distorted worldview to murder.[7] The Canadian Encyclopedia agrees with Chartier that it is "a modern version of Hamlet adding it integrates film, music and painting techniques into its sustained philosophical reflection on time, love, death and the sacred".[8] The author admits he was tempted to use Repulse Bay and equally naturally inhospitable in winter settings he toyed with, but the string of fjords and mountains from Denmark suited his purpose better.[7]
  • The Svalbard Passage by Thomas Kirkwood is a tense thriller set in the US, Norway and Svalbard during the Cold War.[9]
  • The Solitude Of Thomas Cave, by Georgina Harding, is a novel about a sailor who bets his shipmates that he can overwinter in Svalbard. A review states that the "descriptions of scenery are outstanding" such as the language used to describe frozen streams" as "a temple of white streaks that weave out and back into one another like the boughs and twigs of a tree".[10]
Spitsbergen, the largest island in the archipelago, during August

Films

Filmmaker Knut Erik Jensen made three short films about Svalbard: Svalbard in the World (1983), Cold World (1986) and My World (1987). This Svalbard trilogy has been called "an artistic peak" for him.[11] The Norwegian film Orion's Belt (1985) (Orions belte was the original title) is set in Svalbard, based on Jon Michelet's 1977 novel of the same name. The film, which was directed by Ola Solum, includes beautiful depictions of the region's white icebergs and desolate mountain ranges. It was one of the two 1980s Norwegian films which "...found large audiences and made their mark internationally".[12] The 1998 Belgian-Dutch-German movie When the Light Comes is set in Svalbard, and the 2019 animated film Klaus is set on a fictionalized version of Svalbard[13][14].

Television

The Sky Atlantic thriller Fortitude (2015) is a murder mystery set in a fictional version of Svalbard. It consists of 21 episodes over 2 seasons. The series was actually filmed in Reyðarfjörður, Eastern Iceland and the UK.[15]

Podcasts

Horror "found footage" podcast The White Vault takes place in Svalbard at the fictional Outpost Fristed (Norwegian for "sanctuary")[16], a mining outpost for Sidja Group, where a team is sent to repair an equipment malfunction.[17][18]

References

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