Sissy Spacek

Spacek initially aspired to a career in singing. In 1968, using the name Rainbo, Spacek recorded a single titled "John You Went Too Far This Time", the lyrics of which chided John Lennon for his and Yoko Ono's nude album cover for Two Virgins. Sales of her music sputtered, however, and she was dropped from her record label. Spacek subsequently switched her focus to acting, enrolling at the Lee Strasberg Theatre and Film Institute. She worked for a time as a photographic model (represented by Ford Models) and as an extra at Andy Warhol's Factory. She appeared in a non-credited role in his film Trash (1970). With the help of actor Rip Torn, her cousin, she enrolled in Lee Strasberg's Actors Studio and then the Lee Strasberg Institute in New York. Her first credited role was in Prime Cut (1972), in which she played Poppy, a girl sold into sexual slavery.[5] The role led to television work, which included a guest role in The Waltons, which she played twice in 1973. Spacek received international attention after landing her breakthrough role in Terrence Malick's Badlands (1973), in which she played Holly, the film's narrator and a 15-year-old girlfriend of mass-murderer Kit (Martin Sheen).[5] Spacek has described Badlands as the "most incredible" experience of her career.[10] Vincent Canby of The New York Times called the film a "cool, sometimes brilliant, always ferociously American film" and wrote, "Sheen and Miss Spacek are splendid as the self-absorbed, cruel, possibly psychotic children of our time."[11] On the set of Badlands, Spacek met art director Jack Fisk, whom she married in 1974.[6] She worked as the set dresser for DePalma's film Phantom of the Paradise (1974).

Spacek's most prominent early role came in Brian De Palma's film Carrie (1976), in which she played Carietta "Carrie" White, a shy, troubled high school senior with telekinetic powers.[5] Spacek had to work hard to persuade director de Palma to engage her for the role.[5] After rubbing Vaseline into her hair and donning an old sailor dress her mother made for her as a child, Spacek turned up at the audition with the odds against her, but won the part.[12] Spacek's performance was widely praised, and Pauline Kael of The New Yorker wrote, "Though few actresses have distinguished themselves in gothics, Sissy Spacek, who is onscreen almost continuously, gives a classic chameleon performance. She shifts back and forth and sideways: a nasal, whining child; a chaste young beauty at the prom; and then a second transformation when her destructive impulses burst out and age her. Sissy Spacek uses her freckled pallor and whitish eyelashes to suggest a squashed, groggy girl who could go in any direction; at times, she seems unborn – a fetus. I don't see how this performance could be any better; she's touching, like Elizabeth Hartman in one of her victim roles, but she's also unearthly – a changeling."[13] She was nominated for the Academy Award for Best Actress for her work in the film.

After Carrie, Spacek played the small role of housekeeper Linda Murray in Alan Rudolph's ensemble piece Welcome to LA (1976) and cemented her reputation in independent cinema with her performance as Pinky Rose in Robert Altman's classic 3 Women (1977). A review in The New York Times wrote "In this film Miss Spacek adds a new dimension of eeriness to the waif she played so effectively in Carrie."[14] Altman was deeply impressed by her performance: "She's remarkable, one of the top actresses I've ever worked with. Her resources are like a deep well." Brian de Palma added: "[Spacek is] a phantom. She has this mysterious way of slipping into a part, letting it take over her. She's got a wider range than any young actress I know."[15] Spacek helped finance Eraserhead (1977), David Lynch's directorial debut, and she is thanked in the credits of the film.

Spacek began the 1980s with an Academy Award for Best Actress for her performance in Coal Miner's Daughter (1980), in which she played country music star Loretta Lynn, who selected her for the role.[5] In the film, both she and Beverly D'Angelo, who played Patsy Cline, performed their own singing.[5] Film critic Roger Ebert has credited the movie's success "to the performance by Sissy Spacek as Loretta Lynn. With the same sort of magical chemistry she's shown before, when she played the high school kid in Carrie, Spacek at 29 has the ability to appear to be almost any age on screen. Here, she ages from about 14 to somewhere in her 30s, always looks the age, and never seems to be wearing makeup."[16] In addition, Andrew Sarris of The Village Voice wrote "Sissy Spacek – yes, I'm flabbergasted – is simple and faithful as Lynn. Spacek's face is no more of an actor's instrument than it ever was, but given a human being to play, given a director concerned with acting, she makes that woman exist. She sings the songs herself, nicely, and she has mastered the Appalachian accent."[17] Spacek also was nominated for a Grammy Award for her singing on the film's soundtrack album. She followed this with her own country album titled Hangin' Up My Heart (1983); the album spawned one hit single, "Lonely But Only For You", a song written by K. T. Oslin, which reached No. 15 on the Billboard Country chart.[18]

In the film Heart Beat (1980), Spacek played Carolyn Cassady, who slipped (under the influence of John Heard's Jack Kerouac and Nick Nolte's Neal Cassady) into a combination of drudgery and debauchery.[19][20] Spacek was so adamant about getting the role that she pored through over 4,000 pages of research to prepare for her character. Producer Ed Pressman and director John Byrum took her to dinner to advise her that she did not have the role. Spacek was so distraught at the news that she shattered a glass of wine in her hand. After that, Pressman walked up to Spacek with a piece of shattered glass and told her she had the role. He said that Spacek breaking the glass clinched the deal, and they believed she ultimately would best suit the part.[21] The film was released on April 25, 1980 to mixed reviews.[22] Still, Roger Ebert felt her performance as Carolyn was "wonderfully played" and described her scenes with Heard and Nolte as "almost poetic".[23]

Also in the 1980s, Spacek starred with Jack Lemmon in Constantin Costa-Gavras's political thriller Missing (1982, based on the book The Execution of Charles Horman) and appeared with Mel Gibson in the rural drama The River (1984), and with Diane Keaton and Jessica Lange in 1986's Crimes of the Heart (1986).[5] She was nominated for the Best Actress Oscar for all of these roles, but won her second Golden Globe Award for Best Actress – Motion Picture Musical or Comedy for the latter.[5] Other performances of the decade included star turns in husband Jack Fisk's directorial debut Raggedy Man (1981) and the drama 'night, Mother (1986).[5] Spacek showed a lighter side by voicing the brain in the Steve Martin comedy The Man with Two Brains (1983).[24]

Spacek receiving her star on the Hollywood Walk of Fame in 2011

She had a supporting role as the wife of Jim Garrison (played by Kevin Costner) in Oliver Stone's JFK (1991) and made a number of comedies, TV movies, and the occasional film. Most notable of her appearances during these years was her turn as the evil Verena Talbo in the ensemble piece The Grass Harp (1995), which reunited her with both Piper Laurie and Jack Lemmon, as well as a supporting performance as the waitress Margie Fogg in Paul Schrader's father-son psychodrama Affliction (1997). She also played Rose Straight in David Lynch's The Straight Story (1999) and the mother of Brendan Fraser's character in Blast from the Past.

In 2001, she was nominated for the Academy Award for Best Actress for her work in Todd Field's In the Bedroom (2001).[5] The New York Times film critic Stephen Holden said of her work in the film: "Ms. Spacek's performance is as devastating as it is unflashy. With the slight tightening of her neck muscles and a downward twitch of her mouth, she conveys her character's relentlessness, then balances it with enough sweetness to make Ruth seem entirely human. It is one of Ms. Spacek's greatest performances."[25] Her performance as Ruth Fowler, a grieving mother consumed by revenge, won extraordinary praise and garnered the New York Film Critics Circle Award for Best Actress and the Los Angeles Film Critics Association Award for Best Actress[26] as well as the Critics' Choice Award for Best Actress, Golden Globe Award for Best Actress – Motion Picture Drama, and Independent Spirit Award for Best Female Lead, and many others.[27][28]

With her sixth best actress Academy Award nomination, Spacek became only the eighth actress to be nominated for at least six leading role Oscars. Spacek is the most recent inductee to this list.

Other performances of this decade include unfaithful wife Ruth in Rodrigo García's Nine Lives (2005) and a turn as a woman suffering from Alzheimer's in the television movie Pictures of Hollis Woods (2007). In 2008, Spacek had a supporting part in the Christmas comedy Four Christmases and a lead role in the independent drama Lake City. Spacek appeared on the HBO drama series Big Love for a multi-episode arc as a powerful Washington, D.C. lobbyist.[29]

In 2005, she narrated the audiobook of the original Carrie novel by Stephen King.[30] In 2006, she narrated the Harper Lee novel To Kill a Mockingbird (1960), which sold over 30 million copies. In 2011, she received a star on the Hollywood Walk of Fame.[31] Spacek was featured in The Help (2011), directed by Tate Taylor, and with the cast, was awarded with the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture for their performance in the film.[32]

Spacek at the 2009 Toronto International Film Festival

In 2012, Spacek published a memoir, My Extraordinary Ordinary Life, with co-author Maryanne Vollers.[33][34] The Washington Post's Jen Chaney called it "refreshingly down-to-earth" and "beautifully written".[35] She also mentioned that Spacek's description of her childhood is so "evocative that one can almost taste the sour stalks of goatweed she chewed on steamy summer afternoons". Jay Stafford of Richmond Times-Dispatch pointed out that, unlike other actors' autobiographies, Spacek's "benefits from good writing and remarkable frankness".[36] The Austin Chronicle's Margaret Moser stated that Spacek's memoir is "as easy to read as it is a pleasure to digest".[37] Joe Muscolino of the Biographile gave the book a 5 out of 5 rating, saying that it "does not disappoint".[38] Kirkus Reviews, however, was less appreciative of the book, calling it "an average memoir" and "overly detailed", while criticizing its lack of "narrative arc", but complimented Spacek for being "truly down-to-earth".[39] It further criticized that "the book is 'ordinary' and does not have enough drama to engage readers not directly interested in Spacek and her work", and ended by saying that it's "for die-hard movie buffs and Spacek fans only".[39]

Spacek became the first actor to appear in a film nominated for the Academy Award for Best Picture in each of the four most recent decades. Each film was released near the beginning of its decade: Coal Miner's Daughter (1980), Missing (1982), JFK (1991), In the Bedroom (2001), and The Help (2011).

Spacek went on to appear in the crime drama film Deadfall (2012). She also co-starred with Robert Redford, in his final role before his retirement, in the biographical crime film The Old Man & the Gun (2018), which received critical acclaim.

Spacek had starring roles in a variety of television series in the late-2010s. She starred as the matriarch Sally Rayburn in the Netflix drama thriller series Bloodline, which aired from 2015 to 2017. She then starred as Ruth Deaver on the Hulu psychological horror series Castle Rock (2018), which intertwines characters and themes from Stephen King's fictional town of Castle Rock, Maine. Spacek also had a starring role as Ellen Bergman, the mother of Julia Roberts' character, in the Prime Video psychological thriller series Homecoming (2018).