Sei gegrüßet, Jesu gütig (chorale partita)

The work consists of a chorale and eleven short variations written on it. This is one of Bach's earlier works, dating from around 1705, when the young composer was influenced by the style of the variations of Georg Böhm, organist of St. John's Church in Lüneburg, where Bach was a student. Dieterich Buxtehude is another probable source of inspiration. Of Bach's chorale partitas for organ, this is the longest.

Bach composed the initial chorale by taking the old traditional melody of "Sei gegrüßet, Jesu gütig", then presented a series of variations according to different styles. Five of the eleven variations require an organ with pedals. The melody of the original hymn is usually present in the soprano part. Each variation is developed based on a rhythmic motif or theme.

1. Chorale
2. Variation I (a 2 Clav.)
3. Variation II
4. Variation III
5. Variation IV
6. Variation V
7. Variation VI
8. Variation VII (a 2 Clav. e Ped.)
9. Variation VIII
10. Variation IX (a 2 Clav. e Ped.)
11. Variation X (a 2 Clav. e Ped.)
12. Variation XI (a 5 voci, in Organo pleno)

A complete performance lasts about twenty minutes.

• Sei gegrüßet, Jesu gütig, BWV 768: Scores at the International Music Score Library Project (IMSLP)
• Work 00897 at Bach Digital website