Robert W. Wood

Robert Williams Wood (May 2, 1868 – August 11, 1955) was an American physicist and inventor who made pivotal contributions to the field of optics. He pioneered infrared and ultraviolet photography. Wood's patents and theoretical work inform modern understanding of the physics of ultraviolet light, and made possible myriad uses of UV fluorescence which became popular after World War I.[1][2][3][4] He published many articles on spectroscopy, phosphorescence, diffraction, and ultraviolet light.

Robert W. Wood
Born
Robert Williams Wood

May 2, 1868
Concord, Massachusetts,
United States
DiedAugust 11, 1955(1955-08-11) (aged 87)
Amityville, New York,
United States
NationalityAmerican
EducationRoxbury Latin School
Alma materHarvard University
Massachusetts Institute of Technology
University of Chicago
Known for
Awards
Scientific career
FieldsPhysics

Early life and education

Born in Concord, Massachusetts, Wood attended The Roxbury Latin School with the initial intent of becoming a priest. However, he decided to study optics instead when he witnessed a rare glowing aurora one night and believed the effect to be caused by "invisible rays". In his pursuit to find these "invisible rays", Wood studied and earned several degrees in physics from Harvard University, the Massachusetts Institute of Technology, and the University of Chicago. From 1894 to 1896, he worked with Heinrich Rubens at the Berlin University.

Career

The Clover and the Plover, illustration and verse from How to Tell the Birds from the Flowers (1907). See nature fakers controversy

Wood returned to the US, where he taught briefly at the University of Wisconsin and eventually became a full-time professor of "optical physics" at Johns Hopkins University from 1901 until his death. He worked closely with Alfred Lee Loomis at Tuxedo Park, New York.[5][6]

In 1903 he developed a filter, Wood's glass, that was opaque to visible light but transparent to both ultraviolet and infrared, and is used in modern-day black lights.[7] He used it for ultraviolet photography but also suggested its use for secret communication.[7] He was also the first person to photograph ultraviolet fluorescence.[7][8] He also developed an ultraviolet lamp, which is widely known as the Wood's lamp in medicine. The slightly surreal glowing appearance of foliage in infrared photographs is called the Wood effect.[9]

In 1904, Wood disproved the existence of so-called N-rays. The French physicist Prosper-René Blondlot claimed to have discovered a new form of radiation similar to X-rays, which he named N-rays. Some physicists reported having successfully reproduced his experiments; others reported that they had failed to observe the phenomenon. Visiting Blondlot's laboratory at the behest of the journal Nature, Wood surreptitiously removed an essential prism from Blondlot's apparatus during a demonstration. The alleged effect was still reported, showing that N-rays had been self-deception on Blondlot's part.[10]

Wood identified an area of very low ultraviolet albedo (an area where most of the ultraviolet was absorbed) in the Aristarchus Plateau region of the Moon, which he suggested was due to high sulfur content.[11] The area continues to be called Wood's Spot.[12]

In 1909, Wood constructed the first practical liquid mirror astronomical telescope, by spinning mercury to form a paraboloidal shape, and investigated its benefits and limitations.[13] Wood has been described as the "father of both infrared and ultraviolet photography".[7] Though the discovery of electromagnetic radiation beyond the visible spectrum and the development of photographic emulsions capable of recording them predate Wood, he was the first to intentionally produce photographs with both infrared and ultraviolet radiation.[8]

Wood took part in the investigation of several crimes, including the Wall Street bombing.[8]

Wood also authored nontechnical works. In 1915, Wood co-wrote a science fiction novel, The Man Who Rocked the Earth, along with Arthur Train.[14] Its sequel, The Moon Maker, was published the next year.[15] Wood also wrote and illustrated two books of children's verse, How to Tell the Birds from the Flowers (1907), and Animal Analogues (1908).

Personal life

Wood married Gertrude Hooper Ames in 1892 in San Francisco. She was the daughter of Pelham Warren and Augusta Hooper (Wood) Ames, and the granddaughter of William Northey Hooper and the Massachusetts Supreme Court justice Seth Ames. Robert Wood died in Amityville, New York.[16]

Contributions to ultrasound

Photographs of sound waves (generated by sparks) and their reflections
Sketches of wavefronts observed from photographs

Although physical optics and spectroscopy were Wood's main areas of study, he made substantial contributions to the field of ultrasound as well. His main contributions were photographing sound waves and investigating high-power ultrasonics.

Photography of sound waves

His first contribution to the field of ultrasonics was the photography of sound waves. Wood's primary research area was physical optics, but he found himself confronted with the problem of demonstrating to his students the wave nature of light without resorting to mathematical abstractions which they found confusing. He therefore resolved to photograph the sound waves given off by an electric spark as an analogy to light waves.[17] An electric spark was used because it produces not a wave train, but a single wavefront, making it much more intuitive to study and visualize. Although this method was first discovered by August Toepler, Wood did more-detailed studies of the shock waves and their reflections.[18]

High-powered ultrasound

After these early contributions Wood returned to physical optics, setting aside his interest in "supersonics" for quite some time. With the entry of the United States into World War I, Wood was asked to help with the war effort. He decided to work with Paul Langevin, who was investigating ultrasound as a method for detecting submarines. While in Langevin's lab, he observed that high-powered ultrasonic waves can cause the formation of air bubbles in water, and that fish would be killed or an experimenter's hand would suffer searing pain if placed in the path of an intense sound beam. All of these observations piqued his interest in high-powered ultrasound.

In 1926, Wood recounted Langevin's experiments to Alfred Lee Loomis, and the two of them collaborated on high intensity ultrasound experiments; this turned out to be Wood's primary contribution to the field of ultrasonics.

The experimental setup was driven by a two kW oscillator that had been designed for a furnace, allowing for the generation of very high output power. The frequencies they used ran from 100 to 700 kHz.[19] When the quartz plate transducer was suspended in oil, it would raise a mound of oil up to 7 centimetres (3 in) higher than the rest of the surface of the oil. At lower powers, the mound was low and lumpy; at high powers, it would rise up to the full 7 cm, "its summit erupting oil drops like a miniature volcano".[19] The airborne oil drops could reach heights of 30–40 centimetres (12–16 in). Similarly, when an 8-centimetre (3 in) diameter glass plate was placed on the surface of the oil, up to 150 grams (5 oz) of external weight could be placed on top of the glass plate, supported by the strength of the ultrasound waves alone. This was achieved by the waves reflecting and re-reflecting between the transducer and the glass plate, allowing each generated wave to impart its force to the glass plate multiple times.

When attempting to take the temperature of the mound of erupting oil with a glass thermometer, Wood and Loomis accidentally discovered another set of effects. They noted that although the mercury in the thermometer only indicated 25 °C (77 °F), the glass felt so hot that it was painful to touch, and they noticed that the pain became unbearable if they tried to squeeze the thermometer tightly. Even if very fine thread of glass only 0.2 millimetres (0.01 in) in diameter and 1 metre (3 ft 3 in) long was put in the oil at one end, holding a bulge in the glass at the other end still resulted in a groove being left in the skin and the skin being seared, with painful and bloody blisters forming that lasted several weeks, showing that the transmitted ultrasound vibrations generated were quite powerful.[19] When a vibrating glass rod was placed lightly in contact with dried woodchips, the rod would burn the wood and cause it to smoke; when pressed against a woodchip it would quickly burn through the chip, leaving behind a charred hole. All the while the glass rod remained cool, with the heating confined to the tip. When a glass rod was pressed lightly against a glass plate it etched the surface, while if pressed harder it bored right through the plate. Microscopic examinations showed that the debris given off included finely powdered glass and globules of molten glass.[19]

Wood and Loomis also investigated heating liquids and solids internally using high intensity ultrasound. While the heating of liquids was relatively straightforward, they were also able to heat an ice cube such that the center melted before the outside. The ability to heat or damage objects internally is now the basis of modern therapeutic ultrasound. Turning their attention to the effects of high-intensity ultrasound on living matter, Wood and Loomis observed ultrasound tearing fragile bodies to pieces. Cells were generally torn apart at sufficiently high exposure, although very small ones like bacteria managed to avoid destruction. Frogs, mice, or small fish were killed after one to two minutes of exposure, replicating Langevin's earlier observation.[19]

Wood and Loomis also investigated the formation of emulsions and fogs, crystallization and nucleation, chemical reactions, interference patterns, and standing waves in solids and liquids under high-intensity ultrasound. After completing this broad array of experiments, Wood returned to optics and did not return to ultrasonic work. Loomis would go on to advance the science further with other collaborators.[20]

Honors

Legacy

  • The R. W. Wood Prize of the Optical Society of America recognizes an outstanding discovery, scientific or technological achievement or invention.

Bibliography

Patents

  • Flash-telescope[2]
  • Optical Method[3]
  • Optical Toy[4]

Works by Wood

  • Wood, R. W. (1909). "Note on the Theory of the Greenhouse". The London, Edinburgh, and Dublin Philosophical Magazine and Journal of Science. 17: 319–320. doi:10.1080/14786440208636602.
  • Train, A. C. & Wood, R. W. (1915). The Man Who Rocked the Earth. Garden City: Doubleday, Page & Co. ISBN 0-405-06315-6.
  • Train, A. C. & Wood, R. W. (1916). The Moon Maker. Garden City: Doubleday, Page & Co. (A direct sequel to The Man Who Rocked the Earth)
  • Wood, R. W. (1913). Researches in physical optics (vol.1), with special reference to the radiation of electrons. New York: Columbia Univ. Press.
  • Wood, R. W. (1919). Researches in physical optics (vol.2), Resonance radiation and resonance spectra. New York: Columbia Univ. Press.
  • Wood, R. W. (1905). Physical Optics. New York: MacMillan.
  • Wood, R. W. (1917) [1907]. How to Tell the Birds from the Flowers and Other Wood-Cuts: A Revised Manual of Flornithology for Beginners (includes "Animal Anatomies") (26 ed.). New York: Dodd, Mead and Company.

About Wood

References

  1. Dieke, G. H. (1956). "Robert Williams Wood 1868-1955". Biographical Memoirs of Fellows of the Royal Society. 2: 326–345. doi:10.1098/rsbm.1956.0022. JSTOR 769493.
  2. Wood, Robert W. (13 July 1920). "Flash-telescope." U.S. Patent 1,346,580. Washington, DC: U.S. Patent and Trademark Office.
  3. Wood, Robert W. (22 May 1923). "Optical Method." U.S. Patent 1,455,825. Washington, DC: U.S. Patent and Trademark Office.
  4. Wood, Robert W. (29 June 1926). "Optical toy." U.S. Patent 1,590,463. Washington, DC: U.S. Patent and Trademark Office.
  5. Roberts, W. C. (2010). "Facts and ideas from anywhere". Proceedings (Baylor University. Medical Center). 23 (3): 318–332. doi:10.1080/08998280.2010.11928645. PMC 2900993. PMID 21240325.
  6. Conant, Jennet (2002). Tuxedo Park, A Wall Street Tycoon and the Secret Palace of Science That Changed the Course of World War II. New York, NY: Simon & Schuster. ISBN 0-684-87287-0.
  7. Williams, Robin; Gigi Williams (2002). "Wood, Professor Robert Williams". Pioneers of Invisible Radiation Photography. www.rmit.edu.au RMIT Online University, Melbourne, AU. Archived from the original on September 4, 2013. Retrieved January 16, 2013.
  8. Seabrook (1941)
  9. "Wood effect". PhotoNotes.org: Dictionary of Film and Digital Photography. Archived from the original on 2007-09-27. Retrieved 2007-08-13.
  10. Wood, R. W. (1904). "The n-Rays". Nature. 70 (1822): 530–531. Bibcode:1904Natur..70..530W. doi:10.1038/070530a0. Quote: "After spending three hours or more in witnessing various experiments, I am not only unable to report a single observation which appeared to indicate the existence of the rays, but left with a very firm conviction that the few experimenters who have obtained positive results, have been in some way deluded. A somewhat detailed report of the experiments which were shown to me, together with my own observations, may be of interest to the many physicists who have spent days and weeks in fruitless efforts to repeat the remarkable experiments which have been described in the scientific journals of the past year."
  11. Wood, RW (1912). "Selective absorption of light on the Moon's surface and lunar petrography". Astrophysical Journal. 36: 75. Bibcode:1912ApJ....36...75W. doi:10.1086/141953.
  12. Zisk, S. H.; Hodges, C. A.; Moore, H. J.; Shorthill, R. W.; Thompson, T. W.; Whitaker, E. A.; Wilhelms, D. E. (1977). "The Aristarchus-Harbinger region of the moon: Surface geology and history from recent remote-sensing observations". The Moon. 17: 59–99. Bibcode:1977Moon...17...59Z. doi:10.1007/BF00566853.
  13. Gibson, B. K. (August 1991). "Liquid mirror telescopes: history" (PDF). Journal of the Royal Astronomical Society of Canada. 85 (4): 158–171. Bibcode:1991JRASC..85..158G.
  14. Train & Wood (1915)
  15. Train & Wood (1916)
  16. [Anon.] (1980)
  17. Wood, R. W. (1900). "The Photography of Sound-Waves and the Demonstration of the Evolutions of Reflected Wave Fronts with the Cinematograph" (PDF). Nature. 62 (1606): 342–349. Bibcode:1900Natur..62..342W. doi:10.1038/062342a0.
  18. Krehl, P. & Engemann, S. (1995) "Toepler, August - The First Who Visualized Shock-waves." Shock waves, 5: 1-2, 1-18
  19. Wood, R. W. & Loomis, A. L. (1927) "The physical and biological effects of high-frequency sound-waves of great intensity." Philosophical Magazine Series 7. 4(22): 416-436. doi:10.1080/14786440908564348
  20. Graff, K. F. "A History of Ultrasonics", in Physical Acoustics, Volume XV. New York: Academic Press, 1982. 41-46
  21. "Rumford archive winners 1988–1900". The Royal Society. Retrieved 2007-08-13.
  22. "Awards: Henry Draper Medal". National Academy of Sciences. Retrieved 2007-08-12.
  23. Cocks, E. E. & Cocks, J. C. (1995). Who's Who on the Moon: A Biographical Dictionary of Lunar Nomenclature. Tudor Publishers. ISBN 0-936389-27-3.
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