Political hip hop

Before the emergence of political hip hop, the Black Power Movement and the emphasis on black pride arising in the mid-1960s and blossoming in the early-1970s inspired several commentaries that incorporated Black Power ideological elements. Songs expressing the theme of black pride include: James Brown's "Say it Loud (I'm Black and Proud)" (1969), and Billy Paul's "Am I Black Enough for You?" (1972). The proto-rap of Gil Scott-Heron is an early influence on political and conscious rap, though most of his earlier socially conscious and political albums fall within the jazz, soul, and funk genres. Following Ronald Reagan’s election as President in 1980, conditions in inner-city African-American communities worsened, and hip-hop political commentators began to increasingly address worsening social problems such as mass unemployment, police brutality, incarceration, inadequate public schools, political apathy, and oppression.[6] One of the first socially conscious hip-hop songs was "How We Gonna Make The Black Nation Rise?" by Brother D with Collective Effort.[7] The first majorly successful hip hop song containing conscious rap was Grandmaster Flash and the Furious Five's "The Message", an influential political and conscious hip hop track, decrying the poverty, violence, and dead-end lives of the urban poor of the time. Furthermore, the complex socio-political issues before hip hop and during all of its stages severely influenced its birth and direction.[8]

Early gangsta rap often showed significant overlap with political and conscious rap.[9] Pioneers in the gangsta rap genre such as: Ice-T, N.W.A., Ice Cube, and the Geto Boys blended the crime stories, violent imagery, and aggression associated with gangsta rap with socio-political commentary, using the now standard gangsta rap motifs of crime and violence to comment on the state of society and expose issues found within poor communities to society as a whole.[10] These early gangsta rap artists were influenced in part by the bleak and often "revolutionary" crime novels of Iceberg Slim as well as hip-hop groups such as Public Enemy and Boogie Down Productions; groups that mixed aggressive, confrontational lyrics about urban life with social-political commentary and often radical political messages. The controversial debut album Straight Outta Compton by N.W.A, released in 1988 brought gangsta rap to the mainstream, but it also contained harsh social and political commentary, including the confrontational track "Fuck tha Police." Ice-T's work would sometimes focus on other topics: for example, he rapped about free speech on his third album, and about drunk driving, domestic violence and Nelson Mandela on his fourth album.[11]

After his departure from the group N.W.A in 1989, Ice Cube embarked on a solo career and released socio-political and conscious rap with gangsta rap elements in his 1990 debut album Amerikkka's Most Wanted and the companion EP Kill at Will; the 1991 album Death Certificate; followed by the 1992 album, The Predator.[12] Ice Cube's first two albums were produced by the hip-hop production team the Bomb Squad, known for their work with the socio-political rap group Public Enemy. Furthermore, Ice Cube produced and appeared on the controversial and radical political rap/gangsta rap album Guerillas in tha Mist by Da Lench Mob in the wake of the 1992 Los Angeles Riots.[12] Though Ice Cube would continue to sporadically insert political and social commentary into his music throughout his career, he once again focused on conscious and political rap with his 2006 album Laugh Now, Cry Later[12] and 2008's Raw Footage, featuring the single "Gangsta Rap Made Me Do It", a song dealing with the perceived correlation between music and global issues (e.g. the Iraq War, school shootings, etc.).

The artists who consistently produce conscious rap are largely underground.[13][14] However, mainstream artists are increasingly including elements of conscious hip-hop in their songs.[15] There are hundreds of artists whose music could be described as "political" or who identify as political rappers: see the List of Political hip hop artists page for a partial list.[16]

As hip-hop is a music genre dominated by African-Americans, political rappers often reference and discuss black liberation. In particular, the Five-Percent Nation, an Islamic group that focuses on black liberation theology, has a high membership of popular rappers and has had an integral influence on hip hop culture. There are numerous hip hop songs expressing anti-racist views, such as the popular The Black Eyed Peas song "Where Is the Love?", however, artists advocating more for radical black liberation have remained controversial. Artists such as Public Enemy, Tupac Shakur, Ice Cube, Game, and Kendrick Lamar have advocated black liberation in their lyrics and poetry. Tupac Shakur's poem, "How Can We Be Free" Tupac prose the sacrifices of Black political prisoners and the rejection of patriotic symbols. In recent years, Killer Mike and Kendrick Lamar have released songs criticizing the War on Drugs and the prison industrial complex from an anti-racist perspective. Hip hop music continues to draw the attention and support of the struggles of minority groups in a modernist method of communication that attracts a young crowd of activists. Kendrick Lamar and many other rappers have been credited with creating discussions regarding "blackness" through their music.

Particularly with the advent of gangsta rap, many hip hop artists happen to come from underclass backgrounds. Aforementioned artists such as Tupac Shakur, Ice Cube, and Killer Mike have made just as much reference to class oppression as racial oppression. Tupac Shakur used his lyrics incorporated Revolutionary Nationalism. In "Words of Wisdom" from the album 2Pacalypse, Shakur's lyrics underscore the refusal to accept economic inequality and inadequate employment opportunities. Other political rappers, such as Public Enemy, The Dope Poet Society, Dead Prez, The Coup, Paris and Immortal Technique, have advocated explicitly communist views —mostly leaning to Maoism—, whereas some rappers such as Lupe Fiasco and the lesser-known Emcee Lynx, P.O.S, and Sole have advocated anarchist positions. Political references have long been made in hip hop culture; some proving to be effective in spurring constructive discussion and others, such as The Coup's originally planned album cover for Party Music—which depicted the destruction of The World Trade Center to signify the fall of capitalism—receiving negative criticisms (although the album art was designed before the September 11 attacks and was changed prior to its November 2001 release).

Conspiracy theories have been referenced in hip hop lyrics for some time. Elements of the Five-Percenter philosophy that has fundamentally influenced hip hop culture revolve around conspiracy theories. Artists such as Professor Griff, Jedi Mind Tricks, Hopsin, and Hyro the Hero have become infamous for their support of New World Order, Illuminati, and Satanist conspiracy theories, often alleging mainstream hip hop artists, such as Jay-Z, are "involved" in such conspiracies. Rapper B.o.B. is a member of the Flat Earth Society.

Rappers often reference their religious views. However, outside of Five-Percenters and Black Muslims, they rarely translate into political views. Killer Mike, however, has been heavily critical of organized religion in many of his more political songs.[22] Chicago-raised rapper Kanye West's Life of Pablo album release is another that offers an outlet for religious expression and self-assessment. Rap and hip hop music are outlets for whatever creative inner dialogue their creators wish to express, and religious beliefs are no exception.

On a global scale, hip hop's public reputation and exhibition is varied. For instance, Canada's most prominent political hip hop act is The Dope Poet Society, who are known for anti-racist and anti-war activism, as well as denouncing both liberal and conservative politicians. Their politics could be described as third-worldism, or black internationalism. For example, in "Bombay to Zimbabwe," lead rapper Professor D states "from Bombay to Zimbabwe I study sharply: Bob Marley, Marcus Garvey, Mahatma Gandhi, Black Panther Party."[23] Possibly on purpose, these influences seem ideologically contradictory in some ways (e.g. for instance, Marley's subtle socialism vs. Garvey's anti-communism, and non-violence vs. violence) but taken together they represent different approaches to the shared goal of linking anti-racist and anti-colonial struggles in the Americas and the rest of the world. Professor D and The Dope Poet Society also seem to represent this ideology on their album by featuring American political rappers like dead prez and others with rappers from around the world including Nigeria and Columbia. Other examples of hip hop around the world offer opposite perspectives. For example, Lowkey and Iron Sheik have expressed anti-Zionist views in their music, whereas Golan and Subliminal have expressed pro-Zionist views.[24] In France, some political artists such as Suprême NTM, the rapper Casey or Assassin are well known since the early-1990s. Today, rappers like Kery James, La Rumeur, Rocé or Médine are influential; their lyrics speak about colonialism, poverty, French history and sometimes conspiracy theories.

Political rappers of Latino descent include Aldo Al2 El Aldeano Rodriguez Baquero, Bian El B Oscar Rodriguez Gala, Randee Akozta, Silvito El Libre, Papá Humbertico, Calle 13, Racionais MC's, Olmeca, Tohil, Immortal Technique, Rebel Diaz, Manny Phesto, MRK, Portavoz, Facção Central, Psycho Realm, Ana Tijoux, Bocafloja, Zack de la Rocha, Pablo Hasél (Spain), Los Chikos del Maiz (from Valencia, Spain) and Canserbero.

Within the United Kingdom hip hop and urban scene, political, conscious rap is common, with artists including Lowkey, who focuses on the Israel-Palestine conflict and other issues regarding the Middle East, Akala, I & Ideal, Mic Righteous, Riz MC and English Frank.

Prior to the snap election on 8 June 2017, Leader of the Opposition Jeremy Corbyn met with JME while campaigning for the Labour Party to encourage young people to register to vote.

During the interview, JME explained that many young voters don't feel as though politicians have their best interests at heart. He says they often feel that voting makes no difference anyway. He goes on to tell Corbyn that he is the first party leader he feels he can trust, because he is “so genuine it feels like I’m about to meet my mum’s friend”. [25]

Indigenous rappers Briggs and his collaboration with Trials for A.B. Original is one of the most prominent political hip hop artists in Australia. Artists Urthboy, Jimblah, The Herd, Horrorshow and L-Fresh the lion are all part of the Elefant Traks record label, and often have politically motivated songs. Their main focuses are racism and xenophobia but The Herd also focuses on issues of climate, gender inequality and war. A number of artists have also vocalised their feelings in songs about domestic violence.

Music created by Norwegian rappers are within the public discourse making them part of the political process, this includes songs, lyrics and performances within the Hip Hop genre. They also disclose how Hip Hop music can be seen as an integral part of the democratic public sphere processes.[26]