List of hip hop albums considered to be influential

This list provides a guide to the most important hip hop albums, as determined by their presence on compiled lists of significant albums: see the "Lists consulted" section for full details. Inclusion on a list is indicated by numbering after each release. The brief accompanying notes offer an explanation of the album's importance.

Since hip hop was a music for 12" singles rather than albums for the period of 1979–1983,[1] the absence of old school hip hop from the list has been compensated for by providing it with its own section of notable releases. Notable compilations of songs which contain important hip hop breaks (short percussive interludes used as the rhythmic basis for a hip hop song) are also included.

Breakbeats

The break, the instrumental portion of a record (of any genre, though perhaps most often funk or rock) that emphasizes the percussive pattern, has been the fundamental unit of much of hip hop music. The collections below collect the original songs that contain some of the most popular breaks in hip hop.

  • Super Disco Brakes (Winley)[2] Vol. 1 was released in 1979, making it one of the first releases connected to hip hop culture, and almost certainly the first breakbeat record.[3]
  • Ultimate Breaks and Beats Vols. 1–25 (Street Beat, 1985–1990) 5 This comprehensive and influential series began just as the sampler was taking a central role in hip hop music.[4]
  • Kurtis Blow Presents The History of Rap Vol. 1 (Rhino, 1997) 5 One of the few breakbeat collections not of dubious legality.[4]

Lists consulted

Lists 1–5 are exclusively hip hop publications by writers respected in the field. 6–10 are rock publications; 6–7 are American, 8-9, British. 10 is a British dance music magazine. Albums that appear on any four lists or more have been included.

  1. "Hip Hop's Greatest Albums By Year" in Sacha Jenkins, Elliott Wilson, Chairman Mao, Gabriel Alvarez & Brent Rollins. ego trip's Book of Rap Lists, New York: St. Martin's Press, 1999, pp. 331–337. ISBN 978-0-312-24298-5
  2. "Top 100 Albums of All-Time", The Source, January 1998.
  3. Oliver Wang (ed.) Classic Material, Toronto: ECW, 2003. ISBN 978-1-55022-561-7
  4. Brian Coleman, Check the Technique, New York: Villard, 2007. ISBN 978-0-8129-7775-2
  5. Peter Shapiro, Rough Guide to Hip Hop, 2nd. ed., London: Rough Guides, 2005. ISBN 978-1-84353-263-7
  6. "The 500 Greatest Albums of All Time", Rolling Stone, May 2012.
  7. "100 Greatest Albums, 1985-2005", Spin, July 2005.
  8. "100 Best Albums Of All Time", NME, March 2003.
  9. "Top 100 Favourite Albums of All Time", Melody Maker, January 2000.
  10. "Best Albums of All Time", Mixmag, 1996.
  11. “The 40 Most Groundbreaking Albums of all Time,”Rolling Stone, n.d.
  12. "The 200 Best Albums of the 2010s", Pitchfork, 2019
  13. "The 500 Greatest Albums of All Time", NME, 2013

Old school hip hop
  • Live Convention '82 (Disco Wax, 1982) 1 This is a bootleg of a live event at T Connection on which one can hear various extracts and breaks, and Grand Wizzard Theodore cutting up "Do the Funky Penguin" with rap over the top.[2]
  • Wild Style (Animal, 1983) 1 3 The soundtrack to the movie Wild Style has historical weight and yet "still feels like now", in the words of Jeff Chang.[5]
  • Go-Go Crankin' (4th & B'way, 1985) 5 Go-Go Crankin' is a hard-to-find early compilation of the related genre go-go. See also Meet Me at the Go-Go (Sanctuary, 2003).[6]
  • The Best of Enjoy Records (Hot Productions, 1989) 3 5 Enjoy were responsible for some of the most essential old school recordings; some contained here are "Superrappin'", "The New Rap Language" and "Feel the Heartbeat".[7]
  • The Sugar Hill Story - Old School Rap To The Beat Y'all (Sequel, 1992) 5 This is the definitive collection pertaining to the earliest hip hop label, compiled for Sequel by David Toop.[8]
  • Street Jams: Electric Funk Vols. 1–4 (Rhino, 1992) 5 These are compilations of the subgenre electro.[9]
  • Cold Crush Brothers: All The Way Live in '82 (Tuff City, 1994) 5 The Cold Crush Brothers were a direct inspiration for the Sugarhill Gang. This live 1982 recording obviously does not contain their 1984 single "Fresh, Wild, Fly and Bold", but it is an essential old school document. See also Cold Crush Brothers Vs. The Fantastic Romantic 5 (Tuff City, 1998).[10]
  • Warp 9: It's a Beat Wave (1983), (Island Records), 1983) Contains the iconic singles, "Nunk," and "Light Years Away," described as the "perfect instance of hip hop's contemporary ramifications,"[11] and a cornerstone of early 80s beatbox afrofuturism[12]
  • Pumpkin: The Tuff City Sessions (Old School Flava, 1995) 5 Pumpkin was the musician, percussionist and band leader behind many old school tracks for the Profile, Enjoy, and Tuff City record companies. This collection does not have his own "King of the Beat" (Profile, 1983) and suffers from poor sound quality, but captures some of his performances for Grandmaster Caz, Spoonie Gee and others.[13]
  • Spoonie Gee: The Godfather of Hip Hop (Tuff City, 1997) 5 Almost all of the best releases by "perhaps the first great MC" are compiled here.[14] Not to be confused with The Godfather of Rap (BCM, 1988).
  • Afrika Bambaataa: Looking for the Perfect Beat: 1980-1985 (Tommy Boy, 2001) 3 5 Bambaataa is one of hip hop's most important figures; this collection best preserves his legacy.[15]
  • Harlem World: The Sound Of The Big Apple Rappin' (Heroes & Villains, 2001) 5 MC and producer Spyder D's disco rap "Big Apple Rappin' (National Rappin' Anthem)", released on his own Newtroit Records in 1980, gives its title to this collection of early hip hop.[16] See also Big Apple Rappin': The Early Days of Hip-Hop Culture in New York City 1979-1982 (Rhino, 2006).
  • Mantronix: That's My Beat (Soul Jazz, 2002) 5 This compilation is notable for containing "Adventures of Super Rhymes" (Dazz, 1980) by the influential early MC Jimmy Spicer. It also contains the early Bambaataa Zulu Nation party favorite "Computer Games" by Yellow Magic Orchestra, and the important T La Rock single "It's Yours".[17]
  • The Third Unheard: Connecticut Hip Hop 1979-1983 (Stones Throw, 2004) 5 Writer Peter Shapiro describes The Third Unheard as an "impeccable" collection of "irrepressible" early music.[18]

List of important albums

1984

1985

1986

1987

1988
  • Biz Markie: Goin' Off (Cold Chillin', 1988) 1 2 3 4 5 Biz Markie, in singular comedic style, beatboxes, holds forth on the topic of "Picking Boogers", and describes a certain kind of fair-weather friend phenomenon on "The Vapors". Production is by Marley Marl.[28]
  • Slick Rick: The Great Adventures of Slick Rick (Def Jam, 1988) 1 2 3 4 5 10 Slick Rick's roguish tales are noted early narratives in hip hop.[29]
  • EPMD: Strictly Business (Fresh, 1988) 1 2 3 4 5 6 The slow-moving funk of Strictly Business, with its loud bass and laid-back rapping, was a new sound in hip hop.[30]
  • Public Enemy: It Takes a Nation of Millions to Hold Us Back (Def Jam, 1988) 1 2 3 4 5 6 7 8 9 10 11 Regarded by music writers and publications as one of the greatest and most influential albums of all time.[31][32][33] It is one of their most commercially successful albums as well as one of the most influential rap albums. By August 1989, it was certified platinum in sales by the RIAA, after shipments of one million copies in the United States. Charted for 49 weeks, peaking at number 42 in the Billboard Top 200.[34] Best album of 1988 in The Village Voice's Pazz & Jop critics' poll. Full of revolutionary productions techniques. Cacophonous sample, instrument and scratch collage that goes far beyond any previously existing hip hop album, juxtaposed with socially conscious lyrics and samples. Droning feedback, occasional shards of rock guitar, and James Brown horn samples distorted into discordant shrieks back the political rhetoric of lead rapper Chuck D and the surreality of Flavor Flav.[35]
  • N.W.A: Straight Outta Compton (Ruthless, 1988) 1 2 3 5 6 7 Powerful and uncompromising, both lyrically and sonically, Straight Outta Compton's first-hand representations of Compton, California life would set the tone for much of future hip hop.[36]
  • Ultramagnetic MCs: Critical Beatdown (Next Plateau, 1988) 1 2 3 4 5 7 Critical Beatdown's abstract rhymes in strange syncopations laid on top of sampling experiments proved widely influential, from Public Enemy to gangsta rap to several generations of underground hip hop artists.[37]

1989

1990

1991
  • De La Soul: De La Soul Is Dead (Tommy Boy, 1991)1 2 3 5 7 Following the success of their debut, De La Soul killed off their hippy image, producing this sometimes frustrated, sometimes uplifting album with rich grooves in both moods.[46]
  • Main Source: Breaking Atoms (Wild Pitch, 1991) 1 2 3 5 Breaking Atoms is noted for introducing both Nas and Akinyele, for its clever production (by Large Professor) and for its sophisticated storytelling in tracks like "Peace Is Not the Word to Play" and the metaphor for racism that was "Just a Friendly Game of Baseball".[47]
  • Cypress Hill: Cypress Hill (Ruffhouse/Columbia, 1991) 1 2 3 4 5 Sardonic and menacing, marijuana-toking Cypress Hill's debut had B-Real's unmistakable nasal-whine delivery and extraordinary beats on this commercially successful record.[48]
  • A Tribe Called Quest: The Low End Theory (Jive, 1991) 1 2 3 4 5 6 7 "The album demonstrated that hip-hop was an aesthetic every bit as deep, serious and worth cherishing as any in a century-plus of African-American music".[49]
  • Scarface: Mr. Scarface Is Back (Rap-A-Lot, 1991) 1 2 3 5 Scarface's skillful rapping about the thug and hustler lifestyles includes reflecting on their consequences.[6]

1992

1993

1994
  • Nas: Illmatic (Columbia, 1994) 1 2 3 5 6 7 As writer Peter Shapiro frames it, Illmatic demonstrated a fitting of production to lyrics worthy of It Takes a Nation of Millions to Hold Us Back, an analytical evocation of street life that matched the power of N.W.A., and a command of the microphone not heard since Rakim.[57]
  • Organized Konfusion: Stress: The Extinction Agenda (Hollywood BASIC, 1994) 1 2 3 5 Challenging but occasionally joyful music that demonstrates virtuosity even at its most difficult, this is noted not least for a gruesome narrative told from the perspective of a titular "Stray Bullet".[58]
  • The Notorious B.I.G.: Ready to Die (Bad Boy, 1994) 1 2 3 5 6 This album's platinum sales, rap skills, and bleak vision mitigated by humor and funk, completed the revitalization of New York hip hop begun with the success of the Wu-Tang's debut a year before.[59]
  • Common Sense (now known as Common): Resurrection (Relativity, 1994) 1 2 3 4 5 "I Used To Love H.E.R." is an extended metaphor for hip hop that attracted much attention, while on tracks like "Resurrection" and "Watermelon" Common's style is warm and witty, the tracks full of wordplay and assured jazzy production.[60]

1995

1996
  • The Fugees: The Score (Ruffhouse/Columbia, 1996) 1 2 3 4 6 Massive singles aside, this was a dark, downtempo album; it sold over 18 million copies worldwide and was widely respected.[65]
  • Jay-Z: Reasonable Doubt (Roc-A-Fella, 1996) 1 2 3 5 6 Jay-Z combined elements of the New York City underground with a mainstream sensibility on his debut, proving himself a strong presence on the mic in the process.[66]
  • Nas: It Was Written (Columbia, 1996) 1 2 3 5 6 Despite the mixed reception and backlash it received upon its release, it has since received more acclaim retrospectively in the hip hop circles and it has been widely regarded as one of the most important mafioso rap albums of all time. Several rappers, most notably Lupe Fiasco, have cited it as their favorite album.
  • Makaveli: The Don Killuminati: The 7 Day Theory (Death Row, 1996) The album is frequently recognized as one of the most influential posthumous albums of all time.[67][68][69]

1997

1998

1999

2000

2001

2003

2004

2008

2010

Notes
  1. David Toop, Rap Attack, 3rd. ed., London: Serpent's Tail, 2000. (p. 213) ISBN 978-1-85242-627-9
  2. Toop, p. 67
  3. Shapiro, p. 384
  4. Shapiro, p. 378
  5. Oliver Wang (ed.), p. 163
  6. Shapiro, p. 157
  7. Shapiro, p. 124
  8. Shapiro, p. 352
  9. Shapiro, p. 121
  10. Shapiro, p. 64
  11. Toop, David (2000). Rap Attack 3: African Rap to Global Hip Hop. (Expanded Third Edition) London: Serpent's Tail, pp. 150-151 ISBN 1-85242-627-6.
  12. Fitzpatrick, Rob, "The 101 strangest records on Spotify: Warp 9 - It's A Beat Wave," May 14, 2014
  13. Shapiro, p. 369
  14. Shapiro, p. 345
  15. Shapiro, p. 5
  16. Shapiro, p. 346
  17. Shapiro, p. 344
  18. Shapiro, p. 351
  19. Shapiro, p. 327
  20. Shapiro, p. 228
  21. "Hip-Hop Gem: Ice-T's "6 in the Mornin'" Was Inspired By Schoolly D's "P.S.K. What Does It Mean?" – Stop The Breaks - Independent Music Grind". www.stopthebreaks.com. Retrieved 25 May 2017.
  22. "It Takes A Nation of Millions to Hold Us Back–Public Enemy (1988) Vibe". www.vibe.com. Retrieved 25 May 2017.
  23. "The Punk History Behind the Beastie Boys' First Album, 'Licensed to Ill'". 11 November 2016. Retrieved 25 May 2017.
  24. Shapiro, p. 26
  25. Stephen Holden, "Bon Jovi and Bonbons", Pop Life, New York Times, December 30, 1987.
  26. Shapiro, pp. 41–42
  27. Shapiro, p. 126
  28. Shapiro, pp. 32–33.
  29. Shapiro, p. 337
  30. Shapiro, p. 124, p. 126
  31. "~~~~ www.rocklist.net ~~~~". www.rocklist.net. Retrieved 25 May 2017.
  32. "Acclaimed Music - It Takes a Nation of Millions to Hold Us Back". www.acclaimedmusic.net. Retrieved 25 May 2017.
  33. "~~~~ www.rocklist.net ~~~~". www.rocklist.net. Retrieved 25 May 2017.
  34. "Public Enemy". Discogs. Retrieved 25 May 2017.
  35. Shapiro, pp. 304–306
  36. Shapiro, pp. 282–285
  37. Shapiro, pp. 374–376
  38. Shapiro, pp. 84–86
  39. Shapiro, pp. 309–310
  40. Shapiro, p. 200
  41. Shapiro, p. 304
  42. Shapiro, p. 363
  43. Shapiro, p. 389
  44. Shapiro, p. 175, p. 177
  45. Shapiro, p.42
  46. Shapiro, p. 85
  47. Shapiro, p. 245
  48. Shapiro, p. 73
  49. Shapiro, p. 365
  50. Shapiro, p. 320
  51. Shapiro, p. 299
  52. Shapiro, pp. 108–109
  53. Shapiro, p. 170
  54. Shapiro, pp. 387–388
  55. Shapiro, p. 339
  56. "Best hip hop albums of all time". Shortlist.com.
  57. Shapiro, p. 270
  58. Shapiro, p. 290
  59. Shapiro, pp. 281–282
  60. Shapiro, pp. 64–65
  61. Shapiro, p. 259
  62. "How rap revolutionary Prodigy, dead at 42, overcame the pain of sickle cell anemia". Washington Post. Retrieved 21 June 2017.
  63. Shapiro, p. 387
  64. "What Critics Said About Tupac's 'Me Against the World' 20 Years Ago". Billboard. 2015-04-01. Retrieved 2020-03-30.
  65. Shapiro, p. 146
  66. Shapiro, p. 187
  67. "The Greatest 50 Albums Since '93". Vibe.
  68. David Drake (24 October 2012). "Kendrick Lamar's 25 Favorite Albums". Complex.
  69. "Acclaimed Music - Vibe list". Archived from the original on 2013-10-05. Retrieved 2016-01-29.
  70. Shapiro, p.147
  71. Shapiro, p. 294
  72. Ahmed, Insanul (November 12, 2013). "Eminem, The Marshall Mathers LP (2000)". Complex. Retrieved February 14, 2014.
  73. "The 100 Best Albums of the Decade So Far (2010-2014)". Pitchfork. Retrieved 10 October 2019.
  74. Acclaimed Music. Acclaimed Music http://www.acclaimedmusic.net/album/A5079.htm. Retrieved 10 October 2019. Missing or empty |title= (help)
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