Little River Band

Little River Band was formed in March 1975 in Melbourne as a harmony rock group with Glenn Shorrock on lead vocals, Beeb Birtles on guitar and vocals, Graeham Goble on guitar and vocals, Derek Pellicci on drums and session players Graham Davidge on lead guitar and Dave Orams on bass guitar.[2][3][4] Upon formation they were an Australian super group, with Birtles, Goble, Pellicci and Shorrock each from prominent local bands.[5] Birtles had been the bass guitarist in the 1960s pop-rock band Zoot (which launched the career of singer-guitarist Rick Springfield).[2][3] Goble had led Adelaide-formed folk rock group Allison Gros before forming the harmony country rock band Mississippi (joined by Birtles and Pellicci) which had chart success in Australia and built up a strong following on the concert and festival circuit. During 1971–72 the original members of Mississippi also recorded as a studio band under the pseudonym Drummond.[6] They achieved a number-one hit, for eight consecutive weeks, on the Go-Set National Top 40 with a novelty cover version of the Rays' song "Daddy Cool".[7]

Shorrock had been the lead singer of a 1960s pop band, the Twilights, and an early 1970s country rock group, Axiom (alongside singer-songwriter Brian Cadd).[2][3] Both Axiom and Mississippi had tried to break into the United Kingdom record market without success.[2][3] Axiom disbanded after moving to the UK, and Shorrock sang for a short period with a more progressive rock outfit, Esperanto.[2][3]

In 1974, Birtles, Goble, Pellicci and Shorrock met in London with Glenn Wheatley (former bass player of the Masters Apprentices).[2][3][4] With Wheatley as manager, they agreed to reconvene in Melbourne in early 1975.[4] Due to the indifferent reception they had each received in the UK, they decided their new band would establish itself in the United States.[2][4] Wheatley's first-hand experiences of the rip-offs in the 1960s music scene, combined with his experience working in music management in the UK and the US in the early 1970s, allowed him to help the Little River Band become the first Australian group to enjoy consistent commercial and chart success in the US.[2][4][8]

A road sign to Little River, on a trip by the fledgling band from Melbourne to Geelong, inspired Glenn Shorrock to suggest the band name

After their return to Australia, the members began rehearsing in February 1975, still using the name of Mississippi. In Wheatley's autobiography, Paper Paradise (1999), he described how they obtained their name: "It was now time to get out of the rehearsal room and play to a live audience – somewhere without any fanfare, somewhere out of the way. I booked the Golfview Hotel in Geelong for the Saturday night of 1 March 1975. While travelling to the venue down the Geelong Road from Melbourne, we passed the turn-off for Little River. From the back of the truck, Glenn Shorrock shouted, 'What about the Little River Band'? And so, that night the Golfview Hotel witnessed the first performance of the Little River Band, albeit advertised on the marquee as Mississippi."[9] On 20 March 1975 they played their first official gig under their new name at Martini's Hotel in Carlton.[10] They played a return gig at the Golfview Hotel five days later.[10][11]

Little River Band had recorded their first track, a cover version of the Everly Brothers' song "When Will I Be Loved" in February 1975,[2] at Armstrong Studios, but Linda Ronstadt's version appeared in March 1975 – so LRB did not release theirs.[4] Before the group began playing concerts, Graham Davidge was replaced by Ric Formosa on guitar, and Dave Orams by Roger McLachlan on bass guitar and backing vocals.[9][2][3] It was guitarist Phil Manning, formerly of the band Chain, that was LRB's first choice for lead guitar duties. Manning was busy cultivating a solo career so he recommended Ric Formosa to Wheatley. Formosa had recently travelled to Australia from Canada and working in a music store. He was asked to audition and received a phone call soon after with an invitation to join the band.[12]

In May 1975, they signed with EMI Records and started recording their debut self-titled album (November 1975) at Armstrong Studios in June. The album was co-produced by Birtles, Goble, Shorrock and Wheatley.[3] AllMusic described it as "an astonishingly strong debut album."[13] Tony Catterall of The Canberra Times described it as "one of those flawed creations that inevitably draws a more-in-sorrow-than-in-anger response."[14] Little River Band peaked at No. 17 on the Kent Music Report Albums Chart.[15] Their debut single, "Curiosity (Killed the Cat)", had appeared in September, reaching No. 15 on the related Kent Music Report Singles Chart.[15] Two more singles followed, "Emma" (January 1976) and "It's a Long Way There" (November 1976).[15]

Wheatley had travelled to Los Angeles in December 1975 and touted the group to various record companies until Rupert Perry of Capitol Records signed them on Christmas Eve.[9] Little River Band issued their second album, After Hours, in May 1976 on EMI. It was produced by the band but was not issued in the US until 1980 and then first as a CD in 1997 on One Way Records, with three bonus tracks.[2][3] After Hours peaked at No. 5 and provided the single "Everyday of My Life", in May, which reached the top 30.

During August 1976, both Formosa and McLachlan were replaced: David Briggs joined on guitar (ex-Cycle, the Avengers, Ram Band) and George McArdle on bass guitar (also ex-Ram Band).[2][3][16] Formosa (according to Wheatley's aforementioned book), not enthusiastic about touring outside of Australia, left the group to pursue other musical interests, working as a session musician and as a composer and arranger. At the same time, the group decided to also replace bassist Roger McLachlan, who also became a sessions player and subsequently joined the Australian country rock group Stars[3][17] Formosa remained in touch with LRB and conducted and wrote string parts for several tracks on subsequent albums.[18]

Encouraged by their Australian success, the band undertook their first international tour.[2] They flew to the UK on 17 September 1976 to play a show in London's Hyde Park supporting Queen. They then opened shows in the rest of Europe for the Hollies during September and October.[2][4] Birtles advised fellow Australian bands that "It's so much easier when you have a product to sell... And the money you make on the club circuit in Australia while establishing yourself is better than anything you can make in Britain, where there is so much competition."[19] In October 1976 they performed their first US concert, at James Madison University (then called Madison College) in Harrisonburg, Virginia, as the opening act for Average White Band.[2][4] Due to their US appearances and support from FM stations, "It's a Long Way There" reached no. 28 on the Billboard Hot 100.[20] This galvanised the commitment of the band members to tackle the US record market.[16]

Little River Band performing in 1977 (left to right): David Briggs, George McArdle, Glenn Shorrock, Derek Pellicci, Beeb Birtles and Graeham Goble

Little River Band's second album, After Hours, was passed over in the US by Capitol. The label selected tracks from it and from their third Australian one, Diamantina Cocktail (April 1977), to create Capitol's second US album, also titled Diamantina Cocktail (June 1977).[2][3] The Australian version was co-produced by the group with John Boylan – who stayed on to co-produce their next two studio albums.[3] Due to tension between band members Birtles, Goble and Shorrock recorded as much of their parts individually as was feasible.[4]

The Canberra Times' Julie Meldrum caught their performance in May 1977, which "moved along at a rapid pace and slowed down only once with a few laid-back tracks towards the middle of the set" and described the band as "tightly disciplined musicians. All the instruments were played clearly and it was obvious that collectively or individually there was nothing that was not world class."[21] Meldrum also reviewed the album, which had "no references to Australia" and felt "it is obvious that the band is trying to ensconce itself in the Los Angeles scene ... [its] most dominating influences are David Crosby and Graham Nash, and Little Feat."[22] Stephen Thomas Erlewine of AllMusic commented that the US release was "laidback, sweet country-rock, the album has a similar sound to the band's debut, but the melodies are a little sharper and catchier, making the album a better, more fully-rounded collection."[23]

In Australia, Diamantina Cocktail became their highest charting album, peaking at No. 2;[15] the US version reached the top 50 on the Billboard 200.[20] In January 1978 it was certified gold by RIAA for sales of 500,000 copies;[24] the first Australian band to do so.[2] The lead single, "Help Is on Its Way" reached No. 1 in Australia.[15] Both it and the fourth single, "Happy Anniversary", peaked in the top 20 on the US Hot 100.[20]

During 1977, the group toured consistently, mostly in the US, headlining in smaller venues and appearing in stadiums on larger multi-billed shows supporting the Doobie Brothers, Supertramp and America.[2] In August 1977, they co-headlined day two of the Reading Music Festival alongside Thin Lizzy.[25] In November, they supported Fleetwood Mac and Santana at the Rockarena concerts in Sydney and Melbourne.[26]

Their fourth studio album, Sleeper Catcher (May 1978), peaked at No. 4 in Australia and No. 16 in the US.[15][20] By May in the following year, it was certified platinum by RIAA for sales of 1,000,000 copies,[27] and was the first Australian recorded album to achieve that feat.[4] AllMusic's Mike DeGagne praised Shorrock's vocals, which give the album "the perfect MOR sound, draping the tracks with his cool, breezy style that is much more apparent and effectual here than on the band's earlier efforts."[28] Sleeper Catcher provided four singles with "Shut Down Turn Off" (April 1978) their highest charting in Australia at No. 16,[15] however in the US the highest charting was "Reminiscing" (June 1978), which peaked at No. 3.[20] The album's last single, "Lady" (December 1978), reached No. 10 in the US in early 1979.[20]

After Pellicci was hospitalised in May 1978 due to severe burns from an exploding gas grill cylinder, Geoff Cox (ex-Brian Cadd, Bootleg Family Band, Avalanche) substituted on drums, rather than the group cancelling shows for their next US tour.[2][29] On that tour they supported Boz Scaggs, Jimmy Buffett and the Eagles.[2][29] Cox remained with the group throughout mid-1978 and played alongside Pellicci, after the latter joined the tour at a show supporting the Eagles at C.N.E. Stadium in Toronto on 6 August 1978, until he was healed enough to continue on his own. Mal Logan (ex-the Dingoes, Renée Geyer Band) joined on keyboards for another US tour which began in late December 1978. Logan stayed on as their touring keyboardist until the end of 1981.[2][3][30]

By February 1978, "frictions inside the band continued to brew, relieved a little by a sideline album".[4] Birtles & Goble was a side project formed as a duo to showcase their tracks rejected for LRB releases.[2][3][4] They issued three singles, "Lonely Lives" (March 1978), "I'm Coming Home" (March 1979) and "How I Feel Tonight" (June 1980) and an album, The Last Romance (May 1980).[2][3][4] "I'm Coming Home" reached No. 8 in Australia.[15] Shorrock had a solo single with a cover version of Bobby Darin's "Dream Lover" (April 1979), which reached the Australian top 10.[2][15][31]

First Under the Wire was issued as LRB's fifth studio album in July 1979, which reached No. 2 in Australia – equal highest position with Diamantina Cocktail.[15] It was also their highest charting album on the Billboard 200 – reaching No. 10.[20] In November 1979 it was certified by RIAA as a platinum album.[27] AllMusic's Mark Allan described how, with their "mix of harmony-drenched pop tunes and unthreatening rockers, they appealed to a wide audience."[32] Both singles, "Lonesome Loser" (July 1979) and "Cool Change" (October 1979) peaked in the US top 10.[20] Briggs wrote "Lonesome Loser" and Shorrock wrote "Cool Change".[33]

McArdle left in late January 1979 to enrol in a Bible college and became a Christian minister.[34] In July of that year Barry Sullivan (ex-Chain, Renée Geyer Band) took over on bass guitar.[2][30] He was replaced, in turn, by Wayne Nelson (ex-Jim Messina Band), later LRB's lead singer, who joined in April 1980.[2][3]

The group's two 1980 Australian live releases, Backstage Pass and Live in America, were released in the US as a double set, also called Backstage Pass.

Goble was also the producer for Australian pop singer John Farnham's solo album, Uncovered (September 1980).[3] Goble wrote or co-wrote nine of its ten tracks and provided vocals. Other LRB alumni used were Briggs, Formosa, Logan, Nelson, Pellicci and Sullivan.[3][35] Farnham had signed with Wheatley's management company.[36]

The line-up of Birtles, Briggs, Goble, Nelson, Pellicci and Shorrock recorded Little River Band's sixth studio album,[37] Time Exposure (August 1981), in Montserrat with George Martin (the Beatles) producing.[2][3][4] The Canberra Times' Garry Raffaele felt that the "essence of it all is that it's easy listening, no demands, easing up, slowing down, getting older."[38] By the time it had appeared, Stephen Housden (ex-Stevie Wright Band, the Imports) replaced Briggs on lead guitar.[2][3] It reached No .9 in Australia and No. 21 in the US;[15][20] and in November it was certified gold by RIAA.[27]

In August, Nelson provided lead vocals for Time Exposure's lead single, "The Night Owls", which peaked at No. 18 in Australia and No. 6 in the US.[15][20] Raffaele described the track as "the punchiest thing LRB has done for some time but it's still middle-of-the-road pap, hummable."[38] Nelson also shared vocal duties with Shorrock on the second single, "Take It Easy on Me" (November 1981).[2][4][11] According to Australian music journalist Ed Nimmervoll, Nelson's presence was "adding to the problems within the band"; Nimmervoll opined that Goble "agitated within the band to replace Glenn Shorrock with John Farnham."[4]

In February 1982, Shorrock left Little River Band and resumed his solo career but did not achieve chart success in the US.[11] Farnham replaced Shorrock on lead vocals[39] and "Man on Your Mind", the third single from Time Exposure (with Shorrock's vocals), reached No. 14 in the US.[20]

In his 2017 autobiography, Every Day of My Life, Beeb Birtles described the parting of ways with Shorrock and Briggs, "David's confidence had escalated to the extent where he became adamant about what needed to be done. I remember a couple of embarrassing moments in the studio where he was quite rude to George Martin, insisting that his way was better and that he didn't need to be told how or what to play. After our return from recording in Montserrat, during a meeting at Glenn Wheatley's house, Graeham was quite vocal about David's conduct. He confronted Dave and virtually fired him. With Glenn, I would go overboard trying to please him but rarely got anything back from him. I found him hard to read at times as he's a man of few words. After he took his frustration out on me one day during a rehearsal, I spoke my mind and told him in no uncertain terms how I felt and in a meeting with Glenn, Graeham and Wheatley, I said I couldn't work with Glenn anymore. Graeham, who had always been at opposite poles to Shorrock, agreed with me and Wheatley started freaking out saying he thought it was a big mistake. What was Capital Records going to say? But in hindsight, I believe he was right on the money and to me this would be the mistake that cut Little River Band's throat."

In September 1982, Farnham told Susan Moore of The Australian Women's Weekly, "Fitting in with the guys hasn't been hard, they have made it so easy for me... But recording and on stage things are quite different from what I've been used to."[39] On covering the previous LRB repertoire he said, "We've had to change the key with a lot of things because Glenn sang in a different register from me."[39]

The first single with Farnham as lead vocalist, "The Other Guy" (one of two new offerings on their Greatest Hits album), was released in November 1982, which reached No. 18 in Australia and No. 11 in the US.[15][20] The other track, "Down on the Border", peaked at No. 7 in Australia.[15] The next single, "We Two", from their seventh studio album, The Net (May 1983), reached No. 22 in the US.[20] It had been co-produced by the group and Ernie Rose (Mississippi, Rénee Geyer, Stars).[3][40] DeGagne reviewed the album, which "failed to capture the same success they experienced with Shorrock at the helm. The same type of soft rock fluidity and laid-back charm has been replaced with a sound that seems forced and somewhat strained."[41]

In 1983, "You're Driving Me Out of My Mind" became the group's last single to reach the US Top 40.[41] The band moved towards a more 1980s style sound and added a keyboardist, David Hirschfelder (ex-Peter Cupples Band, who had earlier in the year guested on The Net and at some of LRB's shows), in September 1983.[2][3]

The pressures of success and constant touring took their toll on the band as line-up changes continued. Birtles left in October because he did not like the harder, more progressive musical path that Goble was taking the group and because he had preferred Shorrock's vocals.[11] Birtles contributed to soundtracks for feature films, From Something Great (1985) and Boulevard of Broken Dreams (1988);[2][3] he also worked as a session musician, eventually relocating to the US and releasing a solo album, Driven By Dreams, in 2000.[3][42] Pellicci left in February 1984 for similar reasons and Steve Prestwich (ex-Cold Chisel) was his replacement on drums.[2][3] Pellicci also became a session musician: including working for Brian Cadd.[3]

Their eighth studio album, Playing to Win, was released in January 1985, which delivered a harder sound with producer Spencer Proffer.[3] The change in sound, along with the unofficial shortening of their name to LRB, confused fans and radio programmers. Australian musicologist Ian McFarlane felt it was "a strong album but it failed to halt the band's slide in popularity."[2] It reached No. 38 in Australia and No. 75 on the US charts.[15][20] It is the group's last charting album on the Billboard 200.[20] The title track made No. 59 on the Australian singles chart, No. 15 on the Billboard Mainstream Rock chart and No. 60 on Hot 100.[15][20][43] The second single, "Blind Eyes", failed to enter the charts.[15][20]

In July 1985, Little River Band performed for the Oz for Africa benefit concert (part of the global Live Aid program) including: "Don't Blame Me", "Full Circle", "Night Owls", and "Playing to Win". They were broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. American Broadcasting Company broadcast "Don't Blame Me" and "Night Owls" during their Live Aid telecast ("Night Owls" was only partially transmitted).[44] Farnham left the group following the completion of their short Australian tour in April 1986, which had Malcolm Wakeford drumming in Prestwich's place.[45] Their ninth studio album, No Reins, recorded when Farnham was still aboard, appeared in May 1986 and was produced by Richard Dodd.[3] It reached the Kent Music Report top 100.[15]

Farnham explained to Pollyanna Sutton of The Canberra Times why he left, "I was up front and had to be the most liked. There was a lot of pressure because it wasn't, perhaps, working as it should, although there were other contributing things like the membership changes and perhaps the material."[46] Nimmervoll wrote of the Farnham years, "The experiment had never worked. Whatever John's talents, America longed for Glenn Shorrock. At the end of 1985, while LRB was seriously contemplating its future, Farnham took the initiative to start work on another solo album."[4] Farnham continued to be managed by Wheatley – who had also left LRB – and his solo career took off with his next album, Whispering Jack (October 1986).[2][3][4] Hirschfelder, McLachlan, Nelson and Pellicci contributed to the album or the related tour.[3]

After Farnham's departure, Little River Band were essentially in limbo until 1987 when Pellicci and Shorrock returned at the request of Irving Azoff, the head of MCA Records, who wanted the band on his label.[47] The line-up of Goble, Housden, Nelson, Pellicci and Shorrock established a holding company, We Two Pty. Ltd, with all members as directors in equal share.[11][48] In July 1988 Pellicci described the albums after he had left LRB: "It was an overstatement to say the response to No Reins and Playing to Win was lukewarm — there was no response at all."[49] The revamped Little River Band, augmented by keyboardist James Roche, performed at the opening of World Expo 88 in Brisbane on 30 April, where they were joined by the Eagles' Glenn Frey, who accompanied them that year on tour.[50]

The group released their tenth studio album, Monsoon, on MCA in June 1988, which peaked at No. 9 on the Kent Music Report and at No. 13 on the ARIA Albums Chart in Australia.[15][51] It was co-produced by Boylan and Goble.[3] The Canberra Times' Lisa Wallace was disappointed, "I fear the album may not live up to expectations... I was one of the silly ones who expected something more, something new... Pleasant it is, technically precise and solid-gold Top 40 stuff, but nothing's changed. The band is no better, and no worse, than it was all those years ago."[52] Its lead single, "Love Is a Bridge", co-written by Goble and Housden was released in May and peaked at No. 7 on the Kent Music Report and at No. 11 on the ARIA Singles Chart.[15][51][53] It was their second highest charting single in the Australian market,[2] and a moderate Adult Contemporary radio hit in the US.

In 1989, the group recorded the Tom Kelly and Billy Steinberg song "Listen to Your Heart" for the movie The Karate Kid Part III.

The eleventh studio album, Get Lucky (February 1990), made the top 60 in Australia – their last charting studio album in Australia.[15][51] Mike Boehm of Los Angeles Times caught their gig in May, where "Lead singer Glenn Shorrock was stiff and seemed stuck for words between songs. But he knew what to do when the music started, singing in a comfortably husky voice that resembled Phil Collins in tone and easy pop appeal. Wayne Nelson, the group's Californian, generated more heat in his two lead vocal turns. The three-part harmonies behind Shorrock were exemplary, although the CS&N parallels were unmistakable. Lead guitarist Stephen Housden reinforced the emphasis on melody with his clean, lyrical lines."[54]

MCA released a compilation album, Worldwide Love, of tracks from the previous two LPs on their Curb Records imprint in June 1991. Both Get Lucky and Worldwide Love peaked in the top 40 on the Swiss Hitparade;[55] with the latter album also appearing on the Ö3 Austria Top 40.[56]

Goble had ceased touring with the group in 1989 and left altogether by 1992[2] as well as signing away his rights to the band's name.[57] Peter Beckett (ex-Player) joined in 1989 to take Goble's place in the line-up. The group went through a series of keyboard players, including Tony Sciuto (1990–1992, 1993–1997) and Richart Bryant (1992–1993, ex-Doobie Brothers).[3]

In September 1992, the daughter of bassist Nelson was killed in a traffic collision in San Diego, while her father was on tour with the band in Europe.[58] Nelson immediately returned home and Hal Tupea substituted on bass for the November 1993 New Zealand dates of the band's tour.[59][60] Little River Band subsequently took a break until Nelson's return in 1994 and embarked on a four-and-a-half month 20th Anniversary US tour in 1995.[61][59]

Shorrock left again in 1996; he was offered the option to buy out the remaining members of We Two Pty. Ltd[62] He took a one-third share of the monetary value of the company as he did not want to commit to the band's US touring schedule. Shorrock was replaced on lead vocals by Melbourne singer Steve Wade (ex-Dolphin Street).[2][3] Nelson also left in 1996 and Hal Tupea returned on bass guitar.[3] This line-up lasted until late 1997, when everyone, except Wade, started to leave, including Pellicci, who left again early in 1998.[2][3][4] The departure of all original members left Housden as the sole owner of We Two Pty. Ltd and the Little River Band trademark.[48][57][62]

LRB performing at the Seminole Hard Rock Hotel and Casino Hollywood in October 2006

In 1998, Housden re-established Little River Band with Wade and new contracted members Paul Gildea on vocals and guitars; Kevin Murphy on vocals, drums and percussion; and Adrian Scott on vocals and keyboards (ex-Air Supply) and brought back Roger McLachlan, who returned after 22 years, on bass guitar.[2][3] McLachlan's second tenure was short lived; both he and Scott departed after a year, not accustomed to the band's touring schedule. Nelson returned in early 1999 and Glenn Reither joined on keyboards, sax and backing vocals. Gildea and Wade left next in early 2000 with Australian Greg Hind joining on vocals and guitars and Nelson taking over as lead singer. The line-up of Hind, Housden, Nelson, Murphy and Reither recorded two studio albums, Where We Started From (November 2000) and Test of Time (June 2004).

In March 2002, Birtles Shorrock Goble were formed as a soft rock trio, initially as "The Original Little River Band" or "The Voices of Little River Band"; they undertook a series of reunion concerts performing the group's earlier material.[57][63]

In June 2002, a legal dispute over the use of the name "Little River Band" reached the Federal Court of Australia. We Two Pty Ltd, Little River Band's parent company since 1988, lodged an action against Birtles, Goble, Shorrock and Wheatley seeking an injunction to stop the respondents from using the Little River Band trademarks and common law marks, or anything deceptively similar, as a trademark or band name.[64] The Little River Band Pty Ltd counterclaimed, seeking the removal of the Little River Band trademark for non-use and return of the trademarks to The Little River Band Pty Ltd based on a claim of prior ownership.[64] The matter was heard before Justice Finkelstein. When We Two was able to provide undisputed evidence of their use of the trademark during the statutory period, The Little River Band Pty Ltd withdrew their crossclaim and Birtles, Shorrock, Goble and Wheatley sought a settlement with We Two.[64] Documentation showing the assignment of the Little River Band trademarks to We Two, registered by the United States Patent and Trademark Office in 1989,[65] and Birtles' transfer of ownership of the url "littleriverband.com" to We Two in 2000 were presented during the hearing.[66] When asked to produce the document on television in 2015, Housden stated: "I have the signatures somewhere at home. I have a photocopy of it but I couldn't find it today to show up on the screen."[67] Of the same court case former band manager Glenn Wheatley said: "I can't even remember signing that document that was presented in court. On the last day, all of a sudden, this photocopy of a document that had my name on it - signature."[67] The parties reached a settlement on 13 June 2002 with their agreement that We Two had ownership of the Little River Band trademark and common law marks including the name, logo, "LRB" and the platypus logo and that Birtles, Goble, Shorrock and Wheatley could reference their past history with the band in advertising separate to their band name and only in a descriptive manner.[63][68][64] The matter of costs was decided by Justice Finkelstein on 12 July 2002. An order was made for Birtles, Goble, Shorrock and Wheatley to pay one half of We Two's taxed costs.[64]

A further legal case, which was also settled out of court in mid-2005, allowed the trio to advertise their Little River Band connection but not to perform under that name.[69] Goble, Birtles and Shorrock have shared their frustration through song; Goble recorded "Someone's Taken Our History",[70] Birtles recorded "Revolving Door"[71] and Shorrock put forth "Hear My Voice".[72]

At the end of 2004, Murphy and Reither left the current version of LRB and Chris Marion joined on keyboards, while Kip Raines temporarily took on drumming duties until replaced by Billy Thomas in early 2005. Housden left the touring band in 2006, although he still participates in the band's recordings and management. Rich Herring took over lead guitar on tour and Mel Watts replaced Thomas, who had suffered a shoulder injury, on drums in 2007. Ryan Ricks subsequently replaced Watts in 2012. The latter day lineup continued to play tracks written by Birtles, Goble and/or Shorrock as well as newer material.

A review of Little River Band was posted in February 2013 on the Leigh Valley music page when the band toured Pennsylvania. Reviewer John Moser wrote: "Little River Band played the hits, for sure, in a 14-song, 75-minute show. Not a single one of the songs it played was released after 1985. But when it tried to update the songs, which was often, it diminished them, and when it tried to play them true to the originals, it fell short."[73]

In August 2013, then current line-up of LRB, Nelson, Hind, Marion, Herring and Ricks, put out the album Cuts Like a Diamond on the Frontiers Music Srl label, a majority of which was written by other musicians.[74]

An appearance by Little River Band, scheduled for 12 January 2015 on The Tonight Show Starring Jimmy Fallon, was cancelled after complaints from earlier members concerning its promotion as a 40th anniversary performance.[75] Permission for any songs written by Birtles, Briggs, Goble or Shorrock was refused.[76] "We've just had enough of it," Shorrock said. "They've been living off our coat-tails for years."[77] "They are promoting a newly recorded album of their own material, or whatever material they have got. They should do that rather than pretend they are the band that sold 30 million albums."[78]

In March 2015, an appearance by the group in Winston-Salem, North Carolina, was cancelled after the venue received a cease and desist order from the earlier members regarding the use of their recordings in advertising and the subsequent demands of the present line-up to be paid in full before performing. The venue described this demand as "not only unreasonable, but uncustomary".[79] In the same month, the controversy over use of the band name was featured in the Australian current affairs program Sunday Night.[67][80][81] Housden, the legal owner of the Little River Band name, told the Sunday Night program that he would not allow the original members to perform as Little River Band "in this lifetime".[78][82]

In September 2015, Little River Band were named as "Casino Musical Entertainer of the Year" at the Annual G2E Awards ceremony at the Hard Rock Hotel in Las Vegas.[83]

As of 2017, the Little River Band continued to tour, mostly in the US, performing more than 80 concerts annually,[84] re-recording the original members' material[85] The current lineup's press releases recount the original members' achievements and awards as if they were their own.[86]

When asked about the Hits Revisited album, founding member Beeb Birtles said "That to me is the comedy album ... They re-arranged all the songs and it's bloody awful. They're nothing more than a tribute band."[1]

In 2017, Little River Band blocked all of Australia from viewing its website. They cited Russia and Africa as also being blocked for "different reasons".[87][88][89] Australian access to the band's Facebook page was also blocked.[90]

On 13 November 2017, founding member Beeb Birtles was interviewed on Australian news program Studio 10. When asked if the original band would ever reunite he said; "I don't think that's going to happen. We can't do it without the name, that's the problem. We played some shows as Birtles, Shorrock, Goble and had some success with that. Once that folded we all realised it wasn't going to go any further than that. It's unfortunate how we lost the name and everything, but if its ruled in the court that way all you can do is walk away from it."[91] Shorrock offered to bury the hatchet in 2015 saying "Let's get up on stage and play some music. Forget about all this bullshit."[67] When asked to respond to a Little River Band reunion featuring original members, the current owner of the name and trademark, Stephen Housden, responded "Not in this lifetime."[67]

On 12 December 2017, the Little River Band headlined the first annual Carols by Candlelight show in Nashville. Even though they had geo blocked Australia from viewing their websites and social media pages, Wayne Nelson stated "We're going to Facebook it live to the world, including to our friends in Australia, because Carols by Candlelight is an Australian tradition. It was started there many years ago during the depression ...".[92]

In February 2018, in an interview with Everyone Loves Guitar, guitarist Rich Herring stated "We actually re-recorded all the hits and I'll say without any shame that I tried to make it sound as close to the originals as possible by bringing in background singers that actually sounded like those guys did 30-40 years ago. I'm pretty proud of it."[93]

Nashville musician Colin Whinnery was recruited to replace Greg Hind on vocals and guitar in 2018.

There have been no Australians in Little River Band since Hind left the band.[94]

On 25 June 2019, The New York Times Magazine listed Little River Band among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[95]

On May 15th 2020, the Little River Band released an album of re-recorded greatest hits with orchestral arrangements. The album is titled 'Black Tie'.[96] [97]

In May 2020, the largest online museum devoted to an Australian band[98], the original members of Little River Band was launched:[99]To celebrate the launch of the online museum Graeham Goble released his solo catalogue and unheard demos from 1976 -1987 all songs he wrote whilst in Little River Band. On these demos various band members from this time in Little River Band can be heard, most notably Wayne Nelson who sings and plays bass on several of the demos, David Hirschfelder on keys, Steve Prestwich on drums.[100] [101]

From May 2020, major music and streaming platforms such as ITunes recognise the original Little River Band as a separate entity to the current touring band.[102] [103][104](subscription required)

Little River Band had ten Top 20 singles in the Billboard charts between 1977 and 1983.[118]

Little River Band had ten Top 20 singles in the Radio & Records charts between 1978 and 1983.[119]

• Wayne Nelson – bass guitar (1980–96, 1999–present), lead vocals (2000–present)
• Chris Marion – keyboards, vocals (2004–present)
• Rich Herring – guitar, vocals (2006–present)
• Ryan Ricks – drums, vocals (2012–present)
• Colin Whinnery – guitar, vocals (2018–present)