The 300 Spartans

The 300 Spartans
Theatrical release poster
Directed by Rudolph Maté
Produced by Rudolph Maté
George St. George
Screenplay by George St. George
Story by Gian Paolo Callegari
Remigio Del Grosso
Giovanni d'Eramo
Ugo Liberatore
Starring Richard Egan
Sir Ralph Richardson
Diane Baker
Barry Coe
David Farrar
Music by Manos Hadjidakis
Cinematography Geoffrey Unsworth
Edited by Jerry Webb
Production
company
Distributed by 20th Century Fox
Release date
  • August 29, 1962 (1962-08-29) (USA)
Running time
114 min
Country United States
Language English
Budget 500,000 GBP (approximately $1,350,000.)
Epitaph with Simonides' epigram (modern replica)

The 300 Spartans is a 1962 CinemaScope epic film[1] depicting the Battle of Thermopylae. Made with the cooperation of the Greek government, it was shot in the village of Perachora in the Peloponnese. The working title was Lion of Sparta.[2] It stars Richard Egan as the Spartan king Leonidas, Sir Ralph Richardson as Themistocles of Athens and David Farrar as Persian king Xerxes, with Diane Baker as Ellas and Barry Coe as Phylon providing the requisite romantic element in the film. Greek warriors, led by 300 Spartans, fight against a Persian army of almost limitless size. Despite the odds, the Spartans will not flee or surrender, even if it means their deaths.

When it was released in 1962, critics saw the movie as a commentary on the Cold War,[3] referring to the independent Greek states as "the only stronghold of freedom remaining in the then known world", holding out against the Persian "slave empire".

Plot

Xerxes I of Persia leads a vast army of soldiers into Europe to defeat the small city-states of Greece, not only to fulfill the idea of "one world ruled by one master", but also to avenge the defeat of his father at the Battle of Marathon ten years before. Accompanying him are Artemisia, the Queen of Halicarnassus, who beguiles Xerxes with her feminine charm, and Demaratus, an exiled king of Sparta, to whose warnings Xerxes pays little heed.

In Corinth, Themistocles of Athens wins the support of the Greek allies and convinces both the delegates and the Spartan representative, Leonidas I, to grant Sparta leadership of their forces. Outside the hall, Leonidas and Themistocles agree to fortify the pass at Thermopylae until the rest of the army arrives. After this, Leonidas learns of the Persian advance and travels to Sparta to spread the news.

In Sparta, his fellow king Leotychidas is fighting a losing battle with the Ephors over the religious festival of Carnea that is due to take place, with members of the council arguing that the army should wait until after the festival is over before it marches, while Leotychidas fears that by that time the Persians may have conquered Greece. Leonidas decides to march north immediately with his personal bodyguard of 300 men, who are exempt from the decisions of the Ephors and the Gerousia. They are subsequently reinforced by Thespians led by Demophilus and other Greek allies.

After several days of fighting, Xerxes grows angry as his army is repeatedly routed by the Greeks, with the Spartans in the forefront. Leonidas receives word that, by decision of the Ephors, the remainder of the Spartan army, rather than joining him as he had expected, will only fortify the isthmus in the Peloponnese and will advance no further. The Greeks constantly beat back the Persians, and following the defeat of his personal bodyguard in battle against the Spartans, Xerxes begins to consider withdrawing to Sardis until he can equip a larger force at a later date. As he prepares to withdraw, however, Xerxes receives word from the treacherous and avaricious Ephialtes of a goat-track through the mountains that will enable his forces to attack the Greeks from the rear. Promising to reward Ephialtes for his betrayal, Xerxes sends his army onward.

Once Leonidas realizes he will be surrounded, he sends away the Greek allies to alert the cities to the south. Being too few to hold the pass, the Spartans instead attack the Persian front, where Xerxes is nearby. Leonidas is killed in the melée. Meanwhile, the Thespians, who had refused to leave, are overwhelmed (offscreen) while defending the rear. Surrounded, the surviving Spartans refuse Xerxes's demand to give up Leonidas' body. They are then annihilated by arrowfire.

After this, narration states that the Battle of Salamis and the Battle of Plataea end the Persian invasion, which could not have been organized without the time bought by the 300 Spartans who defied the tyranny of Xerxes at Thermopylae. One of the final images of the film is the memorial bearing the epigram of Simonides of Ceos, which is recited.

Main cast

Production

The battle scenes were shot near the village of Perachora, on the mainland side of the Corinth Canal, as it was impossible to shoot at the actual location in Thermopylae where 2,500 years of silt has shrunk the Malian Gulf drastically since the battle in 480 B.C., turning the strait where the battle was fought into a broad coastal plain. The Greek Ministry of National Defence agreed to make available to the producers up to 5,000 members of the Hellenic Army for a pre-negotiated fee. However, the film's budgetary constraints reduced the numbers drawn to only two battalions (approximately 1,100 men). For the largest establishing scenes—the Persian Army entering Greece—many of these soldiers, together with a combined total of several hundred civilian extras, horses, cattle, ox carts and chariots were utilized. For the wider establishing scenes of the battle, one battalion was retained to play both Greeks and Persians. For closer compositions of the fighting and encampments, military extras were called (call-sheeted) by company-size or smaller units, in meeting the specific needs of the day's shooting schedule. Director of Photography, Geoffrey Unsworth, made good use of the tree groves, which lined the coastal plain aside the Limni Vouliagmeni lagoon, to cover for the obvious deficiency in the number of troops that would have been amassed on the Persian-side of the battle line.

Originally developed as an Italian sword-and-sandal project, the cooperation and blessing of the Greek military and the Hellenic Royal Family allowed producer, George St. George, to both finance and complete the production on a budget of 500,000 GBP (approximately, $1,350,000), roughly twice what most Italian peplum films were being made for at the time. The 300 Spartans was the last film of Richard Egan's seven-year contract with 20th Century Fox. It was also the last film appearance of David Farrar, who then chose to retire from acting.

Release

Despite Cold War connotations the film was dubbed in Russian and it was shown in the USSR in 1970. The film was very popular there—27.1 million of viewers had seen it.[4]

Other adaptions

Legacy

Comic artist Frank Miller saw this movie as a boy and said "it changed the course of my creative life".[8] His graphic novel 300 is about the Battle of Thermopylae, and in 2006, the book was adapted into a successful film.[9]

See also

References

  1. Halliwell, Leslie, Halliwell’s Film Guide, second edition, Granada, London, 1977 p. 881
  2. "The 300 Spartans (1962): Notes". Turner Classic Movies.
  3. Beam, Alex (8 March 2007). "Meanwhile: Hot times at the 'Hot Gates'". International Herald Tribune. Retrieved 2007-06-03.
  4. Kinopoisk.ru
  5. Dell Movie Classic: Lion of Sparta at the Grand Comics Database
  6. Dell Movie Classic: Lion of Sparta at the Comic Book DB
  7. https://www.amazon.com/300-Spartans-John-Burke/dp/B000MU4J8W%7C
  8. UnderGroundOnline interview Archived 2007-03-19 at the Wayback Machine.
  9. Ito, Robert (November 26, 2006). "The Gore of Greece, Torn From a Comic". The New York Times.
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