Peste Noire

Peste Noire
Peste Noire at Betong (Oslo, Norway) on 19 January 2008.
Background information
Origin Avignon, France
Genres Black metal
Years active 2000 – present
Labels La mesnie Herlequin
Associated acts Valfunde, Alcest, Horna
Members La sale Famine de Valfunde
Ardraos
Sainte Audrey-Yolande de la Molteverge Spellgoth
Past members Argoth
Neige
Winterhalter
Andy Julia
Ragondin
Indria

Peste Noire, taking their name from the Black Plague, is a black metal band from La Chaise-Dieu, France. It was formed by La sale Famine de Valfunde in 2000.[1] Their music utilises standard black metal elements mixed with more traditional Gallic instrumentation. The band is sometimes referred to as P.N. or K.P.N (Kommando Peste Noire). According to Famine, they do not play "National Socialist Black Metal".[2]

Band history

Peste Noire was created by La sale Famine de Valfunde (i.e. "The filthy Famine of Valfunde") in Avignon in 2000, initially under the name Dor Daedeloth. Neige (Alcest), who played in the band's first eight years of existence, joined him on drums.[3][4] Together they crafted four demos and one split demo tape. Argoth, a bass player also member of early Alcest fame, helped up to the 2002 "Mémoire Païenne" split.[5]

In 2006, Famine hired new members Winterhalter (drums) and Indria (bass).[6] They completed what Famine began to call "Kommando Peste Noire".[6] At the time, Famine had fired Neige from the band[7][6] and P.N. was a three-piece when the debut La Sanie des siècles - Panégyrique de la dégénérescence was produced by French label De profundis éditions in August 2006.[8][9] The music on their first effort was mostly melodic and sorrowful, turning at times towards a more aggressive and chaotic sound within lengthy and elaborate song structures. With hymns such as "Dueil Angoisseus", "Spleen", or "Le Mort Joyeux", the record caused a stir in the underground black metal scene. It helped establish the band on an international level.[10]

De profundis éditions[8] produced Peste Noire's second album Folkfuck Folie, released in June 2007. It featured studio versions of the four "rehearsal" tracks from the "Lorraine Rehearsal" and Famine described it as "Folklore d’égout"[11] ("Folklore from the sewers"). It was recorded on a tape machine, in the same way punks produced their albums in the 80s, thereby showing the band's disregard for conventions.[12] The lyrics sometimes seem on the verge of autobiography, and they mainly deal with apocalyptic themes, the final triumph of the body over the torments of the mind, primal barbarity, wartime poetry, the spreading of sexually transmitted diseases, and mental disorder, the latter of which is symbolized by the radio sample of the demented poet Antonin Artaud used as an introduction to the track "Folkfuck Folie".[13][14] The songs are generally shorter than on their debut and the production has a much grittier quality. Famine ironically said that his goal was "to create the ugliest and most irritating sound possible, in order make the album unlistenable after having heard two songs", adding "You have to be mentally unstable to go through the entire album".[6] In his own words, Folkfuck Folie was an attempt to weed out the “trendies” in their audience, which put Peste Noire on the map as one of the most rebellious and unconventional act in the genre. Unsurprisingly, there appears to be a widespread popular stigma surrounding this particular release.[15]

In March 2009, Peste Noire released their third album Ballade cuntre lo Anemi francor (i.e. "Ballad against the enemies of France") with a new line-up; drummer A. (from Darvulia) and bass player Ragondin filled the chairs vacated by Neige, Winterhalter and Indria.[7] This album, whose main theme is based on the nostalgia for medieval France manifested through traditional military songs or royal chants with warlike, nationalistic lyrics, is reminiscent in sound of the P.N. demos, but the style has evolved into a mix of black metal and progressive folk, with crust and hard rock rhythms.[16] It also features piano / Hammond organ interludes played by Sainte Audrey-Yolande de la Molteverge, who is also responsible for the female vocals, notably on Peste Noire's interpretation of one of the Action Française's Monarchist anthems, "La France bouge".[17] Unlike the previous two albums which had been captured in the Rosenkrantz studios, Ballade was recorded with intentional simplicity and sloppiness by Famine on his own equipment, in order to fit with the general national romantic aesthetics[18] and the production was kept lo-fi and raw.[19] Famine, still living up to his controversial reputation,[20] characterized this unique style as "Boyscout satanism" in a very typically French fashion.[7] Following their tradition of using the works of medieval French authors and poets in their albums, P.N. also adapted the 14th-century French poet, thief and vagabond François Villon's poem "Ballade contre les ennemis de la France" into a black metal version, entitled "Ballade cuntre les anemis de la France", as well as 19th century fin de siècle poet Paul Verlaine's piece "Soleils Couchants" - both these poets' roguish, low-life aesthetic being perfectly suited for Famine’s purposes.[21]

Having relocated to Auvergne, Famine created his own label, La mesnie Herlequin, in May 2011 to release the band's fourth effort: the folkish and carnivalesque[22] L'Ordure à l'état Pur ("The pure essence of garbage").[23][24] The album's cover artwork displays a graffitied version of Eugène Delacroix's Liberty Leading the People where the allegorical figure of Liberty is parodied as a decaying, walking corpse and Gavroche pictured as a one-eyed pig, whilst another figure has a toilet seat for a head - all of which heralds a new French Revolution with different protagonists and ideals. Notre Dame de Paris is also replaced by the World Trade Center's smoking Twin Towers.[25] The album, which benefits from a warm and crisp production,[26] was recorded and mixed between August 2010 and January 2011 at the Green Studio by Engwar. It saw the return of bass guitarist Indria and the recruitment of a new drummer, Vicomte Chtedire de Kroumpadis, as well as the integration of a cellist, an accordionist and a trombonist to enhance the various atmospheres or folkish aspects of some of the songs, such as the trombone-driven ska punk and accordion folk song intermezzi in "Casse, Pêches, Fractures et Traditions".[27] A large amount of stylistic influences pervade the five songs, from the industrial black metal-orientated "Cochon Carotte et les soeurs Crotte" with its zouk intermezzo highlighted by Indria's fretless bass solo, or the rockish dirge "La Condi Hu" underpinned by haunting cellos[28] and introduced by brooding monk-like chants, to the rich, medieval and emotional épinette des Vosges melodies on "J'avais rêvé du Nord" ("I had dreamt of the North").[29] The traditional/folkish and acoustic elements, including Audrey Sylvain's fragile vocals, are pitted against the more modern aspects of L'Ordure à l'état Pur,[30] an album packed with samples of urban violence culled from French TV news reports, ambulance sirens, riots, guns being cocked and shots being fired, and BDSM performed over Eurodance beats, displayed on long, drawn out cinematic songs. All of which together paint a giant fresco of hopelessness, a brutal documentary of collective decomposition.[18][31]

The band's fifth album, simply entitled Peste Noire, was released in June 2013 on the label La mesnie Herlequin. It was entirely composed, recorded and mixed by Famine from September 2012 to February 2013 at his home studio in the Auvergne, itself called "La mesnie Herlequin studio". The new line-up revolves around Famine (vocals, guitars, bass, various drums, bells ...) and Ardraos (drums, accordion), plus a plethora of guests.[32] These include additional vocalists (from the more typical Swedish black metal vocals of Ravenlord and Melkor of "Woods of Infinity" and the Ukrainian death growls of Hate Forest/Drudkh's Roman Saenko, to Audrey Sylvain's clean female vocals), as well as additional instrumental musicians; some of which enrich the album with more traditional/folk influences (such as accordion, hurdy-gurdy, flute), some more classical (i.e. cello), and others just downright strange (e.g. carnyx, lituus).[33] The album, which is anti-urban ("Niquez vos villes" [Go fuck your cities]), explores themes of local history, notably of the legends ("Le clebs noir de Pontgibaud" [The black mutt/dog of Pontgibaud]) and literature ("Démonarque") of the Auvergne, by providing a reinterpretation of a Crusade song from the thirteenth century troubadour Gauceran de Saint-Leidier hailing from the Bishopric of Velay, as well as delving into national Medieval history ("La bêche et l'épée contre l'usurier" [The spade and the sword against the usurer]), and that of the beginning of the 1940s ("Le retour de la peste" [The return of the plague]).[34] Famine also tries his hand at pure Oi! as demonstrated on the track "La Blonde" (the Blond), dedicated to beer.[35]

In July 2014 a collaborative split 12 inch LP was forged with Parisian group Diapsiquir, called Rats des Villes VS Rats des Champs [lit. "City Rats VS Country Rats"], released by La mesnie Herlequin. Peste Noire took the famous poem "Le rat de ville et le rat des champs" by Jean de La Fontaine as its main inspiration behind the split's title.[36] Some perceived this release as the confrontation of two irreconcilable worlds; However Famine talks of Diapsiquir as the group which best embodies contemporary urban France, and so is the one which is most symbolically appropriate to oppose his rural black metal.[2]

La Chaise-Dyable, the band's sixth album, recorded once again by Famine in "La mesnie Herlequin studio" with the support of drummer / accordionist Ardraos, saw the light of day in April 2015. In black metal that sees frenetic electric guitars ("Payés sur la bête") vying with acoustic and bucolic lulls ("Avant le putsch"),[37] Famine continues to anchor his themes in everyday life.[38] He recounts the loneliness of rural nights ("À la Chaise-Dyable"), the harsh climate of the Livradois and of his ethylic flights of fancy to flee from them ("Quand je bois du vin", a drinking song featuring Audrey inspired by a sixteenth century's Tourdion).[39] In lyrics both hallucinatory ("Le Diable existe"), and fantastical ("Le dernier putsch"), his village La Chaise-Dieu (from the Occitan "Chasa Dieu", literally "House of God") becomes "La Chaise-Dyable", a bastion haunted by the Devil where coups against the capital are fermented. In a first for the group, the second version of the song "Dans ma nuit" was the subject of a professional music video directed by Anaon Productions.[40]

Miscellaneous recordings and releases

In April 2007 the Finnish label Northern Heritage[41] released the Lorraine Rehearsal 12" EP. Bearing the legend "Hooligan Black Metal", the EP featured four "rehearsal" songs recorded in Lorraine from August 2006.[42] The B-side is the second version (20 minutes 10 s. long) of the epic track "Phalènes Et Pestilence", composed by Famine in 2005 and then recorded on his own recording equipment (A tape version of the Lorraine Rehearsal was also released on Roman Saenko (Hate Forest, Drudkh)'s label Night Birds Records in 2009. The first edition with black/white artwork was limited to 300 hand-numbered copies, the second with red writings was limited to 500 hand-numbered copies). For the first time P.N. became a four-piece band (still with Winterhalter (drums) and Indria (bass), and Neige (second guitar on the "Lorraine Rehearsal") being reintegrated) fit for playing concerts. On 3 June 2007, Peste Noire played their first concert in Toulouse, France.

At the same period, Famine worked on two more songs called "Sérénade" and "Hôpital", a blend of folkish Black metal and post-punk with electronic beats featuring Sainte Audrey as guest vocalist. He released these songs under his own name Valfunde in a split 7" EP with Amesoeurs produced by De profundis éditions[43] in November 2007. In the liner notes it says: "Recorded and mixed by Famine on outdated equipment with low-priced microphones".[44] Famine quickly dropped the idea of Valfunde, which wasn't his solo project but rather a short-lived side-project using electronic beats. Instead, Famine used the post-punk ideas he had for Valfunde in Peste Noire's third album Ballade cuntre lo Anemi francor (2009).

Also released in 2007 was a self-released double protape box Mors orbis terrarum containing all Peste Noire's demo tracks from the sold out demo tapes, and also a split 7" EP with Finnish black metal band Horna which contained the new track "Paysage Mauvais". The Mors orbis terrarum compilation was re-released as vinyl by Debemur Morti Productions[45] in September 2008 (This vinyl release includes all the demos featured on the tape box, except the very raw Aryan supremacy demo and the second demo version of "Phalènes et pestilence" which was on the B side of the Lorraine Rehearsal vinyl released by Northern Heritage in 2007).

La Sanie des siècles was repressed by De profundis éditions[8] and Transcendental Creations[46] on cd in August 2008. A vinyl version of the album was co-produced by De profundis éditions and Finnish label Ahdistuksen Aihio Productions in August 2009. The tape version was produced in 2013 by Night Birds Records in collaboration with Todestrieb.

A tape version of Ballade cuntre lo Anemi francor was released in March 2009 by the label Tour de Garde from Quebec.[47]

A limited vinyl version of Folkfuck Folie co-produced by Mikko Aspa's Northern Heritage and De profundis éditions was released in April 2010. It includes a long 2007 interview printed on newsprint answered by Famine. A tape version of Folkfuck Folie was also released on Roman Saenko's Night Birds Records at the same time. It was limited to 300 hand-numbered copies.

In April 2012, La mesnie Herlequin released Les démos, a double CD boxset containing all the Peste Noire demos (all the songs recorded between 2001 and 2005), including the Valfunde tracks.[48]

In August 2012, La mesnie Herlequin repressed Peste Noire's third album Ballade cuntre lo Anemi francor on CD with new artwork.[49] The first pressing had been released by De profundis éditions in March 2009.

In September 2013, Famine was featured on Swedish band Shining's 8 ½ - Feberdrömmar I Vaket Tillstånd album. He sang on "Terres des Anonymes", a rerecording of "Fields of Faceless" (from "III - Angst - Självdestruktivitetens emissarie") with French lyrics.[50]

Band concept

One of PN's themes is that of Satanism (although not any type of Satanism, as PN preaches the worship of Indoeuropean Satans or Devils inspired by Pan, not the monotheistic Jewish cult of the Semitic Satan)[51] which as a theme is common in black metal. According to Famine, in hindsight, Peste Noire really play "Gothic"[52] (as in Gothic horror), "Fantastique, grotesque, archaeofuturist black metal".[53]

Even if Famine's music is indeed characterized by anarchic disdain and/or aristocratic sarcasm[51] (Famine acknowledged the underlying influence of grotesque artists such as Pieter Bruegel the Elder and François Rabelais in Peste Noire's music[7]), thus giving it its distinctive voice, Famine's vision of Black Metal is also based on nationalism[54] and Peste Noire is proud of French cultural heritage, especially that of medieval France.[7] Famine used some texts written in Middle French by medieval French writers such as François Villon (for the song "Ballade cuntre les anemis de la France"), Geoffrey of Paris (for "La bêche et l'épée contre l'usurier"), Christine de Pisan (for "Dueil Angoisseus") and Guillaume de Machaut (for "Amour ne m'amoit ne je li") and from modern French writers, such as Charles Baudelaire ("Le mort joyeux" and "Spleen"), Paul Verlaine ("Soleils couchants"), Tristan Corbière ("Paysage mauvais"), and Robert Brasillach ("Psaume IV") in the band's first albums.

The musical inspirations of Peste Noire were initially the pioneers of Black Metal such as Burzum, Mütiilation and Vlad Tepes.[6] The highly personal art of Peste Noire, in constant evolution since its inception, is today also as much influenced by French folk groups such as Malicorne as by more urban styles in the vein of street rap such as Neoklash or the anarcho-punk sounds of Bérurier Noir.[2]

They have been suspected of being a National Socialist band but Famine categorically states that they are French nationalists.[55][56][53] Famine further explained why Peste Noire’s concept is based on nationalism when he stated:

"Black Metal is the musical memory of our bloodthirsty ancestors of blood, it is the marriage of Tradition, of old racial patrimony with fanaticism, with the rage and the rashness of a youth now lost. It is a CHTHONIC religion: a cult of the EARTH and a return to it, therefore a nationalism; a cult of what is BELOW the earth: Hell – the adjective “chthonic” applies to the Infernal gods as well. BM is a fundamentalism, a music with integrity (from latin integer, complete) which helps me to remain complete in a dying world, amidst a people in decay, unworthy of its blood. It is the apology of the dark european past. It is a psychosis which helps us to flee a reality we cannot tolerate anymore."[55]

More recently Famine as Peste Noire has become more associated with National Socialist acts Famine has stated:

"Claiming that we are not NS was simply a matter of historical and ideological accuracy, although some people saw it as an attempt to switch camps, or even to promote an anti-NS rhetoric. People are really stuck within this NS / anti-NS dichotomy. I said that PN was not NS, but I never said that PN was anti-NS. PESTE NOIRE does not speak of Adolf Hitler, that’s all. If I were to say that PN does not deal with plants in its texts, would that mean that PN is against tulips and poppies? And seriously, PN is too punk to be NS. Some would see the fact that we are not associating ourselves with National Socialism as a weakness, hypocrisy, or the fear of getting into trouble. LOL: If I were afraid of trouble, I would not do a project such as VOUÏVRE — with a guy who is totally in NSBM. I would not show my support for AZOV, I would not have a “Me Ne Frego” tattoo right up my neck, and when people get to know with whom PN is going to collaborate – you have my word – they will quickly understand that I have no taboos in this regard whatsoever."[57]

In that same interview Famine also clarified in regards to his interview in 2014 and pictures of him being shown giving the right hand salute:

"I feel closer to Italian fascism than to German National Socialism. So how is it surprising that those who sympathize with fascism are making the right hand salute?"[57]

Recently Famine has also shown support for National Socialist Black Metal bands such as Absurd, Goatmoon, and M8L8TH as well as far right NeoNazi sympathetic groups like the Azov Battalion.[57] Drawn to the militant culture of palingenetic ultranationalism in Ukraine Famine has teamed up with the Neo-Nazis at http://militant.zone to bring different NSBM and ultra-nationalist acts together and to continue to build militant far-right movements.[57]

Regarding the presence of Asian bass guitarist Indria in some of Peste Noire's albums, Famine has made it clear that elitism and nationalism are equally important for him, and that since he viewed Indria as the best bass guitarist in the French black metal scene he saw no contradiction in hiring him in 2005. Famine insists on the fact that in French nationalism, a minority of foreigners is allowed to become French by proving their worth and their will through time, because it is a milder, smoother and less ethno-centric style of Nationalism than its German counterpart.[58] He uses the example of the French Foreign Legion to illustrate this aspect of French nationalism. Famine also used the dark-skinned Indria as an alibi to bypass censorship. He also acknowledged that Indria was "a whiff of irony and provocation in a far-right world full of narrow-minded bullies."[59]

On La mesnie Herlequin's introduction, Famine also wrote: "To all those who might possess the irrational temptation to place La mesnie Herlequin amongst the ranks of the « far-right » or the even more laughably « NS », we will have to crush their wet dreams by defining ourselves as, at best, rightwing anarchists (which would explain why, at a concert in Montreal in 2008, PESTE NOIRE succeeded in stirring up both rightwing skinheads and local antifas against them at the same time, lol)."[58]

Famine has also claimed to be and have affinity with rightwing-anarchists saying both:

"It is significant that the Italians, who have a tradition of Futurism, the avant-garde and revolution within their right wing, and where many anarchists have rallied with Fascism, have given L’Ordure a warmer reception than the old reactionary, repressed Catholics of the French guard – even when they pretend to be pagans, rest assured they are nothing more than Christians, refusing all experimentation, all excesses, all freedom, basically all real Art; preferring instead the pagan metal with flutes or epic black Viking metal that’s made for men who love other men."[60]

and

"If I have to clarify my personal ideas that are reflected in PN: I remain staunchly a right-wing anarchist. The idealising of ‘the people’ that goes on in the National-Revolutionary and völkisch movements bother me a bit, because this so-called ‘people’ – a herd of materialistic sheep, only united by an interest in cars, their bank accounts, their willies, and shitty leisure sports – are somewhat responsible for their own enslavement by the system. The democratic parliamentary system plays on the wilful and voluntary ignorance (voluntary because these days it is easy to find everything online) of the majority, who are too silly, too soft, too servile to revolt against it because they’re busy watching ‘Deal or No Deal’ on TV. The notion of ‘the people’ is almost a dirty word to designate those who subscribe to preconceived ideas and staid beliefs. I love my race and the white people have produced wonders when guided towards greatness, but amongst them, I refuse the oppression of the majority, the brainless multitude over the individual. I know that power does all it can to brutalise people and reduce them to consumer vegetables. But in doing this, this power is merely exploiting a popular weakness."[60]

Exposure

Peste Noire lays claim to its underground status by choice, not by accident. The group has always signed with small independent labels which exist on the periphery of the commercial mainstream circuit; a circuit which is incompatible with the ideology of black metal, according to Famine. In 2011 Famine pushed this approach even further by creating his own label and studio, La mesnie Herlequin, located in La Chaise-Dieu, in order to have complete control over the production, recording and distribution of his work, and to dispense with all the middlemen that stood between its creation and sale.[53]

Concerts

Peste Noire in Lyon's Hall on 23 June 2007

In addition to their first concert in Toulouse on 3 June 2007, Kommando Peste Noire also played concerts in Lyon on 23 June 2007 and Bordeaux on 16 December 2007 with Mayhem. On 19 January 2008, Peste Noire played a concert in Oslo, Norway (at Betong) and one in Boismont on 18 July 2008. In August 2008, they also made a 13-date tour called "Les Treizes Nuits de la Peste" with Akitsa in Quebec, the French-speaking part of Canada. The band refused to play in the USA. It was the first time a French metal band had ever toured Quebec.[61]

Band members

  • La sale Famine de Valfunde (formerly Aegnor/Feu Cruel) (2000-) – Lead and rhythm guitars, lead vocals, bass, épinette des Vosges, harmonica, solos and lyrics (except when taken from poets), songwriting in all recordings by Peste Noire since he created the band in 2000 (ex-Alcest (2000–2001), Valfunde).
  • Sainte Audrey-Yolande de la Molteverge (Audrey Sylvain) (2007-) – Vocals on Folkfuck Folie, L'Ordure à l'état Pur, Peste Noire and La Chaise-Dyable, vocals, piano, hammond organ on Ballade cuntre lo Anemi francor (also in Amesoeurs).
  • Ardraos (2012-) – Drums on Peste Noire and La Chaise-Dyable (also in Sühnopfer, Christicide, Lemovice).

Former members

  • Neige (2001–2005)- drums on Aryan Supremacy (demo 2001), Mémoire Païenne (split demo 2002), Macabre Transcendance... (demo 2002), Phalènes et Pestilence – Salvatrice Averse (demo 2003), Phalènes et Pestilence (demo 2005)
    (2007–2008) – rhythm guitars on "La Césarienne" and acoustic guitar intro to "Amour ne m'amoit ne je li" on Folkfuck Folies studio sessions, guest vocals appearance on "Dueil Angoisseus" (La Sanie des siècles - Panégyrique de la dégénérescences studio version) and on "La Césarienne" (on Folkfuck Folie), live rhythm guitarist. (Neige is in Alcest, ex-Amesoeurs, ex-Mortifera)
  • Argoth (2001–2002)- bass on Aryan Supremacy (demo 2001) and Mémoire Païenne (split demo 2002) (ex-Alcest)
  • Winterhalter (2006–2008)- drums on La Sanie des siècles, Lorraine Rehearsal (10' LP) and Folkfuck Folie, live drums. (also in Alcest, Bahrrecht, Phobos)
  • Indria (2006–2008, 2011) - bass on La Sanie des siècles, Lorraine Rehearsal (10' LP), Folkfuck Folie and bass, fretless bass on L'Ordure à l'état Pur, live bass. (also in Alcest, Triste Sir)
  • Ragondin (2009) - bass guitar on Ballade cuntre lo Anemi francor
  • Andy Julia (2009) - drums (also in Soror Dolorosa, Darvulia, Nuit Noire, ex-Celestia) on Ballade cuntre lo Anemi francor
  • Vicomte Chtedire de Kroumpadis (2011)- drums on L'Ordure à l'état Pur

Session members

  • Noktu (2003)- bass (Celestia, Genocide Kommando, Gestapo 666, Mortifera)

Discography

Studio albums
EP
  • Lorraine Rehearsal (vinyl) (2007)
Split albums
  • Mémoire Païenne (split with Sombre Chemin) (2002)
  • Horna/Peste Noire (split with Horna) (2007)
  • Rats des Villes VS Rats des Champs (split with Diapsiquir) (2014)
Compilations
  • Mors orbis terrarum (2007)
  • Les démos (2012)
Demos
  • Aryan Supremacy (2001)
  • Macabre transcendance... (2002)
  • Phalènes et pestilence – Salvatrice averse (2003)
  • Phalènes et pestilence (2005)

References

  1. ↑ "Travis, Interview with La sale Famine de Valfunde of the French Black metal band Peste Noire, Diabolical Conquest: Underground Extreme Metal Webzine, USA, 12 August 2009".
  2. 1 2 3 "Jean, Interview with La sale Famine de Valfunde translated in English, Cercle non conforme: Metapolitical Nationalist network, France, 20 February 2014".
  3. ↑ Neige declared: "I was only a guest in [Peste Noire] as I played drums for him [Famine], but I did/do not share his views at all. Don't even ask me about the concept behind [Peste Noire], it is very complex. It was basically the exact opposite of Alcest: love for evil, but in a real way." "Mystery Flame, Interview with Neige of Alcest, Avant-Garde Metal Webzine, 17 January 2011".
  4. ↑ Neige also said: « In Peste Noire I didn’t write anything.» "An Interview with Neige, at Infernal Damnation Festival VIII, Me(n)tal-Meltdown Webzine, April 23rd, 2011".
  5. ↑ Famine (then known as Aegnor/Feu Cruel) would also be the lead guitarist on Alcest's first demo tape "Tristesse Hivernale" released in 2001 through Drakkar Productions in which he wrote the main riff of the song "La forêt de Cristal".
  6. 1 2 3 4 5 "Birk, Nathan T., Interview with La sale Famine de Valfunde of the French Black Metal band Peste Noire, Zero Tolerance Magazine, United Kingdom, Issue 014, 31 October 2006".
  7. 1 2 3 4 5 "Interview with La Sale Famine de Valfunde for the American webzine Diabolical Conquest in August 2009".
  8. 1 2 3 De profundis éditions
  9. ↑ Its title roughly translates as "The sanies of the centuries - Ode to degeneration", "sanies" being "a thin greenish foul-smelling discharge from a wound, ulcer, etc., containing pus and blood" according to the Collins English Dictionary
  10. ↑ Brett Buckle, The Metal Crypt, Review: Peste Noire - La Sanie des Siècles - Panégyrique de la Dégénérescence, 7 February 2009
  11. ↑ In Folkfuck Folie's cd booklet, 18 June 2007
  12. ↑ Degtyarov, Black Ivory Tower, Peste Noire: Folkfuck Folie, 19 January 2012
  13. ↑ Degtyarov, Black Ivory Tower, Peste Noire lyrics in English, 22 December 2013
  14. ↑ Travis, Transcending Obscurity, Peste Noire: Folkfuck Folie, 20 December 2007
  15. ↑ Angel, Sputnik music, Peste Noire: Folkfuck Folie, 11 May 2011
  16. ↑ autothrall, From the Dust Returned, Peste Noire: Ballade cuntre lo Anemi francor, 29 September 2009
  17. ↑ Tyler Munro, Sputnik music, Peste Noire: Ballade cuntre lo Anemi francor, 5 April 2009
  18. 1 2 Degtyarov, Black Ivory Tower, Peste Noire: L'Ordure à l'état Pur, 26 July 2011
  19. ↑ Brett Buckle, The Metal Crypt, Peste Noire: Ballade cuntre lo Anemi francor, 13 April 2009
  20. ↑ Bari Ann, ThisIsNotAScene, Peste Noire: L'Ordure à l'état Pur, 10 November 2011
  21. ↑ ATC, Sputnik music, Peste Noire: Ballade cuntre lo Anemi francor, 4 April 2009
  22. ↑ Chris, The Metal Observer, Peste Noire: L'Ordure à l'état Pur, 8 February 2012
  23. ↑ Johnathan A. Carbon, Chronicles of Chaos, Peste Noire: L'Ordure à l'état Pur, 23 July 2011
  24. ↑ R. Schleim, Art Observations With Jerry Magoo, The Pure Essence of Garbage, 16 June 2011
  25. ↑ ThyCrossAwaits, Sputnik music, Peste Noire: L'Ordure à l'état Pur, 26 May 2011
  26. ↑ SwornToTheBlack, Global Domination, Peste Noire: L'Ordure à l'état Pur, 27 March 2011 Archived 6 April 2014 at the Wayback Machine.
  27. ↑ Michael Patrick Nelson, Steady Diet of Noise, Peste Noire: L'Ordure à l'état Pur, 8 June 2011 Archived 16 March 2012 at the Wayback Machine.
  28. ↑ Dark Emperor, Infernal Masquerade, Peste Noire: L'Ordure à l'état Pur, 9 August 2011
  29. ↑ Mr. Doctor, Metal Storm, Peste Noire: L'Ordure à l'état Pur, 24 December 2011
  30. ↑ RingMaster, Adequacy.net, Peste Noire: L'Ordure à l'état Pur, 14 June 2011
  31. ↑ Chase, The Inarguable, Peste Noire: L'Ordure à l'état Pur, 16 June 2011
  32. ↑ Degtyarov, Black Ivory Tower, Peste Noire 2013: Crusade in Combat Boots, 30 June 2013
  33. ↑ Klemi, Kaleidoscope magazine, The chosen three: July 2013, 7 August 2013
  34. ↑ Victoria Rullman, Metalpaths webzine, Peste Noire, 7 September 2013
  35. ↑ Ian Flick, Don't Count On It Reviews, Peste Noire - Peste Noire (2013), 12 November 2013
  36. ↑ Marcus Goulaart, Metal Maniac, Peste Noire/Diapsiquir : Rats des villes vs rats des Champs review, 16 October 2014
  37. ↑ theheavymetalist, TeenInk, La Chaise-Dyable by Peste Noire, 12 August 2015
  38. ↑ Maximus Meyer, Black Ivory Tower, The Devil’s Putsch, 4 June 2015
  39. ↑ Marcus, Metal Maniac, Peste Noire - La Chaise-Dyable, 29 April 2015
  40. ↑ Myrme le Bossu, Anaon Productions, Peste Noire Dans ma nuit, 2 December 2014
  41. ↑ http://www.cfprod.com/nh/
  42. ↑ Chris Dragga, Leviatan Magazine, Peste Noire: Lorraine Rehearsal, 23 February 2008
  43. ↑ De profundis éditions
  44. ↑ Liner notes of the Valfunde/Amesoeurs split 7" EP, De profundis éditions, France, November 2007
  45. ↑ http://www.debemur-morti.com/label.php%5Bpermanent+dead+link%5D
  46. ↑ http://transcendentalcreations.com
  47. ↑ http://www.t-d-g.net/
  48. ↑ La mesnie Herlequin news, 4 April 2012 Archived 14 August 2012 at the Wayback Machine.
  49. ↑ La mesnie Herlequin news, 10 August 2012 Archived 13 August 2012 at the Wayback Machine.
  50. ↑ "Dark essence records news, 8 August 2013". Archived from the original on 4 December 2015. Retrieved 4 November 2015.
  51. 1 2 Self-interview by La sale Famine de Valfunde in La Sanie des siècles – Panégyrique de la dégénérescence's CD booklet, 2 August 2006.
  52. ↑ Famine refers to "the epithet ‘Gothic’ in the literary English sense and not in the sense of ‘Goth music’.[..] To call art ‘Gothic’ was a derogatory term, used to designate the barbaric and strange aspect of French art (or art from the Île-de-France), since Gothic art originated in France. A barbaric art, of FRENCH IDENTITY so…it couldn’t be more appropriate for PN. I’ll go even further: if Peste Noire is Gothic BM, the last Peste Noire (2013) is Flamboyant Gothic, that is to say ‘the exaggeration and decadence of Gothic art’, according to the ‘Manual of French Archaeology’ by Enlart, whose refinement is carried to an extreme in the midst of a period of war, anarchy, and questioning." (Interview KPN V, 2013)
  53. 1 2 3 "KPN-V Interview, Deformed and Horrible on the One Hand, Buffoon-esque on the Other, 4 March 2013". Archived from the original on 17 January 2014.
  54. ↑ "Remarks on the Politics of Black Metal, by Dr Benjamin Noys (University of Chichester, England). Paper presented in absentia at the Hideous Gnosis Black Metal Theory Symposium, 12 December 2009)".
  55. 1 2 "I am a nationalist, not a socialist... My two nations are : France d’Oïl (i.e Northern medieval France where langues d'oïl were spoken) and Hell" (Zero Tolerance Magazine, United Kingdom, Issue 014, 31 October 2006)
  56. ↑ On Ballade cuntre lo Anemi francor's digipack, Famine also stated that "Peste Noire is a nationalistic satanic band from France, not from Germany. Peste Noire reject any links with nazi imperialism, which is essentially an enemy of French culture for which PN fight. Let it be understood one day..."(translation of Famine's statement on Ballade cuntre lo Anemi francor's digipack : "Peste Noire est un groupe sataniste nationaliste français, pas allemand. PN rejette toute affiliation à l'impérialisme nazi, ennemi en essence de la culture française pour laquelle nous résistons. Puisse cela être un jour compris..."). In the 2013 interview featured on La mesnie Herlequin, he later called the statement "jokey notes […] which everyone took seriously", and claimed that "PN has always practised misinformation. We don’t give out an explicit message, only signals (sometimes gigantic), dotted here and there in the middle of a huge pile of crap and bullshit."
  57. 1 2 3 4 "Peste Noire – interview and collaboration 2017".
  58. 1 2 Famine, Introduction to La mesnie Herlequin, 2 April 2011 Archived 10 June 2012 at the Wayback Machine.
  59. ↑ Famine, Nuclear War Now! Productions Forum, 4 July 2012
  60. 1 2 "KPN-V Interview". la mesnie herlequin. Archived from the original on 16 June 2013.
  61. ↑ Guillaume Cyr, MetalUniverse, Peste Noire : Plusieurs spectacles au Québec, 10 June 2008.
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