Mezzanine (album)

Mezzanine
Studio album by Massive Attack
Released 20 April 1998 (1998-04-20)
Recorded 1997–98
Studio Massive Attack Studios and Christchurch Studios (Bristol, England)
Genre
Length 63:29
Label
Producer
Massive Attack chronology
Protection
(1994)Protection1994
Mezzanine
(1998)
100th Window
(2003)100th Window2003
Singles from Mezzanine
  1. "Risingson"
    Released: 7 July 1997
  2. "Teardrop"
    Released: 27 April 1998
  3. "Angel"
    Released: 13 July 1998
  4. "Inertia Creeps"
    Released: 21 September 1998

Mezzanine is the third studio album by English electronic music group Massive Attack, released on 20 April 1998 by Circa and Virgin Records. It was produced by the group and Neil Davidge. Musically, Mezzanine sees the group expanding their trip hop sound to electronica stylings,[1] with diverse influences from new wave,[2] rock, hip hop, and dub music.[3]

Mezzanine topped the charts in the United Kingdom, Australia, Ireland, and New Zealand, becoming the group's most commercially successful album to date. The album spawned four singles: "Risingson", "Teardrop", "Angel", and "Inertia Creeps".

Background

The production of Mezzanine was a stressful process, with tensions arising within the group, it almost split the band.[2] They disagreed about the musical direction for the new material. Robert Del Naja first started making samples from new wave records, from the likes of Wire and Gang of Four: it was the music he'd listened to in his early teens. Del Naja wanted Massive Attack to make an album having this astmosphere of edginess and paranoia present in the music of the late 1970s. Grant Marshall, also a new wave fan himself, supported this idea, as he wanted to get away from the "urban soul" of their previous work, Protection, but Andrew Vowles was skeptical.[4] The sessions continued with Vowles and Marshall working on bass and drum loops, while Del Naja carried on experimenting from new wave records. However during the recording, the group decided to release a new track, "Superpredators" sampling extensively a Siouxsie and the Banshees' song called "Metal Postcard", for the movie soundtrack of The Jackal;[5] the track would be included on the Japanese version of Mezzanine.[6]

The album was initially meant to be released in December 1997, but was delayed by four months, with Del Naja spending most of the time in the studio "making tracks, tearing them apart, f***ing [sic] them up, panicking, then starting again."[7] The album's working title was Damaged Goods, which was the name of the Gang of Four's 1978 debut single.[4]

Mezzanine was a pretty sketchy album in terms of the way we worked, because the band, as reported a lot at that time, were not getting on. So I'd be in the studio working with one of the members and someone else would come in, then the person I had been working with would leave and I'd have to change the track I was working on because they didn't want to work on that track, they wanted to work on something different. Sometimes I'd be working on perhaps four different tracks in one day, which was a pretty messy way to work.

– Neil Davidge in an interview with Sound on Sound.[8]

Composition

Mezzanine has been described as featuring trip hop[9] and electronica.,[1] with a "dark claustrophobia" coupled with a melancholy.[3] Musically, the album is a major departure from the jazzy and laidback sound of the first two albums, Blue Lines and Protection, invoking the dark undercurrents which had always been present in the collective's music. The album's textured and deep tone relies heavily on abstract and ambient sounds, as demonstrated in the song "Angel" among others.

Similar to their previous albums, several songs use one or more samples, ranging from Isaac Hayes to The Cure. In 1998, Manfred Mann sued Massive Attack for unauthorised use of a sample of the song "Tribute" from Manfred Mann's Earth Band's eponymous 1972 album, used on "Black Milk".[10] The song has subsequently appeared as "Black Melt" on later releases and at live performances, with the sample removed. Later digital editions of Mezzanine have retained the original song, with Mann being added to the songwriting credits.[11][12]

Mezzanine marked the parting of band member Vowles, due to creative conflicts. Horace Andy, a well-known reggae artist, also performed several spots on the album.[13]

Reception

Professional ratings
Review scores
SourceRating
AllMusic[14]
Entertainment WeeklyA−[9]
The Guardian[15]
Los Angeles Times[16]
Muzik10/10[17]
NME8/10[18]
Pitchfork9.3/10[19]
Rolling Stone[20]
The Rolling Stone Album Guide[21]
Uncut[22]

Mezzanine entered the UK Albums Chart at number one,[23] and was certified platinum by the British Phonographic Industry (BPI) on 4 September 1998 and then double platinum on 22 July 2013.[24] However, it failed to share the same success in North America, peaking at number 60 on the Billboard 200[25] and number 51 on the Canadian Albums Chart.[26]

The album received significant critical acclaim, which praised the collective's new sound. Rolling Stone's Barney Hoskyns, although praising the album, pointed to its flaws: "Sometimes rhythm and texture are explored at the expense of memorable tunes, and the absence of the bizarre Tricky [...] only highlights the flat, monotonous rapping of the group's 3-D."[20] Robert Christgau of The Village Voice gave the album a two-star honorable mention rating and selected "Risingson" and "Man Next Door" as highlights.[27]

John Bush of AllMusic also had positive words for the album's song "Inertia Creeps", saying it "could well be the highlight, another feature for just the core threesome. With eerie atmospherics, fuzz-tone guitars, and a wealth of effects, the song could well be the best production from the best team of producers the electronic world had ever seen."[14]

Years after the album was released, it was placed on several best-of lists in the UK and the United States. In 2000, Q magazine placed Mezzanine at number 15 on its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 412 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time.[28] In 2013, it was placed at 215 on NME's list of The 500 Greatest Albums of All Time.[1]

As of 2010, sales in the United States have exceeded 560,000 copies, according to Nielsen SoundScan.[29]

Legacy

"Teardrop" became the opening theme to the American medical drama television series House, which ran on Fox from 2004 to 2012.

Track listing

No.TitleWriter(s)Length
1."Angel"6:18
2."Risingson"
4:58
3."Teardrop"
5:29
4."Inertia Creeps"
  • Del Naja
  • Marshall
  • Vowles
5:56
5."Exchange"
4:11
6."Dissolved Girl"
6:07
7."Man Next Door"John Holt5:55
8."Black Milk"
6:20
9."Mezzanine"
  • Del Naja
  • Marshall
  • Vowles
5:54
10."Group Four"
  • Del Naja
  • Marshall
  • Vowles
  • Fraser
8:13
11."(Exchange)"
  • Del Naja
  • Marshall
  • Vowles
  • Hinds
  • Hilliard
  • Garson
4:08
Sample credits[30]

Personnel

Massive Attack

  • Robert Del Naja a.k.a. 3D – vocals, production, arrangements, programming, keyboards, samples, art direction, design
  • Grant Marshall a.k.a. Daddy G – vocals, production, arrangements, programming, keyboards, samples
  • Andrew Vowles a.k.a Mushroom – production, arrangements, programming, keyboards, samples

Additional personnel

  • Neil Davidge – production, arrangements, programming, keyboards, samples
  • Horace Andy – vocals (tracks 1, 7, 11)
  • Elizabeth Fraser – vocals (tracks 3, 8, 10)
  • Sara Jay – vocals (track 6)
  • Angelo Bruschini – guitars
  • Jon Harris – bass guitar
  • Bob Locke – bass guitar
  • Winston Blisset – bass guitar
  • Andy Gangadeen – drums
  • Dave Jenkins – additional keyboards
  • Michael Timothy – additional keyboards
  • Jan Kybert – Pro Tools
  • Lee Shepherd – engineering (Massive Attack and Christchurch Studios)
  • Mark "Spike" Stent – mixing (Olympic Studios)
  • Jan Kybert – mixing assistance
  • Paul "P-Dub" Walton – mixing assistance
  • Tim Young – editing, engineering (Metropolis Studios)
  • Nick Knight – photography
  • Tom Hingston – art direction, design

Charts

Certifications

Region CertificationCertified units/Sales
Australia (ARIA)[59] Platinum 70,000^
Austria (IFPI Austria)[60] Gold 25,000*
Belgium (BEA)[61] Platinum 50,000*
Canada (Music Canada)[62] Gold 50,000^
France (SNEP)[63] 2× Gold 243,000[64]
Germany (BVMI)[65] Gold 250,000^
Italy (FIMI)[66] Gold 50,000*
Netherlands (NVPI)[67] Gold 50,000^
New Zealand (RMNZ)[68] Platinum 15,000^
Norway (IFPI Norway)[69] Gold 25,000*
Switzerland (IFPI Switzerland)[70] Platinum 50,000^
United Kingdom (BPI)[24] 2× Platinum 600,000^
United States (RIAA)[71] none 560,000 [29]
Summaries
Europe (IFPI)[72] 2× Platinum 2,000,000*

*sales figures based on certification alone
^shipments figures based on certification alone

See also

References

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