List of works about Rembrandt

The sculptures of The Night Watch in 3D at the Rembrandtplein in Amsterdam in 2006–2009

Rembrandt Harmenszoon van Rijn (1606–1669) is one of the most famous[1][2][3][4][5][6][7][8] and best expertly researched artists in history.[9] In Rembrandt scholar Stephanie Dickey's words, "Rembrandt's art is a key component in any study of the Dutch Golden Age, and his membership in the canon of artistic genius is well established, but he is also a figure whose significance transcends specialist interest. Literary critics have pondered "Rembrandt" as a "cultural text"; novelists, playwrights, and filmmakers have romanticized his life, and in popular culture, his name has become synonymous with excellence for products and services, ranging from toothpaste to self-help advice."[9]

As a visual artist in general and an Old Master in particular, Rembrandt (i.e. his life, art, and circle) has been the subject of a vast amount of literature, including works of fiction and non-fiction. The field of Rembrandt studies (academic study of Rembrandt's life and work, including works by his pupils/followers) has been one of the most dynamic subfields of Netherlandish art history,[10][11] with many notable Rembrandt scholars.

The following is a list of works about Rembrandt.

Non-fiction

Books, dissertations and theses

General

  • Chu, Petra Ten-Doesschate: French Realism and the Dutch Masters: The Influence of Dutch Seventeenth-Century Painting on the Development of French Painting between 1830 and 1870. (Utrecht: Haentjens Dekker & Gumbert, 1974)
  • Fleischer, Roland E.; Munshower, Susan Scott (eds.): The Age of Rembrandt: Studies in Seventeenth-Century Dutch Painting. (University Park, PA: University of Pennsylvania Press, 1988)
  • Franits, Wayne (ed.): Ashgate Research Companion to Dutch Art of the Seventeenth-Century. (Burlington, VT: Ashgate, 2016)
  • Freedberg, David; de Vries, Jan (eds.): Art in History, History in Art: Studies in Seventeenth-century Dutch Culture. (Santa Monica: Getty Center for the History of Art and the Humanities, 1991)
  • Hammer-Tugendhat, Daniela: Das Sichtbare und das Unsichtbare. Zur holländischen Malerei des 17. Jahrhunderts. (Köln / Weimar / Wien: Böhlau, 2009, ISBN 978-3-412-20446-4) [in German]
  • Hammer-Tugendhat, Daniela: The Visible and the Invisible: on Seventeenth-century Dutch Painting. Translated from German by Margarethe Clausen. (Berlin: De Gruyter, 2015)
  • Hirschfelder, Dagmar: Tronie und Porträt in der niederländischen Malerei des 17. Jahrhunderts. (Berlin: Gebr. Mann Verlag, 2008, ISBN 978-3-7861-2567-9) [in German]
  • Hirschfelder, Dagmar; Krempel, León (eds.): Tronies. Das Gesicht in der Frühen Neuzeit. (Berlin: Gebr. Mann Verlag, 2014, ISBN 978-3-7861-2694-2) [in German]
  • Houbraken, Arnold: De Groote Schouburgh der Nederlantsche Konstschilders en Schilderessen, 3 vols. in 1. The Hague, 1753 (Reprint: Amsterdam, 1976) [in Dutch]
  • Montias, John Michael: Art at Auction in 17th Century Amsterdam. (Amsterdam: Amsterdam University Press, 2002)
  • Muller, Sheila D. (ed.): Dutch Art: An Encyclopedia. (New York: Garland Pub., 1997, ISBN 0-8153-0065-4)
  • Quodbach, Esmée (ed.): Holland's Golden Age in America: Celebrating the Art of Rembrandt, Vermeer, and Hals. (University Park, PA: Pennsylvania State University Press, 2014)
  • Riegl, Alois: The Group Portraiture of Holland. Introduction by Wolfgang Kemp, translated from the German by Evelyn M. Kain and David Britt. (Los Angeles, California : Getty Research Institute for the History of Art and the Humanities, 1999)
  • Silver, Larry: Rembrandt's Holland [Renaissance Lives]. (Reaktion Books, 2018, ISBN 978-1780238470)
  • Sitt, Martina; et al.: Pieter Lastman. In Rembrandts Schatten? [exh. cat.]. (Hamburg: Hamburger Kunsthalle; Munich: Hirmer Verlag, 2006, ISBN 978-3-7774-2985-4) [in German]
  • Sluijter, Eric Jan; et al.: Leidse fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge, 1630–1760. (Leiden: Stedelijk Museum De Lakenhal, 1988) [in Dutch]
  • Turner, Jane: Rembrandt to Vermeer: 17th-Century Dutch Artists [Grove Dictionary of Art]. (New York: St. Martin's Press, 2000)
  • Von Bode, Wilhelm: Studien zur Geschichte der holländischen Malerei [Studies in the history of Dutch painting]. (Brunswick: Friedrich Viewege, 1883) [in German]
  • Wheelock, Arthur K. Jr.; Baer, Ronni (eds.): Gerard Dou, 1613–1675: Master Painter in the Age of Rembrandt. (New Haven, CT: Yale University Press, 2002)

Biography

  • Bell, Malcolm: Rembrandt van Rijn and His Work. (London: G. Bell, 1899)
  • Blankert, Albert (ed.): Rembrandt: A Genius and His Impact. (Melbourne: National Gallery of Victoria, 1997)
  • Bockemühl, Michael: Rembrandt. (Köln: Taschen, 2001)
  • Boeck, Wilhelm: Rembrandt. (Stuttgart: W.Kohlhammer Verlag, 1962) [in German]
  • Bolten, J.; Bolten-Rempt, H.: The Hidden Rembrandt. Translated from the Dutch by Danielle Adkinson. (Chicago, IL: Rand McNally & Co., 1977)
  • Brion, Marcel: Rembrandt. (Albin Michel, 1946) [in French]
  • Brons, Ingrid S.; Postma, Annemarie (eds.): Rembrandt in Leiden. Portret van een schildersjongen en zijn stad [Rembrandt in Leiden. A young painter and his city]. ('s-Hertogenbosch: Uitgeverij Heinen, 2006, ISBN 90-77721-73-8) [in Dutch]
  • Brown, Gerard Baldwin: Rembrandt: A Study of His Life and Work. (London, 1907)
  • Fowkes, Charles: The Life of Rembrandt. (London: The Hamlyn Publishing Group, 1978)
  • Haak, Bob: Rembrandt, zijn leven, zijn werk, zijn tijd. (Amsterdam, 1968) [in Dutch]
  • Haak, Bob: Rembrandt: His Life, His Work, His Times. Translated from the Dutch by Elizabeth Willems-Treeman. (New York: Harry N. Abrams, 1969)
  • Kitson, Michael: Rembrandt, 3rd ed. (Oxford: Phaidon, 1982)
  • Knuttel, Gerhardus: Rembrandt, de meester en zijn werk. (Amsterdam: Ploegsma, 1956) [in Dutch]
  • Mee, Charles L.: Rembrandt's Portrait: A Biography. (New York: Simon & Schuster, 1990)
  • Michel, Émile: Rembrandt. Sa vie, son œuvre et son temps. (Paris: Hachette, 1893) [in French]
  • Michel, Émile: Rembrandt, His Life, His Work, and His Time, 2 vols. Translated from the French by Florence Simmonds. (London: Heinemann, 1894)
  • Muller, Joseph-Emile: Rembrandt. (Paris: Aimery Somogy; London: Thames & Hudson, 1968)
  • Partsch, Susanna: Rembrandt. (London: Weidenfeld and Nicolson, 1991)
  • Pächt, Otto: Rembrandt. (Munich: Prestel Verlag, 1991) [in German]
  • Roger-Marx, Claude: Rembrandt. (Paris: Pierre Tisné Éditeur, 1960) [in French]
  • Roger-Marx, Claude: Rembrandt. Translated W.J. Strachan and Peter Simmons. (New York: Universe Books, 1960)
  • Schmidt-Degener, F.: Rembrandt. Een beschrijving van zijn leven en zijn werk. (Amsterdam, 1906) [in Dutch]
  • Schwartz, Gary: De Grote Rembrandt. (Zwolle: Waanders, 2006) [in Dutch]
  • Schwartz, Gary: Rembrandt's Universe: His Art, His Life, His World. (London: Thames & Hudson, 2006)
  • Schwartz, Gary: Meet Rembrandt: Life and Work of the Master Painter. (New Haven, CT: Yale University Press, 2010)
  • Van Loon, Hendrik Willem: The Life and Times of Rembrandt van Rijn. (Garden City, 1930; Liveright, 1943)
  • Verhaeren, Émile: Rembrandt, biographie critique. (Paris: H. Laurens, 1905) [in French]
  • Veth, Jan: Rembrandts leven en kunst. (Amsterdam: H. J. W. Becht, 1941) [in Dutch]
  • Von Sandrart, Joachim; Baldinucci, Filippo; Houbraken, Arnold: Lives of Rembrandt [Lives of the Artists]. Introduced by Charles Ford. (J. Paul Getty Museum, 2018, ISBN 978-1606065624)
  • Vosmaer, Carel: Rembrandt Hannensz van Ryn, sa vie et ses oeuvres. (The Hague, 1868) [in French]
  • Weisbach, Werner: Rembrandt. (Berlin: Walter de Gruyter, 1926) [in German]
  • Westermann, Mariët: Rembrandt. (London: Phaidon, 2000)
  • White, Christopher: Rembrandt and His World. (London: Thames and Hudson, 1964)
  • White, Christopher: Rembrandt. (New York: Thames & Hudson, 1984)

Exhibition catalogue

  • Abbing, Michiel Roscam: The Treasures of Rembrandt. (London: Carlton Publishing Group, 2006)
  • Baer, Ronni: Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. With essays by Henk van Nierop, Herman Roodenburg, Eric Jan Sluijter, Marieke de Winkel, and Sanny de Zoete. Translated by Diane Webb. (Boston: Museum of Fine Arts, 2015, ISBN 978-0-87846-830-0)
  • Bevers, Holm: Rembrandt: Die Zeichnungen im Berliner Kupferstichkabinett [Kritischer Katalog]. (Ostfildern: Staatliche Museen zu Berlin, 2006) [in German]
  • Bevers, Holm; Kettner, Jasper; Metze, Gudula (eds.): Rembrandt. Ein Virtuose der Druckgraphik. (Kupferstichkabinett, Staatliche Museen zu Berlin, 2006) [in German]
  • Bialostocki, Jan; et al.: Jan Lievens. Ein Maler im Schatten Rembrandts. (Braunschweig: Herzog Anton Ulrich Museum, 1979) [in German]
  • Bisanz-Prakken, Marian: Drawings from the Albertina: Landscape in the Age of Rembrandt. (Alexandria, VA: Art Services International, 1995)
  • Bisanz-Prakken, Marian: Rembrandt and His Time: Masterworks from the Albertina. (New York: Hudson Hills Press, 2005)
  • Blankert, Albert (ed.): Gods, Saints and Heroes: Dutch Painting in the Age of Rembrandt [exh.cat.]. (Washington: National Gallery of Art, 1980)
  • Bomford, D.; Brown, C.; Roy, A.: Art in the Making: Rembrandt. (London: National Gallery, 1988)
  • Bull, Duncan; Dibbits, Taco; et al.: Rembrandt – Caravaggio [exh. cat.]. (Amsterdam: Rijksmuseum, 2006)
  • De Witt, David; Noorman, Judith (eds.): Rembrandt's Naked Truth: Drawing Nude Models in the Golden Age [exh. cat., Rembrandt House Museum, Amsterdam]. (Zwolle, 2016)
  • Döring, Thomas; Bungarten, Gisela; Page, Christiane: Aus Rembrandts Kreis. Die Zeichnungen des Braunschweiger Kupferstichkabinetts [From Rembrandt's Circle: Drawings from the Brunswick-Printroom]. (Petersberg: Michael Imhof Verlag, 2006) [in German]
  • Duparc, Frederik J.: Landscape in Perspective: Drawings by Rembrandt and His Contemporaries. (Cambridge, Mass.: Arthur M. Sackler Museum, 1988)
  • Eissenhauer, Michael (ed.): Rembrandt-Bilder. Die historische Sammlung der Kasseler Gemäldegalerie. (München: Hirmer, 2006, ISBN 978-3-7774-2995-3)
  • Ganz, James A.: Rembrandt's Century. (Prestel, 2013, ISBN 978-3791352244)
  • Garton, Robin; Grimm, Gerard Volker; van der Grinten, Gerhard: Rembrandt und die englischen Malerradierer des 19. Jahrhunderts [Rembrandt and the English Painter-Etchers of the 19th Century]. (Bedburg-Hau: Stiftung Museum Schloss Moyland, 2005) [in German]
  • Gilles, Matthieu; et al.: Rembrandt et les peintres-graveurs italiens de Castiglione à Tiepolo. (Épinal: Musée Départemental d'Art Ancient et Contemporain, 2003) [in French]
  • Giltaij, Jeroen: The Drawings by Rembrandt and His School in the Museum Boymans-van Beuningen. (Rotterdam: Museum Boymans-van Beuningen, 1988)
  • Haverkamp-Begemann, Egbert; Judson, J. Richard; Logan, Anne-Marie: Rembrandt after Three Hundred Years: An Exhibition of Rembrandt and His Followers. (Chicago: Art Institute of Chicago, 1969)
  • Leca, Benedict; et al.: Rembrandt: Three Faces of the Master. (Cincinnati: Cincinnati Art Museum, 2008)
  • Liedtke, Walter; von Sonnenburg, Hubert; Logan, Carolyn; Orenstein, Nadine M.; Dickey, Stephanie S.: Rembrandt/Not Rembrandt in the Metropolitan Museum of Art: Aspects of Connoisseurship, 2 vols. (New York: Metropolitan Museum of Art, 1995)
  • Middelkoop, Norbert; et al.: Rembrandt under the Scalpel: The Anatomy Lesson of Dr. Nicolaes Tulp Dissected [exh. cat.]. (Den Haag: Mauritshuis, 1998)
  • Seifert, Christian Tico; Dickey, Stephanie S.; et al.: Rembrandt: Britain's Discovery of the Master. (Scotland: National Galleries of Scotland, 2018, ISBN 9781911054191)
  • Starcky, Emmanuel: Rembrandt et son école, dessins du Musée du Louvre. (Paris: Musée du Louvre, 1988–89) [in French]
  • Tümpel, Christian; Tümpel, Astrid: The Pre-Rembrandtists [exh. cat.]. (Sacramento, CA: E. B. Crocker Art Gallery, 1974)
  • Tümpel, Astrid; Schatborn, Peter; et al.: Pieter Lastman, Leermeester van Rembrandt / Pieter Lastman, The Man Who Taught Rembrandt. (Amsterdam: Museum Het Rembrandthuis, 1991)
  • Vignau-Wilberg, Thea: Rembrandt auf Papier. Werk und Wirkung [Rembrandt and his Followers. Drawings from Munich]. Mit einem Beitrag von Peter Schatborn. Katalog zur Ausstellung der Staatlichen Graphischen Sammlung München; München Alte Pinakothek 5 December 2001 – 10 February 2002; Amsterdam Museum het Rembrandt. (München: Hirmer, 2001, ISBN 978-3-7774-9150-9) [in German]
  • Weller, Dennis P.; Keyes, George S.; Rassieur, Tom; Seydl, Jon L.: Rembrandt in America: Collecting and Connoisseurship. (New York, NY : Skira Rizzoli Publications, 2011, ISBN 978-0847836857)
  • Wheelock, Arthur K. Jr.; et al.: Rembrandt's Late Religious Portraits. (Washington, DC: National Gallery of Art; Chicago: University of Chicago Press, 2005)
  • Williams, Julia Lloyd: Rembrandt. Artemisa y Mujer en el lecho. (Madrid: Museo Nacional del Prado, 2002, ISBN 84-8480-025-3) [in Spanish]

Others

  • Abbing, Michiel Roscam (ed.): Rembrandt 2006: Essays. (Leiden: Foleor Publishers, 2006)
  • Abbing, Michiel Roscam: Rembrandt's Elephant: The Story of Hansken. (Amsterdam: Leporello Uitgevers, 2006, ISBN 978-90-808745-6-5)
  • Ackley, Clifford S.; Baer, Ronni; Rassieur, Thomas E.: Rembrandt's Journey: Painter, Draftsman, Etcher. (Boston: Museum of Fine Arts, 2003)
  • Adams, Ann Jensen (ed.): Rembrandt's Bathsheba Reading King David's Letter. (New York: Cambridge University Press, 1998)
  • Ainsworth, M.W.; et al.: Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer. (New York: The Metropolitan Museum of Art, 1987)
  • Alexander-Knotter, Mirjam; Hillegars, Jasper; van Voolen, Edward: De 'joodse' Rembrandt. De mythe ontrafeld. (Zwolle: Waanders, 2007) [in Dutch]
  • Albers, Eckbert: Erkenntnismomente und Erkenntnisprozesse bei Rembrandt [Studien zur Kunstgeschichte, 174]. (Hildesheim: Georg Olms Verlag, 2008, ISBN 978-3-487-13831-2) [in German]
  • Alpers, Svetlana: Rembrandt's Enterprise: The Studio and the Market. (Chicago: University of Chicago Press, 1988, ISBN 978-0-226-01518-7)
  • Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious art heists. (New York: Palgrave Macmillan, 2012, ISBN 9780230108530)
  • Bailey, Anthony: Rembrandt's House: Exploring the World of the Great Master. (Boston: Houghton Mifflin, 1978)
  • Bailey, Anthony: Responses to Rembrandt: Who Painted the Polish Rider?, a Controversy Considered. (New York: Timken Publishers, 1994)
  • Bakker, Boudewijn; et al.: Landscapes of Rembrandt: His Favourite Walks. (Amsterdam: Gemeentearchie, 1988)
  • Bakker, Boudewijn: Landschap en Wereldbeeld: Van Van Eyck tot Rembrandt. (Bussum: Uitgeverij Thoth, 2004) [in Dutch]
  • Bakker, Boudewijn: Landscape and Religion: From Van Eyck to Rembrandt. Translated from the Dutch by Diane Webb. (Burlington, VT: Ashgate, 2012)
  • Balet, Leo: Rembrandt and Spinoza. (New York: Philosophical Library, 1962)
  • Bartsch, Adam von: Catalogue raisonné de toutes les estampes qui forment l'œuvre de Rembrandt et ceux de ses principaux imitateurs [2 vols.]. (Vienna, 1797) [in French]
  • Bauch, Kurt: Die Kunst des Jungen Rembrandt. (Heidelberg: Winter, 1933) [in German]
  • Bauch, Kurt: Die frühe Rembrandt und seine Zeit. (Berlin: Verlag Gebr. Mann, 1960) [in German]
  • Bauch, Kurt: Rembrandt Gemälde. (Berlin: W. de Gruyter, 1966) [in German]
  • Bal, Mieke: Het Rembrandt effect: Visies op kijken. (Utrecht: HES Uitgevers, 1987) [in Dutch]
  • Bal, Mieke: Reading Rembrandt: Beyond the Word-Image Opposition. (Amsterdam: Amsterdam University Press, 1991)
  • Beliën, Herman; Knevel, Paul: Langs Rembrandts roem. De reputatie van een meester. (Amsterdam: Salomé, 2006, ISBN 9053568360) [in Dutch]
  • Benesch, Otto: Rembrandt: Werk und Forschung. (Vienna, 1935) [in German]
  • Benesch, Otto: Rembrandt as a Draughtsman: An Essay with 115 Illustrations. (London: Phaidon Press, 1960)
  • Benesch, Otto: The Drawings of Rembrandt. [6 vols, 2nd ed.]. (Phaidon, 1973)
  • Berger, Harry: Fictions of the Pose: Rembrandt Against the Italian Renaissance. (Stanford, California: Stanford University Press, 2000, ISBN 978-0804733243)
  • Berger, Harry: Manhood, Marriage, and Mischief: Rembrandt's "Night Watch" and Other Dutch Group Portraits. (New York: Fordham University Press, 2007, ISBN 978-0-8232-2557-6)
  • Berrong, Richard M.: Putting Monet and Rembrandt into Words: Pierre Loti's Recreation and Theorization of Claude Monet's Impressionism and Rembrandt's Landscapes in Literature. (Chapel Hill, NC: University of North Carolina Press, 2014, ISBN 978-1-4696-1365-9)
  • Bevers, Holm; et al.: Drawings by Rembrandt and His Pupils: Telling the Difference. (Los Angeles: The J. Paul Getty Museum, 2009)
  • Bevers, Holm; Kelch, Jan; Lindemann, Bernd Wolfgang; Seifert, Christian Tico (eds.): Rembrandt – Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin, 4.-5. November 2006 [Jahrbuch der Berliner Museen. Neue Folge. Vol. 51, Beiheft]. (Berlin: Gebr. Mann Verlag, 2009, ISBN 978-3-7861-2563-1) [in German]
  • Bikker, Jonathan: Willem Drost (1633–1659): A Rembrandt Pupil in Amsterdam and Venice. (New Haven: Yale University Press, 2005)
  • Bikker, Jonathan; Weber, Gregor J. M.; et al.: Rembrandt: The Late Works [National Gallery London]. (London: The National Gallery, 2014, ISBN 978-1857095579)
  • Biörklund, George; Barnard, Osbert H.: Rembrandt's Etchings: True and False, revised edition. (Stockholm, 1968)
  • Blanc, Charles: L'Œuvre de Rembrandt, reproduit en planches photographiques. (Paris: Gide et J. Bandry, 1853) [in French]
  • Blanc, Charles: L'œuvre complet de Rembrandt: Catalogue raisonné de toutes les eaux-fortes du maître et de ses peintures... orné de bois gravés et de quarante eaux-fortes tirées à part et rapportées dans le texte. (Paris: Gide, 1859–1861) [in French]
  • Blanc, Jan: Dans l'atelier de Rembrandt: Le maître et ses élèves. (Éditions de La Martinière, 2006, ISBN 9782732434315) [in French]
  • Bockemühl, Michael: Rembrandt, 1606–1669. Das Rätsel der Erscheinung. (Köln: Benedikt Taschen Verlag, 1991) [in German]
  • Bockemühl, Michael: Rembrandt, 1606–1669: The Mystery of the Revealed Form. Translated from the German by Michael Claridge. (Köln: Taschen, 2004)
  • Bohlmann, Carolin; Fink, Thomas; Weiss, Philipp (eds.): Lichtgefüge des 17. Jahrhunderts. Rembrandt und Vermeer – Spinoza und Leibniz. (München: Wilhelm Fink 2008, ISBN 978-3-7705-4454-7) [in German]
  • Boka, Georges; Courteau, Bernard: Rembrandt's Nightwatch: The Mystery Revealed. (Quebec, Canada: C.C.E.P., 1994, ISBN 2-920217-41-0)
  • Bonafoux, Pascal: Rembrandt: Self-Portrait. (New York: Rizzoli, 1985)
  • Bonafoux, Pascal: Rembrandt, le clair, l'obscur. (Paris: Gallimard, 1990) [in French]
  • Bonafoux, Pascal: Rembrandt: Master of the Portrait. (New York: Harry N. Abrams, 1990)
  • Bonafoux, Pascal: Rembrandt: Substance and Shadow. (London: Thames and Hudson, 1992)
  • Boomgaard, Jeroen: De verloren zoon. Rembrandt en de Nederlandse kunstgeschiedschrijving. (Amsterdam: Babylon-De Geus, 1995) [in Dutch]
  • Boon, K.G.: Rembrandt: The Complete Etchings. (New York: Harry N. Abrams, 1963)
  • Borenius, Tancred: Rembrandt: Selected Paintings. (London: Phaidon Press, 1942)
  • Bredius, Abraham: The Paintings of Rembrandt. (London: Phaidon, 1937)
  • Bredius, Abraham: Rembrandt: The Complete Edition of the Paintings, 3rd ed. [Revised by Horst Gerson]. (London: Phaidon Press, 1969)
  • Brom, Gerard: Rembrandt in de literatuur. (Groningen: J. B. Wolters, 1936) [in Dutch]
  • Broos, Ben: Saskia, de vrouw van Rembrandt. (Zwolle: Wbooks, 2012) [in Dutch]
  • Brown, Christopher; Kelch, Jan; van Thiel, Pieter (eds.): Rembrandt: The Master and His Workshop. (New Haven: Yale University Press, 1991)
  • Bruin, Kees: De echte Rembrandt. Verering van een genie in de twintigste eeuw. ((Amsterdam: Balans, 1995) [in Dutch]
  • Bruyn, J.; et al: A Corpus of Rembrandt Paintings [Volume I, Stichting Foundation Rembrandt Research Project]. (The Hague / Boston / London, 1982)
  • Bruyn, J.; et al: A Corpus of Rembrandt Paintings [Volume II, Stichting Foundation Rembrandt Research Project]. (Dordrecht / Boston / Lancaster, 1982)
  • Brückner, Christel: Rembrandts Braunschweiger Familienbild. (Hildesheim: Olms, 1998, ISBN 3-487-10244-7) [in German]
  • Büttner, Nils: Rembrandt, Licht und Schatten. Eine Biographie. (Stuttgart: Reclam, 2014, ISBN 978-3-15-010965-6) [in German]
  • Buvelot, Quentin; White, Christopher (eds.): Rembrandt by Himself. (London: National Gallery Publications Limited, 1999)
  • Cavalli-Björkman, Görel (ed.): Rembrandt and His Pupils: Papers Given at a Symposium in Nationalmuseum Stockholm, 2–3 October 1992. (Stockholm: Nationalmuseum, 1993)
  • Chapman, H. Perry: Rembrandt's Self-Portraits: A Study Seventeenth-Century Identity. (Princeton, N.J.: Princeton University Press, 1990)
  • Chong, Alan (ed.): Rembrandt Creates Rembrandt: Art and Ambition in Leiden, 1629–1631. [Essays by Arthur K. Wheelock, Jr., Mariët Westermann, Christopher White and Alan Chong]. (Boston: Isabella Stewart Gardner Museum; Zwolle: Wanders Publishers, 2000, ISBN 90-400-9468-3)
  • Chung, Jina: Rembrandt Redefined: Making the “Global Artist” in Seventeenth-Century Amsterdam. (MA thesis, University of Texas at Austin, 2011)
  • Clark, Kenneth: Rembrandt and the Italian Renaissance. (London: John Murray, 1966)
  • Clark, Kenneth: An Introduction to Rembrandt. (London: John Murray/Readers Union, 1978)
  • Claussin, Ignace Joseph de: Catalogue raisonné de toutes les estampes qui forment l'œuvre de Rembrandt, et des principales pièces de ses élèves; composé par les sieurs Gersaint, Helle, Glomy et P. Yver [Nouvelle édition corrigée et consi-dérablement augmentée]. (Paris, 1824) [in French]
  • Crenshaw, Paul: Rembrandt's Bankruptcy: The Artist, his Patrons, and the Art market in Seventeenth-Century Netherlands. (Cambridge and New York: Cambridge University Press, 2006, ISBN 978-0521858250)
  • Coquerel, Athanase: Rembrandt et l'individualisme dans l'art. (Paris: Sandoz et Fischbacher, 1868) [in French]
  • De Groot, Cornelis Hofstede: Die Urkunden über Rembrandt (1575–1721). (The Hague: Martinus Nijhoff, 1906) [in German]
  • De Viejo, Isadora Rose: Rembrandt en la memoria de Goya y Picasso, Obra gráfica. (Madrid: Fundación Carlos de Amberes / Fundación Bancaja / Ibercaja, 1999–2000) [in Spanish]
  • De Viejo, Isadora Rose; Cohen, Janie: Etched on the Memory: The Presence of Rembrandt in the Prints of Goya and Picasso. (Blaricum: V KPub./Inmerc, 2000)
  • De Winkel, Marieke: Fashion and Fancy: Dress and Meaning in Rembrandt's Paintings. (Amsterdam: Amsterdam University Press, ISBN 90-5356-917-0)
  • Dickey, Stephanie: Dutch Painting in the Age of Rembrandt from the Metropolitan Museum of Art. Introduction by Susan D. Kuretsky [Exhibition catalogue]. (Hamilton, N.Y.: Picker Art Gallery, Colgate University, 1983)
  • Dickey, Stephanie: Rembrandt Harmensz van Rijn: The Illustrated Bartsch, Vol. 50 [Supplement]. (New York: AbarisBooks, 1993)
  • Dickey, Stephanie: Rembrandt: Portraits in Print. (Amsterdam/Philadelphia: John Benjamins, 2004)
  • Dickey, Stephanie: Rembrandt Face to Face. (Indianapolis, IN: Indianapolis Museum of Art, 2006)
  • Dickey, Stephanie; Wilson, John: Rembrandt's Recession: Passion and Prints in the Dutch Golden Age. (San Diego: Timken Museum of Art, 2010)
  • Dickey, Stephanie: Rembrandt and his Circle: Insights and Discoveries. (Amsterdam: Amsterdam University Press, 2017)
  • Díaz-Plaja, Guillermo: Rembrandt y la sinagoga española. (Barcelona: Plaza & Janés, 1982) [in Spanish]
  • Driessen, Christoph: Rembrandts vrouwen. (Amsterdam: Bert Bakker, 2012, ISBN 9789035136908) [in Dutch]
  • Durham, John: The Biblical Rembrandt: Human Painter in a Landscape of Faith. (Macon, GA.: Mercer University Press, 2004, ISBN 978-0865548862)
  • Dutuit, Eugène: L'oeuvre complet de Rembrandt [2 vols.]. (Paris, 1883) [in French]
  • Dutuit, Eugène: Tableaux et dessins de Rembrandt: Catalogue historique et descriptif; supplément à l'Oeuvre complet de Rembrandt. (Paris, 1885) [in French]
  • Emmens, J.A.: Rembrandt en de regels van de kunst. (Utrecht: Haentjens Dekker & Gumbert, 1968) [in Dutch]
  • Erpel, Fritz: Die Selbstbildnisse Rembrandts. (Berlin: Henschelverlag, 1967) [in German]
  • Foucart, Jacques: Les Peintures de Rembrandt au Louvre. (Paris: Éditions de la RMN, 1982) [in French]
  • Frederick, Amy Reed: Rembrandt's Etched Sketches and Seventeenth-Century Print Culture. (PhD thesis, Case Western Reserve University, May 2014)
  • Gantner, Joseph: Rembrandt und die Verwandlung Klassischer Formen. (Bern/Munich: Francke Verlag, 1964) [in German]
  • Gatenbröcker, Silke: Familienglück – Rembrandt und sein Braunschweiger Meisterwerk. (Petersberg: Imhof, 2006, ISBN 3-86568-187-5) [in German]
  • Genet, Jean: Œuvres complètes, Le Secret de Rembrandt. (Gallimard, 1968, ISBN 2070102157) [in French]
  • Genet, Jean: Ce qui est resté d'un Rembrandt déchiré en petits carrés bien réguliers, et foutu aux chiottes. (Les éditions du Chemin de fer, 2013, ISBN 978-2-916130-54-5) [in French]
  • Gersaint, Edme-François: Catalogue raisonné de toutes les pièces qui forment l'oeuvre de Rembrandt. (Paris: Chez Hochereau, 1751) [in French]
  • Gerson, Horst: De Schilderijen van Rembrandt. (Amsterdam, 1968) [in Dutch]
  • Gerson, Horst: Rembrandt Paintings. (Amsterdam, 1968)
  • Gilboa, Anat: Images of the Feminine in Rembrandt's Work. (Delft: Eburon Publishers, 2003, ISBN 90-5166-954-2)
  • Golahny, Amy: Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History. (Amsterdam: Amsterdam University Press, 2003, ISBN 90-5356-609-0)
  • Gottwald, Franziska: Das Tronie. Muster—Studie—Meisterwerk: Die Genese einer Gattung der Malerei vom 15. Jahrhundert bis zu Rembrandt [Kunstwissenschaftliche Studien, Band 164]. (Berlin: Deutscher Kunstverlag, 2011) [in German]
  • Grimm, Claus: Rembrandt selbst. Eine Neubewertung seiner Portratkunst. (Stuttgart: Belser Verlag, 1991) [in German]
  • Grohé, Stefan: Rembrandts mythologische Historien. (Köln/Weimar/Wien: Böhlau Verlag, 1996) [in German]
  • Guillaud, Jacqueline; Guillaud, Maurice; Lambert, Gisèle: Rembrandt. La figuration humaine. (Paris / New York: Guillaud / Clarkson N. Potter, 1986) [in French]
  • Guillaud, Jacqueline; Guillaud, Maurice: Rembrandt. The Human Form and Spirit. [Translated from the French by Suzanne Boorsch et al.]. (New York: Clarkson N. Potter, 1986)
  • Gutbrod, Helga: Lievens und Rembrandt: Studien zum Verhältnis ihrer Kunst. (Frankfurt am Main: Peter Lang, 1996) [in German]
  • Halewood, William H.: Six Subjects of Reformation Art: A Preface to Rembrandt. (Toronto: University of Toronto Press, 1982)
  • Haussherr, Reiner: Rembrandts Jacobssegen. Überlegung zur Deutung des Gemäldes in der Kasseler Galerie. (Opladen: Westdeutscher Verlag , 1976) [in German]
  • Haverkamp-Begemann, Egbert: Rembrandt's The Nightwatch. (Princeton, NJ: Princeton University Press, 1982)
  • Hausler, Bettina: Das Phänomen Rembrandtismus in der euro- päischen Druckgraphik des 17. und 18. Jahrhunderts. (Univ. Diss, München, 2002) [in German]
  • Häslein, Christiane: Am Anfang war das Wort. Das Ende der “stommen schilderkonst” am Beispiel Rembrandts. (Weimar: VDG, Verlag und Datenbank für Geisteswissenschaften, 2004, ISBN 3-89739-427-8) [in German]
  • Heckscher, William S.: Rembrandt's Anatomy of Dr. Nicolaas Tulp: An Iconological Study. (New York: New York University Press, 1959)
  • Heenk, Liesbeth: Rembrandt and his Influence on Eighteenth-century German and Austrian Printmakers. (Amsterdam, 1998)
  • Heiland, Susanne; Lüdecke, Heinz (eds.): Rembrandt und die Nachwelt. (Leipzig: E.A. Seemann, 1960) [in German]
  • Held, Julius S.: Rembrandt and the Book of Tobit. (Northampton, MA: The Gehenna Press, 1964)
  • Held, Julius S.: Rembrandt's Aristotle and Other Rembrandt Studies. (Princeton, N.J.: Princeton University Press, 1969)
  • Held, Julius S.: Rembrandt Studies, revised and expanded edition. (Princeton, N.J.: Princeton University Press, 1991)
  • Hetzer, Theodor: Rubens und Rembrandt. Edited by Gertrude Berthold. (Stuttgart: Urachhaus, 1984) [in German]
  • Hind, Arthur M.: A Catalogue of Rembrandt's Etchings [2nd ed.]. (London: Methuen & Co., 1923)
  • Hoekveld Meijer, Gerda: De god van Rembrandt: Rembrandt als commentator van de godsdienst van zijn tijd. (Zoetermeer: Meinema, 2005, ISBN 9789021140599) [in Dutch]
  • Hoff, Ursula: Rembrandt und England. (Hamburg: Kleinert, 1935) [in German]
  • Housden, Roger: How Rembrandt Reveals Your Beautiful Imperfect Self. (New York: Harmony Books, 2005)
  • Ilschner, Liselotte: Rembrandt als Erzieher und seine Bedeutung. Studie über die kulturelle Struktur der neunziger Jahre. (Danzig, 1928) [in German]
  • Jeutter, Ewald: Zur Problematik der Rembrandt-Rezeption im Werk des Genuesen Giovanni Benedetto Castiglione (Genua 1609–1664 Mantua). Eine Untersuchung zu seinem Stil und seinen Nachwirkungen im 17. und 18. Jahrhundert. (Weimar: VDG, 2004, ISBN 978-3-89739-466-7) [in German]
  • Kann, Anne-Röver: In Rembrandts Manier: Kopie, Nachahmung und Aneignung in den graphischen Künsten des 18. Jahrhunderts, Ausst.-Kat. (Bremen: Kunsthalle Bremen, 1986) [in German]
  • Kelch, Jan; von Simson, Otto (eds.): Neue Beiträge zur Rembrandt-Forschung. (Berlin: Gebr. Mann, 1973) [in German]
  • Kettering, Alison McNeil: Rembrandt's Group Portraits. (Zwolle: Waanders, 2006)
  • Kofuku, Akira (ed.): Rembrandt and the Rembrandt School: The Bible, Mythology and Ancient History. [Text in Japanese with summaries in English]. (Tokyo : NHK Promotions, 2003) [in Japanese]
  • Kofuku, Akira (ed.): Rembrandt and Dutch History Painting in the 17th Century. Conference Proceedings of 13–14 September 2003. (Tokyo: The National Museum of Western Art, 2004, 180pp)
  • Lammertse, F.; van der Veen, J.: Uylenburgh & Zoon: Kunst en commercie van Rembrandt tot De Lairesse, 1625–1675 [Uylenburgh and Son: Art and Commerce from Rembrandt to De Lairesse, 1625–1675]. (Zwolle/Amsterdam, 2006) [in Dutch]
  • Landsberger, Franz: Rembrandt, the Jews, and the Bible. Translated by Felix N. Gerson. (Philadelphia: Jewish Publication Society, 1946)
  • Langbehn, Julius: Rembrandt als Erzieher [Rembrandt as Teacher]. (Leipzig: C.L. Hirschfeld, 1890) [in German]
  • Laurie, Arthur Pillans: A Study of Rembrandt and the Paintings of His School by Means of Magnified Photographs. (London: E. Walker, 1930)
  • Laurie, Arthur Pillans: The Brushwork of Rembrandt and His School. (London: Oxford University Press, 1932)
  • Levinson-Lessing, Vladimir Francevič; et al. (eds.): Rembrandt Harmensz van Rijn: Paintings from Soviet Museums. Translated by V. Pozner. (Leningrad: Aurora, 1970)
  • Lobis, Victoria Sancho; Warren, Maureen: Van Dyck, Rembrandt, and the Portrait Print. (New Haven, CT: Yale University Press, 2016, ISBN 9780300218824)
  • Lugt, Frits: Rembrandt, ses élèves, ses imitateurs, ses copistes. (Musées Nationaux, Palais du Louvre, 1933) [in French]
  • Mai, Ekkehard: Rembrandt: Selbstbildnis als Zeuxis. Der Kunstbrief. (Berlin: Gebr. Mann Verlag, 2002, ISBN 3-7861-2438-8) [in German]
  • McNamara, Simon: Rembrandt's Passion Series. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2015)
  • McQueen, Alison: The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France. (Amsterdam: Amsterdam University Press, 2003)
  • Meijer, Bert W.: Rembrandt nel Seicento Toscano [Italia e i Paesi Bassi; No. 1]. (Firenze: Centro Di, 1983) [in Italian]
  • Muther, Richard: Rembrandt. Ein Künstlerleben. (Berlin: Fleischel, 1904) [in German]
  • Müller, Jürgen: Der sokratische Künstler: Studien zu Rembrandts Nachtwache. (Leiden: Brill, 2015) [in German]
  • Münz, Ludwig: Die Kunst Rembrandts und Goethes Sehen. (Leipzig: Verlag Heinrich Keller, 1934) [in German]
  • Münz, Ludwig: The Etchings of Rembrandt [Complete edition, 2 vols.]. (London: Phaidon Press, 1952)
  • Nadler, Steven: Rembrandt's Jews. (Chicago: The University of Chicago Press, 2003, ISBN 0-226-56736-2)
  • Nakamura, Toshiharu (eds.): Rembrandt as Norm and Anti-Norm. Papers Given at a Colloquium Held at the Graduate School of Letters, Kyoto University, 15 December 2002. (The Graduate School of Letters, Kyoto University, 2004)
  • Nash, J. M.: The Age of Rembrandt and Vermeer: Dutch Painting in the Seventeenth Century. (Oxford: Phaidon Press, 1979)
  • Neipp, Bernadette; Marguerat, Daniel: Rembrandt et la mort de Jésus: La tendresse d'un regard. (Saint-Maurice, Switzerland: Editions Saint-Augustin 2001, ISBN 9782880112349) [in French]
  • Nigg, Walter: Rembrandt, Maler des Ewigen. (Zürich: Diogenes Verlag, 2006) [in German]
  • Nowell-Usticke, G.W.: Rembrandt's Etchings: States and Values. (Narberth, PA: Livingston Publishing Co., 1967)
  • Perlove, Shelley; Silver, Larry: Rembrandt's Faith: Church and Temple in the Dutch Golden Age. (University Park: Pennsylvania State University Press, 2009, ISBN 978-0-271-03406-5)
  • Pinder, Wilhelm: Rembrandts Selbstbildnisse. (Leipzig, 1943) [in German]
  • Rentsch, Eugen: Der Humor bei Rembrandt. (Strassburg: Heitz & Mündel, 1909) [in German]
  • Rosenberg, Adolf: Rembrandt: Des Meisters Gemälde [Klassiker der Kunst]. (Stuttgart/Leipzig, 1906) [in German]
  • Rosenberg, Charles M.: Rembrandt's Religious Prints: The Jack and Alfrieda Feddersen Collection of Rembrandt Etchings. (Bloomington, IN: Indiana University Press and Snite Museum of Art, 2017)
  • Rosenberg, Jakob: Rembrandt [2 vols.]. (Cambridge, MA: Harvard University Press, 1948)
  • Rosenberg, Jakob: Rembrandt: Life and Work [revised edition]. (Ithaca, NY: Cornell University Press, 1980)
  • Royalton-Kisch, Martin: Drawings by Rembrandt and His Circle in the British Museum. (London: British Museum Press, 1992)
  • Royalton-Kisch, Martin; Hinterding, E.; Luijten, G.: Rembrandt the Printmaker. (British Museum Press, 2000)
  • Rønberg, Lene Bøgh; Pedersen, Eve de la Fuente: Rembrandt? The Master and His Workshop. (København: Statens Museum for Kunst, 2006, ISBN 978-87-90096-51-9)
  • Rutgers, Jaco; Rembrandt in Italië. Receptie en verzamelgeschiedenis [Rembrandt in Italy. Reception and History of Collecting]. (PhD diss., Utrecht University, 2008) [in Dutch]
  • Rutgers, Jaco; Rijnders, Mieke (eds.): Rembrandt in perspectief. De veranderende visie op de meester en zijn werk. (Zwolle: Open Universiteit/Waanders Uitgevers, 2014) [in Dutch]
  • Scallen, Catherine: Rembrandt, Reputation, and the Practice of Connoisseurship. (Amsterdam: Amsterdam University Press, 2004)
  • Schatborn, Peter: Drawings by Rembrandt, His Anonymous Pupils and Followers. Translated from the Dutch by Wulfert and Patricia Wardle. (Amsterdam: Rijksmuseum; The Hague: Staatsuitgerverij, 1985)
  • Schatborn, Peter: Rembrandt and His Circle: Drawings in the Frits Lugt Collection [2 vols.]. (Bussum: Thoth; Paris: Fondation Custodia, 2010)
  • Scheltema, Pieter: Rembrand: Redevoering over het leven en de verdiensten van Rembrand van Rijn, met eene menigte geschiedkundige bijlagen meerendeels uit echte bronnen geput. (Amsterdam: P.N. van Kampen, 1853) [in Dutch]
  • Schneider, Cynthia P.; et al. (eds.): Rembrandt's Landscapes: Drawings and Prints. (Washington, D.C.: National Gallery of Art, 1990)
  • Scholl, Verena: Rembrandts biblische Frauenporträts. Eine Begegnung von Theologie und Malerei. (Zürich: Theologischer Verlag Zürich, 2006, ISBN 978-3-290-17384-5) [in German]
  • Schwartz, Gary (ed.): Rembrandt: All the Etchings Reproduced in True Size. (Maarssen: Schwartz, 1977)
  • Schwartz, Gary: Rembrandt, His Life, His Paintings. (New York: Viking Press, 1985)
  • Schwartz, Gary (ed.): The Complete Etchings of Rembrandt: Reproduced in Original Size. (New York: Dover Publications, 1994)
  • Schwartz, Gary: The Night Watch. (Zwolle: Waanders, 2002)
  • Schwartz, Gary: The Rembrandt Book. (New York: Harry N. Abrams, 2006)
  • Schama, Simon: Rembrandt's Eyes. (London: Allen Lane, 1999)
  • Schapelhouman, Marijn: Rembrandt en de kunst van het tekenen. (Zwolle: Waanders, 2006) [in Dutch]
  • Schapelhouman, Marijn: Rembrandt and the Art of Drawing. (Amsterdam: Rijksmuseum; Zwolle: Waanders Publishers, 2006)
  • Schrade, Stephanie; et al. (eds.): Rembrandt and the Inspiration of India. (J. Paul Getty Museum, 2018, ISBN 978-1-60606-552-5)
  • Schupbach, William: The Paradox of Rembrandt's Anatomy of Dr. Tulp [Medical History, Supplement No. 2]. (London: Wellcome Institute for the History of Medicine, 1982)
  • Scott, Susan (ed.): Rembrandt, Rubens, and the Art of Their Time: Recent Perspectives. (University Park: Pennsylvania State University Press, 1997)
  • Senzoku, Nobuyuki; et al.: Renburanto, Kyoshō to sono shūhen [Rembrandt and the Bible]. (Tokyo: Art Life, 1986) [in Japanese]
  • Simmel, Georg: Rembrandt: Ein kunstphilodophischer Versuch. (Leipzig: K. Wolff Verlag, 1916) [in German]
  • Simmel, Georg: Rembrandt: An Essay in the Philosophy of art. Translated and edited by Alan Scott and Helmut Staubmann. (New York: Routledge, 2005)
  • Singer, Hans W.: Rembrandt, des Meisters Radierungen. (Stuttgart/Leipzig: Deutsche Verlags-Anstalt, 1906) [in German]
  • Slatkes, Leonard J.: Rembrandt and Persia. (New York: Abaris Books, 1983)
  • Slive, Seymour: Rembrandt and his Critics, 1630–1730. (The Hague: Martinus Nijhoff, 1953)
  • Slive, Seymour: The Drawings of Rembrandt: A New Study. (London: Thames & Hudson, 2009)
  • Sluijter, Eric Jan: Rembrandt and the Female Nude. (Amsterdam: Amsterdam University Press, 2006, ISBN 978-90-5356-876-7)
  • Sluijter, Eric Jan: Rembrandt's Rivals: History painting in Amsterdam, 1630–1650 [Oculi: Studies in the Arts of the Low Countries, vol. 14]. (Amsterdam/Philadelphia: John Benjamins Publishing, 2015)
  • Squarzina, Silvia Danesi: Giovinezza di Rembrandt. La committenza mennonita. (Rome: De Luca Editori d'Arte, 2013, ISBN 8865571373) [in Italian]
  • Stam, Deirdre C.: Rembrandt After Three Hundred Years: A Symposium. (Chicago: Art Institute of Chicago, 1973)
  • Strauss, Walter; van der Meulen, Marjon (eds.): The Rembrandt Documents. (New York: Abaris Books, 1979)
  • Streiff, Bruno: Le Peintre et le Philosophe ou Rembrandt et Spinoza à Amsterdam [Collection Privée]. (Éditions Complicités, 2002, ISBN 978-2910721343) [in French]
  • Stückelberger, Johannes: Rembrandt und die Moderne. Der Dialog mit Rembrandt in der deutschen Kunst um 1900. (München: Wilhelm Fink Verlag, 1996) [in German]
  • Sumowski, Werner: Drawings of the Rembrandt School [10 vols.]. Edited and translated by Walter L. Strauss. (New York: Abaris Books, 1979–1992)
  • Sumowski, Werner: Gemälde der Rembrandt-Schüler in vier Bänden [6 vols.]. (Landau / Pfalz, 1983) [in German]
  • Suthor, Nicola: Rembrandt's Roughness. (Princeton University Press, 2018, ISBN 9780691172446)
  • 'T Hooft, W. A. Visser: Rembrandt and the Gospel. (London: SCM Press, 1957)
  • Taylor, Michael: Rembrandt's Nose: Of Flesh and Spirit in the Master's Portraits. (New York: Distributed Art Publishers, 2007)
  • Tummers, Annaand; Jonckheere, Koenraad (eds.): Art market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries. (Amsterdam: Amsterdam University Press, 2008)
  • Tummers, Anna: The Eye of the Connoisseur: Authenticating Paintings by Rembrandt and His Contemporaries. (Amsterdam: Amsterdam University Press, 2011, ISBN 978-1-60606-084-1)
  • Tümpel, Christian: Rembrandt mit Selbstzeugnissen und Bilddokumenten. (Reinbeck bei Hamburg: Rowohlt, 1977) [in German]
  • Tümpel, Christian: Rembrandt: Mythos und Methode. (Königstein im Taunus, 1986) [in German]
  • Tümpel, Christian: Rembrandt: All the Paintings in Colour. (Antwerp: Fonds Mercator, 1993)
  • Tümpel, Christian; Tümpel, Astrid: Rembrandt: Images and Metaphors. (London: Haus Books, 2006)
  • Valentiner, Wilhelm R.: Rembrandt: Des Meisters Gemälde [3rd revised edition] (Klassiker der Kunst in Gesamtausgaben 2). (Stuttgart/Leipzig: Deutsche-Verlags Anstalt, 1909) [in German]
  • Valentiner, Wilhelm R.: Rembrandt: Wiedergefundene Gemälde, 1910–1922 [revised ed.] (Klassiker der Kunst in Gesamtausgaben 27). (Stuttgart: Deutsche-Verlags Anstalt, 1923) [in German]
  • Valentiner, Wilhelm R.: Rembrandt Paintings in America [2 vols.]. (New York, 1931)
  • Valentiner, Wilhelm R.: Rembrandt: Des Meisters Handzeichnungen [2 vols.]. (Stuttgart/Berlin/Leipzig: Deutsche Verlags-Anstalt, 1925–34) [in German]
  • Valentiner, Wilhelm R.: Rembrandt and Spinoza: A Study of the Spiritual Conflicts in Seventeenth-Century Holland. (London: Phaidon Press, 1957)
  • Van Dyke, John Charles: Rembrandt and His School: A Critical Study of the Master and His Pupils with a New Assignment of Their Pictures. (New York: Charles Scribner's Sons, 1923)
  • Van Heel, S.A.C. Dudok: De jonge Rembrandt onder tijdgenoten. Godsdienst en schilderkunst in Leiden en Amsterdam. (Nijmegen: Nijmegen University Press, 2006) [in Dutch]
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. I: 1625–1631; Vol. II: 1631–1634; Vol. III: 1635–1642. (Dordrecht: Martinus Nijhoff, 1982, 1986, 1989)
  • Van de Wetering, Ernst; Schackenburg, Bernhard (eds.): The Mystery of the Young Rembrandt. (Wolfratshausen: Edition Minerva, 2001, ISBN 3-932353-59-5)
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. IV: The Self-Portraits [Stichting Foundation Rembrandt Research Project]. (Dordrecht: Springer, 2005)
  • Van de Wetering, Ernst: Rembrandt: Quest of a Genius. (Waanders Publishers, 2007)
  • Van de Wetering, Ernst; Retèl, Paulien: Rembrandt: The Painter at Work. (Oakland: University of California Press, 2009)
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. V: The Small-Scale History Paintings. (Dordrecht: Springer, 2011)
  • Van de Wetering, Ernst; et al. (eds.): A Corpus of Rembrandt Paintings, Vol. VI: Rembrandt's Paintings Revisited – A Complete Survey. (Dordrecht: Springer, 2014)
  • Van de Wetering, Ernst: Rembrandt: The Painter Thinking. (Oakland: University of California Press, 2016)
  • Van Straten, Roelof: Rembrandts Leidse tijd, 1606–1632. (Leiden: Foleor Publishers, 2005, ISBN 9075035217) [in Dutch]
  • Van Straten, Roelof: Young Rembrandt: The Leiden Years, 1606–1632. Translated from the Dutch by R. Quartero, with contributions by Ingrid Moerman. (Leiden: Foleor Publishers, 2005, ISBN 90-75035-22-5)
  • Verdi, Richard: Rembrandt's Themes: Life into Art. (New Haven, CT: Yale University Press, 2014, ISBN 978-0300201536)
  • Vergara, Alejandro (ed.); et al.: Rembrandt, Pintor de Historias. (Madrid: Museo del Prado, 2008) [in Spanish]
  • Vogelaar, Christiaan; et al.: Rembrandt & Lievens in Leiden: Een jong en edel schildersduo. (Leiden: Stedelijk Museum De Lakenhal, 1991) [in Dutch]
  • Vogelaar, Christiaan; et al.: Rembrandt's Mother. Myth and Reality. (Leiden: Stedelijk Museum De Lakenhal, 2005)
  • Volkenandt, Claus: Rembrandt: Anatomie eines Bildes. (Munich: Wilhelm Fink, 2004, ISBN 978-3-7705-4002-0) [in German]
  • Von Bode, Wilhelm; de Groot, Cornelis Hofstede: The Complete Work of Rembrandt: History, Description and Heliographic Reproduction of All the Master's Pictures, with a Study of His Life and Art. [8 vols.]. (Paris: Charles Sedelmeyer, 1897–1906)
  • Von Bode, Wilhelm: Rembrandt und seine Zeitgenossen: Charakterbilder der grossen Meister der holländischen und vlämischen Malerschule im siebzehnten Jahrhundert. (Leipzig: E. A. Seemann Verlag, 1907) [in German]
  • Wallace, Robert: The World of Rembrandt. (New York: Time-Life Books, 1968)
  • Wegner, Wolfgang: Rembrandt und sein Kreis. Zeichnungen und Druckgraphic. (Munich: Staatliche Graphische Sammlung, 1966) [in German]
  • White, Christopher; Alexander, David; D'Oench, Ellen: Rembrandt in Eighteenth-Century England. (New Haven: Yale Center for British Art, 1983)
  • White, Christopher: Rembrandt as an Etcher: A Study of the Artist at Work. (London: A. Zwemmer, 1969; 2nd ed., New Haven, CT: Yale University Press, 1999)
  • Williams, Julia Lloyd: Rembrandt's Women. (Munich: Prestel Verlag, 2001)
  • Wright, Christopher: Rembrandt: Self-Portraits. (London: Gordon Fraser, 1982)
  • Zell, Michael: Reframing Rembrandt: Jews and the Christian Image in Seventeenth-Century Amsterdam. (Berkeley: University of California Press, 2002)
  • Zell, Michael; Chong, Alan (eds.): Rethinking Rembrandt. (Zwolle: Waanders Publishers, 2002)

Journal articles, scholarly papers, essays, and book chapters

  • Ahmad, Iftikhar (2008), 'Art in Social Studies: Exploring the World and Ourselves with Rembrandt,'. The Journal of Aesthetic Education 42(2): 19–37
  • Benesch, Otto (1970), 'Rembrandt's Artistic Heritage: From Goya to Cézanne,'. (Collected Writings, vol. 1, New York, 1970, pp. 57–82)
  • Benesch, Otto (1973), 'Rembrandts Bild bei Picasso,'; in Benesch's Collected Writings, vol. 4 (London, 1973) [in German]
  • Białostocki, Jan (1957), 'Bellori's Caravaggio and Sandrart's Rembrandt,'. Burlington Magazine 99(653): 274–275
  • Białostocki, Jan (1972), 'Rembrandt and Posterity,'. Nederlands Kunsthistorisch Jaarboek 23 (1972): 131–157
  • Białostocki, Jan (1973), 'Der Sünder als tragischer Held bei Rembrandt. Bemerkungen zu neueren ikonographischen Studien über Rembrandt,'; in: von Simson, Otto Georg; Kelch, Jan (hrsg.): Neue Beiträge zur Rembrandt-Forschung. (Berlin: Mann, 1973), pp. 137–154. [in German]
  • Białostocki, Jan (1984), 'A New Look at Rembrandt Iconography,'. Artibus et Historiae 5(10): 9–19
  • Buvelot, Quentin (2017), 'Rembrandt in the Mauritshuis: Work in Progress,'. JHNA: Journal of Historians of Netherlandish Art 9(1). doi:10.5092/jhna.2017.9.1.11
  • Carroll, Margaret D. (2017), 'The Blade and the Brush: Rembrandt's Slaughtered Ox and Anatomy of Doctor Deyman'. Oxford Art Journal 40(3): 347–369. doi:10.1093/oxartj/kcx035
  • Chapman, H. Perry (2017), 'Rubens, Rembrandt, and the Spousal Model/Muse,'. In: Melion, Walter; Woodall, Joanna; Zell, Michael: Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500–1700. (Leiden: Brill, 2017, ISBN 9004346465), pp. 439–482
  • Clarke, Jean-Marie (1990), 'Le Philosophe en méditation du Louvre: Un tableau signé 'RHL van Rijn' et daté '1632,'. Revue du Louvre 40(3) [in French]
  • Cohen, Janie L. (1983), 'Picasso's Exploration of Rembrandt's Art, 1967–72,'. Arts Magazine 58(2): 119–126
  • Coppier, André-Charles (1916), 'Rembrandt et Spinoza,'. Revue des deux mondes 31(1916): 160–91. [in French]
  • Crenshaw, Paul (2013), 'The Catalyst for Rembrandt's Satire on Art criticism,'. JHNA: Journal of Historians of Netherlandish Art 5(2). doi:10.5092/jhna.2013.5.2.9
  • Dickey, Stephanie (1986), 'Judicious Negligence: Rembrandt Transforms an Emblematic Convention,'. Art Bulletin 68: 253–262
  • Dickey, Stephanie (2013), 'Begging for Attention: The Artful Context of Rembrandt's Etching Beggar Seated on a Bank,'. JHNA: Journal of Historians of Netherlandish Art 5(2). doi:10.5092/jhna.2013.5.2.8
  • Dickey, Stephanie (2017), 'Disgust and Desire: Responses to Rembrandt's Nudes,'. In: Debra Cashion, Henry Luttikhuizen and Ashley West, The Primacy of the Image in Northern European Art, 1400–1700. Essays in Honor of Larry Silver. (Brill, ISBN 978-90-04-35412-8), pp. 447–460
  • Espinel, C.H. (1997), 'A medical evaluation of Rembrandt. His self-portrait: ageing, disease, and the language of the skin,'. Lancet 350(9094): 1835–7. doi:10.1016/S0140-6736(97)08504-8
  • Espinel, C.H. (1999), 'Depression, physical illness, and the faces of Rembrandt,'. Lancet 354(9174):262–3. doi:10.1016/S0140-6736(05)66340-4
  • Filipczak, Zirka Z. (2007), 'Rembrandt and the Body Language of Mughal Miniatures,'. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 58(1): 162–187. doi:10.1163/22145966-90000746
  • Finke, Ulrich (1964), 'Venezianische Rembrandtstecher um 1800,'. Oud Holland 79(1964): 111–121
  • Gershman, Zhenya (2011), 'Rembrandt: The "I" Witness,'. Arion: A Journal of Humanities and the Classics, Boston University 19(2): 65–91
  • Gershman, Zhenya (2014), 'Rembrandt: Turn of the Key,'. Arion: A Journal of Humanities and the Classics, Boston University 21(3): 79–108
  • Gibian, George (1983), 'Doctor Zhivago, Russia, and Leonid Pasternak's Rembrandt,'; in John Garrard (ed.), The Russian Novel from Pushkin to Pasternak. (New Haven: Yale University Press, 1983), pp. 203–224
  • Goethe, Johann Wolfgang von (1831), 'Rembrandt der Denker,' [Rembrandt the Thinker], in the posthumous collection of Goethe's works (1831) [in German]
  • Golahny, Amy (2001), 'The Use and Misuse of Rembrandt: An Overview of Popular Reception,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 305–322
  • Haverkamp-Begemann, Egbert (1971), 'The Present State of Rembrandt Studies,'. The Art Bulletin 53(1): 88–104
  • Haverkamp-Begemann, Egbert (1972), 'Rembrandt as Teacher,'. In: Actes du XXIIe Congres International d'histoire de l'art. Budapest 1969: Evolution generale et développements régionaux en histoire de l'art, edited by György Rósza, pp. 105–13
  • Haverkamp-Begemann, Egbert (1973), 'Rembrandt's Night Watch and the Triumph of Mordecai,'. In: Album Amicorum J. G. van Gelder, edited by Joos Bruyn, et al., (The Hague: Martinus Nijhoff, 1973), pp. 5–8
  • Haverkamp-Begemann, Egbert (1989), 'Rembrandt as a Draughtsman: The Changing Image 1956–1988,'. Master Drawings 27(2): 105–10
  • Hedquist, Valerie (1994), 'Rembrandt and the Franciscans of Amsterdam,'. Dutch Crossing 4 (Summer 1994): 20–49
  • Hughes, Robert (2006), 'The God of Realism,'. The New York Review of Books 53(6)
  • Ijpma, F. F. A.; van Gulik, T. M. (2018), 'Anatomy lesson of the brain and cerebral membranes captured on canvas by Rembrandt in 1656,'. British Journal of Surgery 105(5): 1-7. doi:10.1002/bjs.10610
  • Konstam, Nigel (1977), 'Rembrandt's Use of Models and Mirrors,'. The Burlington Magazine 119(887): 94–98
  • Macmillan, Duncan (2001), 'Rembrandt's intimate and tender eye,'. Lancet 358(9283): 769-70 . doi:10.1016/S0140-6736(01)05896-2
  • Manuth, Volker (1993), 'Denomination and Iconography: The Choice of Subject Matter in the Biblical Painting of the Rembrandt Circle,'. Simiolus 22: 235–52
  • Marcus, Esther-Lee; Clarfield, A. Mark (2002), 'Rembrandt's Late Self-Portraits: Psychological and Medical Aspects,'. The International Journal of Aging and Human Development 55(1): 25–49. doi:10.2190/8LQ5-CC7W-UJDF-TNM0
  • Orenstein, Nadine (2013), 'Rembrandt Looks to Schongauer,'. JHNA: Journal of Historians of Netherlandish Art 5(2). doi:10.5092/jhna.2013.5.2.10
  • Parker, Andrew J. (2014), 'Revealing Rembrandt,'. Frontiers in Neuroscience 8(76). doi:10.3389/fnins.2014.00076
  • Pericolo, Lorenzo (2010), 'Nude in Motion: Rembrandt's Danae, and the Indeterminacy of the Subject,'; in Alexander Nagel & Lorenzo Pericolo (eds.), Subject in Aporia in Early Modern Art. (Aldershote: Ashgate, 2010), pp. 195–216
  • Pericolo, Lorenzo (2014), 'The Golden Chain: Rembrandt's Cologne Self-Portrait or the Tragicomic Excellence of Painting,'; in Antonio Bechelloni & Enzo Neppi (eds.), De Turin à Paris: Laura Malvano historienne de l'art et critique militante. Hommage à sa vie et son oeuvre. Cahiers d'Études Italiennes 18 (2014): 131–47
  • Perlove, Shelley; Silver, Larry (2007), 'Rembrandt and the Dutch Catholics,'. Canadian Journal of Netherlandic Studies / Revue canadienne d'études néerlandaises 28: 53–75
  • Piro, Joseph M. (2001), 'The Rembrandt Teaching Project: Promoting Multiple Literacies in Teaching and Learning,'. Art Education 54(3): 12-17. doi:10.2307/3193919
  • Piro, Joseph M. (2007), 'Teaching Rembrandt,'. Humanities 28(6): 14–20
  • Piro, Joseph M. (2008), 'Rembrandt and Collections of His Art in America: An NEH Curriculum Project,'. Journal of Aesthetic Education 42(2): 1-18. doi:10.1353/jae.0.0002
  • Planche, Gustave (1853), 'Rembrandt, sa vie et ses oeuvres,'. Revue des deux mondes (1853) [in French]
  • Proust, Marcel (1895), 'Chardin and Rembrandt' [unfinished essay], In: Against Sainte-Beuve and Other Essays [in French]
  • Prymak, Thomas M. (2011), 'Rembrandt's 'Polish Rider' in its East European Context,'. The Polish Review 56(3): 159–86
  • Robinson, Franklin W. (1967), 'Rembrandt's Influence in Eighteenth Century Venice,'. Nederlands Kunsthistorisch Jaarboek / Netherlands Yearbook for History of Art 18(1): 167–196. doi:10.1163/22145966-90000396
  • Rothenberg, Albert (1999), 'Rembrandt's self portraits: the creative process'. Paper presented at the annual meeting of the American Psychological Association, Boston, MA, August 20–24, 1999
  • Rothenberg, Albert (1999), 'Depression, physical illness, and the faces of Rembrandt,'. Lancet 354(9187): 1392. doi:10.1016/S0140-6736(05)76251-6
  • Rothenberg, Albert (2008), 'Rembrandt's Creation of the Pictorial Metaphor of Self,'. Metaphor & Symbol 23(2): 108–29. doi:10.1080/10926480801944269
  • Rosso, Corrado (1986), 'Diderot et Rembrandt: Une occasion perdue,'; in Diderot: Les Beaux-Arts et la musique. (Aix-en-Provence: Université de Provence, 1986), pp. 25–42
  • Salcman, Michael (1995), 'The Anatomy Lesson of Dr. Deyman, Rembrandt van Rijn,'. Neurosurgery 36(4): 865–866. doi:10.1227/00006123-199504000-00034
  • Scallen, Catherine B. (2009), 'The Global Rembrandt,'. In: Crossing Cultures: Conflict, Migration and Convergence, edited by Jaynie Anderson. (Carlton: Miegunyah Press, 2009)
  • Scallen, Catherine B. (2017), 'Do mistakes always matter? Jakob Rosenberg's Rembrandt Life and Work','. Journal of Art Historiography 16 (June 2017)
  • Scheller, R.W. (1961), 'Rembrandt's Reputatie van Houbraken tot Scheltema,'. Nederlands Kunsthistorisch Jaarboek 12: 81–119. [in Dutch]
  • Scheller, R.W. (1968), 'Rembrandt en de Encyclopedische Verzameling,'. Oud-Holland 84: 81–147. [in Dutch]
  • Schildkraut, J.J. (2004), 'Saint Jerome in a Dark Chamber: Rembrandt's Metaphoric Portrayal of the Depressed Mind,'. American Journal of Psychiatry 161(1): 26–27. doi:10.1176/appi.ajp.161.1.26
  • Schirillo, J.A. (2000), 'Hemispheric asymmetries and gender influence Rembrandt's portrait orientations,'. Neuropsychologia 38(12): 1593–606
  • Seidenstein, Joanna Sheers (2016), 'Grace, Genius, and the Longinian Sublime in Rembrandt's Aristotle with a Bust of Homer,'. JHNA: Journal of Historians of Netherlandish Art 8(2). doi:10.5092/jhna.2016.8.2.5
  • Slatkes, Leonard J. (1980), 'Rembrandt's Elephant,'. Simiolus: Netherlands Quarterly for the History of Art 11(1): 7–13
  • Sluijter, E.J. (2014), 'How Rembrandt surpassed the Ancients, Italians and Rubens as the Master of ‘the Passions of the Soul','. BMGN – Low Countries Historical Review 129(2): 63–89. doi:10.18352/bmgn-lchr.9541
  • Talley, Mansfield Kirby Jr. (1989), 'Connoisseurship and the Methodology of the Rembrandt Research Project.'. International Journal of Museum Management and Curatorship 8(2): 175–214. doi:10.1016/0260-4779(89)90022-8
  • Valentiner, Wilhelm R. (1948), 'Rembrandt's Conception of Historical Portraiture,'. Art Quarterly 11(1948): 117–135
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  • Van de Wetering, Ernst (2008), 'Connoisseurship and Rembrandt's Paintings: New Directions in the Rembrandt Research Project, Part II,'. The Burlington Magazine 150(1259): 83–90
  • Weisz, George M.; Albury, William R. (2015), 'Diseases of Old Age in Two Paintings by Rembrandt,'. Rambam Maimonides Medical Journal 6(4): e0042. doi:10.5041/RMMJ.10227
  • Westermann, Mariët (2011), 'Back to Basics: Rembrandt and the Emergence of Modern Painting,'. Perspective: la revue de l'INHA 4 (2011–12): 723–47
  • Wright, J. Lenore (2007), 'Reading Rembrandt: The Influence of Cartesian Dualism on Dutch Art,'. History of European Ideas 33(3): 275–291. doi:10.1016/j.histeuroideas.2006.11.012
  • Zell, Michael (2011), 'Rembrandt's Gifts: A Case Study of Actor-Network-Theory,'. JHNA: Journal of Historians of Netherlandish Art 3(2). doi:10.5092/jhna.2011.3.2.2
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  • Żygulski, Zdzisław (2000), 'Further Battles for the "Lisowczyk" (Polish Rider) by Rembrandt,'. Artibus et Historiae 21(41): 197–205. doi:10.2307/1483642

Novels, short stories, and poems

  • Berg, Janet Lee: Rembrandt's Shadow. (Post Hill Press, 2016, ISBN 978-1682611432)
  • Connor, Alexandra: The Rembrandt Secret. (Quercus Books, 2011, ISBN 978-1849163460)
  • Cullen, Lynn: I Am Rembrandt's Daughter. (New York: Bloomsbury, 2007)
  • De Vries, Theun: Rembrandt. (Amsterdam, 1931)
  • Devereux, Kim: Rembrandt's Mirror. (London: Atlantic Books, 2015)
  • Koot, Raymond (a.k.a. Typex): Rembrandt. (London: SelfMadeHero, 2013)
  • Lermontov, Mikhail: To the Picture of Rembrandt (poem, 1830) [in Russian]
  • Matton, Sylvie: Rembrandt's Whore. Translated from the French by Tamsin Black. (New York: Canongate, 2003)
  • McEntyre, Marilyn Chandler: Drawn to the Light: Poems on Rembrandt's Religious Paintings. (Grand Rapids, Michigan: Wm.B. Eerdmans Publishing, 2004)
  • Miano, Sarah Emily: Van Rijn. (London: Picador, 2006)
  • Schmitt, Gladys: Rembrandt. (New York: Random House, 1961)
  • Siegal, Nina: The Anatomy Lesson. (New York: Doubleday, 2014)
  • Silva, Daniel: The Rembrandt Affair. (Berkley Books, 2011, ISBN 978-0451233998)
  • Ternar, Yeshim: Rembrandt's Model. (Montreal: Véhicule Press, 1998)
  • Weiss, David: I, Rembrandt. (New York: St. Martin's Press, 1979)
  • Wharton, Edith: The Rembrandt, in Crucial Instances (short story collection, 1901)
  • Zuckmayer, Carl: Rembrandt. Ein Film. (Frankfurt am Main: Fischer Taschenbuch Verlag, 1980) [in German]

Films

Documentaries

Sculpture

See also

References

  1. ↑ Golahny, Amy (2001), 'The Use and Misuse of Rembrandt: An Overview of Popular Reception,'. Dutch Crossing: Journal of Low Countries Studies 25(2): 305–322
  2. ↑ Solman, Paul (21 June 2004). "Rembrandt's Journey". PBS.org. Retrieved 10 October 2018.
  3. ↑ Crawford, Amy (12 December 2006). "An Interview with Stephanie Dickey, author of "Rembrandt at 400"". Smithsonian Magazine. Retrieved 10 October 2018.
  4. ↑ Valiunas, Algis (25 December 2006). "Looking at Rembrandt". The Weekly Standard. Retrieved 10 October 2018.
  5. ↑ Rivette, Kevin G.; Kline, David: Rembrandts in the Attic: Unlocking the Hidden Value of Patents. (Boston: Harvard Business School Press, 1999)
  6. ↑ Sax, Joseph L.: Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures. (Ann Arbor: University of Michigan Press, 1999, ISBN 0-472-11044-6)
  7. ↑ Laszlo, Andrew; Quicke, Andrew: Every Frame a Rembrandt: Art and Practice of Cinematography. (Boston: Focal Press, 2000)
  8. ↑ Amore, Anthony; Mashberg, Tom: Stealing Rembrandts: The Untold Stories of Notorious Art Heists. (New York: Palgrave Macmillan, 2012, ISBN 9780230108530)
  9. 1 2 Franits, Wayne (ed.): Ashgate Research Companion to Dutch Art of the Seventeenth-Century. (Burlington, VT: Ashgate, 2016)
  10. ↑ Slive, Seymour: Rembrandt and his Critics 1630–1730. (The Hague: Martinus Nijhoff, 1953)
  11. ↑ Dickey, Stephanie: Rembrandt and his Circle: Insights and Discoveries. (Amsterdam: Amsterdam University Press, 2017)
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