List of compositions by Johannes Brahms by genre
The following is a list of compositions by the composer Johannes Brahms classified by genre (including all the works to which he assigned an opus number).
Orchestral Works
Serenades
- Op. 11, Serenade No. 1 in D major (1857)
- Op. 16, Serenade No. 2 in A major (1859)
Symphonies
- Op. 68, Symphony No. 1 in C minor (1876 première)
- Op. 73, Symphony No. 2 in D major (1877)
- Op. 90, Symphony No. 3 in F major (1883)
- Op. 98, Symphony No. 4 in E minor (1885)
Other works
- Op. 56a, Variations on a Theme by Haydn (1873)
- Op. 80, Academic Festival Overture, for orchestra (1880)
- Op. 81, Tragic Overture, for orchestra (1880)
- Liebeslieder Walzer, (arranged from Opp 52 & 65)
- Hungarian Dances, (arranged from WoO 1)
Concerti
- Op. 15, Piano Concerto No. 1 in D minor (1859)
- Op. 77, Violin Concerto in D major (1878)
- Op. 83, Piano Concerto No. 2 in B♭ major (1881)
- Op. 102, Double Concerto in A minor (1887)
Orchestral works for chorus and/or vocal soloists
- Op. 12, Ave Maria, for Female Chorus with Orchestra (1858)
- Op. 13, Begräbnisgesang, for mixed Chorus and Wind Instruments (1858)
- Op. 27, Psalm 13, for Female Chorus with organ and strings (1859)
- Op. 45, Ein deutsches Requiem – A German Requiem, for soprano and baritone solos, mixed chorus and orchestra (1868)
- Op. 50, Rinaldo, cantata for tenor solo, men's chorus and orchestra (1869)
- Op. 53, Rhapsody, for contralto solo, men's chorus and orchestra ("Alto Rhapsody") (1870)
- Op. 54, Schicksalslied, for mixed chorus and orchestra (1871)
- Op. 55, Triumphlied, for baritone solo, double mixed chorus and orchestra (1871)
- Op. 82, Nänie, for mixed chorus and orchestra (1881)
- Op. 89, Gesang der Parzen, for mixed chorus and orchestra (1882)
Chamber Works
Sonatas
Violin sonatas
- Scherzo in C Minor for Violin & Piano (from the FAE-Sonata) (1853)
- Op. 78, Violin Sonata No. 1 in G major (1878–79)
- Op. 100, Violin Sonata No. 2 in A major (1886)
- Op. 108, Violin Sonata No. 3 in D minor (1888)
Cello sonatas
- Op. 38, Cello Sonata No. 1 in E minor (1862–65)
- Op. 99, Cello Sonata No. 2 in F major (1886)
Clarinet sonatas
- Op. 120, Two Clarinet Sonatas (1894)
- Clarinet Sonata No. 1 in F minor
- Clarinet Sonata No. 2 in E♭ major
Trios
- Op. 8, Piano Trio No. 1 in B major (two versions, 1854 and 1891-edited)
- Op. 87, Piano Trio No. 2 in C major (two versions, 1882 and 1891-edited G.Schumann)
- Op. 101, Piano Trio No. 3 in C minor (1886)
- Op. 114, Trio for Piano, Clarinet, and Cello in A minor (1891)
- Op. 40, Trio for Horn, Violin and Piano in E♭ major (1865)
Quartets
String quartets
- Op. 51, Two String Quartets
- String Quartet No. 1 in C minor (1873)
- String Quartet No. 2 in A minor (1873)
- Op. 67, String Quartet No. 3 in B♭ major (1876)
Piano quartets
- Op. 25, Piano Quartet No. 1 in G minor (1861)
- Op. 26, Piano Quartet No. 2 in A major (1861)
- Op. 60, Piano Quartet No. 3 in C minor (1875)
Quintets and sextets
String quintets
- Op. 88, String Quintet No. 1 in F major (1882)
- Op. 111, String Quintet No. 2 in G major ("Prater") (1890)
Other quintets
- Op. 34, Piano Quintet in F minor (1864)
- Op. 115, Clarinet Quintet in B minor (1891)
String sextets
- Op. 18, String Sextet No. 1 in B♭ major (1860)
- Op. 36, String Sextet No. 2 in G major (1865)
Piano Works
Solo piano works
Piano sonatas
- Op. 1, Piano Sonata No. 1 in C major (1853)
- Op. 2, Piano Sonata No. 2 in F♯ minor (1853)
- Op. 5, Piano Sonata No. 3 in F minor (1853)
Variations
- Op. 9, Variations on a Theme by Robert Schumann in F♯ minor (1854)
- Op. 18b, Theme and Variations in D minor (1860), after the second movement of the String Sextet No. 1 in B♭ major
- Op. 21, Two Sets of Variations
- Eleven Variations on an Original Theme, in D major (1857)
- Fourteen Variations on a Hungarian Melody, in D major (1854)
- Op. 24, Variations and Fugue on a Theme by Handel (1861)
- Op. 35, Variations on a Theme of Paganini (1863)
Other solo piano works
- Albumblatt (1853)[1]
- Op. 4, Scherzo in E♭ minor (1851)
- Op. 10, Four Ballades (1854)
- Op. 39, Sixteen Waltzes (1865). Two versions (difficult and simple) arranged from the four-hand version.
- Op. 76, Eight Pieces (1878)
- Capriccio in F♯ minor
- Capriccio in B minor
- Intermezzo in A♭ major
- Intermezzo in B♭ major
- Capriccio in C♯ minor
- Intermezzo in A major
- Intermezzo in A minor
- Capriccio in C major
- Op. 79, Two Rhapsodies (1879)
- Op. 116, Seven Fantasias (1892)
- Capriccio in D minor
- Intermezzo in A minor
- Capriccio in G minor
- Intermezzo in E major
- Intermezzo in E minor
- Intermezzo in E major
- Capriccio in D minor
- Op. 117, Three Intermezzi (1892)
- Intermezzo in E♭ major
- Intermezzo in B♭ minor
- Intermezzo in C♯ minor
- Op. 118, Six Pieces (1893)
- Op. 119, Four Pieces (1893)
- WoO 3, 2 Gavottes
- Gavotte in A minor
- Gavotte in A major
- WoO 4, 2 Gigues
- Gigue in A minor
- Gigue in B minor
- WoO 5, 2 Sarabandes
- Sarabande in A minor
- Sarabande in B minor
Two pianos/four hands
- Op. 23, Variations for 4 hands on a Theme by Schumann (1861)
- Op. 34b, Sonata for Two Pianos, in F minor (1863). Earlier version of the Piano Quintet, Op. 34
- Op. 39, Sixteen Waltzes (1865). There is also an arrangement of numbers 1, 2, 11, 14, and 15 for two pianos.
- Op. 52a, Liebeslieder, arrangement of Op. 52
- Op. 56b, Variations on a Theme by Haydn, for two pianos (1873)
- Op. 65a, Neue Liebeslieder, arrangement of Op. 65
- WoO 1, Hungarian Dances (1869)
Organ works
- WoO 7, Chorale Prelude and Fugue on "O Traurigkeit, O Herzeleid"
- WoO 8, Fugue in A♭ minor
- WoO 9, Prelude and Fugue in A minor
- WoO 10, Prelude and Fugue in G minor
- Op. 122, Eleven Chorale Preludes (1896)
Other vocal works (songs, poems, duets, motets and miscellaneous)
- Op. 3, Six Songs (1853)
- "Liebestreu" ("Love's Devotion")
- "Liebe und Frühling" (1) ("Love And Spring" (1))
- "Liebe und Frühling" (2) ("Love And Spring" (2))
- "Lied" ("Song")
- "In der Fremde" ("Away From Home")
- "Lied" ("Song")
- Op. 6, Six Songs
- "Spanisches Lied" ("Spanish Song")
- "Der Frühling" ("The Spring")
- "Nachwirkung" ("Aftermath")
- "Juche" ("Whoop")
- "Wie die Wolke nach der Sonne" ("Like the Cloud to the Sun")
- "Nachtigallen schwingen lustig" ("Nightingales Swing Happily")
- Op. 7, Six Songs
- "Treue Liebe" ("True Love")
- "Parole" ("Word")
- "Anklänge" ("Echoes")
- "Volkslied" ("Folk Song")
- "Die Trauernde" ("The Mourner")
- "Heimkehr" ("Homecoming")
- Op. 13, Begräbnisgesang – Funeral Song
- Op. 14, Eight Songs and Romances
- "Vor dem Fenster" ("At the Window")
- "Vom verwundeten Knaben" ("About the Wounded Boy")
- "Murrays Ermordung" ("Murray's Murder")
- "Ein Sonnett" ("A Sonnet")
- "Trennung" ("Separation")
- "Gang zur Liebsten" ("Visit to My Beloved")
- "Ständchen" ("Serenade")
- "Sehnsucht" ("Longing")
- Op. 17, Vier Gesänge – Four Songs – for women's chorus, two horns and harp (1860)
- "Es tönt ein voller Harfenklang" ("The Full Sound of a Harp Resounds")
- "Lied von Shakespeare" ("Song by Shakespeare")
- "Der Gärtner" ("The Gardener")
- "Gesang aus Fingal" ("Song From Fingal")
- Op. 19, Five Poems
- "Der Kuss" ("The Kiss")
- "Scheiden und meiden" ("Separations and Avoidances")
- "In der Ferne" ("At the Distance")
- "Der Schmied" ("The Blacksmith")
- "An eine Aeolsharfe" ("To an Aeolian Harp")
- Op. 20, Three Duets for soprano and alto with piano accompaniment
- "Weg der Liebe" (1) ("Way of Love" (1))
- "Weg der Liebe" (2) ("Way of Love" (2))
- "Die Meere" ("The Sea")
- Op. 22, Marienlieder – Songs For Mary –, for mixed chorus (1860)
- "Der Englische Gruß" ("The Angel's Annunciation")
- "Marias Kirchgang" ("Mary's Churchgoing")
- "Marias Wallfahrt" ("Mary's Pilgrimage")
- "Der Jäger" ("The Hunter")
- "Ruf zur Maria" ("Call to Mary")
- "Magdalena" ("Magdalene")
- "Marias Lob" ("Mary's Praise")
- Op. 27, Psalm 13 (1859)
- Op. 28, Four Duets for alto and baritone with piano accompaniment
- "Die Nonne und der Ritter" ("The Nun and the Knight")
- "Vor der Tür" ("Behind the Door")
- "Es rauschet das Wasser" ("The Water Rustles")
- "Der Jäger und sein Liebchen" ("The Hunter and his Beloved")
- Op. 29, Two Motets, for mixed chorus (1860)
- "Es ist das Heil uns kommen her" ("It Is the Salvation that Has Come to Us")
- "Schaffe in mir, Gott, ein rein Herz" ("Create In Me, God, A Pure Heart")
- Op. 30, Geistliches Lied – Spiritual Song
- Op. 31, Three Quartets, for mixed voices (1864)
- "Wechsellied zum Tanze" ("Substitution Song at the Dance") (1859)
- "Neckereien" ("Banter") (1863)
- "Der Gang zum Liebchen" ("The Visit to my Beloved") (1863)
- Op. 32, Nine Songs
- "Wie rafft ich mich auf in der Nacht" ("How I Sprang Up in the Night")
- "Nicht mehr zu dir zu gehen" ("Nowhere for You to Go")
- "Ich schleich umher" ("I Creep About")
- "Der Strom, der neben mir verrauschte" ("The Current, Which Rustled Next to Me")
- "Wehe, so willst du mich wieder" ("Woe, So You Want Me Again")
- "Du sprichst, dass ich mich täuschte" ("You Say, That I Deceived Myself")
- "Bitteres zu sagen denkst du" ("You Meant to Say Bitterness")
- "So stehn wir, ich und meine Weide" ("So We Stand, I and My Pasture")
- "Wie bist du, meine Königin" ("How Are You, My Queen")
- Op. 33, Fifteen Romances from Tieck's Liebesgeschichte der schönen Magelone ("Magelone-Lieder") (1861–1869)
- "Keinen hat es noch gereut" ("No One Has Yet Regretted")
- "Traun! Bogen und Pfeil sind gut für den Feind" ("Ho! Bows and Arrows Are Meet for the Foe")
- "Sind es Schmerzen, sind es Freuden" ("Are They Sorrows, Are They Pleasures?")
- "Liebe kam aus fernen Landen" ("Love Came From Distant Lands")
- "So willst du des Armen?" ("Will You Graciously Pity?")
- "Wie soll ich die Freude, die Wonne denn tragen?" ("How Am I Then to Bear the Joy, the Rapture?")
- "War es dir, dem diese Lippen bebten" ("Was It You, For Whom These Lips Trembled?")
- "Wir müssen uns trennen" ("We Must Part [Beloved Lute]")
- "Ruhe, Süßliebchen" ("Rest, Sweet Love")
- "Verzweiflung (So tönet denn, schäumende Wellen)" ("Despair (So Resound Then, Foaming Waves)")
- "Wie schnell verschwindet so Licht als Glanz" ("How Quickly Vanish Light and Radiance")
- "Muß es eine Trennung geben" ("Must There Be a Parting?")
- "Sulima (Geliebter, wo zaudert dein irrender Fuß?)" ("Sulima (Beloved, Where Do Your Wandering Feet Now Stray?)")
- "Wie froh und frisch" ("How Glad and Strong")
- "Treue Liebe dauert lange" ("True Love Lasts Long")
- Op. 37, Three Sacred Choruses
- "O bone Jesu" ("O Good Jesus")
- "Adoramus" ("We Adore")
- "Regina Coeli" ("Queen of Heaven")
- Op. 41, Five Songs, for male voices
- "Ich schwing mein Horn ins Jammerthal" ("I Blow My Horn in the Valley of Sorrow")
- "Freiwillige Her!" ("Volunteer Here!")
- "Geleit" ("Escort")
- "Marschieren" ("Marching")
- "Gebt Acht!" ("Watch Out!")
- Op. 42, Drei Gesänge – Three Songs – for mixed chorus (1860)
- "Abendständchen" (1859) ("Evening Serenade")
- "Vineta" ("Vineta")
- "Darthulas Grabgesang" ("Darthula's Grave-Song")
- Op. 43, Four Songs
- "Von ewiger Liebe" ("For Eternal Love")
- "Die Mainacht" ("The May Night")
- "Ich schell mein Horn ins Jammerthal" ("I Sound My Horn in the Valley of Sorrow")
- "Das Lied vom Herrn von Falkenstein" ("The Song of the Mister From Falconstone")
- Op. 44, Twelve Songs and Romances
- "Minnelied" ("Song of Love")
- "Der Bräutigam" ("The Bridegroom")
- "Barcarole" ("Barcarole")
- "Fragen" ("Asking")
- "Die Müllerin" ("The Miller")
- "Die Nonne" ("The Nun")
- "Vier Lieder aus dem Jungbrunnen" (1) ("Four Songs from the Fountain of Youth" (1))
- "Vier Lieder aus dem Jungbrunnen" (2) ("Four Songs from the Fountain of Youth" (2))
- "Vier Lieder aus dem Jungbrunnen" (3) ("Four Songs from the Fountain of Youth" (3))
- "Vier Lieder aus dem Jungbrunnen" (4)" ("Four Songs from the Fountain of Youth" (4))
- "Die Braut" ("The Bride")
- "Märznacht" ("March Night")
- Op. 46, Four Songs
- "Die Kränze" ("The Wreaths")
- "Magyarisch" ("Hungarian")
- "Die Schale der Vergessenheit" ("The Shell of Oblivion")
- "An die Nachtigall" ("To the Nightingale")
- Op. 47, Five Songs
- "Botschaft" ("Message")
- "Liebesglut" ("The Fervor of Love")
- "Sonntag" ("Sunday")
- "O liebliche Wangen" ("O Beloved Cheeks")
- "Die liebende Schreibt" ("The Enamoured Writes")
- Op. 48, Seven Songs
- "Der Gang zum Liebchen" ("The Visit to the Beloved")
- "Der Überläufer" ("The Renegade")
- "Liebesklage des Mädchen" ("The Love Laments of the Maiden")
- "Gold überwiegt die Liebe" ("Gold Prevails Over Love")
- "Trost in Tränen" ("Comfort in Tears")
- "Vergangen ist mir Glück und Heil" ("Past Is My Luck and Well-being")
- "Herbstgefühl" ("Autumn Mood")
- Op. 49, Five Songs
- "Am Sonntag Morgen" ("On Sunday Morning")
- "An ein Veilchen" ("To a Violet")
- "Sehnsucht" ("Longing")
- "Wiegenlied" ("Cradle Song") ("Brahms's Lullaby")
- "Abenddämmerung" ("Twilight")
- Op. 52 , Liebeslieder Walzer, for vocal quartet and piano four-hands (1870)
- "Am Sonntag Morgen" ("On Sunday Morning")
- "An ein Veilchen" ("To a Violet")
- "Sehnsucht" ("Longing")
- "Wiegenlied" ("Cradle Song") ("Brahms's Lullaby")
- "Abenddämmerung" ("Twilight")
- Op. 57, Eight Songs
- "Von waldbekränzter Höhe" ("From Part-Forest Altitudes")
- "Wenn du nur zuweilen Lächelst" ("When You Sometimes Just Smile")
- "Es träumte mir, ich sei dir teuer" ("This I Dreamt, I Was Dear to You")
- "Ach, wende diesen Blick" ("Ah, Turn That Gaze")
- "In meiner Nächte Sehnen" ("In My Nights I Yearn")
- "Strahlt zuweilen auch ein mildes Licht" ("Sometimes Too Radiates a Mild Light")
- "Die Schnur, die Perl an Perle" ("The String, Pearl by Pearl")
- "Unbewegte laue Luft" ("Motionless Light Air")
- Op. 58, Eight Songs
- "Blinde Kuh"
- "Während des Regens"
- "Die Spröde"
- "O Komme, holde Sommernacht"
- "Schwermut"
- "In der Gasse"
- "Vorüber"
- "Serenade"
- Op. 59, Eight Songs
- "Dämmerung senkte sich von oben"
- "Auf dem See"
- "Regenlied" - Rain song
- "Nachklang"
- "Agnes"
- "Eine gute, gute Nacht"
- "Mein wundes Herz"
- "Dein blaues Auge"
- Op. 61, Four Duets for soprano and alto with piano accompaniment
- "Die Schwestern"
- "Klosterfräulein"
- "Phänomen"
- "Die Boten der Liebe"
- Op. 62, Sieben Lieder (Seven Songs), for mixed chorus (1874)
- "Rosmarin"
- "Von alten Liebesliedern"
- "Waldesnacht"
- "Dein Herzlein mild"
- "All meine Herzgedanken"
- "Es geht ein Wehen"
- "Vergangen ist mir Glück und Heil"
- Op. 63, Nine Songs
- "Frühlingstrost"
- "Erinnerung"
- "An ein Bild"
- "An die Tauben"
- "Junge Lieder" (1)
- "Junge Lieder" (2)
- "Heimweh" (1)
- "Heimweh" (2)
- "Heimweh" (3)
- Op. 64, Three Quartets, for mixed voices (1874)
- "An die Heimat"
- "Der Abend"
- "Fragen"
- Op. 65, Neue Liebeslieder, for vocal quartet and piano four-hands (1875)
- "Verzicht, o Herz, auf Rettung"
- "Finstere Schatten der Nacht"
- "An jeder Hand die Finger", for soprano
- "Ihr schwarzen Augen", for bass
- "Wahre, wahre deinen Sohn", for alto
- "Rosen steckt mit an die Mutter", for soprano
- "Vom Gebirge, Well' auf Well' "
- "Weiche Gräser im Revier"
- "Nagen am Herzen", for soprano
- "Ich kose süß mit der und der", for tenor
- "Alles, alles in den Wind", for soprano
- "Schwarzer Wald, dein Schatten ist so düster"
- "Nein, Geliebter, setze dich", for soprano and alto
- "Flammenauge, dunkles Haar"
- "Zum Schluß: Nun ihr Musen, genug!"
- Op. 66, Five Duets for soprano and alto with piano accompaniment
- "Klänge" (1)
- "Klänge" (2)
- "Am Strande"
- "Jägerlied"
- "Hüt du dich!"
- Op. 69, Nine Songs
- "Klage" (1)
- "Klage" (2)
- "Abschied"
- "Des liebsten Schwur"
- "Tambourliedchen"
- "Vom Strande"
- "Über die See"
- "Salome"
- "Mädchenfluch"
- Op. 70, Four Songs
- "Im Garten am Seegestade"
- "Lerchengesang"
- "Serenade"
- "Abendregen"
- Op. 71, Five Songs
- "Es liebt sich so lieblich im Lenze!"
- "An den Mond"
- "Geheimnis"
- "Willst du, dass ich geh?"
- "Minnelied"
- Op. 72, Five Songs
- "Alte Liebe"
- "Sommerfäden"
- "O kühler Wald"
- "Verzagen"
- "Unüberwindlich"
- Op. 74, Two Motets, for mixed chorus
- "Warum ist das Licht gegeben dem Mühseligen?" (1877)
- "O Heiland, reiß die Himmel auf" (1863) on the Advent song "O Heiland, reiß die Himmel auf"
- Op. 75, Four Ballads and Romances
- "Edward"
- "Guter Rat"
- "So lass uns wandern!"
- "Walpurgisnacht"
- Op. 84, Five Romances and Songs
- "Sommerabend"
- "Der Kranz"
- "In den Beeren"
- "Vergebliches Ständchen"
- "Spannung"
- Op. 85, Six Songs
- "Sommerabend"
- "Mondenschein"
- "Mädchenlied"
- "Ade!"
- "Frühlingslied"
- "In Waldeseinsamkeit"
- Op. 86, Six Songs
- "Therese"
- "Feldeinsamkeit"
- "Nachtwandler"
- "Über die Heide"
- "Versunken"
- "Todessehnen"
- Op. 91, Two Songs for Voice, Viola and Piano (1884)
- "Gestillte Sehnsucht"
- "Geistliches Wiegenlied"
- Op. 92, Four Quartets, for mixed voices (1889)
- "O schöne Nacht!"
- "Spätherbst"
- "Abendlied"
- "Warum?"
- Op. 93a, Six Songs and Romances for choir
- "Der bucklichte Fiedler"
- "Das Mädchen"
- "O süßer Mai"
- "Fahr wohl!"
- "Der Falke"
- "Beherzigung"
- Op. 93b, Tafellied, for chorus and piano
- Op. 94, Five Songs
- "Mit vierzig Jahren"
- "Steig auf, geliebter Schatten"
- "Mein Herz ist schwer"
- "Sapphische Ode"
- "Kein Haus, keine Heimat"
- Op. 95, Seven Songs
- "Das Mädchen"
- "Bei dir sind meine Gedanken"
- "Beim Abschied"
- "Der Jäger"
- "Vorschneller Schwur"
- "Mädchenlied"
- "Schön war, das ich dir weihte"
- Op. 96, Four Songs
- "Der Tod, das ist die kühle Nacht"
- "Wir wandelten"
- "Es schauen die Blumen"
- "Meerfahrt"
- Op. 97, Six Songs
- "Nachtigall"
- "Auf dem Schiffe"
- "Entführung"
- "Dort in den Weiden"
- "Komm bald"
- "Trennung"
- Op. 103, Zigeunerlieder, for vocal quartet and piano (1887)
- "He, Zigeuner, greife in die Saiten ein!"
- "Hochgetürmte Rimaflut, wie bist du trüb"
- "Wißt ihr, wann mein Kindchen am allerschönsten ist?"
- "Lieber Gott, du weißt, wie oft bereut ich hab"
- "Brauner Bursche führt zum Tanze"
- "Röslein dreie in der Reihe blühn so rot"
- "Kommt dir manchmal in den Sinn"
- "Horch, der Wind klagt in den Zweigen traurig sacht"
- "Weit und breit schaut niemand mich an"
- "Mond verhüllt sein Angesicht"
- "Rote Abendwolken ziehn am Firmament"
- Op. 104, Fünf Gesänge (Five Songs), for mixed chorus (1888)
- "Nachtwache" I
- "Nachtwache" II
- "Letztes Glück"
- "Verlorne Jugend"
- "Im Herbst" (1887)
- Op. 105, Fünf Lieder (Five Songs) (1886–1888)
- "Wie Melodien zieht es mir"
- "Immer leiser wird mein Schlummer"
- "Klage"
- "Auf dem Kirchhofe"
- "Verrat"
- Op. 106, Five Songs (1886)
- "Ständchen"
- "Auf dem See"
- "Es hing der Reif"
- "Meine Lieder"
- "Ein Wanderer"
- Op. 107, Five Songs
- "An die Stolze"
- "Salamander"
- "Das Mädchen spricht"
- "Maienkätzchen"
- "Mädchenlied"
- Op. 109, Fest- und Gedenksprüche, for mixed chorus (1889)
- "Unsere Väter hofften auf dich"
- "Wenn ein starker Gewappneter"
- "Wo ist ein so herrlich Volk"
- Op. 110, Three Motets, for mixed chorus (1889)
- "Ich aber bin elend, und mir ist wehe"
- "Ach, arme Welt, du trügst mich"
- "Wenn wir in höchsten Nöten sein"
- Op. 112, Six Quartets, for mixed voices and piano (1891)
- "Sehnsucht"
- "Nächtens"
- "Himmel strahlt so helle"
- "Rote Rosenknospen künden"
- "Brennessel steht an Weges Rand"
- "Liebe Schwalbe, kleine Schwalbe"
- Op. 113, Thirteen Canons for female choir
- Göttlicher Morpheus
- Grausam erweiset sich Amor am mir
- Sitzt a schöns Vögerl aufm Dannabaum
- Schlaf, Kindlein, schlaf!
- Wille, wille, will
- So lange Schönheit wird bestehn
- Wenn die Klänge nahn und fliehen
- Ein Gems auf dem Stein
- Ans Auge des Liebsten
- Leise Töne der Brust
- Ich weiss nicht was im Hain die Taube girret
- Wenn Kummer hätte zu töten Macht
- Einförmig ist der Liebe Gram
- Op. 121, Vier ernste Gesänge (Four Serious Songs) (1896)
- "Denn es gehet dem Menschen"
- "Ich wandte mich und sahe an alle"
- "O Tod, wie bitter bist du"
- "Wenn ich mit Menschen- und mit Engelszungen redete"
See also
References
- ↑ Needham, Alex (13 January 2012). "Brahms piano piece to get its premiere 159 years after its creation". The Guardian. Retrieved 13 January 2012.
External links
- Sortable list of works by Johannes Brahms with links to the: Scores at the International Music Score Library Project (IMSLP)
- Songs listed by title at the Lied and Art Songs Text page.
- Works sorted by six criteria
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