Arthur Brown (musician)

Arthur Brown
Brown on stage, August 2009
Background information
Birth name Arthur Wilton Brown
Also known as The God of Hellfire
Born (1942-06-24) 24 June 1942
Whitby, North Riding of Yorkshire, England
Genres
Occupation(s) Musician
Instruments Vocals
Years active 1965–present
Labels Track/Polydor
Associated acts Kingdom Come, The Crazy World of Arthur Brown, Instant Flight, Hawkwind, The Alan Parsons Project
Website Official site

Arthur Wilton Brown (born 24 June 1942)[1] is an English rock singer and songwriter best known for his flamboyant theatrical performances, and his powerful, wide-ranging operatic voice. He has been a significant influence on a wide range of musicians due to his operatic vocal style, wild stage persona and concepts, and is considered a pioneer of shock rock and progressive rock and influential on heavy metal music.

Brown has been lead singer of various groups, most notably the Crazy World of Arthur Brown and Kingdom Come, followed by a varied solo career as well as associations with Hawkwind, the Who, Jimi Hendrix, Klaus Schulze and Frank Zappa. He is best known for his 1968 single "Fire", reaching number one in the UK Singles Chart and Canada, and number two on the US Billboard Hot 100.[2]

Following the success of the single "Fire", the press would often refer to Brown as "The God of Hellfire",[3] in reference to the opening shouted line of the song, a moniker that exists to this day.[4]

History

Brown was born in Whitby where his parents ran a guest house. After attending Roundhay Grammar School in Leeds, Yorkshire, he attended the University of London and the University of Reading[5] and studied philosophy and law, but he gravitated to music instead, forming his first band, Blues and Brown, while at Reading.[5] After a spell fronting a number of bands in London, Brown then moved to Paris in 1966, where he worked on his theatrical skills.[5] During this period he recorded two songs for the Roger Vadim film of the Émile Zola novel La Curée.[5] Returning to London around the turn of 1966 to 1967, he was a temporary member of a London-based R&B/soul/ska group the Ramong Sound that would soon become the hit-making soul group the Foundations.[6]

The Crazy World of Arthur Brown

By the time the Foundations had been signed to Pye Records, Brown had left the group to form his own band, the Crazy World of Arthur Brown.[7] The band included Vincent Crane (Hammond organ and piano), Drachen Theaker (drums), and Nick Greenwood (bass). Brown quickly earned a reputation for outlandish performances, which included the use of a burning metal helmet, that led to occasional mishaps, such as during an early appearance at the Windsor Festival in 1967, where he wore a colander on his head soaked in methanol. The fuel poured over his head by accident caught fire; a bystander doused the flames by pouring beer on Brown's head, preventing any serious injury.[8] The flaming head then became an Arthur Brown signature. On occasion he also stripped naked while performing, most notably at the Palermo Pop 70 Festival in Sicily, Italy, July 1970, where he was arrested and deported.[9] He was also notable for the extreme make-up he wore onstage, which would later be reflected in the stage acts of Alice Cooper and Kiss.[10][11] He was also famed for his powerful operatic baritone voice and his high pitched screams.

By 1968, the debut album, The Crazy World of Arthur Brown became a hit on both sides of the Atlantic. Produced by the Who's manager Kit Lambert, and executive-produced by Pete Townshend on Track Records, the label begun by Lambert and Chris Stamp, it spun off an equally surprising hit single, "Fire", and contained a version of "I Put a Spell on You" by Screamin' Jay Hawkins, a similarly bizarre showman. "Fire" sold over one million copies, and was awarded a gold disc.[12] The song has since seen its opening line "I am the God of Hellfire" sampled in numerous other places, most notably in the Prodigy's 1992 rave anthem "Fire".[10][11]

In the late 1960s, the Crazy World of Arthur Brown's popularity was such that the group shared bills with the Who, Jimi Hendrix, the Mothers of Invention, the Doors, the Small Faces, and Joe Cocker, among others.[13] Theaker was replaced because of his aviophobia in 1968 by drummer Carl Palmer, later of Atomic Rooster and Emerson, Lake & Palmer, for the band's second American tour in 1969, on which keyboardist Vincent Crane also left – although he soon returned.[5] However, Crane and Palmer eventually left in June 1969 to form Atomic Rooster, spelling the end for the Crazy World of Arthur Brown.[5]

Arthur Brown's Kingdom Come

Though Brown never released another recording as commercially successful as "Fire", he worked with a varied group of musicians on projects called Strangelands, Puddletown Express, and (briefly) the Captain Beefheart-influenced Rustic Hinge, before releasing three albums with his new band Kingdom Come in the early 1970s.[5][14][N 1]

Victor Peraino used the EMS VCS 3 synthesizer on the album Journey.

The three Kingdom Come albums each have a distinctive character. The first was a highly complex concept album apparently on the theme of humanity living in a zoo and being controlled by cosmic, religious and commercial forces. The second was loosely on the theme of water, which Brown had declared four years earlier would be the subject of the second album by the Crazy World. It was musically more conventional than the first, much less heavy, though stranger in places. The third album, Journey (1973), recorded in Rockfield Studios in Wales, was a space rock album, with Brown playing an early drum machine and thereby replacing a series of drummers. The band also recorded three of its songs in a live Peel Session for the John Peel BBC Radio 1 show on 25 September 1972.[15] Richie Unterberger of Allmusic said that the album has been "most noted in retrospect as one of the first rock records to use a drum machine, which was still quite a novelty back in 1973."[16] Brown recalled "the whole album is based around the drum machine, and we had a lot of ideas that we wanted to explore using this technology.[17] The drum machine they used was the Bentley Rhythm Ace, the British version of the FR-1.[15]

The stage acts for all three albums featured a wild mix of special effects, dramatic costumes and colourful theatrics, which were sometimes controversial. Brown had declared when Kingdom Come was formed that the intention was to create a multi-media experience and the band always followed that policy. The concepts, the music and the theatrics proved very popular on the university circuit but proved too way-out for a mainstream audience. The band appeared at the 1971 Glastonbury Festival in Somerset, England and featured in the Glastonbury Fayre film which was shown in cinemas.[18]

Later career

In later years, Brown released several solo albums. In 1975, he appeared in the Who's rock opera movie Tommy as "The Priest".[5] Later that year he contributed vocals to the song "The Tell-Tale Heart" on the Poe-based concept album Tales of Mystery and Imagination by the Alan Parsons Project. In 1979 and 1980, he collaborated with German electronic musician Klaus Schulze, and can be heard on the albums Dune, ...Live... and Time Actor.[19]

In the 1980s, Brown moved to Austin, Texas, where his wife came from, and obtained a master's degree in counselling.[20] On 17 January 1987, Brown performed "Fire" on the "Flashback" segment of the television programme Solid Gold.[21] Together with former Mothers of Invention drummer Jimmy Carl Black, he also became a painter and carpenter for some years,[5] and released an album with him, Brown, Black & Blue (1988). In 1992, Brown and fellow counsellor Jim Maxwell founded Healing Songs Therapy, a service that culminated in Brown creating a song for each client about their emotional issues.[22]

Arthur Brown playing at the Wickerman Festival, 2005

Brown returned to England in 1996. In 1997, he re-recorded "Fire" with German band Die Krupps, while in 1998, he provided a spoken-word performance on Bruce Dickinson's The Chemical Wedding album, reading a portion of three poems by William Blake, and appeared as Satan in Dickinson's music video for "Killing Floor". He was narrator for the Pretty Things' live performance of their album S. F. Sorrow (1998) at Abbey Road Studios. He also appeared on television, guesting on Kula Shaker track "Mystical Machine Gun" several times during 1999.

A further change of musical direction occurred, when he formed an acoustic band and went on tour with Tim Rose in 1999. This band then added Stan Adler (cello and bass) and Malcolm Mortimore (percussion) and produced the album Tantric Lover (2000). However, the lineup did not last, and Brown put a new band together with guitarist Rikki Patten and multi-instrumentalist Nick Pynn. In 2002, Brown was asked to support Robert Plant on his Dreamland Tour. By now Patten had been replaced by guitarist Chris Bryant. Brown was getting some more media exposure now. His band was briefly called the Giant Pocket Orchestra, and also Instant Flight. In the middle of this, in 2003, Brown released Vampire Suite (2003), an album with Josh Philips and Mark Brzezicki of the band Big Country, released on Ian Grant's Track Records.[23] Also around this time, Brown's back catalogue was re-released by Sanctuary Records.

The Crazy World of Arthur Brown at Musicport in Whitby, England in 2014

Brown reunited the surviving members of Kingdom Come (except Des Fisher) in 2005, for a one-off concert at The Astoria in London, performing material from Kingdom Come's album Galactic Zoo Dossier, with an encore of "Spirit of Joy". This show won Brown the 'Showman of the Year' award from Classic Rock magazine, with Brown receiving the award at the Classic Rock Roll of Honour Awards ceremony held in London's Café de Paris.[24] In 2007, Brown and Pynn released Voice of Love on the Côte Basque record label, featuring a number of original recordings.[25]

In August 2007, during a concert in Lewes, East Sussex, England, Brown once again set fire to his own hair. While trying to extinguish the flames, Phil Rhodes, a member of the band also caught fire. Brown carried on after the fire was put out; he had however lost a few chunks of hair.[26] He appeared as a priest in the video for the Darkness song, "Is It Just Me?". In 2009, a roll-out re-release of Brown's back catalogue was commenced by Cherry Red Records' subsidiary Lemon Recordings and continued from 2010 onwards on their sister label Esoteric Recordings.[27]

In 2010, Brown played a set at the Glastonbury Festival in the Glade. On 10 June 2011, days before his 69th birthday, he played at the Ray Davies Meltdown Festival at the Queen Elizabeth Hall, London where he invited Z-Star to duet with him. Six weeks later, again in London, he played the High Voltage Festival; the gig was recorded and released (on vinyl only) as The Crazy World of Arthur Brown Live at High Voltage. In 2012, Brown and Rick Patten released The Magic Hat alongside a comic of the same title by Matt Howarth – a curious, cross-dimensional adventure facilitated by a flaming helmet. In 2013, as the result of a successful pledge campaign on PledgeMusic, Brown released the album "Zim Zam Zim" based on the cosmos having recorded it in his yurt in Lewes.[28] On 2 July 2017, the Crazy World of Arthur Brown performed at the Royal Albert Hall's Elgar Room.[29]

Influence

Almost 50 years ago, musical icon Arthur Brown stepped out on stage, five-foot tall flames leaping from his head, and uttered one of rock music’s most stirring lines: “I am the God of Hellfire.” At that point, the British theatrical rocker who brought us the Crazy World of Arthur Brown in '68 had no way of knowing that he would come to be seen as a major pioneer in not only progressive rock and heavy metal, but the entire concept of what makes a stage show. He’s influenced generations of musicians who searched for an edge, from King Diamond, Kiss, and Peter Gabriel to Marilyn Manson, Rob Halford, and Alice Cooper.

—"The God of Hellfire Speaks: 73 Years Inside the Crazy World of Arthur Brown", Vice magazine, 2013.[10]

Though Brown has had limited commercial success and has never released another recording as commercially successful as "Fire", he has been a significant influence on Alice Cooper,[30] David Bowie, Peter Gabriel,[31] Marilyn Manson,[10] George Clinton,[32] Kiss, King Diamond, Rob Halford of Judas Priest and Bruce Dickinson of Iron Maiden,[33] among others, and his songs have been covered or sampled by a range of artists including Ozzy Osbourne, the Prodigy, Marilyn Manson and the Who.[10][11]

Brown's voice, and in particular his high banshee screams, are a precursor to the banshee screaming of many later heavy metal singers, and his theatrical concepts and stage presence such as the face makeup, especially his black and white face paint (corpse paint), voodoo dancing, and flaming helmet pioneered a lot of what was to become shock rock and progressive rock.[10][11][34] The third and final Kingdom Come album, Journey (1973), is noteworthy for being one of the first rock albums to feature a drum machine, especially on the track "Time Captives".[35]

Hawkwind association

Brown has had a number of associations with Hawkwind. In 1973, he was one of the performers on Robert Calvert's album Captain Lockheed and the Starfighters, together with a number of other Hawkwind members.[36]

In 2001 and 2002, Brown made several guest appearances at live Hawkwind concerts, subsequently touring with them as a guest vocalist. On their December 2002 tour, Hawkwind played several songs by Brown from the Kingdom Come era, along with "Song of the Gremlin", which Brown had sung on Captain Lockheed and the Starfighters; this was documented on the Hawkwind DVD Out of the Shadows.[36]

Brown also provided vocals on two of the tracks on Hawkwind's studio album Take Me to Your Leader, released in 2005.[37] One is the spoken-word "A Letter to Robert", where Brown recalls a conversation with Robert Calvert.[37] Brown continued his association with Hawkwind, touring with a support set for them on their 40th anniversary tour in the United Kingdom in 2009.

Selected discography

Singles

  • 1965: "You'll Be Mine" (The Diamonds) b/w "You Don't Know" (Arthur Brown with The Diamonds) (Reading Rag Record LYN 770/771 UK)
  • 1967: "Devil's Grip" b/w "Give Him a Flower" (The Crazy World of Arthur Brown) (Track Records 604008 UK)
  • 1968: "Fire" b/w "Rest Cure" (The Crazy World of Arthur Brown) (Track 604022 UK), (Atlantic Records 2556 US), (Polydor 541012 Can)
  • 1968: "Nightmare" b/w "Music Man" (aka "What's Happening") (The Crazy World of Arthur Brown) (Track 604026 UK)
  • 1968: "I Put a Spell on You" b/w "Nightmare" (The Crazy World of Arthur Brown) (Track 2582 US)
  • 1970: "Green Mello Hill" b/w "I Could Have Loved Her" (Kingdom Come) (Action Records 2102 003 Europe)
  • 1971: "Eternal Messenger" b/w "I.D. Side to be B Side the C Side" (Kingdom Come) (Polydor Records 2001 234 UK)
  • 1973: "Spirit of Joy" b/w "Come Alive" (Polydor 2001 416 UK)
  • 1974: "Gypsies" b/w "Dance" (Gull Records GULS 4 UK)
  • 1975: "We've Gotta Get Out of This Place" b/w "Here I Am" (Gull GULS 13 UK)

Studio albums

  • 1968 – The Crazy World of Arthur Brown (by the Crazy World of Arthur Brown)
  • 1971 – Galactic Zoo Dossier (by Kingdom Come)
  • 1972 – Kingdom Come (by Kingdom Come)
  • 1973 – Journey (by Kingdom Come)
  • 1975 – Dance
  • 1977 – Chisholm in My Bosom
  • 1979 – Faster Than the Speed of Light (with Vincent Crane)
  • 1981 – Speak No Tech (re-released by Craig Leon in 1984 as The Complete Tapes of Atoya)
  • 1982 – Requiem
  • 1988 – Brown, Black & Blue (with Jimmy Carl Black)
  • 1989 – Strangelands (recorded in 1969) (by the Crazy World of Arthur Brown)
  • 2000 – Tantric Lover (by the Crazy World of Arthur Brown)
  • 2003 – Vampire Suite (by the Crazy World of Arthur Brown)
  • 2007 – The Voice of Love (by the Amazing World of Arthur Brown)
  • 2012 – The Magic Hat (with Rick Patten; limited edition of 200; an accompanying comic of The Magic Hat by Matt Howarth is also available)
  • 2013 – Zim Zam Zim (released as the result of a successful pledge campaign) (by the Crazy World of Arthur Brown)

Live albums

  • 1993 – Order From Chaos (by the Crazy World of Arthur Brown)
  • 1994 – Jam (recorded in 1970) (by Kingdom Come)
  • 2002 – The Legboot Album – Arthur Brown on Tour
  • 2011 – The Crazy World of Arthur Brown Live at High Voltage (vinyl only release, limited edition of 1000)

Compilation albums

  • 1976 – Lost Ears (by Kingdom Come)
  • 2003 – Fire – The Story of Arthur Brown

Soundtrack contribution

  • 1966 – The Game Is Over (two songs)

Other contributions

References

Notes

  1. ↑ Arthur Brown's Kingdom Come has no link with the American/German hard-rock/glam band of the same name.

Citations

  1. ↑ Marshall 2005, p. 25.
  2. ↑ "Official UK Singles Top 100 – 16th February 2013 | Official UK Top 40 | music charts | Official Singles Chart". Retrieved 16 February 2013.
  3. ↑ Echard 2005, p. 43.
  4. ↑ Unterberger, Richie. Urban Spacemen and Wayfaring Strangers, p. 46.
  5. 1 2 3 4 5 6 7 8 9 Larkin, C., Virgin Encyclopedia of Sixties Music (Muze UK Ltd, 1997), ISBN 0-7535-0149-X, p. 77.
  6. ↑ "Arthur Brown interview about Crazy World & Kingdom Come". It's Psychedelic Baby. Retrieved 2017-05-06.
  7. ↑ "Guitarist/Composer". Alan Warner. Retrieved 16 February 2013.
  8. ↑ Marshall 2005, pp. 61–62.
  9. ↑ Marshall 2005, pp. 94–101.
  10. 1 2 3 4 5 6 "The God of Hellfire Speaks: 73 Years Inside the Crazy World of Arthur Brown". Vice. Retrieved 29 December 2017
  11. 1 2 3 4 "Arthur Brown on Shock Rock, Hendrix, Close Calls With Fire". Rolling Stone. Retrieved 29 December 2017
  12. ↑ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins. p. 236. ISBN 0-214-20512-6.
  13. ↑ Richie Unterberger (2014). "Urban Spacemen & Wayfaring Strangers [Revised & Expanded Ebook Edition]: Overlooked Innovators & Eccentric Visionaries of '60s Rock". BookBaby
  14. ↑ Marshall 2005, pp. 106–111.
  15. 1 2 Journey (liner). Kingdom Come. Castle Music. 2003.
  16. ↑ "Journey – Arthur Brown's Kingdom Come, Arthur Brown – Songs, Reviews, Credits – AllMusic". AllMusic. Retrieved 2 January 2018.
  17. ↑ Journey (liner). Kingdom Come. Esoteric Recordings. 2010.
  18. ↑ "The Glastonbury Festival 1971". Ukrockfestivals.com. 1971-06-26. Retrieved 2014-07-25.
  19. ↑ Jenkins, Mark (2009). "Analog Synthesizers: Understanding, Performing, Buying—From the Legacy of Moog to Software Synthesis". P. 150. CRC Press
  20. ↑ "The Return of the Hellfire God: Arthur Brown Is Back and Still Crazy After 47 Years". LA Weekly. 2 January 2018.
  21. ↑ "Solid Gold – Season 7, Episode 16: Solid Gold 87 Show 16 w/ Chicago". TV.com. 5 February 2008. Retrieved 16 February 2013.
  22. ↑ Marshall 2005, pp. 204–206.
  23. ↑ "Vampire Suite". AllMusic. Retrieved 4 January 2018
  24. ↑ "Classic Rock Roll of Honour Awards: Winners Announced". Blabbermouth. 2 January 2018.
  25. ↑ "The Voice of Love". AllMusic. Retrieved 2 January 2018
  26. ↑ "God of Hellfire Arthur Brown burnt in stage stunt – Local". Sussex Express. 30 August 2007. Retrieved 16 February 2013.
  27. ↑ "Cherry Red are proud to be the custodians of Arthur Brown’s catalogue!". Cherry Red Records. Retrieved 2 January 2018
  28. ↑ Whyte, Woodrow (29 August 2014). "The Life of Arthur Brown and 'Zim Zam Zim'". Drowned in Sound.
  29. ↑ "In pictures: The Crazy World of Arthur Brown wreak havoc in the Elgar Room". Royal Albert Hall. Retrieved 2 January 2018
  30. ↑ Marshall 2005, pp. 85 and 153.
  31. ↑ Marshall 2005, p. 175.
  32. ↑ Marshall 2005, p. 172.
  33. ↑ Marshall 2005, p. 103.
  34. ↑ Miles, Barry (2009). The British Invasion: Arthur Brown. Sterling Publishing Company, Inc.,. p. 274.
  35. ↑ Marshall 2005, pp. 121–125.
  36. 1 2 "Captain Lockheed and the Starfighters". AllMusic. Retrieved 4 January 2018
  37. 1 2 "Take Me to Your Leader". AllMusic. Retrieved 4 January 2018

Bibliography

Marshall, Polly. The God of Hellfire, the Crazy Life and Times of Arthur Brown. SAF Publishing, 2005. ISBN 0-946719-77-2.

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