Muhammad Iqbal

Iqbal was born on 9 November 1877 in an ethnic Kashmiri family in Sialkot within the Punjab Province of British India (now in Pakistan).[17] His family was Kashmiri Pandit (of the Sapru clan) that converted to Islam[18] in the 15th century[19] and which traced its roots back to a south Kashmir village in Kulgam.[20] In the 19th century, when the Sikh Empire was conquering Kashmir, his grandfather's family migrated to Punjab. Iqbal's grandfather was an eighth cousin of Sir Tej Bahadur Sapru, an important lawyer and freedom fighter who would eventually become an admirer of Iqbal.[21] Iqbal often mentioned and commemorated his Kashmiri lineage in his writings.[22][13]

Iqbal's mother, who died on 9 November 1914. Iqbal expressed his feeling of pathos in a poetic form after her death.

Iqbal's father, Sheikh Noor Muhammad (died 1930), was a tailor, not formally educated, but a religious man.[23][24] Iqbal's mother Imam Bibi, a Punjabi Muslim from Sialkot, was described as a polite and humble woman who helped the poor and her neighbours with their problems. She died on 9 November 1914 in Sialkot.[25][26][27] Iqbal loved his mother, and on her death he expressed his feelings of pathos in an elegy:[23]

Who would wait for me anxiously in my native place?

Who would display restlessness if my letter fails to arrive?
I will visit thy grave with this complaint:
Who will now think of me in midnight prayers?
All thy life thy love served me with devotion—

When I became fit to serve thee, thou hast departed.[23]

Iqbal was four years old when he was admitted to a mosque to learn about the Qur'an. He learned the Arabic language from his teacher, Syed Mir Hassan, the head of the madrasa and professor of Arabic at Scotch Mission College in Sialkot, where he matriculated in 1893.[28] He received an Intermediate level with the Faculty of Arts diploma in 1895.[13][26][29] The same year he enrolled at Government College University, where he obtained his Bachelor of Arts in philosophy, English literature and Arabic in 1897, and won the Khan Bahadurddin F.S. Jalaluddin medal as he performed well in Arabic.[26] In 1899, he received his Master of Arts degree from the same college and had the first place in the University of the Punjab.[13][26][29]

Allama Iqbal with his son Javed Iqbal in 1930

Iqbal married three times under different circumstances.[30] His first marriage was in 1895, when he was 18 years old. His bride, Karim Bibi, was the daughter of a physician, Khan Bahadur Ata Muhammad Khan. Her sister was the mother of director and music composer Khwaja Khurshid Anwar.[31][32] Their families arranged the marriage, and the couple had two children; a daughter, Miraj Begum (1895–1915), and a son, Aftab Iqbal (1899–1979), who became a barrister.[30][33] Another son is said to have died after birth in 1901.[34] Iqbal's second marriage was with Mukhtar Begum, and it was held in December 1914, shortly after the death of Iqbal's mother the previous November.[12][26] They had a son, but both the mother and son died shortly after birth in 1924.[30] Later, Iqbal married Sardar Begum, and they became the parents of a son, Javed Iqbal (1924–2015), who was to become a judge, and a daughter, Muneera Bano (b. 1930).[30][34] One of Muneera's sons is the philanthropist-cum-socialite Yousuf Salahuddin.[34]

Iqbal was influenced by the teachings of Sir Thomas Arnold, his philosophy teacher at Government College Lahore, to pursue higher education in the West. In 1905, he travelled to England for that purpose. While already acquainted with Friedrich Nietzsche and Henri Bergson, Iqbal would discover Rumi slightly before his departure to England, and he would teach the Masnavi to his friend Swami Rama Tirtha, who in return would teach him Sanskrit.[35] Iqbal qualified for a scholarship from Trinity College, University of Cambridge, and obtained a Bachelor of Arts in 1906. In the same year he was called to the bar as a barrister at Lincoln's Inn. In 1907, Iqbal moved to Germany to pursue his doctoral studies, and earned a Doctor of Philosophy degree from the Ludwig Maximilian University of Munich in 1908. Working under the guidance of Friedrich Hommel, Iqbal's doctoral thesis was entitled The Development of Metaphysics in Persia.[13][36][37][38]

In 1907, he had a close friendship with the writer Atiya Fyzee in both Britain and Germany. Atiya would later publish their correspondence.[39] While Iqbal was in Heidelberg in 1907, his German professor Emma Wegenast taught him about Goethe's Faust, Heine and Nietzsche.[40] He mastered German in three months.[41] During his study in Europe, Iqbal began to write poetry in Persian. He preferred to write in this language because doing so made it easier to express his thoughts. He would write continuously in Persian throughout his life.[13]

Iqbal had a great interest in Islamic studies, especially Sufi beliefs. In his poetry, apart from independent ideologies, he also explores concepts of submission to Allah and following the path of Prophet Muhammad.

Photograph taken during Allama Iqbal's youth in 1899

Iqbal began his career as a reader of Arabic after completing his Master of Arts degree in 1899, at Oriental College and shortly afterward was selected as a junior professor of philosophy at Government College Lahore, where he had also been a student in the past. He worked there until he left for England in 1905. In 1908, he returned from England and joined the same college again as a professor of philosophy and English literature.[42] In the same period Iqbal began practising law at the Chief Court of Lahore, but he soon quit law practice and devoted himself to literary works, becoming an active member of Anjuman-e-Himayat-e-Islam.[26] In 1919, he became the general secretary of the same organisation. Iqbal's thoughts in his work primarily focus on the spiritual direction and development of human society, centered around experiences from his travels and stays in Western Europe and the Middle East. He was profoundly influenced by Western philosophers such as Nietzsche, Bergson, and Goethe. He also closely worked with Ibrahim Hisham during his stay at the Aligarh Muslim University.[23][40]

The poetry and philosophy of Rumi strongly influenced Iqbal. Deeply grounded in religion since childhood, Iqbal began concentrating intensely on the study of Islam, the culture and history of Islamic civilisation and its political future, while embracing Rumi as "his guide".[23] Iqbal would feature Rumi in the role of guide in many of his poems. Iqbal's works focus on reminding his readers of the past glories of Islamic civilisation and delivering the message of a pure, spiritual focus on Islam as a source for socio-political liberation and greatness. Iqbal denounced political divisions within and amongst Muslim nations, and frequently alluded to and spoke in terms of the global Muslim community or the Ummah.[9][23]

Iqbal's poetry was translated into many European languages in the early part of the 20th century.[8] Iqbal's Asrar-i-Khudi and Javed Nama were translated into English by R. A. Nicholson and A. J. Arberry, respectively.[8][14]

Iqbal as a barrister-at-law

Iqbal was not only a prolific writer but was also a known advocate. He appeared before the Lahore High Court in both civil and criminal matters. There are more than 100 reported judgments to his name.[43][44][45][46][47][48]

The tomb of Muhammad Iqbal at the entrance of the Badshahi Mosque in Lahore

In 1933, after returning from a trip to Spain and Afghanistan, Iqbal suffered from a mysterious throat illness.[49] He spent his final years helping Chaudhry Niaz Ali Khan to establish the Dar ul Islam Trust Institute at a Jamalpur estate near Pathankot,[50][51] where there were plans to subsidise studies in classical Islam and contemporary social science. He also advocated for an independent Muslim state. Iqbal ceased practising law in 1934 and was granted a pension by the Nawab of Bhopal. In his final years, he frequently visited the Dargah of famous Sufi Ali Hujwiri in Lahore for spiritual guidance. After suffering for months from his illness, Iqbal died in Lahore on 21 April 1938.[9][13] His tomb is located in Hazuri Bagh, the enclosed garden between the entrance of the Badshahi Mosque and the Lahore Fort, and official guards are provided by the Government of Pakistan.

Iqbal with Muslim politicians.
(L to R): M. Iqbal (third), Syed Zafarul Hasan (sixth) at Aligarh Muslim University

Iqbal first became interested in national affairs in his youth. He received considerable recognition from the Punjabi elite after his return from England in 1908, and he was closely associated with Mian Muhammad Shafi. When the All-India Muslim League was expanded to the provincial level, and Shafi received a significant role in the structural organisation of the Punjab Muslim League, Iqbal was made one of the first three joint secretaries along with Shaikh Abdul Aziz and Maulvi Mahbub Alam.[52] While dividing his time between law practice and poetry, Iqbal remained active in the Muslim League. He did not support Indian involvement in World War I and stayed in close touch with Muslim political leaders such as Mohammad Ali Jouhar and Muhammad Ali Jinnah. He was a critic of the mainstream Indian National Congress, which he regarded as dominated by Hindus, and was disappointed with the League when, during the 1920s, it was absorbed in factional divides between the pro-British group led by Shafi and the centrist group led by Jinnah.[53]

In November 1926, with the encouragement of friends and supporters, Iqbal contested the election for a seat in the Punjab Legislative Assembly from the Muslim district of Lahore, and defeated his opponent by a margin of 3,177 votes.[9] He supported the constitutional proposals presented by Jinnah to guarantee Muslim political rights and influence in a coalition with the Congress and worked with the Aga Khan and other Muslim leaders to mend the factional divisions and achieve unity in the Muslim League.[53] While in Lahore he was a friend of Abdul Sattar Ranjoor.[54]

Ideologically separated from Congress Muslim leaders, Iqbal had also been disillusioned with the politicians of the Muslim League, owing to the factional conflict that plagued the League in the 1920s. Discontent with factional leaders like Shafi and Fazl-ur-Rahman, Iqbal came to believe that only Jinnah was a political leader capable of preserving unity and fulfilling the League's objectives of Muslim political empowerment. Building a strong, personal correspondence with Jinnah, Iqbal was influential in convincing Jinnah to end his self-imposed exile in London, return to India and take charge of the League. Iqbal firmly believed that Jinnah was the only leader capable of drawing Indian Muslims to the League and maintaining party unity before the British and the Congress:

I know you are a busy man, but I do hope you won't mind my writing to you often, as you are the only Muslim in India today to whom the community has right to look up for safe guidance through the storm which is coming to North-West India and, perhaps, to the whole of India.[55]

While Iqbal espoused the idea of Muslim-majority provinces in 1930, Jinnah would continue to hold talks with the Congress through the decade and only officially embraced the goal of Pakistan in 1940. Some historians postulate that Jinnah always remained hopeful for an agreement with the Congress and never fully desired the partition of India.[56] Iqbal's close correspondence with Jinnah is speculated by some historians as having been responsible for Jinnah's embrace of the idea of Pakistan. Iqbal elucidated to Jinnah his vision of a separate Muslim state in a letter sent on 21 June 1937:

A separate federation of Muslim Provinces, reformed on the lines I have suggested above, is the only course by which we can secure a peaceful India and save Muslims from the domination of Non-Muslims. Why should not the Muslims of North-West India and Bengal be considered as nations entitled to self-determination just as other nations in India and outside India are.[9]

Iqbal, serving as president of the Punjab Muslim League, criticised Jinnah's political actions, including a political agreement with Punjabi leader Sikandar Hyat Khan, whom Iqbal saw as a representative of feudal classes and not committed to Islam as the core political philosophy. Nevertheless, Iqbal worked constantly to encourage Muslim leaders and masses to support Jinnah and the League. Speaking about the political future of Muslims in India, Iqbal said:

There is only one way out. Muslims should strengthen Jinnah's hands. They should join the Muslim League. Indian question, as is now being solved, can be countered by our united front against both the Hindus and the English. Without it, our demands are not going to be accepted. People say our demands smack of communalism, and This is sheer propaganda. These demands relate to the defense of our national existence. The united front can be formed under the leadership of the Muslim League. And the Muslim League can succeed only on account of Jinnah. Now none but Jinnah is capable of leading the Muslims.[55]

Copy of the first issue of Tolu-e-Islam

Iqbal was the first patron of Tolu-e-Islam, a historical, political, religious and cultural journal of the Muslims of British India. For a long time, Iqbal wanted a journal to propagate his ideas and the aims and objectives of the All India Muslim League. In 1935, according to his instructions, Syed Nazeer Niazi initiated and edited the journal,[59] named after Iqbal's poem "Tulu'i Islam". Niazi dedicated the first issue of the journal to Iqbal. The journal would play an important role in the Pakistan movement.[53] Later, the journal was continued[60] by Ghulam Ahmed Pervez, who had contributed many articles in its early editions.

Iqbal's poetic works are written primarily in Persian rather than Urdu. Among his 12,000 verses of poetry, about 7,000 verses are in Persian. In 1915, he published his first collection of poetry, the Asrar-i-Khudi (Secrets of the Self) in Persian. The poems emphasise the spirit and self from a religious perspective. Many critics have called this Iqbal's finest poetic work.[61] In Asrar-i-Khudi, Iqbal explains his philosophy of "Khudi", or "Self".[9][23] Iqbal's use of the term "Khudi" is synonymous with the word "Rooh" used in the Quran for a divine spark which is present in every human being, and was said by Iqbal to be present in Adam, for which God ordered all of the angels to prostrate in front of Adam.[9] Iqbal condemns self-destruction. For him, the aim of life is self-realization and self-knowledge. He charts the stages through which the "Self" has to pass before finally arriving at its point of perfection, enabling the knower of the "Self" to become a vice-regent of God.[9]

In his Rumuz-i-Bekhudi (Hints of Selflessness), Iqbal seeks to prove the Islamic way of life is the best code of conduct for a nation's viability. A person must keep his characteristics intact, he asserts, but once this is achieved, he should sacrifice his ambitions for the needs of the nation. Man cannot realise the "Self" outside of society. Published in 1917, this group of poems has as its main themes the ideal community,[9] Islamic ethical and social principles, and the relationship between the individual and society. Although he supports Islam, Iqbal also recognises the positive aspects of other religions. Rumuz-i-Bekhudi complements the emphasis on the self in Asrar-e-Khudi and the two collections are often put in the same volume under the title Asrar-i-Rumuz (Hinting Secrets). It is addressed to the world's Muslims.[9]

Iqbal's 1924 publication, the Payam-e-Mashriq (The Message of the East), is closely connected to the West-östlicher Diwan by the German poet Goethe. Goethe bemoans the West having become too materialistic in outlook, and expects the East will provide a message of hope to resuscitate spiritual values. Iqbal styles his work as a reminder to the West of the importance of morality, religion, and civilisation by underlining the need for cultivating feeling, ardor, and dynamism. He asserts that an individual can never aspire to higher dimensions unless he learns of the nature of spirituality.[9] In his first visit to Afghanistan, he presented Payam-e Mashreq to King Amanullah Khan. In it, he admired the uprising of Afghanistan against the British Empire. In 1933, he was officially invited to Afghanistan to join the meetings regarding the establishment of Kabul University.[40]

The Zabur-e-Ajam (Persian Psalms), published in 1927, includes the poems "Gulshan-e-Raz-e-Jadeed" ("Garden of New Secrets") and "Bandagi Nama" ("Book of Slavery"). In "Gulshan-e-Raz-e-Jadeed", Iqbal first poses questions, then answers them with the help of ancient and modern insight. "Bandagi Nama" denounces slavery and attempts to explain the spirit behind the fine arts of enslaved societies. Here, as in other books, Iqbal insists on remembering the past, doing well in the present and preparing for the future, while emphasising love, enthusiasm and energy to fulfill the ideal life.[9]

Iqbal's 1932 work, the Javed Nama (Book of Javed), is named after and in a manner addressed to his son, who is featured in the poems. It follows the examples of the works of Ibn Arabi and Dante's The Divine Comedy, through mystical and exaggerated depictions across time. Iqbal depicts himself as Zinda Rud ("A stream full of life") guided by Rumi, "the master", through various heavens and spheres and has the honour of approaching divinity and coming in contact with divine illuminations. In a passage reliving a historical period, Iqbal condemns the Muslims who were instrumental in the defeat and death of Nawab Siraj-ud-Daula of Bengal and Tipu Sultan of Mysore by betraying them for the benefit of the British colonists, and thus delivering their country to the shackles of slavery. In the end, by addressing his son Javid, he speaks to the young people at large, and guides the "new generation".[9]

His love of the Persian language is evident in his works and poetry. He says in one of his poems:[62]

گرچہ ہندی در عذوبت شکر است[63]

garchi Hindi dar uzūbat shakkar ast

طرز گفتار دري شيرين تر است

tarz-i guftar-i Dari shirin tar ast

Translation: Even though in sweetness Hindi* is sugar – (but) speech method in Dari [a Persian dialect] is sweeter *

Iqbal's Bang-e-Dara (The Call of the Marching Bell), his first collection of Urdu poetry, was published in 1924. It was written in three distinct phases of his life.[9] The poems he wrote up to 1905—the year he left for England—reflect patriotism and the imagery of nature, including the "Tarana-e-Hind" ("The Song of India"),[40] and "Tarana-e-Milli" ("The Song of the Community"). The second set of poems date from 1905–1908, when Iqbal studied in Europe, and dwell upon the nature of European society, which he emphasised had lost spiritual and religious values. This inspired Iqbal to write poems on the historical and cultural heritage of Islam and the Muslim community, with a global perspective. Iqbal urges the entire Muslim community, addressed as the Ummah, to define personal, social and political existence by the values and teachings of Islam.[9]

Iqbal's works were in Persian for most of his career, but after 1930 his works were mainly in Urdu. His works in this period were often specifically directed at the Muslim masses of India, with an even stronger emphasis on Islam and Muslim spiritual and political reawakening. Published in 1935, Bal-e-Jibril (Wings of Gabriel) is considered by many critics as his finest Urdu poetry and was inspired by his visit to Spain, where he visited the monuments and legacy of the kingdom of the Moors. It consists of ghazals, poems, quatrains and epigrams and carries a strong sense of religious passion.[9]

Pas Cheh Bayed Kard ai Aqwam-e-Sharq (What are we to do, O Nations of the East?) includes the poem "Musafir" ("Traveler"). Again, Iqbal depicts Rumi as a character and gives an exposition of the mysteries of Islamic laws and Sufi perceptions. Iqbal laments the dissension and disunity among the Indian Muslims as well as Muslim nations. "Musafir" is an account of one of Iqbal's journeys to Afghanistan, in which the Pashtun people are counseled to learn the "secret of Islam" and to "build up the self" within themselves.[9] Iqbal's final work was Armughan-e-Hijaz (The Gift of Hijaz), published posthumously in 1938. The first part contains quatrains in Persian, and the second part contains some poems and epigrams in Urdu. The Persian quatrains convey the impression that the poet is travelling through the Hijaz in his imagination. The profundity of ideas and intensity of passion are the salient features of these short poems.[9]

Iqbal's vision of mystical experience is clear in one of his Urdu ghazals, which was written in London during his student days. Some verses of that ghazal are:[9]

At last, the silent tongue of Hijaz has

announced to the ardent ear the tiding
That the covenant which had been given to the
desert-[dwellers] is going to be renewed
vigorously:
The lion who had emerged from the desert and
had toppled the Roman Empire is
As I am told by the angels, about to get up
again (from his slumbers.)
You the [dwellers] of the West, should know that
the world of God is not a shop (of yours).
Your imagined pure gold is about to lose it's
standard value (as fixed by you).
Your civilization will commit suicide with its own daggers.

For a house built on a fragile bark of wood is not longlasting[9]

Iqbal wrote two books, The Development of Metaphysics in Persia and The Reconstruction of Religious Thought in Islam, and many letters in the English language. In these, he revealed his thoughts regarding Persian ideology and Islamic Sufism – in particular, his beliefs that Islamic Sufism activates the searching soul to a superior perception of life. He also discussed philosophy, God and the meaning of prayer, human spirit and Muslim culture, as well as other political, social and religious problems.[9]

Iqbal was invited to Cambridge to participate in a conference in 1931, where he expressed his views, including those on the separation of church and state, to students and other participants:[9]

I would like to offer a few pieces of advice to the young men who are at present studying at Cambridge. ... I advise you to guard against atheism and materialism. The biggest blunder made by Europe was the separation of Church and State. This deprived their culture of moral soul and diverted it to the atheistic materialism. I had twenty-five years ago seen through the drawbacks of this civilization and, therefore, had made some prophecies. They had been delivered by my tongue, although I did not quite understand them. This happened in 1907. ... After six or seven years, my prophecies came true, word by word. The European war of 1914 was an outcome of the mistakes mentioned above made by the European nations in the separation of the Church and the State.[9]

Iqbal also wrote some poems in Punjabi, such as "Piyaara Jedi" and "Baba Bakri Wala", which he penned in 1929 on the occasion of his son Javid's birthday. A collection of his Punjabi poetry was put on display at the Iqbal Manzil in Sialkot.[64]

Allama Iqbal after the conferment of a Doctorate of Literature by the University of the Punjab in 1933

Iqbal has been referred to as the "Poet of the East" by academics, institutions and the media.[14][65][66][67][68][69][70]

The Vice-Chancellor of Quaid-e-Azam University, Dr. Masoom Yasinzai, stated in a seminar addressing a distinguished gathering of educators and intellectuals that Iqbal is not only a poet of the East but is a universal poet. Moreover, Iqbal is not restricted to any specific segment of the world community, but he is for all humanity.[71]

Yet it should also be born in mind that while dedicating his Eastern Divan to Goethe, the cultural icon par excellence, Iqbal's Payam-i-Mashriq constituted both a reply as well as a corrective to the Western Divan of Goethe. For by stylizing himself as the representative of the East, Iqbal endeavored to talk on equal terms to Goethe as the representative of West.[72]

Iqbal's revolutionary works through his poetry affected the Muslims of the subcontinent. Iqbal thought that Muslims had long been suppressed by the colonial enlargement and growth of the West. For this concept, Iqbal is recognised as the "Poet of the East".[66][73][74]

So to conclude, let me cite Annemarie Schimmel in Gabriel's Wing who lauds Iqbal's "unique way of weaving a grand tapestry of thought from eastern and western yarns" (p. xv), a creative activity which, to cite my own volume Revisioning Iqbal, endows Muhammad Iqbal with the stature of a "universalist poet" and thinker whose principal aim was to explore mitigating alternative discourses to construct a bridge between the "East" and the "West."[72]

The Urdu world is very familiar with Iqbal as the "Poet of the East".[74] Iqbal is also called Muffakir-e-Pakistan, "The Thinker of Pakistan") and Hakeem-ul-Ummat ("The Sage of the Ummah"). The Pakistan government officially named him a "national poet".[8]

In Iran, Iqbal is known as Iqbāl-e Lāhorī (Persian: اقبال لاهوری‎) (Iqbal of Lahore). Iqbal's Asrare-i-Khudi and Bal-i-Jibreel are particularly popular in Iran. At the same time, many scholars in Iran have recognised the importance of Iqbal's poetry in inspiring and sustaining the Iranian Revolution of 1979.[75][6] During the early phases of the revolutionary movement, it was common to see people gathering in a park or corner to listen to someone reciting Iqbal's Persian poetry, which is why people of all ages in Iran today are familiar with at least some of his poetry, notably Zabur-i-Ajam.[76][6]

Ayatollah Ali Khamenei has stated, "We have a large number of non-Persian-speaking poets in the history of our literature, but I cannot point out any of them whose poetry possesses the qualities of Iqbal's Persian poetry. Iqbal was not acquainted with Persian idiom, as he spoke Urdu at home and talked to his friends in Urdu or English. He did not know the rules of Persian prose writing."[77]

By the early 1950s, Iqbal became known among the intelligentsia of Iran. Iranian poet laureate Muhammad Taqi Bahar universalised Iqbal in Iran. He highly praised the work of Iqbal in Persian.

In 1952, Iranian Prime Minister Mohammad Mossadeq, a national hero because of his oil nationalisation policy, broadcast a special radio message on Iqbal Day and praised his role in the struggle of the Indian Muslims against British imperialism. At the end of the 1950s, Iranians published the complete Persian works. In the 1960s, Iqbal's thesis on Persian philosophy was translated from English to Persian. Ali Shariati, a Sorbonne-educated sociologist, supported Iqbal as his role model as Iqbal had Rumi. An example of the admiration and appreciation of Iran for Iqbal is that he received the place of honour in the pantheon of the Persian elegy writers.

Iqbal became even more popular in Iran in the 1970s. His verses appeared on banners, and his poetry was recited at meetings of intellectuals. Iqbal inspired many intellectuals, including Ali Shariati, Mehdi Bazargan and Abdulkarim Soroush. His book The Reconstruction of Religious Thought in Islam was translated by Mohammad Masud Noruzi.[6]

Key Iranian thinkers and leaders who were influenced by Iqbal's poetry during the rise of the Iranian revolution include Khamenei, Shariati and Soroush, although much of the revolutionary guard was familiar with Iqbal's poetry.[78] At the inauguration of the First Iqbal Summit in Tehran (1986), Khamenei stated that in its "conviction that the Quran and Islam are to be made the basis of all revolutions and movements", Iran was "exactly following the path that was shown to us by Iqbal".[78] Shariati, who has been described as a core ideologue for the Iranian Revolution, described Iqbal as a figure who brought a message of "rejuvenation", "awakening" and "power" to the Muslim world.[79]

Sign for the street Iqbal-Ufer in Heidelberg, Germany, honouring Iqbal[80]

Iqbal's views on the Western world have beem applauded by Westerners, including United States Supreme Court Associate Justice William O. Douglas, who said that Iqbal's beliefs had "universal appeal".[81] Soviet biographer N. P. Anikoy wrote:

[Iqbal is] great for his passionate condemnation of weak will and passiveness, his angry protest against inequality, discrimination and oppression in all forms, i.e., economic, social, political, national, racial, religious, etc., his preaching of optimism, an active attitude towards life and man's high purpose in the world, in a word, he is great for his assertion of the noble ideals and principles of humanism, democracy, peace and friendship among peoples.[81]

Others, including Wilfred Cantwell Smith, stated that with Iqbal's anti-capitalist holdings, he was "anti-intellect", because "capitalism fosters intellect".[81] Freeland Abbott objected to Iqbal's views of the West, saying that they were based on the role of imperialism and that Iqbal was not immersed enough in Western culture to learn about the various benefits of the modern democracies, economic practices and science.[81] Critics of Abbot's viewpoint note that Iqbal was raised and educated in the European way of life, and spent enough time there to grasp the general concepts of Western civilisation.[81]