Judy Collins

Collins was born the eldest of five siblings in Seattle, Washington, where she spent the first ten years of her life. Her father, a blind singer, pianist and radio show host, took a job in Denver, Colorado, in 1949, and the family moved there. Collins studied classical piano with Antonia Brico, making her public debut at age 13, performing Mozart's Concerto for Two Pianos. Brico took a dim view, both then and later, of Collins' developing interest in folk music, which led her to the difficult decision to discontinue her piano lessons. Years later, after she became known internationally, she invited Brico to one of her concerts in Denver. When they met after the performance, Brico took both of Collins' hands into hers, looked wistfully at her fingers and said, "Little Judy—you really could have gone places." Still later, Collins discovered that Brico herself had made a living when she was younger playing jazz and ragtime piano (Singing Lessons, pp. 71–72). In her early life, Collins had the good fortune of meeting many professional musicians through her father.[4]

It was the music of Woody Guthrie and Pete Seeger and the traditional songs of the folk revival of the early 1960s, however, that kindled Collins' interest and awoke in her a love of lyrics. Three years after her debut as a piano prodigy, she was playing guitar. Her first public appearances as a folk artist after her graduation from Denver's East High School were at Michael's Pub in Boulder, Colorado, and the folk club Exodus in Denver. Her music became popular at the University of Connecticut, where her husband taught. She performed at parties and for the campus radio station along with David Grisman and Tom Azarian.[5] She eventually made her way to Greenwich Village, New York City, where she played in clubs like Gerde's Folk City until she signed with Elektra Records, a label she was associated with for 35 years. In 1961, Collins released her first album, A Maid of Constant Sorrow, at age 22.[6]

At first, she sang traditional folk songs or songs written by others – in particular the protest songwriters of the time, such as Tom Paxton, Phil Ochs, and Bob Dylan. She recorded her own versions of important songs from the period, such as Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn, Turn, Turn". Collins was also instrumental in bringing little-known musicians to a wider public. For example, she recorded songs by Canadian poet Leonard Cohen, who became a close friend over the years. She also recorded songs by singer-songwriters such as Eric Andersen, Fred Neil, Ian Tyson, Joni Mitchell, Randy Newman, Robin Williamson and Richard Fariña long before they gained national acclaim.[7][8]

While Collins' first few albums consisted of straightforward guitar-based folk songs, with 1966's In My Life, she began branching out and including work from such diverse sources as the Beatles, Leonard Cohen, Jacques Brel, and Kurt Weill.[8] Mark Abramson produced and Joshua Rifkin arranged the album, adding lush orchestration to many of the numbers. The album was a major departure for a folk artist and set the course for Collins' subsequent work over the next decade.[9]

With her 1967 album Wildflowers, also produced by Abramson and arranged by Rifkin, Collins began to record her own compositions, beginning with "Since You've Asked". The album also provided Collins with a major hit and a Grammy award in Mitchell's "Both Sides, Now", which in December 1968 reached Number 8 on the Billboard Hot 100.[10] Two songs ("Who Knows Where The Time Goes" and "Albatross") were featured in the 1968 film The Subject Was Roses).

Collins performing on The Smothers Brothers Comedy Hour, 1968

Collins' 1968 album Who Knows Where the Time Goes was produced by David Anderle, and featured back-up guitar by Stephen Stills (of Crosby, Stills & Nash), with whom she was romantically involved at the time. (She was the inspiration for Stills's CSN classic "Suite: Judy Blue Eyes".) Time Goes had a mellow country sound and included Ian Tyson's "Someday Soon" and the title track, written by the UK singer-songwriter Sandy Denny. The album also featured Collins' composition "My Father" and one of the first covers of Leonard Cohen's "Bird on the Wire".[11]

By the 1970s, Collins had a solid reputation as an art song singer and folksinger and had begun to stand out for her own compositions. She was also known for her broad range of material: her songs from this period include the traditional Christian hymn "Amazing Grace", the Stephen Sondheim Broadway ballad "Send in the Clowns" (both of which were top 20 hits as singles), a recording of Joan Baez's "A Song for David", and her own compositions, such as "Born to the Breed".[12]

Collins guest starred on The Muppet Show in an episode broadcast in January 1978,[13] singing "Leather-Winged Bat", "I Know An Old Lady who Swallowed a Fly", "Do Re Mi", and "Send in the Clowns". She also appeared several times on Sesame Street, where she performed "Fishermen's Song" with a chorus of Anything Muppet fishermen, sang a trio with Biff and Sully using the word "yes", and even starred in a modern musical fairy tale skit called "The Sad Princess".[14] She sang the music for the 1983 animated special The Magic of Herself the Elf, as well as the theme song of the Rankin-Bass TV movie The Wind in the Willows.[15] Collins' 1979 album Hard Times for Lovers gained some extra publicity with the cover sleeve photograph of Collins in the nude.

In 1990, Collins released the album Fires of Eden under Columbia Records. The album spawned one single – "Fires of Eden", written by Kit Hain and Mark Goldenberg. The single peaked at #31 on Billboard's Adult Contemporary chart. At the time of its release, Collins performed the song live on several occasions, including on The Tonight Show Starring Johnny Carson and The Joan Rivers Show. A music video promoting the song and featuring Collins was also released.[16] Later, Cher recorded "Fires of Eden" for her 1991 album Love Hurts. Other memorable songs from Collins' Fires of Eden include "The Blizzard", "Home Before Dark" and a cover of The Hollies song – "The Air That I Breathe".

Collins at a book signing in 1995

Collins first memoir, Trust Your Heart, was published in 1987 and a novel, Shameless, followed in 1995. A second memoir, Sanity and Grace (2003), recounts the death of her son Clark in January 1992. With help from her manager Katherine DePaul she founded Wildflower Records. Though her record sales are not what they once were, she still records and tours in the U.S., Europe, Australia, and New Zealand. She performed at President Bill Clinton's first inauguration in 1993, singing "Amazing Grace" and "Chelsea Morning" (The Clintons have stated that they named their daughter, Chelsea, after Collins' recording of the song.). In 2006, she sang "This Little Light of Mine" in a commercial for Eliot Spitzer.[17]

Various artists including Shawn Colvin, Rufus Wainwright and Chrissie Hynde covered her compositions for the tribute album Born to the Breed in 2008.[18] In the same year, Collins released her own covers collection of Beatles songs, and she received an honorary doctorate from Pratt Institute on May 18. In 2010, Collins sang "The Weight of the World" at the Newport Folk Festival, a song by Amy Speace.[19]

Collins joined the judging panel for The 7th, 9th, 10th,[20][21] 11th,[22] 12th, 13th and 14th Annual Independent Music Awards, and in doing so, greatly assisted independent musicians' careers.

In July 2012, Collins appeared as a guest artist on the Australian SBS television programme RocKwiz.[23]

On June 25, 2019, The New York Times Magazine listed Judy Collins among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[24]

Like many other folk singers of her generation, Collins was drawn to social activism. Her political idealism also led her to compose a ballad entitled "Che" in honor of the 1960s Marxist icon Che Guevara.[25]

Collins sympathized with the Yippie movement and was friendly with its leaders, Abbie Hoffman and Jerry Rubin. On March 17, 1968, she attended Hoffman's press conference at the Americana Hotel in New York to announce the party's formation. In 1969, she testified in Chicago in support of the Chicago Seven; during her testimony, she began singing Pete Seeger's "Where Have All the Flowers Gone?" and was admonished by prosecutor Tom Foran and judge Julius Hoffman.[26]

In 1971, signed her name to the Ms. campaign: “We Have Had Abortions” which called for an end to "archaic laws" limiting reproductive freedom, they encouraged women to share their stories and take action. In 1982, wrote the song "Mama Mama" about a mother of five and her ambivalence over her decision to abort an unintended pregnancy.[27][28][29][30]

Collins wrote the anti-gun song "Shoot First" which she released in 1984.[31]

In the late 1990s, she was a representative for UNICEF and campaigns on behalf of the abolition of landmines.[32]

Later songs include "River of Gold" about the environment and "My Name Is Maria" about dreamers.[33]

Collins contracted polio at the age of eleven and spent two months in isolation in a hospital.[34]

Collins has been married twice. Her first marriage in 1958 to Peter Taylor produced her only child, Clark C. Taylor, born the same year. The marriage ended in divorce in 1965.[35]

In 1962, shortly after her debut at Carnegie Hall, Collins was diagnosed with tuberculosis and spent six months recuperating in a sanatorium.[36]

Collins is the subject of the Stephen Stills composition "Suite: Judy Blue Eyes", which appeared on the 1969 eponymous debut album of Crosby, Stills & Nash.

Collins later admitted having suffered from bulimia after she quit smoking in the 1970s. "I went straight from the cigarettes into an eating disorder", she told People magazine in 1992. "I started throwing up. I didn't know anything about bulimia, certainly not that it is an addiction or that it would get worse. My feelings about myself, even though I had been able to give up smoking and lose 20 lbs., were of increasing despair." She has written at length of her years of addiction to alcohol, the damage it did to her personal and musical life and how it contributed to her feelings of depression.[37] Collins admits that although she tried other drugs in the 1960s, alcohol had always been her drug of first choice, just as it had been for her father. She entered a rehabilitation program in Pennsylvania in 1978 and has maintained her sobriety ever since, even through such traumatic events as the death of her only child, Clark, who died by suicide in 1992 at age 33 after a long bout with clinical depression and substance abuse. Since his death, she has also become an activist for suicide prevention.[38]

In April 1996, she married designer Louis Nelson, whom she had been seeing since April 1978. They live in Manhattan in New York City.[39]

Collins has received four Grammy Award nominations for Best Folk Performance or Folk Recording, one for Best Folk Album and one for Best Female Pop Vocal Performance.

• Judy Collins #3 (1964)[40]
• In My Life (1968)[41]
• Both Sides, Now (1969) Won[42]
• Bird on the Wire (1970)[43]
• Send In The Clowns (1976)[44]
• Silver Skies Blue with Ari Hest (2017)[45]

Stephen Sondheim won the 1976 Grammy Award for Song of the Year based on the popularity of Collins' performance of "Send In The Clowns" on her album Judith. (The song was named "Song of the Year".[46])

Other awards

• Collins was nominated with Jill Godmilow for an Academy Award for the documentary Antonia: A Portrait of the Woman (1975), about her classical piano instructor, conductor Antonia Brico.[47]
• For her activism and musical abilities, the Americana Music Association presented Collins with the "Spirit of Americana"/Free Speech Lifetime Achievement Award at their 2005 Honors & Awards ceremony.
• She was inducted into the Colorado Women's Hall of Fame in 2006[48]
• She was received an Honorary Doctor of Fine Arts Degree from Pratt Institute in May 2009
• In 2009, Collins received the Lifetime Achievement Award at the BBC Radio 2 Folk Awards.[49]
• Collins' rendition of the song "Amazing Grace" was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant" in 2017.[50]

• Baby's Bedtime (1992)
• Baby's Morningtime (1992)
• Junior (1994), as the operator of a spa for pregnant women
• Christmas at the Biltmore Estate (1998)
• A Town Has Turned to Dust (1998; a telefilm based on a Rod Serling science-fiction story)
• The Best of Judy Collins (1999)
• Intimate Portrait: Judy Collins (2000)
• Judy Collins Live at Wolf Trap (2003)
• Wildflower Festival (2003) (DVD with guest artists Eric Andersen, Arlo Guthrie, and Tom Rush)
• Girls (TV, 2013), series 2, episode 8: "It's Back"
• Danny Says (2016)

• Trust Your Heart (1987)
• Amazing Grace (1991)
• Shameless (1995)
• Singing Lessons (1998)
• Sanity and Grace: A Journey of Suicide, Survival and Strength (2003)
• The Seven T's: Finding Hope and Healing in the Wake of Tragedy (2007)
• Sweet Judy Blue Eyes: My Life in Music (2011) ISBN 0-307-71734-8 OCLC 699763852

• List of peace activists

Wikimedia Commons has media related to Judy Collins.

• Official website
• Audio interview with Judy Collins
• Audio interview, Minnesota Public Radio 7 April 2009
• Judy Collins on IMDb
• Judy Collins profile (#549)