Hail Mary

The prayer incorporates two greetings to Mary in Saint Luke's Gospel: "Hail, full of grace, the Lord is with thee."[2] and "Blessed art thou amongst women and blessed is the fruit of thy womb."[3] In mid-13th-century Western Europe the prayer consisted only of these words with the single addition of the name "Mary" after the word "Hail", as is evident from the commentary of Saint Thomas Aquinas on the prayer.[4]

The first of the two passages from Saint Luke's Gospel is the greeting of the Angel Gabriel to Mary, originally written in Koine Greek. The opening word of greeting, χαῖρε, chaíre, here translated "Hail", literally has the meaning "rejoice" or "be glad". This was the normal greeting in the language in which Saint Luke's Gospel is written and continues to be used in the same sense in Modern Greek. Accordingly, both "Hail" and "Rejoice" are valid English translations of the word ("Hail" reflecting the Latin translation, and "Rejoice" reflecting the original Greek).

The word κεχαριτωμένη, (kecharitōménē), here translated as "full of grace", admits of various translations. Grammatically, the word is the feminine perfect passive participle of the verb χαριτόω, charitóō, which means "to show, or bestow with, grace" and here, in the passive voice, "to have grace shown, or bestowed upon, one".[5]

The text also appears in the account of the annunciation contained in the apocryphal Infancy Gospel of Matthew, in chapter 9.

The second passage is taken from Elizabeth's greeting to Mary in Luke 1:42, "Blessed art thou among women, and blessed is the fruit of thy womb."[6] Taken together, these two passages are the two times Mary is greeted in the Chapter 1 of Luke.

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Mariology of the Catholic Church
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Overview Prayers Antiphons Hymns to Mary Devotional practices Saints Societies Consecrations and entrustments Veneration
Prayers Angelus As a Child I Loved You Fátima prayers Flos Carmeli Hail Mary Hail Mary of Gold Immaculata prayer Magnificat Mary, Mother of Grace Mary Our Queen Memorare Sub tuum praesidium
Antiphons Alma Redemptoris Mater Ave maris stella Ave Regina caelorum Salve Regina
Hymns to Mary Hail Queen of Heaven, the Ocean Star Immaculate Mary Lo, How a Rose E'er Blooming O sanctissima Regina Caeli Stabat Mater
Devotional practices Acts of Reparation Consecration to Mary First Saturdays Rosary Seven Joys of the Virgin Seven Sorrows of Mary Three Hail Marys
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Key Marian feast days Mother of God (1 January) Annunciation (25 March) Assumption (15 August) Immaculate Conception (8 December)
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After considering the use of similar words in Syriac, Greek and Latin in the 6th century, Herbert Thurston, writing in the Catholic Encyclopedia concludes that "there is little or no trace of the Hail Mary as an accepted devotional formula before about 1050",[6] (though a later pious tale attributed to Ildephonsus of Toledo (fl. 7th century) the use of the first part, namely the angel's greeting to Mary, without that of Elizabeth, as a prayer). All the evidence suggests that it took its rise from certain versicles and responsories occurring in the Little Office of the Blessed Virgin Mary, which just at that time was coming into favour among the monastic orders.

Saint Thomas Aquinas spoke of the name "Mary" as the only word added at his time to the Biblical text, to indicate the person who was "full of grace." But at about the same time the name "Jesus" was also added, to specify who was meant by the phrase "the fruit of thy womb."

The Western version of the prayer is thus not derived from the Greek version: even the earliest Western forms have no trace of the Greek version's phrases: "Mother of God and Virgin" and "for thou hast given birth to the Saviour of our souls."

The beginning of the verse in historiated letters in the book of hours Heures de Charles d'Angoulême

To the greeting and praise of Mary of which the prayer thus consisted, a petition "Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." was added later. The petition first appeared in print in 1495 in Girolamo Savonarola's "Esposizione sopra l’Ave Maria."[7] The "Hail Mary" prayer in Savonarola's exposition reads: "Hail Mary, full of grace, the Lord is with thee; blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen."[8]

The petition was commonly added around the time of the Council of Trent. The Dutch Jesuit St. Petrus Canisius is credited with adding in 1555 in his Catechism the sentence

Holy Mary, Mother of God, pray for us sinners.[9]

Eleven years later, the sentence was included in the Catechism of the Council of Trent of 1566. The catechism says that to the first part of the Hail Mary, by which "we render to God the highest praise and return Him most gracious thanks, because He has bestowed all His heavenly gifts on the most holy Virgin ... the Church of God has wisely added prayers and an invocation addressed to the most holy Mother of God ... we should earnestly implore her help and assistance; for that she possesses exalted merits with God, and that she is most desirous to assist us by her prayers, no one can doubt without impiety and wickedness."[10] Soon after, in 1568 Pope Pius V included the full form as now known in his revision of the Roman Breviary.[11]

The current Latin version is thus as follows, with accents added to indicate how the prayer is said in the current ecclesiastical pronunciation of Latin, as well as macrons to indicate the Classical vowel lengths:

Because recitation of the Angelus, a prayer within which the Hail Mary is recited three times, is usually accompanied by the ringing of the Angelus bell, words from the Ave Maria was often inscribed on bells.[6]

The Hail Mary prayer of the Eastern Orthodox Church and Byzantine Rite Catholic Churches is similar to the first part of the Latin Church form, with the addition of a very brief opening phrase and a short concluding phrase. It is well known and often used, though not quite as frequently as in the Western Church. It appears in several canons of prayer. It is typically sung thrice at the end of Vespers during an All-Night Vigil, and occurs many times in the course of daily prayer.

The Greek text, of which those in other languages are translations, is:

To the Biblical texts this adds the opening invocation "Theotokos Virgin", the name "Mary", and the concluding phrase "because it was the Saviour of our souls that thou borest".

Another English rendering of the same text reads:

Mother of God[14] and Virgin, rejoice, Mary full of grace, the Lord is with thee. Blessed art thou amongst women, and blessed is the fruit of thy womb, for thou hast given birth to the Saviour of our souls.

Slavonic versions

There exist two variant versions in Church Slavonic:

Cyrillic	Romanization	English Translation
Богородице дѣво радѹйсѧ ѡбрадованнаѧ Марїе Господь съ тобою благословена ты въ женахъ, и благословенъ плодъ чрева твоегѡ, Якѡ родила еси Христа Спаса, Избавителѧ дѹшамъ нашимъ.	Bogoroditse Djevo, raduisya, Obradovannaya Marie, Gospodh s' toboyu. Blagoslovena tyh v' zhenach, Y blagosloven plod chreva Tvoego, Yako rodila esi Christa Spasa, Izbavitelya dusham nashim.	Theotokos Virgin, rejoice, (or: Rejoice, O Virgin Theotokos) Mary full of grace, the Lord is with thee. Blessed art thou amongst women, and blessed is the fruit of thy womb, for thou hast borne Christ the Saviour, the Deliverer of our souls.
Богородице дѣво, радѹйсѧ, Благодатнаѧ Марїе, Господь съ тобою: благословена Ты въ женахъ, и благословенъ плодъ чрева Твоегѡ; якѡ Спаса родила еси дѹшъ нашихъ.	Bogoroditse Djevo, raduisya, Blagodatnaya Marie, Gospod s' toboyu: Blagoslovyena tyh v' zhenakh, Y blagoslovyen plod chreva Tvoyego, yako Spasa rodila yesi dush nashikh.	Theotokos Virgin, rejoice, (or: Rejoice, O Virgin Theotokos) Mary full of grace, The Lord is with thee. Blessed art thou amongst women, and blessed is the fruit of thy womb, for thou hast borne the Saviour of our souls.

Church Slavonic Bogorodice děvo in traditional Cyrillic script

The first is the older, and remains in use by the Old Believers as well as those who follow the Ruthenian recension (among them the Ukrainian Greek-Catholic Church and the Ruthenian Catholic Church). The second, corresponding more closely to the Greek, appeared in 1656 under the liturgical reforms of Patriarch Nikon of Moscow, and is in use by the Russian Orthodox Church, the Serbian Orthodox Church, the Bulgarian Orthodox Church and the Ukrainian Orthodox Church).

The Hail Mary is the last prayer in Appendix V of the Roman Missal, the last of seven prayers under the heading “Thanksgiving After Mass”. There it appears with "with you" instead of the traditional "with thee", "are you" instead of the traditional "art thou" and "your womb" in place of the traditional "thy womb":

Hail, Mary, full of grace, the Lord is with you;
blessed are you among women,
and blessed is the fruit of your womb, Jesus.
Holy Mary, Mother of God,
pray for us sinners
now and at the hour of our death.
Amen.

The Hail Mary is the central part of the Angelus, a devotion generally recited thrice daily by many Catholics, as well as broad & high church Anglicans, and Lutherans who usually omit the second half.

The Hail Mary is an essential element of the Rosary, a prayer method in use especially among Roman Rite (Western) Catholics. The Eastern Catholic Churches say a similar version.

The Rosary consists traditionally of three sets of five Mysteries, each Mystery being meditated on while reciting a decade (a set of ten) of Ave Marias. The 150 Ave Marias of the Rosary thus echo the 150 psalms. These Mysteries concern events of Jesus' life during his childhood (Joyful Mysteries), Passion (Sorrowful Mysteries), and from his Resurrection onwards (Glorious Mysteries). Another set, the Luminous Mysteries, is of comparatively recent origin, having been proposed by Pope John Paul II in 2002. Each decade of Ave Marias is preceded by the Our Father (Pater Noster or The Lord's Prayer) and followed by the Glory Be (Gloria Patri) (Doxology). The repetition of the fixed-language prayers assists recitation from the heart rather than the head. Pope Paul V said that "the Rosary is a treasure of graces ... Even for those souls who pray without meditating, the simple act of taking the beads in hand to pray is already a remembrance of God – of the supernatural".

Some Anglicans also employ the Hail Mary in devotional practice. Anglo-Catholic Anglicanism uses the prayer in much the same way as Roman Catholics, including use of the Rosary and the recitation of the Angelus. Some Anglican churches contain statues of the Virgin Mary, and the faithful use devotional prayers including the Hail Mary.[15] That manifestation of veneration of Mary, decried by certain Protestants as worship, was largely removed from Anglican churches during the English Reformation but was reintroduced to some extent during the Oxford Movement of the mid-1800s.

Martin Luther believed that Mary should be held in highest reverence. Although he did not agree with Mary's veneration, he did advocate the use of the first half of the Hail Mary (that is, "Hail Mary, full of grace, the Lord is with thee. Blessed art thou amongst women and blessed is the fruit of thy womb, Jesus.") as a sign of reverence for and devotion to the Virgin.[16][17][18] Only after his death was the second part ("Holy Mary, Mother of God, pray for us sinners now and at the hour of our death") added.[11]

The Hail Mary, Ave Maria in Latin, has been set to music numerous times. The title Ave Maria has been given also to musical compositions that are not settings of the prayer.

One of the most famous is the version by Franz Schubert (1825), composed as Ellens dritter Gesang (Ellen's Third Song), D839, part 6 of his Opus 52, a setting of seven songs from Walter Scott's popular epic poem "The Lady of the Lake", translated into German by Adam Storck. Although it opens with the greeting "Ave Maria" ("Hail Mary"), the text was not that of the traditional prayer, but nowadays it is commonly sung with words of the prayer. Its music was used in the final segment of Walt Disney's Fantasia.[19][20]

The version by Charles Gounod (1859), adding melody and words to Johann Sebastian Bach's first prelude from The Well-Tempered Clavier, omits the words "Mater Dei" (Mother of God).

Anton Bruckner wrote three different settings, the best known being a motet for seven voices. Antonín Dvořák's version was composed in 1877. Another setting of Ave Maria was written by Giuseppe Verdi for his 1887 opera Otello. Russian composer César Cui, who was raised Roman Catholic, set the text at least three times: as the "Ave Maria", op. 34, for one or two women's voices with piano or harmonium (1886), and as part of two of his operas: Le flibustier (premiered 1894) and Mateo Falcone (1907).

Settings also exist by Mozart, Liszt, Byrd, Elgar, Saint-Saëns, Rossini, Brahms, Stravinsky, Mascagni, Lauridsen, David Conte and Perosi as well as numerous versions by less well-known composers, such as J. B. Tresch and Ninel Samokhvalova.

In the Renaissance, this text was also set by numerous composers, including Josquin des Prez, Orlando di Lasso, Tomás Luis de Victoria, and Giovanni Pierluigi da Palestrina. Before the Council of Trent there were actually different versions of the text, so the earlier composers in the period sometimes set versions of the text different from the ones shown above. Josquin des Prez, for example, himself set more than one version of the Ave Maria. Here is the text of his motet Ave Maria ... Virgo serena, which begins with the first six words above and continues with a poem in rhymed couplets.

Hail Mary (Annunciation), Les Très Riches Heures du duc de Berry, Chantilly Museum

Ave Maria, gratia plena,
Dominus tecum, Virgo serena.

Ave cuius conceptio,
solemni plena gaudio,
celestia, terrestria,
nova replet letitia.
Ave cuius nativitas,
nostra fuit solemnitas,
ut lucifer lux oriens
verum solem preveniens.
Ave pia humilitas,
sine viro fecunditas,
cuius annunciatio
nostra fuit salvatio.
Ave vera virginitas,
immaculata castitas,
cuius purificatio
nostra fuit purgatio.
Ave preclara omnibus
angelicis virtutibus,
cuius fuit assumptio
nostra glorificatio.

O Mater Dei, memento mei. Amen.

The much anthologized Ave Maria by Jacques Arcadelt is actually a 19th-century arrangement by Pierre-Louis Dietsch, loosely based on Arcadelt's three part madrigal Nous voyons que les hommes.

In the 20th century, Franz Biebl composed Ave Maria (Angelus Domini), actually a setting of the Angelus prayer, in which the Ave Maria is repeated three times, but the second part only once as the climax.

In Slavonic, the text was also a popular subject for setting to music by Eastern European composers. These include Rachmaninov, Stravinsky, Bortniansky, Vavilov (his version often misattributed to Caccini), Mikhail Shukh, Lyudmyla Hodzyumakha and others.

A famous setting for the Orthodox version of the prayer in Church Slavonic (Bogoroditsye Djevo) was composed by Sergei Rachmaninoff in his All-Night Vigil.

Since Protestant Christianity generally avoids any special veneration of Mary, musical settings of the prayer are sometimes sung to other texts that preserve the word boundaries and syllable stresses.

Wikisource has original text related to this article: Hail Mary

Wikisource has original text related to this article: Hail Mary translations

Wikimedia Commons has media related to Ave Maria.

• University of Dayton Hail Mary in various languages
• Audio recordings and texts of the Hail Mary and other prayers in various languages
• Article 2, "THE WAY OF PRAYER", 2676–2677, on the Hail Mary—Catechism of the Catholic Church