Frasier

• Kelsey Grammer as Frasier Crane, a radio psychiatrist. He is a pedantic, finicky, overscrupulous, and sometimes pontifical man. Growing up with a cultured mother and "Average Joe" father, Frasier epitomises a synthesis of upper-class sophistication, yet is still capable of working-class enjoyments. After returning to Seattle, he begins embracing his more cultured background but developed a more snobbish and haughty self, possibly due to rekindling his relationship with his brother Niles Crane. Despite his pretentious demeanour, Frasier has a good heart and strong moral compass.
• Jane Leeves as Daphne Moon later Crane, a Mancunian physiotherapist and live-in housekeeper hired by Frasier to help Martin with his physiotherapy. Daphne's eccentric, working-class background and self-professed psychic abilities (which often end up being correct) frequently lead to Daphne's comical non-sequiturs about her unusual family, to the Cranes' incredulity. Despite her background, Niles falls for her instantly. Niles' obsession with Daphne and her obliviousness of this obsession is developed throughout the earlier seasons of the series.
• David Hyde Pierce as Niles Crane, Frasier's younger brother, a psychiatrist in private practice. Fastidious, fussy, and far snobbier than Frasier, Niles' pedantic, neurotic qualities provide a foil for Frasier's own idiosyncrasies. He is also loyal, chivalrous, and incredibly loving, which more than makes up for it in the eyes of his loved ones. Niles is very close to his older brother, though their fiercely competitive natures provide much of the humour. Like Frasier, Niles also prefers fine arts, music, and intellectual pursuits to activities like sports, though (surprisingly given Niles' clumsiness and lack of hand-eye coordination) he excels in squash and croquet. Niles is especially Mysophobic, given to wiping his hands after human contact and wiping down chairs in public places before sitting on them.
• Peri Gilpin as Roz Doyle, the producer of Frasier's radio show. Originating from Bloomer, Wisconsin, Roz is an attractive single woman with a euphonious voice much-remarked amongst Frasier's listeners. She has no shame about her serial dating, which is the subject of many jokes and snide remarks, particularly from Frasier's brother Niles.
• John Mahoney as Martin Crane, Frasier and Niles's father, a down-to-earth and unpretentious Seattle police detective who was forced to retire from the force due to a gunshot wound to his hip. Due to this injury inhibiting him from living alone, Martin is forced to accept Frasier's invitation to live with him upon Frasier's return to Seattle. Though his sons share very little in common with him in terms of hobbies and personalities, their relationship deepens over the seasons. Martin's relationship with his Jack Russell terrier, Eddie; beer-drinking (specifically Ballantine); and his pea-green recliner are a perpetual source of irritation for Frasier.
• Dan Butler as Bob "Bulldog" Briscoe (seasons 4–6; recurring season 1; special appearance seasons 2–3; special guest seasons 7 & 9–11), the woman-hungry, chauvinistic host of "Bob "Bulldog" Briscoe and the Gonzo Sports Show", which followed Frasier's time slot at KACL. Bulldog's practical jokes on Frasier and interruption of his show to boot him out of the booth were a perpetual source of antagonism for both Frasier and Roz.

• Edward Hibbert as Gil Chesterton (seasons 2–8 & 10–11; guest season 1), KACL's flamboyant, effeminate restaurant critic
• Patrick Kerr as Noel Shempsky (seasons 6–11; guest seasons 1 & 3–5), KACL technical assistant and avid Star Trek aficionado who speaks fluent Klingon and constantly hits on Roz
• Tom McGowan as Kenny Daly (seasons 7–11; guest seasons 5–6), KACL's station manager
• Millicent Martin as Mrs. Moon (season 9; guest season 7), Daphne's mother
• Brian Klugman as Kirby (season 9; guest season 8), Bob and Lana's son, and part-timer at KACL
• Ashley Thomas as Alice (seasons 10–11; co-star season 9), Roz's daughter

The main cast remained unchanged for all 11 years.[9] When the series ended in 2004, Grammer had portrayed the character of Frasier Crane for a total of 20 years, including his nine seasons on Cheers plus a one time performance as the character on the series Wings which earned Grammer an Emmy nomination; at the time, he tied James Arness' portrayal of Matt Dillon on Gunsmoke for the longest-running character on primetime television.[10] The record has since been surpassed in animation by the voice cast of The Simpsons, and in live action by Richard Belzer's portrayal of John Munch on the series Homicide: Life on the Street and Law & Order: Special Victims Unit. Grammer was briefly the highest-paid television actor in the United States for his portrayal of Frasier, while Jane Leeves was the highest-paid British actress.[10][11]

In addition to those of the ensemble, additional story lines included characters from Frasier's former incarnation on Cheers, such as his ex-wife Lilith Sternin, played by Bebe Neuwirth, and their son Frederick, played by Trevor Einhorn.

Grammer had been the voice of Sideshow Bob on The Simpsons since 1990. In a 1997 episode (while Frasier was still in production), the character's brother, Cecil Terwilliger, was introduced, played by Pierce, as referenced in the episode title, "Brother from Another Series". The episode contained numerous Frasier references, including a Frasier-style version of The Simpsons theme for a transition and its iconic title card for the same thing. Pierce returned as Cecil for the second time (the first since Frasier had concluded) alongside Grammer in the 2007 episode "Funeral for a Fiend". The episode introduced the brothers' father, Dr. Robert Terwilliger, who was portrayed by Mahoney.

Cast reunions also occurred on four episodes of Hot in Cleveland, which featured Leeves in the main cast along with Wendie Malick (who played Martin's girlfriend towards the end of Frasier). In the season-two episode "Unseparated at Birth" and season-three episode "Funeral Crashers", Mahoney guest-starred as a waiter smitten with Betty White's character. Gilpin appeared in the episode "I Love Lucci (Part 1)", and Tom McGowan (who played Kenny Daly) appeared in "Love Thy Neighbor" as a casting director. Hot in Cleveland was created and produced by Suzanne Martin, who wrote multiple episodes of Frasier.

During the eighth season of Cheers, Grammer made a deal with former Cheers producers David Angell, Peter Casey, and David Lee (who were moving on to produce Wings) that they would do a new series together once Cheers ended.[12] Once it became clear during the 10th season that the 11th would be the last, the group began working on their next series together.[12]

Grammer did not originally want to continue playing Frasier Crane, and Angell, Casey, and Lee did not want the new show to be compared to Cheers, which they had worked on before Wings. The three proposed that the actor play a wealthy, Malcolm Forbes-like paraplegic publisher who operated his business from his apartment. The main show featured a "street-smart" Hispanic live-in nurse who would clash with the main character.[12] While Grammer liked the concept, Paramount Television disliked it, and suggested that the best route would be to spin off the Frasier Crane character.[12] Grammer ultimately agreed to star in a Cheers spin-off, but the producers set the new show as far from Boston as possible to prevent NBC from demanding that other characters from the old show make guest appearances on the new show during its first season. After first choosing Denver, Angell, Casey, and Lee ultimately chose Seattle as the setting.[13]

The creators did not want Frasier in private practice, which would make the show resemble The Bob Newhart Show. From an unused idea they had for a Cheers episode, they conceived the concept of the psychiatrist working in a radio station surrounded by "wacky, yet loveable" characters.[12] After realizing that such a setting was reminiscent of WKRP in Cincinnati, the creators decided to emphasize Frasier's home life, which Cheers had rarely explored.[13] Lee considered his own experience with "the relationship between an aging father and the grown-up son he never understood"[14] and thought it would be a good theme for Frasier. Although Frasier had mentioned on Cheers (in two episodes) that his father, a research scientist, had died,[15] Angell, Casey, and Lee did not realize this was the case, as they were not working on Cheers during the season those two episodes were filmed. The creative team was already well into the development process when Grammer pointed out the discontinuity; they decided to overlook it, initially retconning the character's backstory. In a second-season episode, the discrepancy was resolved, as Frasier revealed he had lied to the Cheers gang about his father.

One element of the original concept that was carried over was the live-in health-care provider for Frasier's father. Grammer points out that very little of the Frasier Crane of Cheers carried over to Frasier, as his family history was changed (though this was later adjusted); the setting, his job, and even the character himself changed from the Cheers predecessor, having to be more grounded as the central character of the show so the other supporting characters could be more eccentric.[12]

Martin Crane was based on creator Casey's father, who spent 34 years with the San Francisco Police Department. The creators suggested to NBC that they would like to cast someone like Mahoney, to which NBC told them if they could get Mahoney, they could hire him without auditions.[12] Both Grammer and the producers contacted Mahoney, with the producers flying to Chicago to show Mahoney the pilot script over dinner. Upon reading it, Mahoney accepted. Grammer, who had lost his father as a child, and the childless Mahoney immediately built a close father-son relationship.[14]

In discussing Martin's nurse, Warren Littlefield of NBC suggested she be English instead of Hispanic and suggested Leeves for the role.[12] Grammer was initially reluctant, as he thought the casting made the show resemble Nanny and the Professor, but approved Leeves after a meeting and read-through with her. Mahoney and Leeves quickly bonded over their shared English heritage; Mahoney was originally from Manchester where Leeves's character is from.[12]

The character of Niles was not part of the original concept for the show. Frasier had told his bar friends on Cheers that he was an only child.[12][14] However, Sheila Guthrie, the assistant casting director on Wings, brought the producers a photo of Pierce (whom she knew from his work on The Powers That Be) and noted his resemblance to Grammer when he first appeared on Cheers. She recommended him should they ever want Frasier to have a brother. The creators were "blown away" both by his resemblance to Grammer and by his acting ability.[13] They decided to ignore Frasier's statement on Cheers and created the role for Pierce.[12][16] Pierce accepted the role before realizing he had not read a script. Once he was given a script, he was initially concerned that his character was essentially a duplicate of Frasier, thinking that it would not work.[12] The first table reading of the pilot script was notable because the producers had never heard either Pierce or Mahoney read lines because they were cast without auditions.[12]

The only main role that required an audition was Roz Doyle,[13] who was named in memory of a producer of Wings.[17] The producers auditioned around 300 actresses with no particular direction in mind. Women of all ethnicities were considered.[12] Lisa Kudrow was originally cast in the role, but during rehearsals, the producers decided they needed someone who could appear more assertive in her job and take control over Frasier at KACL, and Kudrow did not fit that role. The creators quickly hired Gilpin, their second choice.[18][19]

The original focus of the series was intended to be the relationship between Frasier and Martin, and it was the focus of most of the first-season episodes. Once the show began airing, Niles became a breakout character, and more focus was added to the brothers' relationship, and other plots centering on Niles, starting in the second season.[20] The producers initially did not want to make Niles's wife Maris an unseen character because they did not want to draw parallels to Vera, Norm's wife on Cheers. They originally intended that she would appear after several episodes, but were so enjoying writing excuses for her absence that eventually they decided she would remain unseen, and after the increasingly eccentric characteristics ascribed to her, no real actress could portray her.[12]

Frasier's apartment was designed to be ultra-modern in an eclectic style (as Frasier himself points out in the pilot). One of the show's signature elements that it became well known for was the apartment's design which included elements such as a slightly split-level design, doors with triangular wooden inlay features, numerous pieces of well-known high-end furniture (such as a replica of Coco Chanel's sofa, and both Eames and Wassily Chairs) and a notable view from the terrace which was frequently complimented by visitors. The main set consisted of the open-concept living area with a sitting/TV space and dining area on the lower level and a piano exit to the terrace on the rear upper level. The set also included the kitchen through an open archway. A small section of the building corridor and elevator doors was built, as was a powder room near the front entrance. Two corridors off the living area ostensibly led to the apartment's three bedrooms. Sets for each of these rooms were built as separate sets on an as-needed basis.[21]

No building or apartment in Seattle really has the view from Frasier's residence. It was created so the Space Needle, the most iconic landmark of Seattle, would appear more prominently. According to the season-one DVD bonus features, the photograph used on the set was taken from atop a cliff, possibly the ledge at Kerry Park, a frequent photography location. Despite this, Frasier has been said to have contributed to the emergence of an upscale urban lifestyle in 1990s Seattle, with buyers seeking properties in locations resembling that depicted in the show, in search of "that cosmopolitan feel of Frasier".[9]

Another of the primary sets was the radio studio at KACL from which Frasier broadcasts his show. The studio itself consists of two rooms: the broadcast booth and the control room. A section of the corridor outside of the booth was also built (visible through the windows at the back of the studio) and could be shot from the side to view the corridor itself. The set was designed based on ABC's then-brand-new radio studios in Los Angeles which the production designer visited. Technical elements such as the microphones were regularly updated to conform with the latest technology. Although the studio set lacked a "front" wall (the fourth wall), one was built for occasional use in episodes with certain moments shot from behind the broadcast desk, rather than in front of it as usual.[21]

The producers wanted to have a gathering place outside of home and work where the characters could meet. After a trip to Seattle, and seeing the many burgeoning coffee shops, the production designer suggested to producers that they use a coffee shop. Unlike many of the relatively modern coffee shop designs prevalent in Seattle, the production designer opted for a more warm and inviting style which would appear more established and traditional. Stools were specifically omitted to avoid any similarity to the bar on Cheers. Several Los Angeles coffee shops were used for reference. A bookcase was added on the back wall, suggesting patrons could grab a book and read while they enjoyed their coffee. The show used three versions of the interior set depending on how much space other sets for each episode required. If space for the full set was not available, a smaller version that omitted the tables closest to the audience could be used. If space for that set was lacking, a small back section of the back of the cafe at the top of the steps could be set up under the audience bleachers. A set was also used on occasion for the exterior patio.[21]

The cast had an unusual amount of freedom to suggest changes to the script. Grammer used an acting method he called "requisite disrespect" and did not rehearse with the others, instead learning and rehearsing his lines once just before filming each scene in front of a live studio audience. Although effective, the system often caused panic among guest stars.

In 1996, Grammer's recurrent alcoholism led to a car accident. The cast and crew performed an intervention that persuaded him to enter the Betty Ford Clinic, delaying production for a month.[14]

Only one episode, "The 1000th Show", was filmed in Seattle.[22] As with Cheers, most episodes were filmed on Stage 25, Paramount Studios,[14] or at various locations in and around Los Angeles.

The KACL callers' lines were read by anonymous voice-over actors during filming in front of a live audience, and during postproduction, the lines were replaced by celebrities, who actually phoned in their parts without having to come into the studio. The end credits of season finales show greyscale headshots of celebrities who had "called in" that season. Celebrities providing voices as callers include Gillian Anderson, Kevin Bacon, Halle Berry, Mel Brooks, Cindy Crawford, Billy Crystal, Phil Donahue, David Duchovny, Hilary Duff, Olympia Dukakis, Carrie Fisher, Jodie Foster, Art Garfunkel, Linda Hamilton, Daryl Hannah, Ron Howard, Eric Idle, Jay Leno, Laura Linney, John Lithgow, Yo-Yo Ma, William H. Macy, Henry Mancini, Reba McEntire, Helen Mirren, Estelle Parsons, Freddie Prinze, Jr., Christopher Reeve, Carly Simon, Gary Sinise, Mary Steenburgen, Ben Stiller, Marlo Thomas, Lily Tomlin, and Eddie Van Halen. Some "callers" also guest-starred, such as Parsons and Linney, who played Frasier's final love interest in the last season.

The show's theme song, "Tossed Salads and Scrambled Eggs", is sung by Grammer and is played over the closing credits of each episode. Composer Bruce Miller, who had also composed for Wings, was asked to avoid explicitly mentioning any subjects related to the show such as radio or psychiatry. After Miller finished the music, lyricist Darryl Phinnesse suggested the title as they were things that were, like Frasier Crane's patients, "mixed up". The lyrics indirectly refer to Crane's radio show; "I hear the blues a-callin", for example, refers to troubled listeners who call the show.[23] Grammer recorded several variations of the final spoken line of the theme, which were rotated for each of the episodes. Other than season finales, a short, silent scene, often revisiting a small subplot aside from the central story of the episode, appears with the credits and song, which the actors performed without written dialogue based on the scriptwriter's suggestion.[24]

The title card at the start of each episode shows a white line being drawn in the shape of the Seattle skyline on a black background above the show's title. In most episodes, once the skyline and title appear, the skyline is augmented in some way, such as windows lighting up or a helicopter lifting off. The color of the title text changed for each season (respectively: blue, red, green, purple, gold, orange, yellow, light green, light orange, silver, and metallic gold). Over the title card, one of about 25 brief musical cues evoking the closing theme is played.[23]

Talks of a revival began in 2016, but were initially denied by Grammer, though they resurfaced in mid- to late 2018, with Grammer confirming they were looking into it. In February and March 2019, he said in several interviews that a reboot was likely. Grammer has said the revival will be a "third act" for the Frasier Crane character and is likely to be in a new setting other than Seattle. He has also indicated a new series will pay tribute to John Mahoney.[7][25][26][27][28] In late 2019, Grammer said "we've hatched a plan for Frasier reboot", and it was reported that it would air in 2020.[6][29]

Critics and commentators broadly held Frasier in high regard.[37] Caroline Frost said that the series overall showed a high level of wit, but noted that many critics felt that the marriage of Daphne and Niles in season 10 had removed much of the show's comic tension.[38] Ken Tucker felt that their marriage made the series seem desperate for storylines, while Robert Bianco felt that it was symptomatic of a show that had begun to dip in quality after so much time on the air.[39][40] Kelsey Grammer acknowledged the creative lull, saying that over the course of two later seasons, the show "took itself too seriously".[41] Commentators do, however, acknowledge that there was an improvement following the return of the writers Christopher Lloyd and Joe Keenan, although not necessarily to its earlier high standards.[39][41][42]

Writing about the first season, John O'Connor described Frasier as being a relatively unoriginal concept, but said that it was generally a "splendid act,” while Tucker thought that the second season benefited greatly from a mix of "high and low humor.”[43][44] Tucker's comment is referring to what Grammer described as a rule of the series that the show should not play down to its audience.[45] Kevin Cherry believes that Frasier was able to stay fresh by not making any contemporary commentary, therefore allowing the show to be politically and socially neutral.[42] Other commentators, such as Haydn Bush disagree, believing the success of Frasier can be attributed to the comedic timing and the rapport between the characters.[46] Joseph J. Darowski and Kate Darowski praise the overall message of the series, which across eleven seasons sees several lonely, broken individuals develop warm, caring relationships. While individual episodes vary in quality, the series as a whole carries with it a definitive theme and evolution from pilot to finale.[47] The Economist would devote an article to the 25th anniversary of the show's premiere stating, "it is clear that audiences still demand the sort of intelligent and heartfelt comedy that “Frasier” provided."[48]

In spite of the criticisms of the later seasons, these critics were unanimous in praising at least the early seasons, with varied commentary on the series' demise ranging from believing, like Bianco, that the show had run its course to those like Dana Stevens, who bemoaned the end of Frasier as the "end of situation comedy for adults".[49] Critics compared the farcical elements of the series, especially in later seasons, to the older sitcom Three's Company.[50][51][52] NBC News contributor Wendell Wittler described the moments of misunderstanding as "inspired by the classic comedies of manners as were the frequent deflations of Frasier’s pomposity."[50]

Frasier is one of the most successful spin-off series in television history and one of the most critically acclaimed comedy series of all time.[53] The series won a total of 37 Primetime Emmy Awards during its 11-year run, breaking the record long held by CBS' The Mary Tyler Moore Show (29). It held the record until 2016 when Game of Thrones won 38.[54] Grammer and Pierce each won four, including one each for the fifth and eleventh seasons. The series is tied with ABC's Modern Family for the most consecutive wins for Outstanding Comedy Series, winning five from 1994 to 1998.

Grammer has been Emmy-nominated for playing Frasier Crane on Cheers and Frasier, as well as a 1992 crossover appearance on Wings, making him the only performer to be nominated for playing the same role on three different shows. The first year Grammer did not receive an Emmy nomination for Frasier was in 2003 for the 10th season. However, Pierce was nominated every year of the show's run, breaking the record for nominations in his category, with his eighth nomination in 2001; he was nominated a further three times after this.

In 1994, the episode "The Matchmaker" was ranked number 43 on TV Guide's 100 Greatest Episodes of All Time.[55] In 2000, the series was named the greatest international programme of all time by a panel of 1,600 industry experts for the British Film Institute as part of BFI TV 100.[56] In 2002, Frasier was ranked number 34 on TV Guide's 50 Greatest TV Shows of All Time.[57] In a 2006 poll taken by Channel 4 of professionals in the sitcom industry, Frasier was voted the best sitcom of all time.[58]

Frasier began airing in off-network syndication on September 15, 1997.[59] It is available on Cozi TV, Hallmark Channel, Amazon Prime Video, and Hulu.

The show's popularity has resulted in several fan sites, podcasts, and publications. Podcasts that look primarily at the television show Frasier include Frasierphiles, The Frasier Analysis, and Talk Salad and Scrambled Eggs with Kevin Smith and Matt Mira. While the show was still in production, a cookbook, Cafe Nervosa: The Connoisseur's Cookbook, was published that claimed to be authored by Frasier and Niles Crane.[60] Similarly, a book titled My Life as a Dog was published as an autobiography of Moose, the dog that played Eddie in the first several seasons of the series.[61] In 2001, a soundtrack to the series was released.[62] Jefferson Graham published a behind-the-scenes look at the series, and several collections of scripts were published.[63] In 2017, Frasier: A Cultural History was published by Rowman & Littlfield as part of their Cultural History of Television series. That volume was written by Joseph J. Darowski and Kate Darowski.

Paramount Home Entertainment and (from 2006 onward) CBS DVD have released all 11 seasons of Frasier on DVD in Region 1, 2 and 4. A 44-disc package containing the entire 11 seasons has also been released.

On April 7, 2015, CBS DVD released Frasier: The Complete Series on DVD in Region 1.[64]

The first four seasons were also released on VHS along with a series of 'Best Of' tapes. These tapes consisted of four episodes taken from seasons 1–4. No more video releases have been announced.

One Frasier CD has been released featuring a number of songs taken from the show.

Several books about Frasier have been released, including: