Billy Preston

Preston was born September 2, 1946, in Houston[5] and moved to Los Angeles as a child with his mother, Robbie Lee Williams. Noted as a child prodigy, Preston was entirely self-taught and never had a music lesson. By the age of ten, he was playing organ onstage backing several gospel singers such as Mahalia Jackson.[2] Aged 11, Preston appeared on an episode of Nat King Cole's NBC network TV show singing the Fats Domino hit "Blueberry Hill" with Cole.[6] He also appeared in St. Louis Blues, the 1958 W. C. Handy biopic starring Nat King Cole; Preston played Handy at a younger age.[2]

In 1962, Preston joined Little Richard's band as an organist, and it was while performing in Hamburg that he met the Beatles.[2] In 1963, he played the organ on Sam Cooke's Night Beat album and released his own debut album, 16 Yr Old Soul, for Cooke's SAR label.[7] In 1965, he released the album The Most Exciting Organ Ever and performed on the rock and roll show Shindig! In 1967, he joined Ray Charles' band.[5] Following this exposure, several musicians began asking Preston to contribute to their sessions.[2]

Preston first met the Beatles as a 16-year-old in 1962, while part of Little Richard's touring band, when their manager Brian Epstein organized a Liverpool show, at which the Beatles opened. The Washington Post explained their subsequent meeting:

They'd hook up again in 1969, when the Beatles were about to break up while recording the last album they released, Let It Be (they would later record Abbey Road, which was released prior to Let It Be). George Harrison, a friend of Preston, had quit, walked out of the studio and gone to a Ray Charles concert in London, where Preston was playing organ. Harrison brought Preston back to the studio, where his keen musicianship and gregarious personality temporarily calmed the tension.[8]

Preston is one of several people referred to as the "Fifth Beatle". At one point during the Get Back sessions, John Lennon proposed the idea of having him join the band (to which Paul McCartney countered that it was difficult enough reaching agreements with four).[9] Preston played organ and electric piano for the Beatles during several of the Get Back sessions; some of these sessions appeared in the film Let it Be and on its companion album. Preston also accompanied the band on electric piano for its rooftop concert, the group's final public appearance.[8] In April 1969, their single "Get Back" was credited to "The Beatles with Billy Preston", the only time such a joint credit had been given on an official Beatles-sanctioned release (as distinct from an unsanctioned reissue of some Hamburg-era recordings on which they were the backing group for Tony Sheridan). The credit was bestowed by the Beatles to reflect the extent of Preston's presence on the track; his electric piano is prominent throughout and he plays an extended solo. Preston also worked, in a more limited role, on the Abbey Road album, contributing organ to the tracks "I Want You (She's So Heavy)" and "Something".

In 1978, he appeared as Sgt. Pepper in Robert Stigwood's film Sgt. Pepper's Lonely Hearts Club Band, which was based on the Beatles' album of the same name, and sang and danced to "Get Back" as the penultimate song.[10]

Preston singing at the piano in 1971

Signed to the Beatles' Apple label, in 1969, Preston released the album That's the Way God Planned It, produced by Harrison, the title song from which was a hit single in Britain. His relationship with Harrison continued after the Beatles' break-up in 1970; Preston was the first artist to record Harrison's subsequent international hit "My Sweet Lord", on his 1970 album Encouraging Words, which Harrison co-produced with him. He appeared on several of Harrison's 1970s solo albums, starting with All Things Must Pass; made a notable contribution to the Concert for Bangladesh, the Harrison-organized 1971 charity benefit; performed with the ex-Beatle on his 1974 tour of North America; and played at the 2002 Concert for George tribute, held at London's Royal Albert Hall. Preston also worked on solo releases by Lennon and Ringo Starr.

In 1971, Preston left Apple and signed with Herb Alpert's A&M Records. The previous year, he contributed to another hit single when Stephen Stills asked to use Preston's phrase "if you can't be with the one you love, love the one you're with", a song on Stills' self-titled debut solo album.[11]

Following the release of I Wrote a Simple Song on A&M, Preston's solo career peaked at this time, beginning with 1972's "Outa-Space", an instrumental track that further popularized the sound of the clavinet in funk music. The song reached number 2 on the US Billboard Hot 100 and topped Billboard's R&B chart, before going on to win the Grammy Award for Best Pop Instrumental Performance. "Outa-Space" sold over 1 million copies in America, and was awarded a gold disc by the RIAA in June 1972.[12] Later that year, Preston contributed the title song to the hit blaxploitation film Slaughter starring Jim Brown.[13]

Over the next two years, Preston followed up with the US chart-topping singles "Will It Go Round in Circles" (which displaced Harrison's "Give Me Love (Give Me Peace on Earth)" at the top on 7 July 1973) and "Nothing from Nothing", and the number 4 hit "Space Race". Each of the three singles sold in excess of 1 million copies.[12] American Bandstand host and executive producer Dick Clark enjoyed "Space Race" so much that he used the instrumental for the mid-show break for virtually the remainder of its run.

Preston (seated behind grand piano in foreground) performing with the Rolling Stones in 1975

From 1970, Preston played keyboards (including piano, organ, clavinet and various synthesizers) for the Rolling Stones, sometimes alongside pianists Nicky Hopkins and Ian Stewart, on their albums Sticky Fingers, Exile on Main St., Goats Head Soup, It's Only Rock 'n Roll and Black and Blue. As the band's primary touring keyboardist from 1973 to 1977, he also performed as a support act with his own band (including Mick Taylor on guitar) on their 1973 European tour. A Munich performance from this tour was documented on Preston's album Live European Tour 1973. In 1974, along with Bruce Fisher, one of his regular songwriting collaborators in the 1970s, he composed one of Joe Cocker's biggest hits, "You Are So Beautiful". On October 11, 1975, he was the first musical guest on Saturday Night Live's series premiere episode.[2] Preston's 1973 song "Do You Love Me" was the basis for the Rolling Stones' track "Melody", released on Black and Blue in 1976. Although two of his songs were included in the band's 1975 and 1976 live sets, the Stones and Preston parted company in 1977, mainly due to a disagreement over money. He continued to play on solo records by Stones members like Mick Jagger's Wandering Spirit, and made appearances on the band's Tattoo You and Bridges to Babylon.

After seven years with A&M, he signed with Motown. In 1979, he duetted with Syreeta Wright on the ballad "With You I'm Born Again",[2] which reached number 4 on the charts in the US. Preston's career lost momentum in the 1980s due to his cocaine and alcohol addictions. He left Motown in 1984 and focused on session work, contributing to works by artists such as Luther Vandross (his organ solos were included on Vandross' 1985 hit "Til My Baby Comes Home"), Whitney Houston and Patti LaBelle, among others. He served as musical director for Nightlife, a late-night talk show hosted by David Brenner that lasted one season from 1986 to 1987.[14]

Preston toured with Eric Clapton, recorded with Gary Walker, one of the vocalists in his Los Angeles-based band, and worked with a wide range of other artists. He also toured with Ringo Starr, appearing on his 1990 live album. He was invited to become a member of The Band in 1991, after the death of piano player Stan Szelest. He performed on tour with the group,[15] but the sentencing from his cocaine and sexual assault charges in 1991 ended the collaboration.

In 1997, Billy Preston recorded the album You and I, in Italy, with Italian band Novecento. The album was produced by Vaughn De Spenza and Novecento members Lino and Pino Nicolosi.[16] In 1998, Preston played organ during the choir numbers on the UPN comedy show Good News. The same year he sang and played synthesizer in the film Blues Brothers 2000, as part of the Louisiana Gator Boys supergroup.

On November 29, 2001, while touring and fighting his own health problems, Preston received the news that George Harrison had died, having long suffered from throat cancer. Preston, among many of Harrison's longtime friends, performed in the 2002 Concert for George at the Royal Albert Hall in London. Preston's performance of "My Sweet Lord" received critical acclaim. Additionally, he sang "Isn't It a Pity", provided backing vocals on most of the other songs, and played the Hammond organ for the show.

In 2002, Preston appeared on the Johnny Cash album American IV: The Man Comes Around, playing piano on "Personal Jesus" and "Tear-Stained Letter".

In 2004, Preston toured with the Funk Brothers and Steve Winwood in Europe, and then with Clapton in Europe and North America. After the Clapton tours, he went to France, where he was featured in one episode of the Legends Rock TV Show.[17] His performance included a duet with Sam Moore on "You Are So Beautiful"; this was Preston's last filmed concert.

In 2004, Preston performed as a jazz organist on Ray Charles' Genius Loves Company, an album of duets, on the song "Here We Go Again" with Charles and Norah Jones.

In March 2005, he appeared on the American Idol fourth season finale. Playing piano, he performed "With You I'm Born Again" with Vonzell Solomon (who finished the contest in third place). The same year, he recorded "Go Where No One's Gone Before", the main title song for the anime series L/R: Licensed by Royalty.

Preston played clavinet on the song "Warlocks" for the Red Hot Chili Peppers album Stadium Arcadium (2006). Although very ill by this point, he jumped out of his bed after hearing a tape of the song given to him by the band, recorded his part, and went back to bed.[18] Preston's final recorded contributions were the gospel-tinged organ on the Neil Diamond album 12 Songs (2005), and his keyboard work on The Road to Escondido (2006) by Eric Clapton and J. J. Cale.

In late 2005, Preston made his last public performance, in Los Angeles, to publicize the re-release of the 1972 documentary film The Concert for Bangladesh. He played a set of three Harrison songs – "Give Me Love", "My Sweet Lord" and "Isn't It a Pity" – with Dhani Harrison and Starr joining on guitar and drums, respectively, for the last song.

Billy Preston was brought up in the African-American gospel tradition; he was a committed Christian throughout his life and he openly expressed his faith in works such as his 1970s hit "That's the Way God Planned It". However, his personal beliefs were sometimes at odds with the attitudes and musical expressions of the secular world of rock & roll in which he often worked; while he was apparently willing to put his religious views aside when working on tracks like John Lennon's openly atheistic song "God". Preston was also deeply attached to his mother, for whom he wrote the song that became his best-known composition, "You Are So Beautiful".[20]

Although the details did not become fully known to the general public until after his death, Preston struggled throughout his life to cope with his homosexuality, and the lasting effects of the traumatic sexual abuse he suffered as a boy. Although his sexual orientation became known to friends and associates in the music world (such as Keith Richards), Preston did not publicly come out as gay until just before he died. This was reportedly partly because he felt that it conflicted with his deeply held religious beliefs and his lifelong association with the church, so he was in the closet until shortly before his death. Keith Richards' autobiography, Life,[21][22][23] mentions Preston's struggles with his homosexuality.

In an interview for a 2010 BBC Radio 4 documentary on his life and career, Preston's manager Joyce Moore revealed that after she began handling his affairs, Preston opened up to her about the lifelong trauma he had suffered as the result of being sexually abused as a child. Preston told Moore that at about the age of nine, after he and his mother moved to Los Angeles from Houston to perform in a touring production of Amos 'n' Andy, he was repeatedly abused by the touring company's pianist. When Preston told his mother about the abuse, she did not believe him, and failed to protect him.[20] The abuse went on for the entire summer, and Preston was also later abused by a local pastor.

Another traumatic incident, which reportedly affected Preston deeply, occurred in the early 1970s, while he was engaged to actress/model Kathy Silva. At this time Preston had become close friends with musician Sly Stone, and made many contributions to Stone's recordings of the period (including the landmark album There's a Riot Goin' On). According to Moore, Preston was devastated when he came home one day to find Stone in bed with Silva (who later famously married Stone on stage at Madison Square Garden). According to Moore, Silva's affair with Stone was the trigger that led Preston to stop having relationships with women. It was after this incident that he began abusing cocaine and having sex with men, and Moore has stated that she saw his drug abuse as his way of coping with the internal conflicts he felt about his sexual urges.[20][24]

In 1991, Preston checked into a drug rehabilitation program to treat his addictions.[25]

While on probation for a drunk driving conviction in August 1991,[26] Preston was arrested for sexually assaulting a 16-year-old Mexican boy, after picking him up at a gathering point for day laborers.[27] The boy told authorities that Preston took him to his Malibu home, smoked cocaine, showed him pornographic pictures and tried to assault him before he escaped.[28] Preston was also charged with assault with a deadly weapon involving a man he picked up to do work at his home, the day before his arrest in the case involving the boy.[28] After submitting to a drug test, Preston tested positive for cocaine. He entered no-contest pleas to the cocaine and assault charges. The sex charges which included misdemeanor charges of child molestation and exhibiting pornographic material to a minor were dismissed.[28] He was sentenced to nine months at a drug rehabilitation center and three months of house arrest.[2]

In 1992, Preston was sentenced to 30 days in jail for violating his probation on a drunk driving conviction.[26]

In 1997, Preston was sentenced to three years in a California prison for cocaine possession in violation of his probation.[29][2] He had been placed on three years probation earlier that year after testing positive for cocaine use; under the terms he agreed to spend 90 days in jail and to remain drug-free.[30]

While in prison in 1998, Preston was indicted for a $1 million insurance fraud after setting fire to his own house in Los Angeles.[31][2] He pleaded guilty and agreed to testify against other defendants involved in the scam.[32] His plea called for five years of probation, one year in jail, and $60,000 in restitution. The probation and jail time ran concurrent with his cocaine possession conviction.[32]

• 1974: Live European Tour 1973 (A&M Records)

• 1965: Hymns Speak From the Organ (Vee Jay Records, VJLP-5083; 1966 reissue: Exodus Records, EX-53)
• 1973: Gospel in My Soul (Peacock Records, PLP-179; reissue of Hymns Speak From the Organ)
• 1978: Behold! (Myrrh Records, MYR-1070)
• 1980: Universal Love (Myrrh Records, MYR-1080; MSB-6607)
• 1985: Ministry of Music (King James, KJ-8502; D&K Records, D&K 86003)
• 1996: Words and Music
• 2001: Music From My Heart (MCG Records, MCG-7026)

Source: [38]

• 1963: Night Beat (Sam Cooke)
• 1965: I Don't Know What You Got (But It's Got Me) (Little Richard)
• 1969: A Black Man's Soul (Ike Turner)
• 1969: Get Back and Don't Let Me Down (The Beatles)
• 1969: Abbey Road (The Beatles)
• 1970: Let It Be (The Beatles)
• 1970: All Things Must Pass (George Harrison)
• 1970: John Lennon/Plastic Ono Band (John Lennon) – piano on "God"
• 1971: Sticky Fingers (The Rolling Stones)
• 1971: The Concert for Bangladesh (George Harrison and Friends)
• 1971: There's a Riot Goin' On (Sly and the Family Stone)
• 1971: Live at Fillmore West (King Curtis and Aretha Franklin)
• 1971: Barbra Joan Streisand (Barbra Streisand) – keyboards and drums
• 1972: Exile on Main St. (The Rolling Stones)
• 1972: Wind of Change (Peter Frampton) – piano, keyboards, harpsichord, accordion
• 1973: Ringo (Ringo Starr) – organ on "I'm the Greatest" and "Oh My My"
• 1973: Goats Head Soup (The Rolling Stones)
• 1974: Dark Horse (George Harrison) – electric piano
• 1974: Goodnight Vienna (Ringo Starr) – clavinet on the title track, electric piano on "Only You"
• 1974: It's Only Rock 'n Roll (The Rolling Stones)
• 1975: "You Are So Beautiful" (Joe Cocker)
• 1975: Extra Texture (Read All About It) (George Harrison) – electric piano on "His Name Is Legs (Ladies And Gentlemen)"
• 1975: “Steal Miss Liza (Steal Liza Jane)” (Little Richard )
• 1976: Thirty Three & 1/3 (George Harrison)
• 1976: No Reason to Cry (Eric Clapton)
• 1976: Black and Blue (Rolling Stones)
• 1976: Love You Live (Rolling Stones)
• 1978: Sgt. Pepper's Lonely Hearts Club Band – also acted the part "Sgt. Pepper" in the film
• 1981: Tattoo You (Rolling Stones)
• 1982: Gone Troppo (George Harrison)
• 1985: "Til My Baby Comes Home" (Luther Vandross) – organ
• 1986: "Great Gosh A'Mighty (Been a Long Time Comin')" – co-written with Little Richard – from the film Down and Out in Beverly Hills (sung by Little Richard)
• 1986: “Big House Reunion” (Little Richard)
• 1987: Steppin' Up - Hank Crawford and Jimmy McGriff - piano
• 1990: Ringo Starr and His All-Starr Band – keyboards and vocals
• 1990: Giovani Jovanotti (Jovanotti) – keyboards and Fender Rhodes
• 1990: "Show Me Your Soul" - Red Hot Chili Peppers
• 1991: ...E La Vita Continua (Nino D'Angelo)
• 1993: Wandering Spirit (Mick Jagger) – "Sweet Thing", "Out of Focus", "Use Me", "Wandering Spirit" and "I've Been Lonely for So Long".
• 1996: Voyage of Dreams (Jephté Guillaume and the Tet Kale Orkestra) – organ, strings on "Al Di Yo", "Go Tell Them", "Kanpe", "Get Up"
• 1996: Donnie McClurkin (Donnie McClurkin) – organ
• 1996: Love Brought Me Back (Helen Baylor) – organ
• 1996: El Equilibrio de los Jaguares (Jaguares) – organ /Hammond B3 on "Detrás de los Cerros"
• 1996: Peace Beyond Passion (Me'shell Ndegeocello) – keyboards on "Deuteronomy: Niggerman"
• 1997: Bridges to Babylon (The Rolling Stones) – organ on "Saint of Me"
• 1997: Estas en mí (Juana La Loca) – piano
• 1998: Undiscovered Soul (Richie Sambora)
• 2000: The Harsh Light of Day (Fastball) – keyboards on "You're An Ocean"
• 2001: Songs from the West Coast (Elton John) – Hammond organ on "I Want Love", "The Wasteland", "Love Her Like Me"
• 2001: Everybody Got Their Something (Nikka Costa) – Clavinet
• 2001: Reptile (Eric Clapton)
• 2001: One More Car, One More Rider (Eric Clapton, live) – DVD includes live performance of Will It Go Round in Circles
• 2002: Travelogue (Joni Mitchell) – Hammond B3 on the track "You Dream Flat Tires"
• 2002: American IV: The Man Comes Around (Johnny Cash) – piano on "Tear Stained Letter" and "Personal Jesus"
• 2003: The Colored Section (Donnie) – Hammond B3 on the last track: "The Colored Section"[44]
• 2003: Concert for George – including "Isn't It a Pity" and "My Sweet Lord"
• 2003: Get Born (Jet)
• 2004: Me and Mr. Johnson (Eric Clapton) – also appears in the DVD companion Sessions for Robert J
• 2004: Crossroads Guitar Festival (Eric Clapton)
• 2004: Genius Loves Company (Ray Charles)
• 2004: That's Life (Julia Fordham)
• 2005: 12 Songs (Neil Diamond)
• 2005: Back Home (Eric Clapton)
• 2005: Choose Love (Ringo Starr)
• 2005: The Concert for Bangladesh (George Harrison and Friends) (re-mastered version and video)
• 2005: Tough on Crime (Rebecca Pidgeon) – keyboards
• 2006: Stadium Arcadium (Red Hot Chili Peppers) – "Warlocks"
• 2006: The Road to Escondido (Eric Clapton, J. J. Cale)
• 2006: Overnight Sensational (Sam Moore) - Hammond B3 on "I Can't Stand the Rain" and sings and plays on "You Are So Beautiful"
• 2007: Reach (Is'real Benton) – organ on "Have a Good Time"
• 2007: Imagine (Howard Hewett) – organ