70th Academy Awards

The 70th Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences (AMPAS), took place on March 23, 1998, at the Shrine Auditorium in Los Angeles beginning at 6:00 p.m. PST / 9:00 p.m. EST. During the show, AMPAS presented Academy Awards (commonly referred to as Oscars) in 24 categories honoring films released in 1997. The ceremony, which was televised in the United States by ABC, was produced by Gil Cates and directed by Louis J. Horvitz.[2][3] Actor Billy Crystal hosted the show for the sixth time.[4] He first presided over the 62nd ceremony held in 1990, and he had hosted the previous year's gala.[5] Nearly a month earlier in an event held at the Regent Beverly Wilshire Hotel in Beverly Hills, California on February 28, the Academy Awards for Technical Achievement were presented by host Ashley Judd.[6]

70th Academy Awards
Official poster
DateMarch 23, 1998
SiteShrine Auditorium
Los Angeles, California, U.S.
Hosted byBilly Crystal
Produced byGil Cates
Directed byLouis J. Horvitz
Highlights
Best PictureTitanic
Most awardsTitanic (11)
Most nominationsTitanic (14)
TV in the United States
NetworkABC
Duration3 hours, 47 minutes[1]
Ratings57.25 million
35.32% (Nielsen ratings)

Titanic won a record-tying eleven awards including Best Director for James Cameron and Best Picture.[7][8] Other winners included As Good as It Gets, Good Will Hunting and L.A. Confidential with two awards, and The Full Monty, Geri's Game, Karakter, The Long Way Home, Visas and Virtue, Men in Black and A Story of Healing with one. The telecast garnered more than 57 million viewers in the United States, making it the most watched Oscars broadcast in history.[9]

Winners and nominees

The nominees for the 70th Academy Awards were announced on February 10, 1998, at the Samuel Goldwyn Theater in Beverly Hills, California, by Robert Rehme, president of the Academy, and actress Geena Davis.[10] Titanic received the most nominations with a record-tying fourteen (1950's All About Eve, and later 2016's La La Land, also achieved this distinction); Good Will Hunting and L.A. Confidential came in second with nine apiece.[11][12]

The winners were announced during the awards ceremony on March 23, 1998. With eleven awards, Titanic tied with Ben-Hur for the most Academy Awards in Oscar history.[13] It also became the first film to win Best Picture without a screenwriting nomination since 1965's The Sound of Music.[14] Best Actress winner Helen Hunt became the first performer to win an Oscar while concurrently starring in a television series;[15] Jack Nicholson became the fourth performer to win at least three acting Oscars.[16] Both won for their roles in As Good as It Gets, making it the seventh film to win both lead acting awards.[17] Nominated for their performances as Rose DeWitt Bukater in Titanic, Best Actress nominee Kate Winslet and Best Supporting Actress nominee Gloria Stuart became the first pair of actresses nominated for portraying the same character in the same film.[18][19] At age 87, Stuart also became the oldest performer nominated for a competitive Oscar.[20] Also, born in 1910 made her the last female acting nominee to be born in the 1910s.

Awards

Jon Landau, Best Picture co-winner
James Cameron, Best Director winner and Best Picture/Film Editor co-winner
Jack Nicholson, Best Actor winner
Helen Hunt, Best Actress winner
Robin Williams, Best Supporting Actor winner
Kim Basinger, Best Supporting Actress winner
Matt Damon, Best Original Screenplay co-winner
Ben Affleck, Best Original Screenplay co-winner
Curtis Hanson, Best Adapted Screenplay co-winner
James Horner, Best Original Dramatic Score winner and Best Original Song co-winner
Jan Pinkava, Best Animated Short Film winner
Rick Baker, Best Makeup co-winner

Winners are listed first, highlighted in boldface, and indicated with a double dagger ().[21]

Best Picture
Best Screenplay Written Directly for the Screen
Best Screenplay Based on Material Previously Produced or Published
  • L.A. Confidential – Brian Helgeland and Curtis Hanson from the novel by James Ellroy
    • Donnie Brasco – Paul Attanasio based on the book Donnie Brasco: My Undercover Life in the Mafia by Joseph D. Pistone with Richard Woodley
    • The Sweet Hereafter – Atom Egoyan adapted from the novel by Russell Banks
    • Wag the Dog David Mamet and Hilary Henkin from the novel American Hero by Larry Beinhart
    • The Wings of the Dove – Hossein Amini adapted from the novel by Henry James
Best Foreign Language Film
  • Karakter (Netherlands) in Dutch – Mike van Diem
    • Beyond Silence (Germany) in German – Caroline Link
    • Four Days in September (Brazil) in Portuguese – Bruno Barreto
    • Secrets of the Heart (Spain) in Spanish – Montxo Armendáriz
    • The Thief (Russia) in Russian – Pavel Chukhray
Best Documentary Feature
  • The Long Way Home – Rabbi Marvin Hier and Richard Trank
    • 4 Little Girls – Spike Lee and Sam Pollard
    • Ayn Rand: A Sense of Life – Michael Paxton
    • Colors Straight Up – Michèle Ohayon and Julia Schachter
    • Waco: The Rules of Engagement – Dan Gifford and William Gazecki
Best Documentary Short Subject
  • A Story of Healing – Donna Dewey and Carol Pasternak
    • Alaska: Spirit of the Wild – George Casey and Paul Novros
    • Amazon – Kieth Merrill and Jonathan Stern
    • Family Video Diaries: Daughter of the Bride – Terri Randall
    • Still Kicking: The Fabulous Palm Springs Follies – Mel Damski and Andrea Blaugrund
Best Live Action Short Film
  • Visas and Virtue – Chris Tashima and Chris Donahue
    • Dance Lexie Dance – Tim Loane
    • It's Good to Talk – Roger Goldby and Barney Reisz
    • Sweethearts? – Birger Larsen and Thomas Lydholm
    • Wolfgang – Anders Thomas Jensen and Kim Magnusson
Best Animated Short Film
  • Geri's Game – Jan Pinkava
    • Famous Fred – Joanna Quinn
    • The Old Lady and the Pigeons – Sylvain Chomet
    • Redux Riding Hood – Steve Moore and Dan O'Shannon
    • Rusalka – Alexander Petrov
Best Original Dramatic Score
Best Original Musical or Comedy Score
  • The Full Monty – Anne Dudley
    • Anastasia – Music by Stephen Flaherty; Lyrics by Lynn Ahrens; Orchestral score by David Newman
    • As Good as It Gets Hans Zimmer
    • Men in Black Danny Elfman
    • My Best Friend's Wedding – James Newton Howard
Best Original Song
  • "My Heart Will Go On" from Titanic – Music by James Horner; Lyrics by Will Jennings
    • "Go the Distance" from Hercules – Music by Alan Menken; Lyrics by David Zippel
    • "Journey to the Past" from Anastasia – Music by Stephen Flaherty; Lyrics by Lynn Ahrens
    • "How Do I Live" from Con Air – Music and Lyrics by Diane Warren
    • "Miss Misery" from Good Will Hunting – Music and Lyrics by Elliott Smith
Best Sound Effects Editing
Best Sound
  • Titanic – Gary Rydstrom, Tom Johnson, Gary Summers and Mark Ulano
    • Air Force One – Paul Massey, Rick Kline, Doug Hemphill and Keith A. Wester
    • Con Air – Kevin O'Connell, Greg P. Russell and Art Rochester
    • Contact – Randy Thom, Tom Johnson, Dennis S. Sands and William B. Kaplan
    • L.A. Confidential – Andy Nelson, Anna Behlmer and Kirk Francis
Best Art Direction
  • Titanic – Art Direction: Peter Lamont; Set Decoration: Michael D. Ford
    • Gattaca – Art Direction: Jan Roelfs; Set Decoration: Nancy Nye
    • Kundun – Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
    • L.A. Confidential – Art Direction: Jeannine Oppewall; Set Decoration: Jay Hart
    • Men in Black – Art Direction: Bo Welch; Set Decoration: Cheryl Carasik
Best Cinematography
  • Titanic – Russell Carpenter
    • Amistad – Janusz Kamiński
    • Kundun – Roger Deakins
    • L.A. Confidential – Dante Spinotti
    • The Wings of the Dove – Eduardo Serra
Best Makeup
  • Men in Black – Rick Baker and David LeRoy Anderson
    • Mrs Brown – Lisa Westcott, Veronica Brebner and Beverley Binda
    • Titanic – Tina Earnshaw, Greg Cannom and Simon Thompson
Best Costume Design
  • Titanic – Deborah Lynn Scott
    • Amistad – Ruth E. Carter
    • Kundun – Dante Ferretti
    • Oscar and Lucinda – Janet Patterson
    • The Wings of the Dove – Sandy Powell
Best Film Editing
Best Visual Effects

Academy Honorary Award

Films with multiple nominations and awards

Presenters and performers

The following individuals presented awards or performed musical numbers.[23][24]

Presenters

Name(s)Role
Norman RoseAnnouncer for the 70th annual Academy Awards
Robert Rehme (AMPAS President)Gave opening remarks welcoming guests to the awards ceremony
Cuba Gooding Jr.Presenter of the award for Best Supporting Actress
Elisabeth ShuePresenter of the award for Best Costume Design
Dustin HoffmanPresenter of the 70 years of Best Picture winners montage
Neve CampbellPresenter of the performances of Best Original Song nominees "Journey to the Past" and "Go the Distance"
Arnold SchwarzeneggerPresenter of the film Titanic on the Best Picture segment
Mira SorvinoPresenter of the award for Best Supporting Actor
Cameron DiazPresenter of the award for Best Sound
Mike MyersPresenter of the award for Sound Effects Editing
Sigourney WeaverPresenter of the film As Good as It Gets on the Best Picture segment
Helen HuntPresenter of the award for Best Visual Effects
Fay WrayIntroducer of presenters Ben Affleck and Matt Damon
Ben Affleck
Matt Damon
Presenters of the awards for Best Live Action Short Film and Best Animated Short Film
Geoffrey RushPresenter of the award for Best Actress
Antonio BanderasPresenter of the award for Best Original Dramatic Score
Jennifer LopezIntroducer of the special dance number to the tune of the nominees for Best Original Musical or Comedy Score and presenter of the award for Best Original Musical or Comedy Score
Drew BarrymorePresenter of the award for Best Makeup
Alec BaldwinPresenter of the film L.A. Confidential on the Best Picture segment
Samuel L. JacksonPresenter of the award for Best Film Editing
Ashley JuddPresenter of the segment of the Academy Awards for Technical Achievement and the Gordon E. Sawyer Award
Martin ScorsesePresenter of the Honorary Academy Award to Stanley Donen
Matt DillonPresenter of the film Good Will Hunting on the Best Picture segment
MadonnaIntroducer of the performances of Best Original Song nominees "How Do I Live", "Miss Misery" and "My Heart Will Go On" and presenter of the award for Best Original Song
Djimon HounsouPresenter of the Best Documentary Short
Robert De NiroPresenter of the Best Documentary Feature
Whoopi GoldbergPresenter of the In Memoriam tribute
Meg RyanPresenter of the award for Best Art Direction
Robin WilliamsPresenter of the 70 Years of Oscars montage
Frances McDormandPresenter of the award for Best Actor
Sharon StonePresenter of the award for Best Foreign Language Film
Jack Lemmon
Walter Matthau
Presenters of the awards for Best Screenplay Based on Material Previously Produced or Published and Best Original Screenplay/Screenplay Written Directly for the Screen
Denzel WashingtonPresenter of the award for Best Cinematography
Susan SarandonPresenter of the Oscar Family Album segment
Geena DavisPresenter of the film The Full Monty on the Best Picture segment
Warren BeattyPresenter of the award for Best Director
Sean ConneryPresenter of the award for Best Picture

Performers

Name(s)RolePerformed
Jerry GoldsmithComposer"Fanfare for Oscar"
Bill ContiMusical arrangerOrchestral
Billy CrystalPerformerOpening number:
Titanic (to the tune of "The Ballad of Gilligan's Isle" from Gilligan's Island),
As Good as It Gets (to the tune of "Let's Call the Whole Thing Off" from Shall We Dance),
Good Will Hunting (to the tune of "Night and Day" from The Gay Divorcee),
L.A. Confidential (to the tune of "Fascinating Rhythm" by George Gershwin) and
The Full Monty (to the tune "Hello, Dolly!" from Hello, Dolly!)[25]
Michael BoltonPerformer"Go the Distance" from Hercules
AaliyahPerformer"Journey to the Past" from Anastasia
Trisha YearwoodPerformer"How Do I Live" from Con Air
Elliott SmithPerformer"Miss Misery" from Good Will Hunting
Celine DionPerformer"My Heart Will Go On" from Titanic

Ceremony information

Billy Crystal hosted the 70th Academy Awards.

In December 1997, the Academy hired veteran Oscar telecast producer Gil Cates to oversee the 1998 ceremony.[26] "Gil has become the consummate Oscar show producer, consistently garnering top television ratings for the telecast," said AMPAS President Robert Rehme in a press release announcing the selection. "His shows are full of wit, charm and surprise."[26] A few days later, actor and comedian Billy Crystal was chosen to emcee the upcoming telecast. Cates explained his reason to bring back the veteran comedian saying, "Billy's performance last year was spectacular. There is nobody like him."[27] In an article published in USA Today he initially requested to Cates and AMPAS five months after the previous year's ceremony that he would like to take a break from hosting duties. However, pressure from the Academy, Cates, and several friends and family members made him reconsider his decision.[28] His sixth stint would make him second only to Bob Hope in number of ceremonies hosted.[29]

To commemorate the seventieth anniversary of the Academy Awards, 70 actors who have received both competitive and honorary awards appeared seated onstage together during a segment called Oscar's Family Album.[30] Each former winner was acknowledged by announcer Norman Rose with the films he or she won for. At the end of the segment newly minted winners Kim Bassinger, Helen Hunt, and Robin Williams joined them. This marked the largest gathering of former winners since the 50th ceremony held in 1978.[31]

Several others participated in the production of the ceremony. Bill Conti served as musical director for the telecast.[32] Dancer Daniel Ezralow choreographed a dance number showcasing the nominees for Best Original Comedy or Musical Score.[33] Bart the Bear made a surprise appearance during the presentation of the Best Sound Effects Editing award with Mike Myers.[34]

Box office performance of nominees

At the time of the nominations announcement on February 10, the combined gross of the five Best Picture nominees was $579 million with an average of $116 million per film.[35] Titanic was the highest earner among the Best Picture nominees with $338.7 million in domestic box office receipts.[35] The film was followed by As Good as It Gets ($92.6 million), Good Will Hunting ($68.9 million), L.A. Confidential ($39.7 million), and finally The Full Monty ($38.7 million).[35]

Of the top 50 grossing movies of the year, 40 nominations went to 15 films on the list. Only Titanic (1st), As Good as It Gets (16th), Good Will Hunting (20th), and In & Out (24th) were nominated for directing, acting, screenwriting, or Best Picture.[36] The other top 50 box office hits that earned nominations were Men in Black (2nd), The Lost World: Jurassic Park (3rd), Air Force One (5th), My Best Friends Wedding (7th), Face/Off (9th), Con Air (12th), Contact (13th), Hercules (14th), The Fifth Element (25th), Anastasia (30th), and Starship Troopers (34th).[36]

Critical response

The show received a positive reception from most media publications. Television critic Howard Rosenberg of the Los Angeles Times lauded Crystal's performance writing that he "would earn top billing as that unusual comedian as artful at doing musical comedy as jokes."[37] San Francisco Chronicle columnist John Carman raved,"It was the best Oscar show in two decades." He also gave high marks for the host, commenting, "But last night, Crystal was back in razor form."[38] The Seattle Times television editor Kay McFadden praised Crystal commenting that "he possesses nearly impeccable timing and judgment." In addition, she noted that while the ceremony dragged on, "Last night was one of television's smartest live ceremonies in recent memory."[39]

Some media outlets were more critical of the show. Ray Richmond of Variety complained that the ceremony proved to be a "Yawner of an Oscarcast." He added that Crystal's "off-the-cuff one-liners sank faster than the great ship herself."[40] Boston Globe television critic Matthew Gilbert bemoaned,"There was hardly a spontaneous moment during last night's Oscarcast."[41] Film critic Carrie Rickey from The Philadelphia Inquirer lamented that the inevitable Titanic sweep "sank a telecast loaded with montages of previous years' Oscar highlights."[42]

Ratings and reception

The popularity of Titanic greatly increased television ratings for the ceremony.[43] The American telecast on ABC drew in an average of 57.25 million people over its length, which was a 29% increase from the previous year's ceremony.[44] An estimated 87.50 million total viewers watched all or part of the awards.[45] The show also earned higher Nielsen ratings compared to the previous ceremony with 35.32% of households watching over a 55.77 share.[46] In addition, it garnered a higher 1849 demo rating with a 24.90 rating over a 44.30 share among viewers in that demographic.[46] It overtook CBS' live telecast of the 1984 Grammy Awards to become, as it remains to date, the highest viewership for both an Academy Award telecast (since figures were compiled beginning with the 46th ceremony in 1974) and any live awards show airing in U.S. television history.[47][43]

In July 1998, the ceremony presentation received eight nominations at the 50th Primetime Emmys.[48] Two months later, the ceremony won five of those nominations for Outstanding Individual Performance in a Variety or Music Program (Billy Crystal), Outstanding Directing for a Variety or Music Program (Louis J Horvitz), Outstanding Lighting Direction (Electronic) for a Drama Series, Variety Series, Miniseries, or Movie (Bob Barnhart, Robert Dickinson, Matt Ford, Andy O'Reilly), Outstanding Music Direction (Bill Conti), and Outstanding Sound Mixing for a Variety Series or Special (Patrick Baltzell, Robert Douglass, Edward J. Greene, Tommy Vicari).[49][50]

In Memoriam

The annual In Memoriam tribute was presented by actress Whoopi Goldberg. The montage featured an excerpt of "Appassionata" from The Passage composed by Michael J. Lewis.[51]

See also

  • 4th Screen Actors Guild Awards
  • 18th Golden Raspberry Awards
  • 40th Grammy Awards
  • 50th Primetime Emmy Awards
  • 51st British Academy Film Awards
  • 52nd Tony Awards
  • 55th Golden Globe Awards
  • List of submissions to the 70th Academy Awards for Best Foreign Language Film

References

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  3. "Horvitz to helm Academy broadcast". Variety. Penske Media Corporation. January 8, 1998. Archived from the original on November 7, 2013. Retrieved November 1, 2013.
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  12. "'Titanic' lands 14 Oscar nominations; ties 1950 record". San Diego Union-Tribune. Tribune Publishing. February 11, 1998. p. A-3.
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Bibliography

Official websites
Analysis
Other resources
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