The Story of Little Black Sambo

Sambo is a South Indian boy who lives with his father and mother, named Black Jumbo and Black Mumbo, respectively. While out walking, Sambo encounters four hungry tigers, and surrenders his colourful new clothes, shoes, and umbrella so they will not eat him. The tigers are vain and each thinks that he is better dressed than the others. They have a massive argument and chase each other around a tree until they are reduced to a pool of ghee (clarified butter). Sambo then recovers his clothes and collects the ghee, which his mother uses to make pancakes.[3]

The book's original illustrations were done by the author and simple in style, typical of most children's books, and depicted Sambo as a Southern Indian or Tamil child. The book has thematic similarities to Rudyard Kipling's The Jungle Book, published in 1894, which had far more sophisticated illustrations. However, Little Black Sambo's success led to many counterfeit, inexpensive, widely available versions that incorporated popular stereotypes of "black" peoples. For example, in 1908 John R. Neill, best known for his illustration of the Oz books by L. Frank Baum, illustrated an edition of Bannerman's story.[4] In 1932 Langston Hughes criticised Little Black Sambo, as a typical "pickaninny" storybook which was hurtful to black children, and gradually the book disappeared from lists of recommended stories for children.[5]

Cover of 1900 first US edition published by Frederick A. Stokes

In 1942 Saalfield Publishing Company released a version of Little Black Sambo illustrated by Ethel Hays.[6] In 1943 Julian Wehr created an animated version.[7] During the mid-20th century, however, some American editions of the story, including a 1950 audio version on Peter Pan Records, changed the title to the racially neutral Little Brave Sambo.

The book is beloved in Japan and is not considered controversial there, but it was subject to copyright infringement. Little Black Sambo (ちびくろサンボ, Chibikuro Sanbo) was first published in Japan by Iwanami Shoten Publishing in 1953. The book was an unlicensed version of the original, and it contained drawings by Frank Dobias that had appeared in a US edition published by Macmillan Publishers in 1927. Sambo was illustrated as an African boy rather than as an Indian boy. Although it did not contain Bannerman's original illustrations, this book was long mistaken for the original version in Japan. It sold over 1,000,000 copies before it was pulled off the shelves in 1988, when The Association to Stop Racism Against Blacks launched a complaint against all major publishers in Japan that published variations of the story, and this triggered self-censorship among those publishers.[8][9][10] In 2005, after copyright of the 1953 Iwanami Shoten Publishing edition of the book expired, Zuiunsya reprinted the original version and sold more than 150,000 copies within five months' time, and Kodansha and Shogakukan, the two largest publishers in Japan, published official editions. These are still in print, and as of August 2011, an equally controversial "side story" for Little Black Sambo, called Ufu and Mufu, is being sold and merchandised in Japan. The reprinting caused criticism from media outside Japan, such as The Los Angeles Times.[10]

In 1961, Whitman Publishing Company released an edition illustrated by Violet LaMont. Her colorful pictures show an Indian family wearing bright Indian clothes. The story of the boy and the tigers is as described in the plot section above.

A page from the 1961 edition of Little Black Sambo

In 1996, noted illustrator Fred Marcellino observed that the story itself contained no racist overtones and produced a re-illustrated version, The Story of Little Babaji, which changes the characters' names but otherwise leaves the text unmodified.[11]

Julius Lester, in his Sam and the Tigers, also published in 1996, recast "Sam" as a hero of the mythical Sam-sam-sa-mara, where all the characters were named "Sam".[12]

A modern printing with the original title, in 2003, substituted more racially sensitive illustrations by Christopher Bing, in which, for example, Sambo is no longer so inky black. It was chosen for the Kirkus 2003 Editor's Choice list. Some critics were still unsatisfied. Dr Alvin F. Poussaint said of the 2003 publication: "I don't see how I can get past the title and what it means. It would be like ... trying to do 'Little Black Darky' and saying, 'As long as I fix up the character so he doesn't look like a darky on the plantation, it's OK.'"[13]

In 1997 Kitaooji Shobo Publishing in Kyoto obtained formal license from the UK publisher, and republished the work under the title of Chibikuro Sampo (In Japanese, "Chibi" means "little,""kuro" means black, and "Sampo" means a stroll, a kind of pun for the original word "Sambo"). The protagonist is depicted as a black Labrador puppy that goes for a stroll in the jungle; no humans appear in the edition. The Association To Stop Racism Against Blacks still refers to the book in this edition as discriminatory.

Bannerman's original was first published with a translation of Masahisa Nadamoto by Komichi Shobo Publishing, Tokyo, in 1999.

In 2004 a Little Golden Book version was published, The Boy and the Tigers, with new names and illustrations by Valeria Petrone. The boy is called Little Rajani.[14]

The Iwanami version, with its controversial Dobias illustrations and without the proper copyright, was re-released in April 2005 in Japan by a Tokyo-based publisher Zuiunsya, because Iwanami's copyright expired fifty years after its first appearance.

It was retold as "Little Kim" in a storybook and cassette as part of the Once Upon a Time Fairy Tale Series where Sambo is called "Kim", his father Jumbo is "Tim" and his mother Mumbo is "Sim".

Little Black Sambo board game (box lid)

A board game was produced in 1924 and re-issued in 1945, with different artwork. Essentially the game followed the storyline, starting and ending at home.

In the 1930s Wyandotte Toys used a pickaninny caricature "Sambo" image for a dart-gun target.[15]

An animated version of the story was produced in 1935 as part of Ub Iwerks' ComiColor series.

In 1939 Little Nipper (RCA Records for children) issued, in addition to a record storybook set of the traditional story,[16] a 2 45-RPM record storybook set entitled "Little Black Sambo's Jungle Band", narrated by Paul Wing.[16][17] In the story Little Black Sambo (in India) goes for a walk in the jungle and encounters a variety of animals, each with its own distinctive instrument (e.g., elephant with a tuba, "big baboon with a big bassoon", honey bear with a "perfectly peach piccolo", and a long green snake "playing its scales"). They each play a distinctive song for him, and then elect him to be their band director. By trial and error he trains them to play and harmonize together. In short, he is the talented hero of the story.

Columbia Records issued a 1946 version on two 78 RPM records with narration by Don Lyon.[18] It was issued in a folder with artwork showing Sambo to be quite black indeed, though the narrative preserves the locale as India.[19]

In 1961 HMV Junior Record Club issued a dramatised version – words by David Croft, music by Cyril Ornadel – with Susan Hampshire in the title role and narrated by Ray Ellington.[20]

An independent restaurant founded in 1957 in Lincoln City, Oregon, is named Lil' Sambo's after the fictional character.[21]

Coincidentally, a popular US restaurant chain of the 1950s through 1970s, Sambo's, borrowed characters from the book (including Sambo and the tigers) for promotional purposes, although the Sambo name was originally a portmanteau of the founders' names and nicknames: Sam (Sam Battistone) and Bo (Newell Bohnett).[22] For a period in the late 1970s, some locations were renamed "The Jolly Tiger". Nonetheless, the controversy about the book led to accusations of racism that contributed to the 1,117-restaurant[23] chain's demise in the early 1980s.[22] Images inspired by the book (now considered by some racially insensitive) were common interior decorations in the restaurants.[24] Though portions of the original chain were renamed No Place Like Sam's to try to forestall closure,[23] all but the original restaurants in Santa Barbara, California, had closed by 1983. The original location still existed in Santa Barbara under the name Sambo's until June 2020.[25] The name on the original Sambo's sign was temporarily changed to the motto "☮ & LOVE" (where "☮" is the Unicode symbol for "peace," U+262E), due to pressure from the Black Lives Matter group, and a separate signature drive that collected thousands of signatures. A new name may be chosen at a later date.[26]

• Lists of banned books
• Zambo (or in Southern Spanish Sambo/sambo), a term used in the Spanish colonial caste system to denote a person with both African and Amerindian ancestry
• Ethnic issues in Japan
• Murzynek Bambo – Little black Bambo by Polish writer Julian Tuwim
• Jynx

• Barbara Bader (1996). "Sambo, Babaji, and Sam", The Horn Book Magazine. September–October 1996, vol. 72, no. 5, p. 536.
• Phyllis Settecase Barton (1999). Pictus Orbis Sambo: A Publishing History, Checklist and Price Guide for The Story of Little Black Sambo (1899–1999) Centennial Collector's Guide. Pictus Orbis Press, Sun City, CA.
• Dashini Jeyathuray (2012). "The complicated racial politics of Little Black Sambo", South Asian American Digital Archive. 5 April 2012:
• Kazuo Mori (2005). "A Comparison of Amusingness for Japanese Children and Senior Citizens of The Story of Little Black Sambo in the Traditional Version and Nonracist Version." Social Behavior and Personality, Vol.33, pp.455–466.

• Media related to Little Black Sambo at Wikimedia Commons
• The Story of Little Black Sambo (1923 authorized American edition) at Internet Archive.
• The Story of Little Black Sambo (illus. John R. Neill) at Internet Archive.