The Right Stuff (film)

In 1979, independent producers Robert Chartoff and Irwin Winkler outbid Universal Pictures for the movie rights to Tom Wolfe's book, paying $350,000.[4] They hired William Goldman to write the screenplay. Goldman wrote in his memoirs that his adaptation should focus on the astronauts, entirely ignoring Chuck Yeager.[5] Goldman was inspired to accept the job because he wanted to say something patriotic about America in the wake of the Iran hostage crisis. Winkler writes in his memoirs that he was disappointed Goldman's adaptation ignored Yeager.[6]

In June 1980, United Artists agreed to finance the film up to $20 million, and the producers began looking for a director. Michael Ritchie was originally attached but fell through; so did John Avildsen who, four years prior, had won an Oscar for his work under Winkler and Chartoff on the original Rocky. (The Right Stuff would have reunited Avildsen with both producers, and also with a fourth Rocky veteran, composer Bill Conti.) [7]

Ultimately, Chartoff and Winkler approached director Philip Kaufman, who agreed to make the film but did not like Goldman's script; Kaufman disliked the emphasis on patriotism, and wanted Yeager put back in the film.[8] Eventually, Goldman quit the project in August 1980 and United Artists pulled out.

When Wolfe showed no interest in adapting his own book, Kaufman wrote a draft in eight weeks.[4] His draft restored Yeager to the story because "if you're serious about tracing where the future — read: space travel — began, its roots lay with Yeager and the whole test pilot-subculture. Ultimately, astronautics descended from that point."[9]

After the financial failure of Heaven's Gate, the studio put The Right Stuff in turnaround. Then The Ladd Company stepped in with an estimated $17 million.

Actor Ed Harris auditioned twice in 1981 for the role of John Glenn. Originally, Kaufman wanted to use a troupe of contortionists to portray the press corps, but settled on the improvisational comedy troupe Fratelli Bologna, known for its sponsorship of "St. Stupid's Day" in San Francisco.[10] The director created a locust-like chatter to accompany the press corps whenever they appear, which was achieved through a sound combination of (among other things) motorized Nikon cameras and clicking beetles.[10]

Most of the film was shot in and around San Francisco between March and October 1982, with additional filming continuing into January 1983. A waterfront warehouse there was transformed into a studio.[4][Note 1] Location shooting took place primarily at the abandoned Hamilton Air Force Base north of San Francisco which was converted into a sound stage for the numerous interior sets.[11] No location could substitute for the distinctive Edwards Air Force Base landscape, so the entire production crew moved to the Mojave Desert to shoot the opening sequences that framed the story of the test pilots at Muroc Army Air Field, later Edwards AFB.[12] Additional shooting took place in California City in early 1983. During the filming of a sequence portraying Chuck Yeager's ejection from an NF-104,[13] stuntman Joseph Svec, a former Green Beret, was killed when his parachute failed to open.[14]

Yeager was hired as a technical consultant on the film. He took the actors flying, studied the storyboards and special effects, and pointed out the errors. To prepare for their roles, Kaufman gave the actors playing the seven astronauts an extensive videotape collection to study.[4]

The effort to make an authentic feature led to the use of many full-size aircraft, scale models and special effects to replicate the scenes at Edwards Air Force Base and Cape Canaveral Air Force Station.[15] Special visual effects supervisor Gary Gutierrez said the first special effects were too clean for the desired "dirty, funky, early NASA look."[4] So Gutierrez and his team started from scratch, employing unconventional techniques, like going up a hill with model airplanes on wires and fog machines to create clouds, or shooting model F-104s from a crossbow device and capturing their flight with up to four cameras.[4] Avant garde filmmaker Jordan Belson created the background of the Earth as seen from high-flying planes and from orbiting spacecraft.[9]

Kaufman gave his five editors a list of documentary images he needed, sending them off to search for film from NASA, the Air Force, and Bell Aircraft vaults.[4] They also discovered Russian stock footage not viewed in 30 years. During production, Kaufman met with resistance from the Ladd Company and threatened to quit several times. In December 1982, one reel of cut workprint of the film that included portions of John Glenn's flight disappeared from Kaufman's editing facility in San Francisco's Dogpatch neighborhood. The missing reel of cut workprint was never found, but was reconstructed using a black and white duplicate copy of the reel as a guide and reprinting new workprint from the original negative, which was always safely in storage at the film lab.

Although The Right Stuff was based on historical events and real people, as chronicled in Wolfe's book, some substantial dramatic liberties were taken. Neither Yeager's flight in the X-1 to break the sound barrier early in the film or his later, nearly fatal flight in the NF-104A were spur-of-moment, capriciously decided events, as the film seems to imply - they actually were part of the routine testing program for both aircraft. Yeager had already test-flown both aircraft a number of times previously and was very familiar with them.[16][17] Jack Ridley had actually died in 1957,[18] even though his character appears in several key scenes taking place after that, most notably including Yeager's 1963 flight of the NF-104A.

The Right Stuff depicts Cooper arriving at Edwards in 1953, reminiscing with Grissom there about the two of them having supposedly flown together at the Langley Air Force Base and then hanging out with Grissom and Slayton, including all three supposedly being present at Edwards when Scott Crossfield flew at Mach 2 in November 1953.[19] The film shows the three of them being recruited together there for the astronaut program in late 1957, with Grissom supposedly expressing keen interest in becoming a "star-voyager". According to their respective NASA biographies, none of the three was posted to Edwards before 1955 (Slayton in 1955[20] and Grissom and Cooper in 1956,[21][22]) and neither of the latter two had previously trained at Langley. By the time astronaut recruitment began in late 1957 after the Soviets had orbited Sputnik, Grissom had already left Edwards and returned to Wright-Patterson Air Force Base, where he had served previously and was happy with his new assignment there. Grissom did not even know he was under consideration for the astronaut program until he received mysterious orders "out of the blue" to report to Washington in civilian clothing for what turned out to be a recruitment session for NASA.[21]

While the film took liberties with certain historical facts as part of "dramatic license", criticism focused on one: the portrayal of Gus Grissom panicking when his Liberty Bell 7 spacecraft sank following splashdown. Most historians, as well as engineers working for or with NASA and many of the related contractor agencies within the aerospace industry, are now convinced that the premature detonation of the spacecraft hatch's explosive bolts was caused by mechanical failure not associated with direct human error or deliberate detonation by Grissom.[Note 2] This determination had been made long before the film was completed.[23] Both Schirra and Gordon Cooper were critical of The Right Stuff for its treatment of Grissom,[24][25] who was killed in the Apollo 1 launch pad fire in January 1967 and thus unable to defend himself when the film was being made. However, Kaufman was closely following Tom Wolfe's book, which focused not on how or why the hatch actually blew, but how NASA engineers and some of Grissom's colleagues (and even his own wife) believed he caused the accident; much of the dialogue in this sequence was taken directly from Wolfe's prose.[26][27]

There were other inaccuracies as well, notably about the engineers who built the Mercury craft who were not German.[9]

A replica of the Glamorous Glennis which was used in filming The Right Stuff. Now on display at the Cosmosphere in Hutchinson, Kansas. The same museum has the flown Liberty Bell 7 spacecraft on display.

A large number of film models were assembled for the production; for the more than 80 aircraft appearing in the film, static mock-ups and models were used as well as authentic aircraft of the period.[28] Lieutenant Colonel Duncan Wilmore, USAF (Ret) acted as the United States Air Force liaison to the production, beginning his role as a technical consultant in 1980 when the pre-production planning had begun. The first draft of the script in 1980 had concentrated only on the Mercury 7 but as subsequent revisions developed the treatment into more of the original story that Wolfe had envisioned, the aircraft of the late-1940s that would have been seen at Edwards AFB were required. Wilmore gathered World War II era "prop" aircraft including:

• Douglas A-26 Invader
• North American P-51 Mustang
• North American T-6 Texan and
• Boeing B-29 Superfortress

The first group were mainly "set dressing" on the ramp while the Confederate Air Force (now renamed the Commemorative Air Force) B-29 "Fifi" was modified to act as the B-29 "mothership" to carry the Bell X-1 and X-1A rocket-powered record-breakers.[29]

Other "real" aircraft included the early jet fighters and trainers as well as current USAF and United States Navy examples. These flying aircraft and helicopters included:

• Douglas A-4 Skyhawk
• LTV A-7 Corsair II
• North American F-86 Sabre
• Convair F-106 Delta Dart
• McDonnell Douglas F-4 Phantom II
• Sikorsky H-34 Choctaw
• Sikorsky SH-3 Sea King
• Lockheed T-33 Shooting Star
• Northrop T-38 Talon[30]

A number of aircraft significant to the story had to be recreated. The first was an essentially static X-1 that had to at least roll along the ground and realistically "belch flame" by a simulated rocket blast from the exhaust pipes.[28] A series of wooden mock-up X-1s were used to depict interior shots of the cockpit, the mating up of the X-1 to a modified B-29 fuselage and bomb bay and ultimately to recreate flight in a combination of model work and live-action photography. The "follow-up" X-1A was also an all-wooden model.[29]

The U.S. Navy's Douglas D-558-2 Skyrocket that Crossfield duelled with Yeager's X-1 and X-1A was recreated from a modified Hawker Hunter jet fighter. The climactic flight of Yeager in a Lockheed NF-104A was originally to be made with a modified Lockheed F-104 Starfighter but ultimately, Wilmore decided that the production had to make do with a repainted Luftwaffe F-104G, which lacks the rocket engine of the NF-104.[29]

Wooden mock-ups of the Mercury space capsules also realistically depicted the NASA spacecraft and were built from the original mold.[9]

For many of the flying sequences, scale models were produced by USFX Studios and filmed outdoors in natural sunlight against the sky. Even off-the-shelf plastic scale models were utilized for aerial scenes. The X-1, F-104 and B-29 models were built in large numbers as a number of the more than 40 scale models were destroyed in the process of filming.[31] The blending together of miniatures, full-scale mock-ups and actual aircraft was seamlessly integrated into the live-action footage. The addition of original newsreel footage was used sparingly but to effect to provide another layer of authenticity.[32]

The Right Stuff had its world premiere on October 16, 1983, at the Kennedy Center in Washington, D.C., to benefit the American Film Institute.[33][34] It was given a limited release on October 21, 1983, in 229 theaters, grossing $1.6 million on its opening weekend. It went into wide release on February 17, 1984, in 627 theaters where it grossed an additional $1.6 million on that weekend. Despite this, the movie bombed at the box office with $21.1 million. The failure of this and Twice Upon a Time caused The Ladd Company to shut down.

As part of the promotion for the film, Veronica Cartwright, Chuck Yeager, Gordon Cooper, Scott Glenn and Dennis Quaid appeared in 1983 at ConStellation, the 41st World Science Fiction Convention in Baltimore.[35]

The Right Stuff received overwhelming acclaim from critics. The film holds a 96% approval rating on Rotten Tomatoes based on 49 reviews, with an average score of 8.81/10. The website's critical consensus reads, "The Right Stuff packs a lot of movie into its hefty running time, spinning a colorful, fact-based story out of consistently engaging characters in the midst of epochal events."[36] Film critic Roger Ebert named The Right Stuff best film of 1983, and wrote, "it joins a short list of recent American movies that might be called experimental epics: movies that have an ambitious reach through time and subject matter, that spend freely for locations or special effects, but that consider each scene as intently as an art film".[37] He later named it one of the best films of the decade and wrote, "The Right Stuff is a greater film because it is not a straightforward historical account but pulls back to chronicle the transition from Yeager and other test pilots to a mighty public relations enterprise". He later put it at #2 on his 10 best of the 1980s, behind Martin Scorsese's Raging Bull.[38] Gene Siskel, Ebert's co-host of At the Movies, also named The Right Stuff the best film of 1983, and said "It's a great film, and I hope everyone sees it." Siskel also went on to include The Right Stuff at #3 on his list of the best films of the 1980s, behind Shoah and Raging Bull.[39]

In his review for Newsweek, David Ansen wrote, "When The Right Stuff takes to the skies, it can't be compared with any other movie, old or new: it's simply the most thrilling flight footage ever put on film".[4] Gary Arnold in his review for the Washington Post, wrote, "The movie is obviously so solid and appealing that it's bound to go through the roof commercially and keep on soaring for the next year or so".[34] In his review for The New York Times, Vincent Canby praised Shepard's performance: "Both as the character he plays and as an iconic screen presence, Mr. Shepard gives the film much well-needed heft. He is the center of gravity".[40] Pauline Kael wrote, "The movie has the happy, excited spirit of a fanfare, and it's astonishingly entertaining, considering what a screw-up it is".[41]

Yeager said of the film: "Sam [Shepard] is not a real flamboyant actor, and I'm not a real flamboyant-type individual ... he played his role the way I fly airplanes".[4] Deke Slayton said that none of the film "was all that accurate, but it was well done".[42] Slayton later described the film as being "as bad as the book was good, just a joke".[43] Wally Schirra said, "They insulted the lovely people who talked us through the program - the NASA engineers. They made them like bumbling Germans".[42] Scott Carpenter felt that it was a "great movie in all regards".[42]

Robert Osborne, who introduced showings of the film on Turner Classic Movies, was quite enthusiastic about the film. The cameo appearance by the real Chuck Yeager in the film was a particular "treat" which Osborne cited. The recounting of many of the legendary aspects of Yeager's life was left in place, including the naming of the X-1, "Glamorous Glennis" after his wife and his superstitious preflight ritual of asking for a stick of Beemans chewing gum from his best friend, Jack Ridley.[Note 3]

When the film came out, the former (and future) astronaut Senator John Glenn of Ohio was running for the Democratic nomination for President of the United States. In the weeks before the movie's premiere, media pundits as well as people in the Democratic Party wondered that if the film became a big success, it could give Glenn an advantage in the upcoming primaries, a speculation that eventually proved groundless.

The Right Stuff won four Academy Awards: for Best Sound Effects Editing (Jay Boekelheide), for Best Film Editing, for Best Original Score and for Best Sound (Mark Berger, Tom Scott, Randy Thom and David MacMillan).[44]

The film was also nominated for Best Actor in a Supporting Role (Sam Shepard), Best Art Direction (Art Direction: Geoffrey Kirkland, Richard Lawrence, W. Stewart Campbell and Peter R. Romero; Set Decoration: George R. Nelson), Best Cinematography (Caleb Deschanel) and Best Picture.[45] The movie was also nominated for the Hugo Award for Best Dramatic Presentation in 1984.[46] Scott Glenn was also nominated for the New York Film Critics' Award for Best Supporting Actor.