The Munsters

The idea of a family of comical monsters was first suggested to Universal Studios by animator Bob Clampett, who developed the idea from 1943 to 1945 as a series of cartoons.[10] The project did not take off until the early 1960s, when a proposal for a similar idea was submitted to Universal Studios by Rocky & Bullwinkle writers Allan Burns and Chris Hayward. The proposal was later handed to writers Norm Liebman and Ed Haas, who wrote a pilot script, Love Thy Monster. For some time, there were executives who believed the series should be made as a cartoon and others who wanted to see it made using live-action. Finally, a presentation was filmed by MCA Television for CBS, using live-action.[9]

The show was produced by Joe Connelly and Bob Mosher, who were already known for creating the Leave It to Beaver television series. Prior to that, they wrote over 1,500 episodes of Amos 'n' Andy, a presence on network radio for nearly its entire history.

Originally conceived as a color show, The Munsters was ultimately filmed in black-and-white to save money and to resemble the old B&W monster films Universal and other studios used to make. Over the course of season one (completed by Season 1, Episode 7 "Tin Can Man"), makeup for Herman, Lily, and Grandpa was changed. Some of the changes included Lily's hair becoming all black instead of having a gray/white streak on the right side of her head, a change of jewelry to a bat instead of a star, and angled eyebrows. Grandpa was given more exaggerated makeup and heavier eyebrows, and Herman's face was widened to give him a dopier and less human appearance. He also added a stutter to bolster his character whenever he was angry or wanted to make a point, and he frequently left his mouth open, adding to the effect of a more goofy, less frightening, figure.

While its humor was usually broad, the series was visually sophisticated. The Munsters' home was a crumbling Second Empire Victorian mansion, riddled with smoke, filthy with dust and cobwebs. A running joke was that when Lily "dusted" the house, her Electrolux emitted clouds of dust, which she applied to surfaces most people would clean. As a running gag, parts of the house would often be damaged (mostly by Herman's tantrums or clumsiness), but the damage would not exist later. Although many episodes featured scenes outside the house, much of the action took place within the walls of the Munsters' home.

Herman and Lily in the kitchen

The Munster family's multi-level Victorian home had the fictional address of 1313 Mockingbird Lane in Mockingbird Heights. (The town's location is not specified in the series, but in later incarnations, it is described as a small town outside Los Angeles. Leo Durocher, who was then coaching with the Los Angeles Dodgers, guest-starred as himself in one episode, further hinting that the show was set in, or near, Los Angeles.) The exterior shots were filmed on the Universal Studios backlot. In the 1950s, it was assembled with other homes on the backlot. Until production of The Munsters in 1964, the house could be seen as a backdrop on many shows, including Leave It to Beaver.[11] It was also the home of the family in Shirley (NBC, 1979–80) and has appeared in other TV shows such as Coach and (after a remodel) Desperate Housewives. The interiors for the Munsters' mansion were filmed entirely on an enclosed sound stage.

The Munster Koach

In the fourth episode ("Rock-A-Bye Munster"), Lily buys a hot-rod and a hearse from a used car dealership and has them customized into one car (Munster Koach) for Herman's birthday present. The Munster Koach and DRAG-U-LA were designed by Tom Daniel and built by auto customizer George Barris for the show. The "Munster Koach" was a hot rod built on a lengthened 1926 Ford Model T chassis with a custom hearse body. It was 18 feet long and cost almost $20,000 to build. Barris also built the "DRAG-U-LA," a dragster built from a coffin (according to Barris, a real coffin was, in fact, purchased for the car), which Grandpa used to win back "The Munster Koach" after Herman lost it in a race.

The instrumental theme song, titled "The Munsters' Theme", was composed by composer/arranger Jack Marshall.[12] The theme song's lyrics, which the sitcom's co-producer Bob Mosher wrote, were never aired on CBS. Described by writer Jon Burlingame as a "Bernard-Herrmann-meets-Duane-Eddy sound",[13] the theme was nominated for a Grammy Award in 1965. A sample of the theme was used in the song "Uma Thurman" by Fall Out Boy.

Butch Patrick later recorded a song called "Whatever Happened To Eddie?," which is set to The Munsters theme.

1964 cast photo with Yvonne DeCarlo as Lily and Butch Patrick as Eddie

The first presentation was 16 minutes and in color (later cut to just over 13 minutes) and was used to pitch the series to CBS and its affiliates. It never aired, and the script was reused as the basis for episode 2, "My Fair Munster". The cast in order of appearance in the title sequence was: Joan Marshall as Phoebe (instead of Lily), Beverley Owen as Marilyn, Nate "Happy" Derman as Eddie, Al Lewis as Grandpa, and Fred Gwynne as Herman. Although the same house exterior was later used in the actual aired series, it was changed at that point to make it look more gothic and "spooky". Changes included adding the tower deck and Marilyn's deck, a new coat of paint, and enlarging the living room. Although Grandpa had the same dungeon, Herman did not have padding in the pitch episode, had a more protruding forehead, and was broad but thin. The most noticeable difference was his somber expression, compared to his comical silliness during the series.[13] All characters, except Marilyn, had a blue-green tint to their skin. The biggest character difference was that Eddie was portrayed by Derman as a nasty brat.[14]

The title sequence had light, happy music (picked up from the Doris Day movie The Thrill of It All)[15] instead of the more hip surf theme that was to come. The episode is available on the complete first season of The Munsters DVDs. It was also decided that Joan Marshall looked too much like Morticia Addams[15] and that Happy Derman was too nasty as Eddie, so both were replaced.[15] On the basis of the first presentation, the new series, still not completely cast, was announced by CBS on February 18, 1964. A second black-and-white presentation was made with the new actors. In this version, Butch Patrick's Eddie appeared with a more "normal" look, although his hairstyle was later altered to include a widow's peak.

During season one, the Munster family appeared in an Easter special, when they visited Marineland of the Pacific in Palos Verdes, California, to get a new pet for Eddie. Shot on videotape, it aired just once on CBS on April 18, and was long thought lost until a copy was donated to the Paley Center in New York in 1997.[16][17]

• 1964–1965: #18 (24.7 rating) – Tied with Gilligan's Island
• 1965–1966: #61 (no rating given, 30.7 share)[19]

Several Munsters movies were released, three featuring original cast members.

A sequel television series, titled The Munsters Today, ran from 1988 to 1991 and lasted for 72 episodes. The unaired pilot episode, written by Lloyd J. Schwartz, explained the 22-year gap through an accident in Grandpa's lab that put the family to sleep. They awake in the late 1980s and have to adapt to their new surroundings. It featured John Schuck (Herman), Lee Meriwether (Lily), Howard Morton (Grandpa), and Jason Marsden (Eddie). Marilyn was portrayed by Mary-Ellen Dunbar in the unaired pilot, and by Hilary Van Dyke thereafter.

A remake from Pushing Daisies creator Bryan Fuller, was developed for NBC. The show was to be a reboot as a one-hour drama with "spectacular visuals".[20][21][22]

NBC ordered a pilot episode,[23] and announced in January 2012 that it would be called Mockingbird Lane, a reference to the Munster family address at 1313 Mockingbird Lane.[24]

NBC ultimately canceled plans for Mockingbird Lane to be produced as a weekly series, but later announced the pilot episode would air in late October 2012 as a Halloween special.[25]

In August 2017, it was announced that Seth Meyers is developing a modern-day interpretation of the series. The series will place with the Munsters in Brooklyn, New York, where they try to fit in as an ordinary family.[26]