The Head on the Door

This album marks the return of Simon Gallup in the group; he had performed and composed with Robert Smith and Lol Tolhurst on the dark trilogy Seventeen Seconds, Faith and Pornography. Guitarist Porl Thompson, who had played guitar during the very early days of the band, and also played keyboards and saxophone during The Top tour, became an official member. Drummer Boris Williams, who had previously worked with Thompson Twins, finally joined the ensemble after playing with the band during the US leg of the 1984 tour.

During promotion for the record, Smith stated that it was inspired by the albums Kaleidoscope by Siouxsie and the Banshees and Dare by the Human League. He wanted the album to be eclectic with different styles and moods: "It reminds me of the Kaleidoscope album, the idea of having lots of different sounding things, different colours".[4] "Kyoto Song" contains an oriental hook while "The Blood" is played in a flamenco style.[5] The piano tune of "Six Different Ways" had been previously used by Smith during his tenure with Siouxsie and the Banshees, for the single "Swimming Horses".[6] The last song of the album, "Sinking", was reminiscent of the band's Faith era, while "Close to Me" was described as a "disco thing" by critics.[2] The opening track and first single, "In Between Days", was compared to New Order's material.[7] "A Night Like This" contains a saxophone solo by Ron Howe from Fools Dance. The title of the album comes from a line in the chorus from the second and final single, "Close to Me".

When he was interviewed that year, Smith said that his five favourite albums were at that time Mirror Moves by the Psychedelic Furs, This Year's Model by Elvis Costello, Low by David Bowie, Kaleidoscope by Siouxsie and the Banshees and Rattus Norvegicus by the Stranglers.[8]

Professional ratings

Review scores
Source	Rating
AllMusic	[9]
The Austin Chronicle	[10]
Blender	[11]
Christgau's Record Guide	B[12]
Mojo	[13]
Pitchfork	8.7/10[14]
Q	[15]
The Rolling Stone Album Guide	[16]
Sounds	[7]
Spin	[17]

Released on 26 August 1985, The Head on the Door was the first big international success for the band, notably entering the top 75 in the US and reaching the top 20 in numerous other countries.[18] The album is certified gold in the US, UK and France.

Upon its release, The Head on the Door was well received by the British press. In a very favourable review, Melody Maker hailed the "liberty" that Smith took to conceive a multifaceted record.[2] Chris Roberts of Sounds said that it "makes you wish more pop stars were hip enough to stay in bed all day".[7] Record Mirror reviewer Andy Strickland wrote that The Head on the Door "may lack the swirls of chorused guitar that many adore, but there's a wider more mature musical approach".[6] NME wrote: "it's quite pop" and "tunes abound".[19] In December 1985, The Head on the Door was named the best album of the year by Melody Maker.[20]

In 2000 it was voted number 833 in Colin Larkin's All Time Top 1000 Albums.[21]

In a retrospective review, AllMusic noted that The Head on the Door marked a new musical direction for the Cure, with Smith managing to make the band's trademark "gloom and doom" style both "danceable and popular", while also noting that its inventive arrangements "give the album a musical depth previous efforts lacked".[9] Tom Doyle of Q wrote that the album found Smith "bridging the brooding of yore with their recent pop highs".[15] Pitchfork said: it is the band's "most focused pop album" and "a tight, terrific package."[14] PopMatters included it in their list of the "12 Essential 1980s Alternative Rock Albums" saying, "The Head on the Door is an outstanding example of Smith's ability to use pop music as a means to express angst while applying just a hint of the polish".[22]

A cover version of "A Night Like This" was released on the 1996 reissue of the Smashing Pumpkins' "Bullet with Butterfly Wings" single.

In 2006, the album was re-released by Universal on their Fiction Records/Polydor Records labels, digitally remastered with various demos and live tracks from the era. Included were demos of the four B-sides from the era ("The Exploding Boy", "A Few Hours After This", "A Man Inside My Mouth" and "Stop Dead") and four previously unreleased songs. The remaining tracks included demos or live versions of all 10 songs from the first disc. It was released 8 August in the U.S. (where the album was instead released by Rhino Entertainment/Elektra Records) and 14 August in the UK. One of the four new songs, "Mansolidgone", is similar both musically and lyrically to another demo, "A Hand Inside My Mouth" (not to be confused with "A Man Inside My Mouth") which appeared on The Top Deluxe Edition. Both songs, and the uncovered demo "Lime Time", contain lyrics which would be later used in the songs "In Between Days" and "Six Different Ways."

All tracks are written by Robert Smith.

• Robert Smith – vocals, guitars, keyboards, production
• Lol Tolhurst – keyboards
• Porl Thompson – guitars, keyboards
• Simon Gallup – bass guitar
• Boris Williams – drums, percussion
• Ron Howe – saxophone on "A Night Like This"
• David M. Allen – production
• Howard Gray – production on "Kyoto Song"

• The Head on the Door at Discogs (list of releases)