The Girl with the Dragon Tattoo (2009 film)

Men Who Hate Women (Swedish: Män som hatar kvinnor, lit. 'Men who hate women') is a 2009 Swedish crime thriller film based on the novel of the same name by Swedish author/journalist Stieg Larsson. It is the first book in the trilogy known as the Millennium series, published in Sweden in 2005.

Men Who Hate Women
Swedish release poster
Directed byNiels Arden Oplev
Produced bySøren Stærmose
Screenplay by
Based onMen Who Hate Women
by Stieg Larsson
Starring
Music byJacob Groth
Cinematography
Edited byAnne Østerud
Production
company
Distributed by
Release date
  • 27 February 2009 (2009-02-27)
Running time
153 minutes[1]
CountrySweden[2]
LanguageSwedish
Budget$13 million[3]
Box office$104 million[3]

By August 2009, it had been sold to 25 countries outside Scandinavia and had been seen by more than 6 million people in the countries where it was already released. Directed by Niels Arden Oplev, the film stars Michael Nyqvist and Noomi Rapace.

Plot

In December 2002, journalist Mikael Blomkvist, publisher of independent magazine Millennium, loses a libel case involving unproven allegations that he published about billionaire financier Hans-Erik Wennerström, and is sentenced to three months in prison. Lisbeth Salander, a freelance surveillance agent and hacker, is hired by Henrik Vanger, the patriarch of the wealthy Vanger family, to conduct a background check on Blomkvist. Vanger then hires Blomkvist to investigate the disappearance of his niece, Harriet, who vanished on Children's Day in 1966. Vanger believes that Harriet was murdered by a family member. Henrik explains that his brothers—Gottfried, Richard, and Harald—were all supporters of the Nazi regime. As Richard died during the war, he is not a suspect in Harriet's murder. Gottfried is described as having been in the Hitler Youth, an aggressive alcoholic whose marriage to Harriet and Martin's mother was cold and toxic, and the two wound up living separately with the children remaining with their father. Henrik also says that he 'never saw anyone be a worse mother than she was to Harriet'. Gottfried died a year before Harriet disappeared by accidentally drowning in a lake, and Henrik then took responsibility for raising Martin and Harriet. Harald is a recluse who still clings to his strong Nazi views and is a suspect for the murder, as is Harriet's mother and all the other family members who were present on that day. Henrik also shows Blomkvist a room whose walls are covered with pressed flowers. The first ones were gifts from Harriet, and since her disappearance, a flower has arrived each year from different places around the world. Henrik believes that Harriet's killer is sending them to taunt him.

Salander, who was ruled mentally incompetent as a child, is placed in the custody of a new legal guardian, Nils Bjurman (Peter Andersson), after her previous guardian suffers a stroke. Bjurman makes it clear to Lisbeth that unless she does what he tells her, he will make her life very difficult and even threatens her with incarceration in a mental hospital. Bjurman also takes over control of Lisbeth's bank account and refuses to let her access her own money. Lisbeth lies to Bjurman about the nature of her work by pretending that she is just an office assistant.

Lisbeth is attacked by a group of drunk thugs in the subway. Although she manages to fight them off, her laptop is broken. She visits a hacker friend of hers, "Plague", who can save the hard drive and let her use his spare PC, but only until she can get a replacement laptop. She goes to see Bjurman, who forces her to perform fellatio on him in return for the money that she needs to buy a new computer; he refuses to give her the full amount she needs. Lisbeth calls him again the next day, but when she goes to meet with Bjurman, he handcuffs her to his bed, and beats and rapes her. Lisbeth secretly records the encounter with a hidden device. She later returns to Bjurman, uses a taser to incapacitate him, ties him up, rapes him with a dildo, shows him the hidden camera footage, explains what she really does for a living, and tells him that she is taking back control of her money and her life. If anything happens to her, then the film will be released, and any threat to her will result in the same outcome. She then uses a tattoo machine to brand Bjurman's abdomen with the message "I am a sadist pig and a rapist".

Blomkvist moves to a cottage on the Vanger estate and meets the Vanger family, including Harriet's brother Martin, who is the head of the Vanger group, and her cousin Cecilia. Martin is congenial and invites Blomkvist over for dinner; he and Cecelia both think that Harriet simply ran away as she was unhappy at home. Inside Harriet's diary, Blomkvist finds a list of five names alongside what appears to be phone numbers. He visits retiring police inspector Morell, who informs him that his team had been unable to decipher them when they worked on Harriet's case. After viewing photographs taken during the Children's Day parade, Blomkvist sees Harriet's facial expression change suddenly just before she leaves and, after obtaining photographs taken from the same side of the street as her, comes to believe that Harriet may have seen her murderer that day.

Using her access to Blomkvist's computer, Salander theorizes that the numbers in Harriet's diary are references to verses in the Book of Leviticus and emails Blomkvist anonymously. Blomkvist figures out that Salander sent the email and hires her as a research assistant. Together, Blomkvist and Salander connect all but one of the names on Harriet's list to murdered women. They are all Jewish names, which intrigues Blomkvist, as the Vanger family has a long history of antisemitism. During the investigation, Blomkvist and Salander become lovers and sleep together.

They suspect Henrik's reclusive brother Harald to be the murderer, as he is the only surviving Vanger brother. Salander searches through Vanger's business records to trace Harald to the crime scenes, while Blomkvist breaks into Harald's house believing it to be unoccupied. He discovers many Nazi texts and memorabilia amid the wreckage of the interior of the house, which has been left to decay. When Harald attacks Blomkvist, Martin appears and saves him. Harald insults Martin for stopping him from shooting Blomkvist. Martin escorts Blomkvist to his home, where Blomkvist reveals what he and Salander have uncovered. Martin says that he'll call the police, but instead he drugs Blomkvist. Salander's search of the company accounts points to Martin and his late father, Gottfried, as having been jointly responsible for the murders. She returns to the cottage to find Blomkvist missing.

Blomkvist wakes to find himself bound in Martin's cellar. Martin explains that Gottfried began teaching him to rape, torture, and kill as a teenager, and boasts about raping and murdering women for decades since his father's death. However, he denies killing Harriet, insisting that she disappeared. He also says that his father was too theatrical and that leaving the bodies out to be found was a step too far as it drew unwanted attention. As Martin is in the process of hanging Blomkvist, Salander appears and attacks him with a golf club. While she frees Blomkvist, Martin flees in his car. Salander gives chase on her motorcycle. When Martin drives off the road, Salander finds him still alive but trapped in the vehicle. She then simply walks away as the car catches fire and he burns to death.

Blomkvist realises that Cecilia's late sister Anita was the near-double of Harriet and that some of the photographs taken on the day of Harriet's disappearance show Anita, not Harriet as previously thought. Blomkvist and Salander discover that Harriet has been using Anita's name and is still alive in Australia. Blomkvist flies there to look for her, and he persuades her to return to Sweden, where she is reunited with her uncle. Harriet explains the truth about her disappearance: that her father and her brother had repeatedly raped her; that she killed her father by drowning him, which was witnessed by Martin; and that her cousin Anita had smuggled her away from the island prior to her death. Harriet notes that her brother was harsher to her than her father and that she knew that remaining on the island would lead to her death at her brother's hands. As a way of letting Henrik know that she was alive, Harriet sent him a pressed flower every year. She apologises for frightening Henrik as he had misinterpreted these messages, but Henrik reassures her by explaining that thanks to her messages, the truth has come out.

Salander's elderly mother, living in a nursing home, apologises for not choosing a "better papa" for her. Salander then visits Blomkvist in prison and gives him new information on the Wennerström case. From prison, Blomkvist publishes a new story on Wennerström in Millennium which ruins Wennerström and restores his reputation. Wennerström is then found dead, which the police write off as a suicide. His offshore bank account in the Cayman Islands is raided by a young woman caught on CCTV, whom Blomkvist recognises as Salander in a blond wig. The film ends with Salander, now wealthy and living under an assumed identity, as she is walking along a sunny beach promenade.

Cast

Release

Critical response

The Girl with the Dragon Tattoo was well received by critics. The review aggregator website Rotten Tomatoes gives the film a normalized score of 85% based on 188 reviews, with an average score of 7.27/10 and declares it "Certified Fresh". The critical consensus is: "Its graphic violence and sprawling length will prove too much for some viewers to take, but Noomi Rapace's gripping performance makes The Girl With the Dragon Tattoo an unforgettable viewing experience."[4] Metacritic gives the film a weighted average score of 76% based on reviews from 36 critics.[5] Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, noting that "[the film] is a compelling thriller to begin with, but it adds the rare quality of having a heroine more fascinating than the story".[6]

Box office

The film grossed more than $10 million in North America in a limited release of 202 theatres.[3] The total gross worldwide is $104,617,430.[3][7]

Awards and nominations

Association Category Nominee Result
Amanda Award Best Foreign Feature Film Niels Arden Oplev Nominated
BAFTA Award Best Actress in a Leading Role Noomi Rapace Nominated
Best Adapted Screenplay Nikolaj Arcel and Rasmus Heisterberg Nominated
Best Film Not in the English Language Niels Arden Oplev Won
Broadcast Film Critics Association Award Best Actress Noomi Rapace Nominated
Best Foreign Language Film Niels Arden Oplev Won
Empire Awards Best Thriller Won
Best Actress Noomi Rapace Won
European Film Awards Audience Award Niels Arden Oplev Nominated
Best Actress Noomi Rapace Nominated
Best Composer Jacob Groth Nominated
Guldbagge Award Audience Award Niels Arden Oplev Won
Best Actress Noomi Rapace Won
Best Film Søren Stærmose Won
Best Cinematography Eric Kress Nominated
Best Supporting Actor Sven-Bertil Taube Nominated
Houston Film Critics Society Award Best Foreign Language Film Won
Best Actress in a Leading Role Noomi Rapace Nominated
London Film Critics Circle Award Actress of the Year Noomi Rapace Nominated
New York Film Critics Online Award Breakthrough Performer Noomi Rapace Won
Palm Springs International Film Festival Audience Award for Best Narrative Feature Niels Arden Oplev Won
Satellite Award Best Actress – Motion Picture Drama Noomi Rapace Won
Best Foreign Language Film Won
Best Adapted Screenplay Nikolaj Arcel and Rasmus Heisterberg Nominated
St. Louis Gateway Film Critics Association Award Best Actress Noomi Rapace Nominated
Best Foreign Language Film Nominated
Washington D.C. Area Film Critics Association Award Best Foreign Language Film Nominated

TV mini-series

French premium pay television channel Canal+ aired extended versions of the three movies as a mini-series (6×90 minutes) between March and June 2010, before the theatrical release of the second and third films. The series premiere attracted over 1.1 million viewers. Considering the network is only available in 8 million French households, the series was a substantial success.[8] The series aired on US pay-for-view cable networks in the weeks leading up to the release of David Fincher's 2011 film adaptation of the novel.

In France, the audience of the Canal+ broadcast of the first part on 22 March 2010 was 1.2 million (18% of the channel's subscribers in the country) and the largest audience of a foreign series at Canal+ that year.

A home video set of all six parts of the mini-series was released on DVD and Blu-ray Disc by Music Box Home Entertainment on 6 December 2011.

See also

References

  1. "MAN SOM HATAR KVINNOR - MEN WHO HATE WOMEN (18)". British Board of Film Classification. 3 December 2009. Retrieved 9 January 2015.
  2. "Girl with the Dragon Tattoo director queries US remake". BBC News. 10 November 2010. Retrieved 7 December 2011.
  3. "The Girl with the Dragon Tattoo (2010)". Box Office Mojo. Retrieved 7 December 2011.
  4. "The Girl with the Dragon Tattoo (2009)". Rotten Tomatoes. Retrieved 7 May 2020.
  5. "The Girl with the Dragon Tattoo". Metacritic. Retrieved 16 July 2012.
  6. Ebert, Roger (17 March 2010). "The Girl with the Dragon Tattoo". Chicago Sun-Times. Chicago, Illinois: Sun-Times Media Group. Retrieved 2 September 2012.
  7. "Män som hatar kvinnor en internationell kassasuccé". The Swedish Film & TV Producers (in Swedish). 4 August 2009. Retrieved 16 July 2012.
  8. "Millennium trilogy". yellowbird.se. 25 March 2010. Retrieved 13 January 2011.
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