Serhiy Zhadan

Zhadan was born in Starobilsk, Luhansk Oblast in Ukraine. He graduated from H.S. Skovoroda Kharkiv National Pedagogical University in 1996 with a thesis on the work of Mykhail Semenko and the Ukrainian Futurist writers of the 1920s. He then spent three years as a graduate student of philology, and taught Ukrainian and world literature from 2000 to 2004. Since then he has worked as a freelance writer.

Zhadan is an internationally known Ukrainian writer, with 12 books of poetry and 7 novels, and winner of more than a dozen literary awards. In March 2008, the Russian translation of his novel Anarchy in the UKR made the shortlist of the National Bestseller Prize. It was also a contender for "Book of the Year" at the 2008 Moscow International Book Exhibition. In 2009 he won the Joseph Conrad-Korzeniowski Literary Prize. In 2012 Gunshot and Knife won Ukrainian rating "Book of the Year" for fiction. His 2010 novel Voroshylovhrad won him the Jan Michalski Prize for Literature in Switzerland, BBC Ukrainian's "Book of the Decade" award and Brücke Berlin Prize. His selected poems Dynamo Kharkiv won Ukrainian "Book of the Year." (2014) His book Mesopotamia won the Angelus literature prize in 2015, the Award of the President of Ukraine "Ukrainian Book of the Year" in 2016.

Zhadan has translated poetry from German, English, Belarusian, and Russian, from such poets as Paul Celan and Charles Bukowski. His own works have been translated into German, English, Estonian, French, Italian, Swedish, Norwegian, Polish, Serbian, Croatian, Lithuanian, Latvian, Belarusian, Russian,[1] Hungarian, Armenian, and Czech.

His novel Anthem of Democratic Youth has been adapted for the stage and performed at the Ivan Franko National Academic Drama Theater in Kyiv. Since 2004 he has worked with Yara Arts Group form La MaMa Experimental Theatre in New York, contributing to the shows: "Koliada: Twelve Dishes" (2005), "Underground Dreams"(2013–2014), "Hitting Bedrock" (2015) and "1917–2017: Tychyna, Zhadan and the Dogs," (2016–2017).

His poems "Spy," "Chaplain" and "Needle," translated by Tkacz and Phipps were part of "Blind Spot," an installation by Mykola Ridnyi and Serhii Zhadan for the Ukrainian Pavilion at the Venice Biennale May–July, 2015 See photos

Zhadan collaborated with Kharkiv-based music band Luk. Most of Luk's Ukrainian-language songs included lyrics based on works by Zhadan (in particular the first album Tourist zone is based on Zhadan's play "Merry Christmas, Jesus Christ").

The tribute album Khor monholskykh militsioneriv (Mongol policemen choir) was released in 2008. The songs include lyrics by Zhadan, performed by Kharkiv musicians.

Since 2007, Zhadan has collaborated with another Kharkiv band Sobaky v Kosmosi, now known as Zhadan and the Dogs. They released the albums — The Army Sports Club (Sportyvny Klub Armiyi, 2008), Weapons of the Proletatiat (Zbroya Proletariatu, 2012), Fight for Her (Byisya za neyi, 2012), Dogs (Sobaky, 2016) and Madonna (2019).

Serhiy Zhadan at "Rock for change" rally in Kharkiv, 2013

Zhadan's active involvement in Ukrainian Independence began while a student and has continued throughout the various political crises in Ukraine. In 1992 he was one of the organizers of Kharkiv neo-futuristic literary group "The Red Thistle".[2][3] He participated in the 2004 Orange Revolution demonstrations against corruption and voter intimidation in the presidential run-off elections, was the commandant of a tent camp in Kharkiv. The protests resulted in a revote ordered by Ukraine's Supreme Court. He has repeatedly expressed sympathy for anarchists, and in many of his works there are "left" motives.[4][5]

In 2013 he was a member of the coordination council of Euromaidan Kharkiv, part of the nationwide protests and violent clashes with police.[6][7] The 5 day Maidan revolution resulted in resignation of Russian backed President Yanukovych. In 2014, he was assaulted outside the administration building in Kharkiv.[8]

Since 2014 Zhadan has made numerous visits to the front lines of the Eastern Donbas region involved in armed conflict with Russian separatists. In February 2017 he co-founded Serhiy Zhadan Charitable Foundation to provide humanitarian aid to front-line cities.

Rostislav Melnikov and Yuriy Tsaplin of the New Literary Review wrote in 2007:

Zhadan's prose is so poetic, his free verse so prosaic. It is difficult to assign a genre to his work: memoir, travelogue, timely or untimely meditation – or a mixture of all these, centered on the themes my generation and our epoch.[9]

Kirill Ankudinov, writing for Vzglyad.ru in June 2008, said:

There is no summarizing the spicy, hot, sweet, vicious improvisations of Serhiy Zhadan – this is verbal jazz. When you read him, you fear for contemporary Russian literature: of those now writing in the Russian language, there is none among them who is so infernally free (and above all, free from "writerly" prose, from the tendency to "produce an impression").[10]

• Translations by Virlana Tkacz and Wanda Phipps
• Tin House. "Fishes' Tears." Translated by Alan Zhukovski
• Asymptote. "Pennsylvanian Readings." Translated by Alan Zhukovski
• The Threepenny Review. "Dogs of Urban Infrastructure." Translated by Alan Zhukovski
• Poetry International Web. Seven poems
• Virginia Quarterly Review. "Stones" (excerpts). Translated by Valzhyna Mort
• Blackbird. Three poems. Translated by Alan Zhukovski
• Poetry International. Two poems. Translated by Valzhyna Mort
• Modern Poetry in Translation, 2017 No.3. Four poems
• Plume. City That Cultivated Our Voice (excerpt from "Stones"). Translated by Alan Zhukovski
• Gulf Coast. Casanova. Translated by Alan Zhukovski
• Ambit. Recollections (from "Stones"). Translated by Alan Zhukovski
• Acumen. No. 93, January 2019. Two poems. Translated by Alan Zhukovski
• The Manchester Review. Two poems. Translated by Alan Zhukovski

• What We Live For, What We Die For: Selected Poems by Serhiy Zhadan, translated by Viralna Tkacz and Wanda Phipps, (New Haven: Yale University Press, 2019).
• Mesopotamia by Serhiy Zhadan, prose translated by Reilly Costigan-Humes & Isaac Stackhouse Wheele poetry translated by Viralna Tkacz and Wanda Phipps, (New Haven: Yale University Press, 2018).

• Voroshilovgrad by Serhiy Zhadan, translated by Isaac Stackhouse Wheeler and Reilly Costigan-Humes, (Dallas: Deep Velum, 2016)

• Depeche Mode by Serhiy Zhadan, translated by Miroslav Shkandrij (London: Glagoslav Publications,2013).

• The Bard of Eastern Ukraine, Where Things Are Falling Apart. The New Yorker. Marci Shore. November 28, 2016.
• The Abuse of Ukraine's Best-Known Poet. The New Yorker. Sally McGrane. March 8, 2014.
• The Word in a Time of War. Asymptote. Mayhill Fowler on Serhiy Zhadan.
• Ukraine’s Mesopotamia. LRB Blog. Peter Pomerantsev.
• In Transcarpathia. LRB Blog. Peter Pomerantsev.
• Crimean Dreams. LRB Blog Peter Pomerantsev.
• Born in 1974 and 1984, Torn in 2004 and 2014.... World Literature Today. Jutta Lindekugel. November 2014.

• Jan Michalski Prize for Literature, awarded in 2014 for Voroshylovhrad[11]
• BBC Ukrainian's Book of the Decade award in December 2014 for Voroshylovhrad[12]
• Angelus Award (2015), for his book Mesopotamia, translated to Polish by Michał Petryk and Adam Pomorski[13][14][15]

Wikimedia Commons has media related to Serhiy Zhadan.

• (in Ukrainian) The poetry of Serhiy Zhadan
• (in Russian) Profile at Vavilon.ru
• (in Russian) Entry at Speaking in Tongues
• (in Russian) Entry at Net Literature
• (in Ukrainian) Zhadan's blog
• (in Russian) Verses translated by A. Pustogarova
• (in Ukrainian) Zhadan reading "Fungi of the Donbass" in Donetsk
• (in Ukrainian) Zhadan reading "Lukoil" in Poland
• (in Russian) Translations by Elena Fanailova
• (in Russian) Translations by Yevhenia Chuprina