Picnic at Hanging Rock (film)

At Appleyard College, a girls' private school near the town of Woodend, Victoria, Australia, the students are dressing on the morning of Valentine's Day, 1900. Miranda, Irma, Marion, Rosamund, Sara, and outsider Edith read poetry and Valentine's Day cards.

The group prepares for a picnic to a local geological formation known as Hanging Rock, accompanied by the mathematics mistress Miss Greta McCraw and the young and beautiful Mlle. de Poitiers. On the command of the stern headmistress Mrs. Appleyard, jittery teacher Miss Lumley advises orphan student Sara that she is not allowed to attend.

Buggy operator Ben Hussey gets the group to the Rock by mid-afternoon. After a meal, Mr Hussey notes his watch has stopped at the stroke of twelve, as has the watch of Miss McCraw. With permission from Mlle. de Poitiers, Miranda, Marion and Irma decide to explore Hanging Rock and take measurements, with Edith allowed to follow. The group is observed several minutes later by a young Englishman, Michael Fitzhubert, who is lunching at the Rock with his uncle Colonel Fitzhubert, aunt Mrs. Fitzhubert, and valet Albert. Near the top of Hanging Rock, the group lies down, apparently dazed by the sun. Miss McCraw, at the base of the Rock, stares up. Miranda, Marion, and Irma awaken and, as if in a trance, move into a recess in the rock face. Edith, witnessing this, screams and flees down the Rock in terror.

The distraught and hysterical party eventually returns to the College, where Mlle. de Poitiers explains to Mrs Appleyard that Miss McCraw has been left behind. Sara notes the absence of Miranda; and Mr. Hussey explains to Mrs Appleyard that Miranda, Irma, Marion, and Miss McCraw went missing. A search party, led by Sgt. Bumpher and Constable Jones of the local police, finds nothing, although Edith reveals that she witnessed Miss McCraw climbing the Rock without her skirt. Michael Fitzhubert is questioned and reveals that he watched the schoolgirls, but can provide no clues as to their whereabouts.

Michael becomes obsessed with finding Miranda; and, with Albert, he conducts another search of Hanging Rock. Despite Albert's protests, Michael decides to remain overnight and begins climbing again the next day, leaving a trail of paper. When Albert follows the markers, he finds a nearly catatonic Michael. Michael passes Albert a fragment of lace from a dress, before departing to town. Albert returns to Hanging Rock and discovers an unconscious Irma. The residents of Woodend become restless as news of the discovery spreads. Mrs Appleyard advises Miss Lumley that several parents have withdrawn their children from the school. At the Fitzhubert home, where Irma is treated for dehydration, the doctor's examination shows only cuts on her hands and broken fingernails; he affirms she has not been molested. When she awakens, Irma tells the police and Mlle. de Poitiers she has no memory of what happened. A servant girl notes that Irma's corset is missing. Michael befriends the recovered Irma but alienates her when he demands to know what happened on the Rock. Before leaving for Europe, Irma visits her classmates a final time; they become hysterical and demand to know what happened to Miranda and Marion. Irma flees, briefly noticing Sara strapped to a wall, meant by Miss Lumley to correct Sara's posture. That night, Miss Lumley gives notice to a drunken Mrs Appleyard that she is resigning.

Mrs Appleyard tells Sara that, as her guardian has not paid her tuition, Sara must return to the orphanage. The next day, Michael tells Albert he has decided to travel north, with Albert revealing he had a dream in which his lost sister Sara visited him. Meanwhile, Mrs Appleyard lies to Mlle. de Poitiers and claims that Sara's guardian picked her up, as all the students depart for their holiday. The next morning, Sara's body is found in the greenhouse by Mr. Whitehead, the school gardener. Believing Sara committed suicide by leaping from her bedroom window, Whitehead informs Mrs. Appleyard, who is disturbingly calm in full mourning dress with her possessions packed.

During a flashback to the picnic scene, Sgt. Bumpher states in a voice over that the body of Mrs Appleyard was found at the base of Hanging Rock from an apparent suicide. The search for the two schoolgirls and Miss McCraw continued sporadically for several years without success, remaining an unsolved mystery.

Works of Australian Impressionism, such as Frederick McCubbin's Lost (1886), inspired the film's themes and visual style.[2]

The novel was published in 1967. Reading it four years later, Patricia Lovell thought it would make a great film. She did not originally think of producing it herself until Phillip Adams suggested she try it; she optioned the film rights in 1973, paying $100 for three months.[3] She hired Peter Weir to direct on the basis of Homesdale and Weir brought in Hal and Jim McElroy to help produce.[1]

Screenwriter David Williamson was originally chosen to adapt the film, but was unavailable and recommended noted TV writer Cliff Green.[4] Joan Lindsay had approval over who did the adaptation and she gave it to Green, whose first draft Lovell says was "excellent".[3]

The finalised budget was A$440,000, coming from the Australian Film Development Corporation, British Empire Films and the South Australian Film Corporation. $3,000 came from private investors.[3]

Filming

Martindale Hall (located near Mintaro in South Australia), was the location for Appleyard Hall, the school featured in the film.

Filming began in February 1975 with principal photography taking six weeks.[5][6] Locations included Hanging Rock in Victoria, Martindale Hall near Mintaro in rural South Australia, and at the studio of the South Australian Film Corporation in Adelaide.

To achieve the look of an Impressionist painting for the film, director Weir and director of cinematography Russell Boyd were inspired by the work of British photographer and film director David Hamilton, who had draped different types of veils over his camera lens to produce diffused and soft-focus images.[6] Boyd created the ethereal, dreamy look of many scenes by placing simple bridal veil fabric of various thicknesses over his camera lens.[4][6] The film was edited by Max Lemon.

The film premiered on August 8, 1975, at the Hindley Cinema Complex in Adelaide. It was well-received by audiences and critics alike.[6]

Weir recalled that when the film was first screened in the United States, American audiences were disturbed by the fact that the mystery remained unsolved. According to Weir, "One distributor threw his coffee cup at the screen at the end of it, because he'd wasted two hours of his life—a mystery without a goddamn solution!"[4] Critic Vincent Canby noted this reaction among audiences in a 1979 review of the film, in which he discussed the film's elements of artistic "Australian horror romance", albeit one without the cliches of a conventional horror film.[9]

Despite this, the film was a critical success, with American film critic Roger Ebert calling it "a film of haunting mystery and buried sexual hysteria" and remarked that it "employs two of the hallmarks of modern Australian films: beautiful cinematography and stories about the chasm between settlers from Europe and the mysteries of their ancient new home."[10]

Cliff Green stated in interview that "Writing the film and later through its production, did I—or anyone else—predict that it would become Australia's most loved movie? We always knew it was going to be good—but that good? How could we?"[5]

Picnic at Hanging Rock currently has an approval rating of 90% on Rotten Tomatoes based on 40 reviews, with an average rating of 8.42/10. The site's critical consensus reads: "Visually mesmerizing, Picnic at Hanging Rock is moody, unsettling, and enigmatic -- a masterpiece of Australian cinema and a major early triumph for director Peter Weir".[11] Metacritic, another review aggregator, gives the film a score of 81/100 based on 15 critics, indicating "universal acclaim".[12]

Picnic at Hanging Rock was first released on DVD in the Criterion Collection on 3 November 1998. This release featured a director's cut of the film with an entirely new transfer, a theatrical trailer and liner notes about the film. The same year, the film was also re-released theatrically, with Weir removing seven minutes from the film that apparently detracted from the narrative.[4] The Criterion Collection re-released the director's cut on Blu-ray on June 17, 2014. It includes a paperback copy of the novel and many supplemental features, most of which are not available on international releases.

The film was later released in a special 3-disc set on 30 June 2008 in the United Kingdom. This set included the director's cut and a longer original version, interviews with filmmakers and book author Joan Lindsay, poster and still galleries, a 120-minute documentary and deleted scenes. UK distributor Second Sights Films also released the film on Blu-ray on 26 July 2010.[15][16]

In Australia it was released on DVD by Umbrella Entertainment in August 2007, and re-released in a 2-disc Collector's Edition in May 2011. This edition includes special features such as the various theatrical trailers, poster and still galleries, documentaries and interviews with cast, crew and Joan Lindsay.[17] It was released on Blu-ray by Umbrella Entertainment with a newly restored print, the feature-length documentary A Dream Within A Dream, a 25-minute on-set documentary, A Recollection: Hanging Rock 1900 and the theatrical trailer on 12 May 2010.[18]

The film has gone on to inspire other more recent artists, who have come to regard the film for its themes as well as its unique visuals.

Director Sofia Coppola has borrowed heavily from Picnic at Hanging Rock for her productions of The Virgin Suicides and Marie Antoinette.[19] Both films, like Picnic at Hanging Rock, deal extensively with themes of death and femininity as well as adolescent perceptions of love and sexuality.[20][21]

Excerpts of the film's dialogue can be heard in the cello rock group Rasputina's song "Girls' School" which is featured on their album Frustration Plantation.[22][23] Rasputina's personal aesthetic has also been likened to Picnic at Hanging Rock by critics.[24]

American actress Chloë Sevigny has cited the film as an influence on her personal style.[25]

American television writer Damon Lindelof said that the film was an influence on the second season of the television show The Leftovers.[26]

• Picnic at Hanging Rock (TV series)
• List of films set around Valentine's Day

• "Picnic" collection National Film and Sound Archive

Wikiquote has quotations related to: Picnic at Hanging Rock (film)

• Picnic at Hanging Rock on IMDb
• Picnic at Hanging Rock at AllMovie
• Picnic at Hanging Rock at Oz Movies
• "Picnic at Hanging Rock Locations" Field guide to the locations used for filming at Hanging Rock, Victoria, Australia
• Picnic at Hanging Rock: What We See and What We Seem an essay by Megan Abbott at the Criterion Collection