National Museum of China

The National Museum of China (Chinese: 中国国家博物馆; pinyin: Zhōngguó Guójiā Bówùguǎn) flanks the eastern side of Tiananmen Square in Beijing, China. The museum's mission is to educate about the arts and history of China. It is directed by the Ministry of Culture of the People's Republic of China.

National Museum of China
West (front) facade of museum, from Tiananmen Square, 2014
Established2003
LocationBeijing
Coordinates39.90389°N 116.39528°E / 39.90389; 116.39528
TypeArt museum, history museum
CollectionsChinese art
Collection size1.3 million
Visitors7,390,000 (2019)[1]
DirectorWang Chunfa[2]
OwnerMinistry of Culture of the People's Republic of China
Public transit accessTian'anmen East, Beijing Subway
Websiteen.chnmuseum.cn (in English)

It is one of the largest museums in the world. With 7.4 million visitors in 2019, the National Museum of China was the second-most visited art museum in the world, just after the Louvre. [3]

History

The museum was established in 2003 [4] by the merging of the two separate museums that had occupied the same building since 1959: the Museum of the Chinese Revolution in the northern wing (originating in the Office of the National Museum of the Revolution founded in 1950 to preserve the legacy of the 1949 revolution) and the National Museum of Chinese History in the southern wing (with origins in both the Beijing National History Museum, founded in 1949, and the Preliminary Office of the National History Museum, founded in 1912, tasked to safeguard China's larger historical legacy).

The building was completed in 1959 as one of the Ten Great Buildings celebrating the ten-year anniversary of the founding of the People's Republic of China. It complements the opposing Great Hall of the People that was built at the same time. The structure sits on 6.5 hectares (16 acres) and has a frontal length of 313 metres (1,027 ft), a height of four stories totaling 40 metres (130 ft), and a width of 149 metres (489 ft).[5] The front displays ten square pillars at its center.

Front foyer with model of the Temple of Heaven, in 2014

After four years of renovation, the museum reopened on March 17, 2011, with 28 new exhibition halls, more than triple the previous exhibition space, and state of the art exhibition and storage facilities. It has a total floor space of nearly 200,000 m2 (2.2 million square feet) to display.[6] The renovations were designed by the German firm Gerkan, Marg and Partners.[7]

Collections

The museum, covering Chinese history from the Yuanmou Man of 1.7 million years ago to the end of the Qing Dynasty (the last imperial dynasty in Chinese history), has a permanent collection of 1,050,000 items,[8] with many precious and rare artifacts not to be found in museums anywhere else in China or the rest of the world.

Among the most important items in the National Museum of China are the "Simuwu Ding" from the Shang Dynasty (the heaviest piece of ancient bronzeware in the world, at 832.84 kg),[9] the square shaped Shang Dynasty bronze zun decorated with four sheep heads,[9] a large and rare inscribed Western Zhou Dynasty bronze water pan,[9] a gold-inlaid Qin Dynasty bronze tally in the shape of a tiger,[9] Han Dynasty jade burial suits sewn with gold thread,[9] and a comprehensive collection of Tang Dynasty tri-colored glazed sancai and Song Dynasty ceramics.[9] The museum also has an important numismatic collection, including 15,000 coins donated by Luo Bozhao.[10]

The museum has a permanent exhibition called The Road to Rejuvenation, which presents the recent history of China since the beginning of the First Opium War, with an emphasis on the history of the Communist Party and its political achievements. [11]

  • A Han Dynasty jade burial suit laced with gold thread at the National Museum of China
  • A pastel pierced porcelain vase, from the Qianlong era of the Qing Dynasty
  • Copperplate for printing the Great Ming one string banknote
  • Stone carving from the Eastern Han Dynasty, with depiction of a waterside pavilion overlooking a lake full of fish, turtles, and waterfowl
  • Bronze two-part pass (paizi) with a four character Tangut inscription inlaid in silver, from the Western Xia
  • A bronze vessel in the shape of a bat, from the tomb of Lady Fu Hao, from Shang Dynasty, 13th century BC
  • Pottery roof tile ends from the Western Han Dynasty
  • Painted stone relief depicting a warrior from the Later Liang Dynasty
  • A Western Han Dynasty jade pillow from the tomb of the Prince of Chu in Shizishan, Xuzhou, Jiangsu province
  • Red lacquer box from the Qing Dynasty
  • Painted pottery of neolithic Yangshao culture, with depiction of a stork catching a fish and a stone axe on the side
  • Bronze tallies with inscriptions inlaid in gold from the Warring States period, Chu State
  • Brick relief depicting two scholars and two maids, from the Southern Dynasties
  • Bronze plate for printing an advertisement for the Liu family needle shop at Jinan, Song Dynasty. The earliest extant example of a commercial advertisement
  • Bronze cannon with inscription dated the 3rd year of the Zhiyuan Era (1332), Yuan Dynasty
  • Large bronze basin of Guo Ji Zi Bai, from Western Zhou
  • Li gui, the earliest Zhou dynasty bronze vessel to be discovered, and the only epigraphic evidence of the day of the Zhou conquest of Shang
  • Simuwu Ding, the largest piece of bronze work found in the world so far. It was made in the late Shang Dynasty at Anyang
  • Eagle-shaped pottery of neolithic Yangshao culture
  • A Song Dynasty copy of the Portraits of Periodical Offering of Liang, dated to the 6th century, depicting ambassadors from various tributary states
  • Blue-and-White porcelain pot with multiple "Shou" longevity characters, Wanli reign period (1567-1620), Ming dynasty, as exhibited in National Museum of China[12]

Countdown clocks
The countdown clock for the beginning of the 2008 Beijing Olympics

Because of its central location in Tiananmen Square, the front of the museum has been used since the 1990s for the display of countdown clocks relating to occasions of national importance, including the 1997 transfer of sovereignty of Hong Kong, the 1999 transfer of sovereignty of Macau, the beginning of the 2008 Beijing Olympics, and the opening of the 2010 World Expo in Shanghai.

Controversies

A three-month exhibition of the luxury brand Louis Vuitton in 2011 led to some complaints of commercialism at the museum, with Peking University professor Xia Xueluan stating that as a state-level public museum, it "should in fact only be dedicating itself to non-profit cultural promotion."[13] Yves Carcelle, chairman and chief executive officer of Louis Vuitton Malletier, defended the exhibition by stating: "What's important is what you are going to discover. I think before money, there's history: 157 years of creativity and craftsmanship."[13]

Some critics have also alleged the museum's modern historiography tends to focus on the triumphs of the Communist Party, while minimizing or ignoring politically sensitive subjects such as the Great Leap Forward and the Cultural Revolution.[14]

See also

Bibliography
  • Kirk A. Denton, Exhibiting the Past: Historical Memory and the Politics of Museums in Postsocialist China (University of Hawaii Press, 2014), pp. 33–39, 45–74.

References
  1. The Art Newspaper visitor survey, April 9, 2020
  2. "Wang Chunfa became the director of NMC". Wangyi News. 2018-01-04.
  3. Annual survey of museum visitors, the Art Newspaper, 9 April, 2020<
  4. "Message from NCM Director (Wang Chunfa)". en.chnmuseum.cn. Retrieved November 30, 2018.
  5. China.org
  6. "China's National Museum to reopen on April 1". Archived from the original on 2017-02-16. Retrieved 2011-02-24.
  7. Hanno Rauterberg, Aufklärung in eigener Sache, Die Zeit, April 1, 2011 (in German)
  8. "National Museum gets major makeover". China Economic Review. 2011-02-21. Archived from the original on 2017-08-16. Retrieved 2012-06-03.
  9. "The National Museum of China". China Culture. Archived from the original on 2014-05-27.
  10. Luo Bozhao qianbixue wenji by Ma Feihai, Zhou Xiang, Luo Jiong, Luo Bozhao, review by Helen Wang The Numismatic Chronicle (1966-), Vol. 165 (2005), pp. 413-414
  11. Varutti, Marzia. Museums in China : the politics of representation after Mao. Woodbridge. p. 115. ISBN 9781782042105. OCLC 869551750.
  12. Official page
  13. "National museum, LV reject criticisms of design exhibition". Global Times. June 1, 2011. Retrieved 2012-01-17.
  14. Ian Johnson (April 3, 2011). "At China's New Museum, History Toes Party Line". The New York Times. Retrieved 2012-01-17.

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