Marisol (actress)

Her passion for dance and music was transmitted by her grandmother Victoria. She was already a phenomenon of Coros y Danzas (Choirs and Dances), the organization created by Franco to promote regional folklore. One of her first television performances was seen by Mari Carmen Goyanes, daughter of producer Manuel Goyanes, who convinced her father that the girl she had seen on television was the actress and singer they needed. The producer convinced Pepa Flores parents and finally signed an exclusive contract with them that made him a millionaire.

The career of Marisol, her artistic name, had just begun. She was extremely popular in Spain and Latin America. She received dance, acting, declamation classes with the best teachers with the idea of making her the star of children's and youth cinema.

From her first film Un rayo de luz a huge merchant produce was organized around the new star with books, dolls, cards and all kinds of objects with the image of the girl. Each film premier included a tour of Spain and Hispanic countries to promote it, with all kinds of events, creating tumults and crowds at the airports . Televisions, interviews and hundreds of photo shoots in addition to the film shootings prevented her from having a childhood like that of any other girl. Columbia Pictures wanted to buy the rights to Manuel Goyanes to continue exploiting her artistic career, but the producer rejected it.[1]

Marisol was a child star during the 1960s, entertaining high-ranking dignitaries (including Francisco Franco). Director Luis Lucia Mingarro propelled her to national stardom in the film trilogy Un rayo de luz (Ray of Light), Ha llegado un ángel (An Angel Has Arrived) and Tómbola (Lottery). The films featured Marisol singing some of her best-known songs, "La vida es una tómbola" ("Life Is a Lottery"), "Corre, corre, caballito" ("Run, Run, Little Horse"), "Bambina", "Ola, Ola, Ola", "Estando contigo" ("Being with You"), "Chiquitina" ("Little Girl") and "Nueva melodía" ("A New Melody"). In 1963 she starred in Marisol Rumbo a Río (Marisol Is Bound for Rio), where she played twins (similar to Hayley Mills in The Parent Trap) and sang "Bossanova junto a ti" ("Bossanova Close to You"), "Muchachita" ("Little Woman"), "¡Oh, Tony!" and "Guajiras". Marisol co-starred with Robert Conrad in the 1964 film La Nueva Cenicienta (The New Cinderella), in which she sang "Me conformo" ("I Am Happy"). Mel Ferrer directed her in Cabriola (Prancer) in 1965, where she sang "Cabriola", "¡Ay, vagabundo!", "Ya no me importas nada" ("You Mean Nothing to Me") and "Sevillanas", and went shopping in Paris with Audrey Hepburn. She appeared in Búscame esa chica (Find Me That Girl) with El Duo Dinámico (a popular duet during the 1960s and 1970s). The film had biographical elements, featuring Marisol singing "Mi pequeña estrella" ("My Little Star"), "Typical Spanish" and "Solo a Ti" ("Only To You"). She had a cameo in La historia de Bienvenido (Bienvenido's Story), a story about a donkey.

In 1967, Marisol starred in the comedy Las cuatro bodas de Marisol (The Four Weddings of Marisol), as the daughter of actress Isabel Garcés, and sang "La Boda (Marisol song)" ("The Wedding"), "Johnny", "Belen, Belen" (with Catalan flamenco singer Peret), and "La Tarara" (inspired by a García Lorca poem). She appeared in es:Solos los dos (The Two Alone), where she sang "La nieve" (her most popular song in South America, composed by Juan Pardo and Rocío Dúrcal's husband, Júnior). She appeared in the unsuccessful Carola de día, Carola de noche (Carola by Day, Carola by Night). In 1969, Marisol appeared in the musical comedy El taxi de los conflictos (The Taxicab of Troubles), where she sang "Corazón contento" ("Happy Heart"), a song composed by Argentine singer Palito Ortega.

Marisol received the Best Actress prize at the Karlovy Vary International Film Festival for her role in Los Días del Pasado (The Bygone Days). Marisol also appeared in La corrupción de Chris Miller (The Corruption of Chris Miller), directed by Juan Antonio Bardem (uncle of Spanish actor Javier Bardem); La chica del Molino Rojo (The Girl from the Red Cabaret) with Mel Ferrer, and El poder del deseo (The Power of Desire) with Pilar Bardem (directed by Juan Antonio Bardem).

As an adult, Marisol changed her stage name to her given name, Pepa Flores. More recently, Marisol appeared in Carlos Saura's film Bodas de sangre (Blood Wedding, based on García Lorca's play), and in Carmen (1983). She played the title role (a Liberal Party heroine) in the Spanish national television series Mariana Pineda in 1984, and was applauded for her lead role in the 1985's Caso Cerrado with Antonio Banderas.