Chapel Royal

The Chapel Royal is an establishment in the Royal Household serving the spiritual needs of the sovereign of the British royal family. Historically it was a body of priests and singers that travelled with the monarch. The term is now also applied to the chapels within royal palaces, most notably at Hampton Court and St James's Palace,[1] and other chapels within the Commonwealth designated as such by the monarch. Within the Church of England, some of these royal chapels may also be referred to as Royal Peculiars, an ecclesiastical jurisdiction of the monarch.

This article is about British Commonwealth-related royal chapels. For other uses, see royal chapel and royal chapel (disambiguation).

The Chapel Royal's role is to perform choral liturgical service.[2] It has played a significant role in the musical life of the nation, with composers such as Tallis, Byrd and Purcell all having been members of the choir.[3] The choir consists of Gentlemen of the Chapel Royal singing the lower parts alongside the boy choristers known as the Children of the Chapel.

History

Middle Ages

In their early history, the English chapel royal travelled, like the rest of the court, with the monarch and performed wherever he or she was residing at the time.

The earliest written record of the chapel dates to c.1135 in the reign of Henry I. Specified in this document of household regulations are two gentlemen and four servants, although there may have been other people within the chapel at this time.[4] An ordnance from the reign of Henry VI sets out the full membership of the chapel as of 1455: one Dean, 20 Chaplains and Clerks, seven Children, one Chaplain Confessor for the Household, and one Yeoman. However, in the same year the clerks petitioned the King asking that their number be increased to 24 singing men due to "the grete labour that thei have daily in your chapell".[4]

From the reign of Edward IV further details survive. There were 26 chaplains and clerks, who were to be "cleare voysid" in their singing and "suffisaunt in Organes playing". The children were supervised by a Master of Song, chosen by the dean from among the Gentlemen of the Chapel Royal. They were allocated supplies of meat and ale, and their own servant.[4] There were also two Yeoman of the Chapel who acted as epistlers, reading from the bible during services. These were appointed from Children of the Chapel whose voices had recently broken.[4][5]

Tudor period

The chapel remained stable throughout the reign of Henry VIII and the Dissolution of the Monasteries. The number of singers did vary during this period however, without apparent reason, from between twenty to thirty gentlemen and eight to ten children.[4] The chapel travelled with the King to the Field of the Cloth of Gold, and on the second invasion of France.[4]

Drama

In the Tudor period, the chapel increasingly took on another, unofficial, function that would gain in significance into the 17th century - that of performing in dramas. Both the gentlemen and children would act in pageants and plays for the royal family, held in court on feast days such as Christmas. For example at Christmas 1514, the play "The Triumph of Love and Beauty" was written and presented by William Cornysh, then Master of the Children, and was performed to the King by members of the chapel including the children.[6]

The chapel achieved its greatest eminence during the reign of Elizabeth I, when William Byrd and Thomas Tallis were joint organists. The Master of the Children of the Chapel Royal had, until at least 1684, the power to impress promising boy trebles from provincial choirs for service in the chapel. The theatre company affiliated with the chapel, known as the Children of the Chapel Royal, produced plays at court and then commercially until the 1620s by playwrights including John Lyly, Ben Jonson and George Chapman.

Members of the Chapel at the
funeral procession of Elizabeth I of England
  • Children of the Chapel
  • Gentlemen of the Chapel

17th century

In the 17th century the chapel royal had its own building in Whitehall, which burned down in 1698; since 1702 it has been based at St James's Palace. The English Chapel Royal became increasingly associated with Westminster Abbey, so that by 1625 over half of the Gentlemen of the English Chapel Royal were also members of the Westminster Abbey choir.[7] In the 18th century the choristers sang the soprano parts in performances of Handel's oratorios and other works. Under Charles II, the choir was often augmented by violinists from the royal consort; at various times the chapel has also employed composers, lutenists and viol players.

Portrait of a Boy Chorister of the Chapel Royal, c. 1873 by Richard Buckner. Victoria and Albert Museum, London.

Functions and functionaries

The Chapel Royal is a department of the Ecclesiastical Household, which was established in 1483, under Edward IV, as the Royal Free Chapel of the Household.[8] The Chapel Royal is a grouping of clerics and musicians, rather than a physical building.[8] Traditionally, the members of the Chapel Royal are divided into clerics, choristers, and gentlemen of the chapel.[8] The Chapel Royal is a royal peculiar (a church institute outside the usual diocesan structure of the Church); it is one of the three major royal particulars, the others being Westminster Abbey and the St George's Chapel, Windsor Castle (which includes the Royal Chapel of All Saints).[9] The members of the ecclesiastical household in Scotland are supplied by the Church of Scotland, while the members of ecclesiastical household in England are supplied by the Church of England.[10]

Since the 18th century, the dean of the Chapel Royal in England has been held by the sitting Bishop of London, with control of music vested in the sub-dean (currently Paul Wright).[8]

The Chapel Royal conducts the Service of Remembrance at the Cenotaph in Whitehall and combines with the choir of the host abbey or cathedral on Royal Maundy.

Locations

The principal locations in which the chapel operated have varied over the years. For example in the early Tudor period and in Elizabeth I's reign, the chapel's activity was often centered around the Greenwich Palace and the Palace of Whitehall.[11]

George, Duke of York and Mary of Teck at the Chapel Royal in St. James's Palace, 1894

Under Elizabeth II the chapel's primary location is at St James's Palace.

United Kingdom

St James's Palace

The chapel at St James's has been used regularly since 1702 and is the most commonly used facility today. Located in the main block of St James's Palace, it was built c. 1540 and altered since, most notably by Sir Robert Smirke in 1837. The large window to the right of the palace gatehouse is in the north wall of this chapel which is laid out on a north-south rather than the usual east-west axis. Its ceiling richly decorated with royal initials and coats of arms is said to have been painted by Holbein.

The separate Queen's Chapel, once also physically connected the main part of St James's Palace, was built between 1623 and 1625 as a Roman Catholic chapel, at a time when the construction of Catholic churches was prohibited in England, for Queen Henrietta Maria, wife of Charles I. From the 1690s it was used by Continental Protestant courtiers and became known as the German chapel. After the adjacent apartments burnt down in 1809 they were not replaced, and in 1856–57 Marlborough Road was built between the palace and Queen's Chapel.

Other Chapels Royal
Entrance to the Chapel Royal at Hampton Court Palace

At the daughter Chapel Royal at Hampton Court Palace, a permanent chorus was created in 1868. The chorus, which sings on Sundays and major feast days, consists of fourteen boy members and six gentlemen members.[12] An organ was built in 1712 and most recently restored in 2013.[13][12]

Two patronised chapels royal almost never attended by the monarch are the chapels of St John the Evangelist and St Peter ad Vincula in the Tower of London, having their own chaplains and choirs. In 2012, Roger Hall, the chaplain of the Tower of London, was made canon of the chapel royal at the Tower of London, the first such appointment since the 16th century.[14]

Chapels with a royal original purpose, but presently without royal patronage include the Royal Chapel of St Katherine-upon-the-Hoe in the Royal Citadel in Plymouth. However, in 1927, King George V re-granted the title Royal Chapel to the garrison church.

Additionally, several other locations have also formerly hosted a Chapel Royal, including the former chapel royal in Brighton. The Chapel Royal in Brighton was used by visiting royalty and as the primary chapel of ease to St Peter's Church in Brighton.[15] The chapel was formally separated from St. Peter's parish in 2010, and became a parish in its own right. Another former chapel royal was situated in Dublin prior to the independence of Ireland in the 1920s. The Chapel Royal in Dublin operated within Dublin Castle, which served as the official seat for the Lord Lieutenant of Ireland.

Canada
Christ Church Royal Chapel is one of three chapels royal in Canada

Three sanctuaries in Canada have the designation of Chapel Royal, and all of them are located in the province of Ontario. Chapels royal in Canada fall under the jurisdiction of the Bishop of Ontario, as they reside in the Diocese of Ontario.[16]

Mohawk Chapel in Brantford was designated as a Chapel Royal in 1904 by Edward VII.[17] The designation was made in recognition of the historic alliance between the Mohawk people and the Crown, referred to as the Covenant Chain. In 2004, Elizabeth II designated Christ Church near Deseronto as a Chapel Royal.[16] The chapel served as the church for the Tyendinaga Mohawk Territory, and was designated as a Chapel Royal in recognition of the community's military service.[18]

The first two chapels royal were established within Mohawk communities established in Canada after the American Revolutionary War;[19] the Crown gave several gifts to these chapels royal, including silver communion services and a bible from Queen Anne, a triptych from King George III, a bible from Queen Victoria, and a bicentennial chalice from Queen Elizabeth II.[17] In 2010, Elizabeth II presented to the Mohawk Chapel a set of silver hand bells engraved with the words, "Silver Chain of Friendship, 1710–2010," to commemorate the tricentennial of the first meeting between Mohawk representatives and the Crown.[19][16]

Prince Arthur at Mohawk Chapel in 1913. The sanctuary was designated as a Chapel Royal in 1904.

In April 2016, the Queen approved in principle that St Catherine's Chapel in Toronto be designated a Chapel Royal. The chapel itself is situated within Massey College, a college of the University of Toronto, conceived by Vincent Massey, a former governor general of Canada. It became Canada's third Chapel Royal on 21 June 2017, during National Indigenous Peoples Day.[20][21] St. Catherine's Chapel was designated as a Chapel Royal in recognition of the sesquicentennial of Canada, the relationship between Massey College and the Mississaugas of the Credit First Nation,[20] and as a gesture of reconciliation.[21]

See also

References
  1. "The Tudor Palace and Chapel Royal". HM Chapel Royal and The Choral Foundation.
  2. Peter McCullough, ed. (2013). The Oxford Edition of the Sermons of John Donne, Volume 1. p. xxiv. ISBN 9780199579365.
  3. Martin Cullingford (15 March 2013). "Past and present at the Chapel Royal, Hampton Court". Gramophone Magazine.
  4. Hillebrand, Harold N. (September 1920). "The Early History of the Chapel Royal". Modern Philology. 18 (5): 233–268. doi:10.1086/387341.
  5. Tessa Murray (2014). Thomas Morley: Elizabethan Music Publisher. p. 39. ISBN 9781843839606.
  6. Ward, A. W.; Waller, A. R. (1969). Cambridge History of English Literature 6, Part 2: The Drama to 1642. ISBN 9780521045209.
  7. Le Huray, Peter (1978). Music and the Reformation in England, 1549-1660. Cambridge: Cambridge University Press. pp. 73–74.
  8. Charles Edward McGuire & Steven E. Plank, Historical Dictionary of English Music: ca. 1400-1958, pp, 78-79.
  9. Constitutional Reform: Reforming the Office of the Lord Chancellor (Department of Constitutional Affairs, 2003), p. 32.
  10. Stuart D.B. Picken, Historical Dictionary of Calvinism (Scarecrow Press), p. 62.
  11. Peter McCullough, ed. (2013). The Oxford Edition of the Sermons of John Donne, Volume 1. p. 25. ISBN 9780199579365.
  12. Lewis Foreman & Susan Foreman, London: A Musical Gazetteer (Yale University Press, 2005), p. 80.
  13. http://www.harrisonorgans.com/wp-content/uploads/2015/10/Hampton-Court-Palace.pdf
  14. "Roger Hall installed as Canon of the Chapels Royal". Diocese of London. 7 November 2012. Retrieved 29 April 2020.
  15. Dale, Antony (1989). Brighton Churches. London: Routledge. p. 29. ISBN 0-415-00863-8.
  16. "The Anglican Parish of Tyendinaga". parishoftyendinaga.org. The Anglican Parish of Tyendinaga. 2015. Retrieved 3 March 2020.
  17. "Royal Designation". Mohawk Chapel. 2020. Retrieved 3 March 2020.
  18. Balogh, Meghan (12 November 2018). "Mohawk Royal chapel bells toll for armistice". The High River Times. Postmedia Network Inc. Retrieved 3 March 2020.
  19. Jackson, D. Michael (2020). Royal Progress: Canada's Monarchy in the Age of Disruption. Dundurn. p. 15. ISBN 1-4597-4574-4.
  20. "The Chapel Royal". masseycollege.ca. Massey College. 2020. Retrieved 3 March 2020.
  21. Bykova, Alina (20 June 2017). "Massey College chapel designated third Chapel Royal". The Toronto Star. Torstar Corporation. Retrieved 3 March 2020.
  • "London (i), §II, 1: Music at court: The Chapel Royal", Grove Music Online ed. L. Macy (Accessed 16 September 2004), Grovemusic.com
  • The Buildings of England, London 6: Westminster (2003) page 587.
  • "Blow, John." Grove Music Online ed. L. Macy (Accessed 13 December 2006), Grovemusic.com
  • "Purcell." Grove Music Online ed. L. Macy (Accessed 13 December 2006), Grovemusic.com
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.