Catherine Madox Brown
Catherine Madox Brown Hueffer (11 November 1850 – 3 June 1927), also known as Cathy, the first child of Ford Madox Brown and Emma Hill, was an artist and model associated with the Pre-Raphaelites and married to the writer Francis Hueffer.
Catherine Madox Brown Hueffer | |
|---|---|
 Catherine Madox Brown (unfinished) | |
| Born | Catherine Madox Brown 11 November 1850 London, England |
| Died | 3 June 1927 |
| Nationality | British |
| Education | Queen's College, Harley Street |
| Movement | Pre-Raphaelite Brotherhood, Aesthetic Movement, Arts and Crafts Movement |
| Spouse(s) | Francis Hueffer |
Early life
Born out of wedlock to Ford Madox Brown and Emma Matilda Hill on 11 November 1850 in London, Catherine was named after Emma's mother.[1] Emma and Catherine posed as the mother and child in Pretty Baa-Lambs.[2] Catherine's parents married in 1853.
Marriage and family
She married Francis Hueffer on the 3 September 1872. They had two surviving sons, Ford Madox Ford born 1873 and Oliver Madox Hueffer, both writers. Their daughter, Juliet Catherine Emma, married Russian revolutionary journalist David Soskice, whose son Frank Soskice became Home Secretary.
Emma left Catherine all of her property after her death in September 1890.[3] Francis Hueffer died in January 1899.[4]
Artistic career
She began painting along with her half-sister Lucy Madox Brown, modelled and worked as an assistant under their father. Other female Pre-Raphaelite artists such as Georgiana Burne-Jones, the sister of Thomas Seddon and Marie Spartali Stillman also took lessons in the same studio.
List of works
Portrait of her father Ford Madox Brown at the Easel, watercolour, 1870.[5]
At the Opera, watercolour and pencil, 1869.
Wandering Thoughts, watercolour heightened with bodycolour, 1875.
Portrait of Laura, wife of Sir Lawrence Alma-Tadema, watercolour, 1872, 50.8 x 33 cm, Exh. The Fine Art and Antiques fair Olympia, London, 2000 by Campbell Wilson (London).
Work and portraits
Catherine Madox Brown, Portrait of the artist's second daughter by Ford Madox Brown, 1852, Walker Art Gallery, 19 cm x 16.5 cm, Accession Number WAG10507
Waiting: an English fireside of 1854-55 by Ford Madox Brown
Pretty Baa-Lambs by Ford Madox Brown, oil on panel, 1851/1859, Birmingham Museums and Art Gallery
Stages of Cruelty (Catherine Madox Brown is the child), 1857, Manchester Art Gallery
Cathy Madox Brown, pencil, Tate Gallery
Further reading
- Birmingham Museums & Art Gallery, Catherine Madox Brown
- Thirlwell, Angela, Into The Frame: The Four Loves of Ford Madox Brown (London: Chatto & Windus, 2010)
- ---., William and Lucy: The Other Rossettis. (New Haven/London: Yale University Press, 2003), ISBN 0-300-10200-3
- Marsh, Jan and Nunn, Pamela Gerrish, Women Artists and the Pre-Raphaelite Movement (London: Virago, 1989)
- Marsh, Jan, Pre-Raphaelite Sisterhood, (London: Quartet, 1985)
- Roe, Dinah The Rossettis in Wonderland. A Victorian Family History(London: Haus Publishing, 2011), ISBN 978-1-907822-01-8
- Gaze, Delia, Dictionary of Women Artists, Volume 1 (London: Routledge, 1997)
- Peattie, Roger W., Selected Letters of William Michael Rossetti (University Park: Pennsylvania State University Press, 1990)
- Treuherz, Julian, Ford Madox Brown: Pre-Raphaelite Pioneer (London: Philip Wilson Publishers, 2011) ISBN 978-0-85667-700-7
References
- Thirlwell, Angela, Into The Frame: The Four Loves of Ford Madox Brown (London: Chatto & Windus, 2010), p. 46-47.
- Pretty Baa-Lambs, Birmingham Museums and Art Gallery
- Thirlwell, Angela, Into The Frame: The Four Loves of Ford Madox Brown (London: Chatto & Windus, 2010), p. 235
- Moser, From Olive Garnett's Diary: Impressions of Ford Madox Ford and His Friends, 1890-1906 in Texas Studies in Literature and Language, Vol. 16, No. 3 (Fall 1974), pp. 511-533
- Ford Madox Brown (1821-1893), Painter and designer
