Camptown Races

Wikisource has the complete original lyrics to: Camptown Races (1850) by Stephen Foster

Camptown ladies sing dis song, Doo-dah! doo-dah!
Camptown race-track five miles long, Oh, doo-dah day!
I come down dah wid my hat caved in, Doo-dah! doo-dah!
I go back home wid a pocketful of tin, Oh, doo-dah day!

Gwine to run all night!
Gwine to run all day!
I'll bet my money on de bob-tail nag,
Somebody bet on de bay.

"Camptown Races" was introduced by the Christy's Minstrels.

Richard Jackson was curator[5] of the Americana Collection at New York Public Library; he writes:

Foster quite specifically tailored the song for use on the minstrel stage. He composed it as a piece for solo voice with group interjections and refrain ... his dialect verses have all the wild exaggeration and rough charm of folk tale as well as some of his most vivid imagery ... Together with "Oh! Susanna", "Camptown Races" is one of the gems of the minstrel era."[6][7][8]

In The Americana Song Reader, William Emmett Studwell writes that the song was introduced by the Christy Minstrels, noting that Foster's "nonsense lyrics are much of the charm of this bouncy and enduring bit of Americana", and the song was a big hit with minstrel troupes throughout the country. Foster's music was used for derivatives that include "Banks of the Sacramento", "A Capital Ship" (1875), and a pro-Lincoln parody introduced during the 1860 presidential campaign.[9]

Richard Crawford observes in America's Musical Life that the song resembles Dan Emmett's "Old Dan Tucker", and he suggests that Foster used Emmett's piece as a model. Both songs feature contrast between a high instrumental register with a low vocal one, comic exaggeration, hyperbole, verse and refrain, call and response, and syncopation. However, Foster's melody is "jaunty and tuneful" while Emmett's is "driven and aggressive". Crawford points out that the differences in the two songs represent two different musical styles, as well as a shift in minstrelsy from the rough spirit and "muscular, unlyrical music" of the 1840s, to a more genteel spirit and lyricism with an expanding repertoire that included sad songs, sentimental and love songs, and parodies of opera. Crawford explains that, by mid-century, the "noisy, impromptu entertainments" characteristic of Dan Emmett and the Virginia Minstrels were passé and the minstrel stage was changing to a "restrained and balanced kind of spectacle".[10]

Keystone Marker for Camptown, 4.2 miles north of Wyalusing, Pennsylvania[11][12]

Historians cite the village of Camptown, Pennsylvania as the basis for the song, located in the mountains of northeast Pennsylvania. The races were resumed nearby in 1965 as a footrace, without horses. The Pennsylvania Historical Society confirmed that Foster traveled through the small town and afterwards wrote the song. The Bradford County Historical Society documents Foster attending school in nearby Towanda and Athens in 1840 and 1841. The schools were located 5 miles (8 km) from the racetrack. The current annual running of the Camptown Races was replaced by a 6.2-mile (10 km) track covering rough lumbering trails.[13]

The song was the impetus for renaming Camptown, a village of Clinton Township, Essex County, New Jersey. When the new ballad was published in 1850, some residents of the village were mortified to be associated with the bawdiness in song. The wife of the local postmaster suggested Irvington, to commemorate writer Washington Irving, which was adopted in 1852.[14]

In one of the most widely familiar uses of "Camptown Races" in popular culture, the Looney Tunes and Merrie Melodies cartoon character Foghorn Leghorn frequently hums the tune to himself (breaking into song only for the "Doo-Dah" refrain) in most of the 28 cartoons the character appears in, produced between 1946 and 1963. Notably, Leghorn was not based on a minstrel character, but on Kenny Delmar's popular radio character, the overbearing Southerner Senator Claghorn.[15]

The song was revived on a number of occasions in the twentieth century with recordings by Bing Crosby (recorded December 9, 1940),[16] Johnny Mercer (1945),[17] Al Jolson (recorded July 17, 1950),[18] Julie London (included in her album Swing Me an Old Song — 1959), and Frankie Laine (included in his album Deuces Wild — 1961).[19]

Country music singer Kenny Rogers recorded the song in 1970 with his group, The First Edition, on their album Tell It All Brother under the title of "Camptown Ladies".

• "Two World Wars and One World Cup" is a football song sung by supporters of the England national football team to the tune of "Camptown Races" as part of the England–Germany football rivalry.[20]

• "Camptown Races" by Billy Murray and chorus (1911), sung in the minstrel style